Piece of silk fabric from Basil Watson's plane; with stylised logo 'BW' painted in grey and black. Handwritten on back in ink 'Taken from Basil's plane' Potentially taken from Basil Watson's plane following his fatal crash at Point Cook in 1917.aviation, civilian, fabric

The minutes of each meeting of the Board of Management of the Victorian Deaf & Dumb Institution, the Victorian School for Deaf Children and Deaf Children Australia has been retained from 1862 to 2010.The minutes of the meetings provide an insight into the day to day running of the School, from Wages and Salaries, student issues to broader educational topics, building works and finances.Light blue woven/painted cover withsimilar dark blue spine, hardcover blank book containing type pages glued onto blank pages. Contains minutes of meetings of the Board of Management of the Victorian School for Deaf Children from September 1991 to July 1992Spine: "MINUTES/Sept. 1991 to July 1992" in gold lettering on dark red backgrounddeaf children australia, deaf education, minutes of meeting

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Paper mache head and hands and 1 wooden boot covered with brown leather. 1 wooden leg carved as a hoof. Head painted red with white eyes and teeth trimmed in black. dressed in maroon trousers and coat with red and gold trimmings. Black felt collar.pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre

Else Oertel and her daughter Else-Lore were interned in Camp 3A from 1940. Her husband was not interned as he was on a business trip to Germany when war broke out. Olive green linen cover with embossing on edge and spine. Gold printing on spine. 256 pages. The front of the original dust cover has been attached to the inside of the book. It is colour picture of four children in a farmyard with chickens and two cats. Painted by Ettel Kate Burgess.Hand written inside: Else-Lore Oertel from the Red Cross, Christmas 1942, Tatura Internment Camp 3A. else lore hukins, children's books, camp 3, christmas, red cross, internees

Jones Lock-Stitch Sewing Machine made of black painted heavy metal with gold-leafed pattern on the fiddle-shaped base and along the upper arm. Four claw feet moulded on to base and handle attached to wheel - metal workings visible under hollow base.Maker's insignia on centre of base in gold and green circle reads "JONES MACHINE" around circumference and 'HAND" in central shield.machine, sewing, hand operated

Handmade by internee in Camp 3 for his son. Handpainted by Georg Hoffmann in Camp 1.Wood carving of a girl carrying a basket. painted red/orange cloak over brown skirt, black shoes, red/orange bonnet. Standing on a triangular shaped green base with tufts of grass. A character from "The Little Goose Girl" from Grimms Fairy Taleswooden, drescher w, drescher p, hoffmann g, camps 1 and 3, tatura, ww2 camps 1 and 3, handcrafts, wodcarving, the little goose girl

In 1914, Mr and Mrs Arthur Hooke gave the name ‘Wandinong’ to their newly purchased property in Blackburn. The name was inspired by a recent cycling trip to Wandin in the foothills of the Dandenongs, as well as the title of a favourite book, Ethel Turner’s ‘The Camp at Wandinong’. Their property and the surrounding district had originally been owned by a series of property investors and speculators, and while some of it had been cleared for grazing, most of it was still covered in virgin bush; thickly covered with trees and undergrowth and rich in wild flowers and bird life. A small section of the Hooke’s property was cleared sufficiently to r\erect a house and some outbuildings, but the rest was left as n nature intended. Mar Arthur Hooke was a local property valuer but never owned a car, preferring to attend to business on his bicycle. He was still riding his bicycle in his eighties. Meanwhile, Mrs Hooke had developed a keen desire that the ‘Wandinong’ property remain intact; that it should ultimately be set aside as a place of refuge where like-minded people could go to enjoy peace and quiet amongst the native birds and bushland.|To this end, Mr and Mrs Hooke liaised with the Nunawading Council and an agreement was reached whereby the council would assume ownership of the property on their deaths. When Mr Hooke died in 1972, his wife transferred the land over to the council the following year. Mr and Mrs Arthur Hooke’s Grandson, William, and granddaughter, Christine, recently donated their grandmother’s bicycle to the Whitehorse Historical Society. They recall that their grandfather’s bicycle was given to a representative of the Nunawading Council for safekeeping some years ago. Ladies two wheel bicycle with tool bag attached & black leather seat. Two mud guards, a skirt guard & a reflector on the back mud guard. 'Kew Flyer' painted on front mud guard. Two rubber tyres & provision for a head light on the handle bars.'Kew Flyer'transport, bicycles

Metal hip bath painted cream inside and light brown on outside. Handle for carrying.|Also known as a SITZ bath in which the buttocks and hips are immersed in hot water, especially for therapeutic effects as after perineal or pelvic surgery. (See Supplementary File for further details)domestic items, ablutions

A wooden racquet with a concave throat and hand carved, latticed handle. The throat on obverse features the inscription: HEXAGON C. Below inscription is the Horsman 'centaur' trademark in black and gold. Materials: Wood, Gut, Metal, Lacquer, Glue, Ink, Paint, Leather, Cloth tape, Nylontennis

A Dayton steel upper, wood lower, tennis racquet, with open throat, piano wire racquet strings, cloth string whipping around shoulders, and leather handle grip with large floral perforations. Materials: Metal, Glue, Lacquer, Paint, Leather, Ink, Cloth, Stringtennis

Framed watercolour titled: "After the Rain" by Julie Lundgren Coulter. Set in cream window mount with engraved brass plaque affixed to lower edge. Brown painted wood frame. Features five bathing boxes on beach with grey clouds in sky and water pools in sand.

Hand painted enamelled Chinese vase on stand. Features a floral design predominately in colours of white, blue, pink, green, black with gold trim and edging. The gold finish is especially a feature inside the vase neck. Black enamelled wood stand with labels on the base with price.

Colour print of Caribbean Art painted by Gilly Gobinet. Features a man on a donkey, woman with child, goat and chickens on a road near a village. Sea and sky in background. Set in cream card window mount. Sealed in cellophane bag with blue sheet containing a description of the artist.

Brown wooden honour board with gold text in the shape of a rectangle with a protrusion at the top to accommodate for a large WHS logo and a title reading HOUSE CAPTAINS. Along the top of the main body or text is a row of painted metal plates in the school house colours above the names of the houses.HOUSE CAPTAINS 1955 (O) J. BELL, D. CICUTO (K) T. McHARRY S. HEBERLE (M) J. SONNEMANN, L. BRISBANE (W) W. STUDHAM, M, LA FONTAINE 1956 (O) E. JONES, J. PETTERSON (K) T.McHARRY, S. HEBERLE (M) J. SONNEMANN, L. BRISBANE (W) B. HOPPER, N. CLARK 1957 (O) A. CORNELIUS, M. MAUGER (K) A. KERRIS, L. BLOOM (M) D. GLASSENBURY, J. COLTHRUP, (W) R. JONES, J. SINCLAIR 1958 (O) A. CORNELIUS, J. PRATT (K) D. DE CHAN, D, SOUTHGATE ((M) B. WALKER, M. PETHYBRIDGE (W) G. SMITH, W. ROBERTS 1959 (O) L. FRY, J. EDDEY (K) G. WATSON, M. WHITE (M) P. BRUCE & G. McINTOSH, I. VINCENT (W) B. SUTTON, B. JOB 1960 (O) F. COBHAM, M. GROSSMAN (K) G. WATSON, M. WHITE (M) J. STONE, C. KNEEBONE (W) E. CORNELIUS, B. JOB 1961 (O) F. COBHAM, E. EDGAR (K) M. KEENAN, J WHITEHEAD (M) R. STONE, E. EVERON (W) R. GOWLING, J. MURPHY 1962 (O) R. BOYD, C. TIPPETT, (K) J. KOST, J. WHITEHEAD (M) R. STONE, N. KINIBURGH (W) G. DUNSTAN, V. CROSS 1963 (O) C. SQUIRE, C. TIPPETT (K) N. MARTIN, V. ROSENGREN (M) L. SULLIVAN, B. CROCKET (W) R. McCONSHIE, B. MUNCEY 1964 (O) G. ROSSER, C. NEWTH (K) J. ALLEN, R. ALEXANDER (M) P. BRYCE, J. DAVEY (W) G. WOOD, H. STEWART 1965 (O) L. WADLEY, J. SCHULTZ (K) K. WOLFEL, R. SIMMONDS (M) R. FERGUSON, M. HEMPHILL (W) I. MITCHELL, M. STEWART 1966 (O) D. SANGER, C. CUTLER (K) G. TERRY, A. ROBINSON (M) W. WOODS, J. CANAVAN (W) R. SOUTHERN, H. STEWART 1967 (O) G. WELCH, C. CUTLER (K) P. RICKARDS, C. TIPPETT (M) K. MURRAY, J. CANAVAN (W) R. GUMLEY, S. WORLAND 1968 (O) G. WELCH, V. FURS (K) W. McGREGOR, S. TOBIAS (M) D. TIMMINS, M. GEORGE (W) J. STOLARCZYK, B. DOBSON 1969 (O) R. STONE, V. FURS (K) W. Mc GREGOR, D. BAYLISS (M) G. McINTYRE, E. CONNORS (W) R. SYMONS, M. JACKEL 1970 (O) K. BROWN, V. DEWS (K) B. FISHER, D. BULTHUIS (M) G. McINTYRE, P. MEEK (W) H. FRY, P. O'TOOLE 1971 (O) B. COOK, S. BARRY (K) B. FISHER, M. RHODES (M) I. McCORMICK, J. HARBOUND (W) H. FRY, M. MITCHELL 1972 (O) B. COOK, V. RYAN (K) L. HARTWIG, F. CLUGG (M) I. McCORMICK, J. HARBOURD (W) J. DELLICASTELLI, J. PARRISH 1973 (O) N. BRAUMAN, R. SLOAN (K) R. LUMSDEN, V. WATKINS (M) D. GRIFFITH, J. ALDERIDGE (W) S. PEAKE, S. PHILLIPS 1974 1975 (O) R. MOORE, A. DUSTIN (K) C. DALEY, G. HARTWIG (M) G. VOSS, R. ALDERIDGE (W) J. CROXFORD, L. TOWNSEND 1976 1977(O) A. GILBERT, B. ALLEN (K) I. CESA, S. ANDERSON (M) G. VOSS, K. CHAPLIN (W) T. SEYMOUR, J. HILL 1978 (O) P. PATTERSON, B. ALLEN (K) l. MABIN, S. ANDERSON (M) T. SMITH, I. HULLEY (W) D. PROSSER, J. GIBB 1979 (O) P. RUNDELL, J. FRAZER (K) J. DOIG, S. TOOHEY (M) G. PRITCHARD, S. CAMPBELL (W) R. BURNS, J. HISKINS 1980 (O) B. SCHULTZ, A. McILROY (K) M. WILLIAMS, S. TOOHEY (M) G. DELL, H. TAYLOR (W) B. ANDERSON, C. SPINK 1981 (O) J. MONCRIEF. M. FRAZER, (K) P. JORDAN, V. WHINRAY (M) R. RUSSELL, M. HUME (W) A. ELWARD, H. KNOBEL

Colour photograph: single storey hotel, white painted façade, brown trim. Foundry Arms Hotel, situated on corner of Old High Street and Shamrock Streets, Golden Square. Arched windows, flat roofed extension at rear of hotel. Potentially early 1980's?bendigo, hotel, foundry hotel, golden square

Colour photograph: Captain Cook Hotel Motel, Napier Street, White Hills.Single storey building, white painted brown corrugated iron roof. Verandah in front, white support posts, brown corrugated roof. Morris Minor car in front. Early 1980's ?bendigo, hotel, captain cook

Colour photograph. Children in costume. Painted scenery. Girl in suit with blue striped tie. Boy in wig and scruffy beard. Gravel Hill Primary School. 1988 Production 'The Wallaby Track'' Back of photo reads: Greg Dundan -Bendigo Addy Editor. Belinda Earnshaw.photo, group, children in costume

Ballarat Tram No. 31, freshly painted, waits at Lydiard and Sturt Streets before proceeding to Gardens via Sturt on 31-3-1962. No ads on tram. Old Commonwealth bank and National Mutual Life buildings in background. Garden seats located at the tramway centre in foreground.'SEC Ballarat, No. 31 Sturt St., 31-3-62' in blue inktramways, trams, ballarat, sturt st., lydiard st north, tram 31

A Dunlop Fort 'Maxply' model tennis racquet, with whipping on shoulders & shaft, and handle wrapped in perforated leather. Model name on base of head/throat on obverse; manufacturer name on base of head on reverse. Materials: Wood, Vinyl, Leather, Ink, Plastic, Paint, Adhesive tapetennis

Four identical, unstrung Spalding Pro Response Series 'The Professional-95' tennis racquets (.1-.4), featuring Gamma Sports 'Gamma Hi-Tech' handle grip, in original retail wrap. Materials: Composite Materials, Plastic, Synthetic material, Nylon, Paint, Inktennis

A Pro Kennex 'Power Champ 3' experimental tennis racquet, featuring a 'wide contour design', and a rare double handle wrapped in Wilson 'Super Tack' handle grip. Materials: Graphite, Paint, Plastic, Adhesive tape, Synthetic material, Ink, Fibreglass, Nylon, Metaltennis

A collection of 36 identical Tennis Craft 'Speedflex Deluxe Model' tennis racquets, with no netting, and tan & brown Kinghorn 'Original' tacky perforated handle grips. Materials: Wood, Fibre, Paint, Ribbon, Adhesive tape, Leather, Cloth, Paper, Ink, Glue, Lacquer, Metaltennis

A collection of 4 identical Tennis Craft 'Speedflex Deluxe Model' tennis racquets, with no netting, and tan & black Kinghorn 'Original' tacky perforated handle grips. Materials: Wood, Fibre, Paint, Ribbon, Adhesive tape, Leather, Cloth, Paper, Ink, Glue, Lacquer, Metaltennis

Multi-part object of 3 identical racquets (parts are numbered from 2008.990.1 to 2008.990.3). Each racquet is: a Dunlop 'Maxply Austral' model with black and clear net strings. Plastic wrap on handle. Materials: Wood, String, Adhesive tape, Nylon, Leather, Paint, Plastictennis

Multi-part object of 6 identical racquets (parts are numbered from 2008.991.1 to 2008.991.6). Each racquet is: a Dunlop 'Californian' model with clear net strings. Racquet in clear plastic factory bag with Dunlop branding. Materials: Wood, Plastic, Adhesive tape, Paint, Leathertennis

A pair of Ayres 'The Cavendish' net posts (.1 (winch) and .2), comprising of a wooden post slotted and fixed into metal base. Winch system is 'The Eezewynder' model. Inscription around metal base: AYRES PATENT/THE CAVENDISH/TENNIS POSTS. Materials: Metal, Wood, Paint, Lacquertennis

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. Modern photographic postcard of the QPO Restaurant and the former Kew Court House. At the front of the restaurant is the Kew War Memorial, the drum of which at this stage was incorrectly painted a shade of green, which the Council later changed after representations from the Kew Historical Society and a heritage report.QPO Bar, Restuarant & Function Centre/ Cnr High Street & Cotham Rd. Mel Ref 45 C6 MacKenzie photography / Copyright margiesphotos.com.auqpo restaurant, kew post office, kew court house, kew war memorial, postcards -- kew (vic.)

A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of a painted rendered pediment of the Kew Court House at the corner of High Street and Cotham Road. The building is a significant example of the English Queen Anne Revival style. The photograph was taken as part of a series by Ralph Andrews (Department of Building, RMIT) in April 1980.kew post office, khs - slides, new public offices -- kew (vic.), architectural styles -- english queen anne revival