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Tatura Irrigation & Wartime Camps Museum
Photograph - copy, D. Clark, Waiting for the Queen 1954, 1989 copy
Copy of photograph of official party waiting for her Majesty, Queen Elizabeth 11, Tatura Railway Station 1954. Flags and decorations were a highlight. Original also in Museum.Black and white copy of photograph of officials waiting for the Queen, 1954.on back: Royal Visit 1954 -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, D. Clark, Waiting for the Queen 1954, 1989 copy
Crowds lined Hogan Street, Tatura, as Queen Elizabeth and Prince Phillip drove down Hogan Street. The Royal car can now be hired for weddings.Black and white copy of photograph of crowds waving to the Royal couple in Hogan Street. T. Flanagan's house in background.on back: Royal Visit 1954 -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, D. Clark, Royal Visit 1954, 1989 copy
Copy of photograph of Royal couple boarding train at Tatura Railway Station. Cr and Mrs Brewer, Station Master Mr Kelly and a guard in picture.Black and white copy of photograph of Queen Elizabeth 11 on board Royal train, Prince Phillip still on station.on back: Royal Visit 1954royal visit -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, D. Clark, Royal Visit 1954, 1989 copy
Copy of photograph of crowd of people who waited at Park Street, Tatura, crossing, to farewell the Royal couple on their way to Echuca. Queen Elizabeth and Duke of Edinburgh passed through Tatura on Friday 5 March 1954.Black and white copy of photograph of many people waiting at Park Street, Tatura, crossing for Royal train, on back: Royal Visit 1954royal visit -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, D. Clark, Flanagah's Store, 1989 copy
Copy of original photograph of crowds gathering to see Queen Elizabeth drive through Hogan Street. Flags decorating Flanagan's store. Other shops, banks, hotel in background.Black and white copy photograph of early 1950's cars in front of Flanagan's Store, Hogan Street, Tatura.on back: Flanagan's Store, Hogan Street, Tatura. -
Tatura Irrigation & Wartime Camps Museum
Photograph, Royal Visit 1954, 1954 original
Original photograph of official party waiting for her Majesty, Queen Elizabeth 11, Tatura Railway Station 1954.Black and white photograph of Royal visit. Queen Elizabeth and Prince Phillip at Tatura Railway Station. 1954.on back: Tatura Station. Royal Visit 1954 -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, Royal Visit 1954, 1954 original
Original photograph of official party waiting for her Majesty, Queen Elizabeth 11, Tatura Railway Station 1954.Black and white photograph of Royal visit. Queen Elizabeth and Prince Phillip at Tatura Railway Station. 1954. Copy (2). L0290, L0344.on back: Tatura Station. Royal Visit 1954 -
Tatura Irrigation & Wartime Camps Museum
Photograph, German Internees at Camp 3, 1940 - 1946
Teachers and students from Camp 3 school. Left to right: Mrs Wieberle, Mrs Lippmann, Mrs Wurster, Lily Fast, Eva Ruff, Leni Haar, Isolde Pfander, ? Bochrer, Isolde Frank, Elizabeth Vollmer, Emma Baumert, Ilse Fast, Helga Loebert, Liesolotte Steller, Annemarie Trefz, Gerda Kuebler, Gerda Decker, Hilde Kuebler, Irma Decker, Margaret Pfander, Ruth Vollmer, Irene Krockenberger, Gudrun Frank, Mrs Kollat, Wolpurge Wagner, Anni Kuebler, Mrs Ilse Boerner, Dr Reitmeier.Black and white photograph of group of about 40 people. Mostly ladies in front of a hut. Teachers and students.internee children, camp 3, german internees, mrs wieberle, mrs lippmann, mrs wurster, lily fast, eva ruff, leni haar, isolde pfander, bochrer, isolde frank, elizabeth vollmer, emma baumert, ilse fast, helga loebert, liesolotte steller, annemarie trefz, gerda kuebler, gerda decker, hilde kuebler, irma decker, margaret pfander, ruth vollmer, irene krockenberger, gudrun frank, mrs kollat, wolpurge wagner, anni kuebler, mrs ilse boerner, dr reitmeier -
Anglesea and District Historical Society
Ironstone Mug, Ironstone Mug in celebration of HM Queen Elizabeth 2 - 1952-1977, Estimated 1977
Souvenir mug in white ironstone with black painting of London scenes headed "London Celebrations 1977" on one side and "The Queen's Silver Jubilee" on the other. Card attached with list of dates and occurrences in the Queen's life from 21 April 1925 to 14 November 1973.Stamp of "ADAMS - Real English Ironstone. Made in England. / Established 1657" - on bottom of mug.queen elizabeth 2, silver jubilee souvenir, ironstone mug -
Victorian Apiarists Association
Publication, The Golden Throng (Edwin Way Teale) Reprinted 1946, 1946
A5 sized hard cover book, Sandy coloured inner cover with a torn paper outer cover of yellow honeycomb with black & white flower & 2 bees, Black writing 199 pages. First published 1943, cheaper edition 1946, reprinted 1946 Inside the cover is a blurb about the book & authorDedicated to the authors Aunts - Elizabeth Way Edwards & Winnifred Way Wencke - In memory of Days at Lone Oak -
Wangaratta RSL Sub Branch
Photograph, c1944
Dame Gracie Fields, DBE (born Grace Stansfield; 9 January 1898 – 27 September 1979) was an English actress, singer and comedienne and star of both cinema and music hall. When World War II was declared and whilst recovering from surgery she threw herself into her work and signed up for the Entertainments National Service Association (ENSA). Fields travelled to France to entertain the troops in the midst of air-raids, performing on the backs of open lorries and in war-torn areas. She performed many times for Allied troops, travelling as far as New Guinea, where she received an enthusiastic response from Australian personnel. In late 1945 she toured the South Pacific Islands. In 1979, seven months before her death, she was invested a Dame by Queen Elizabeth II for services to the entertainment industry.Reproduced black and white photograph of female wearing army jacket with soldiers kneeling and standing in background. Handwritten on rear - Gracie Fields in Pacificgracie fields, ww2, new guinea, 1945, south pacific islands -
Lake Bolac & District Historical Society
Black and white photograph, First intake of students, 1957, to the Lake Bolac Higher Elementary School
The first intake of Students in 1957, in the Presbyterian Sunday School as the school buildings were still being constructed. Students from left to right, Back: Russell Adams, Max Davis, Jack Moss, Charlie Neil, Fred Collins, Teacher - Joe Skeehan, Ian Farnsworth, Ken Collins, Winston Jenkins, Richard Thom, Gordon Hucker. Middle: Robert Maddox, Pam Debney, Gwenda Drever, Elizabeth Copley, Judith Barrett, Maxine Mauldin, Wendy Phillips, June Burdett, Ray O'Brien. Front: Daryl Heard, Ken Wilson, Richard Peters, Douglas Park, Murray Thom, Robert Fraser, James Hildebrandt. Len Renkin absent.lake bolac higher elementary school, adams, barrett, burdett, collins, copley, davis, debney, drever, farnsworth, fraser, heard, hildebrandt, hucker, jenkins, mabin, maddox, moss, neil, o'brien, park, peters, (rankin), skeehan, thom, wilson -
Lake Bolac & District Historical Society
Black and white photograph, E & M Rowley, pioneers at Lake Bolac, 1862
Edward and MaryAnn Rowley were pioneer settlers at Lake Bolac, taking up land in 1862. Their children were Sarah, Elizabeth, Maryanne, Deborah, Emily, Ellen, Eliza, Emma, Martha and Edward. The change-over station for stage coaches, including Cobb and C., and paddocks for resting horses, were on their property. The farm was later bought by J.T. Murray. The family are interred in the Lake Bolac Cemetery.lake bolac, rowley, pioneer settlers, 1862, murray, cobb and co. -
Tatura Irrigation & Wartime Camps Museum
Photographs, Burton family
Photographs emailed to researchers. Burton Hall and Burton family photographs:|Photo No.1. Mary Russell nee Burton.|2. Hannah Burton.|3. Abel Burton.|4. Sarah Mitchell nee Burton.|5. Rachel Mills nee Burton.|6. Isaac Burton.|7. Alice Burton.|8. Julia Burton.|9. Elizabeth Burton.|10. Aggie Burton nee Menzies, wife of Abel.|11. Emma Burton, 1824-1906.|12. James Burton, 1818-1905.|13,14. Sarah Burton nee Mitchell (from Mrs. Black)Photos 11 to 12 emailed, 13 & 14 sent by Mrs. Black, no originals held at Museum. -
Tatura Irrigation & Wartime Camps Museum
Currency - Coin, HMAS Sydney Coin, 2000
Minted by Royal Australian Mint to commemorate the distinguished service of HMAS Sydney 11Gold coloured $1 Australian coin with HMAS Sydney 11 and picture of the ship on the front and Queen Elizabeth on the back. Contained in a blue/green and cream folder. Black and white printing and picture of Sydney harbour and Bridge.coin, one dollar, hmas sydney, weppner j, tatura, ww2, numismatics, coins -
Uniting Church Archives - Synod of Victoria
Accessory - Fob watch, Presbyterian Deaconess
Hilda Elizabeth Foster (1890-1982) was commissioned as a Deaconess in 1914 giving a lifetime of service to the church particularly in the social care aspect of the Gospel. She was also a double certified nurse. Deaconess Hilda Foster began her work as a Deaconess in South Melbourne and then served for 13 years with the Presbyterian Sisterhood in North Fitzroy caring for unmarried mothers and their babies. In 1933 she was appointed Matron of the Presbyterian Girls' Home in Elsternwick where she worked for 15 years. She retired in 1948 when it was noted "In complete dedication matron has given herself to this care of souls". Deaconess Foster was awarded the British Empire Medal for her work in the Queen's birthday honours in 1981. Deaconess Foster was one of the first qualified Mother Christmasses in Australia. [Minutes of the Sixth Synod, Oct 1982]CL050.1 and CL050.2 fob watches with white enamel faces and on a black cotton cord. CL050.1 has Roman numerals and CL050.2 has Arabic numbers and a second hand inset. "My Deaconess Badge" "Non ministrari sed ministrare"presbyterian deaconess, deaconess hilda elizabeth foster -
Uniting Church Archives - Synod of Victoria
Book - Bible, Cambridge, The Holy Bible
The bible belonged to Hilda Elizabeth Foster, Presbyterian Deaconess. Hilda Elizabeth Foster (1890-1982) was commissioned as a Deaconess in 1914 giving a lifetime of service to the church particularly in the social care aspect of the Gospel. She was also a double certified nurse. Deaconess Hilda Foster began her work as a Deaconess in South Melbourne and then served for 13 years with the Presbyterian Sisterhood in North Fitzroy caring for unmarried mothers and their babies. In 1933 she was appointed Matron of the Presbyterian Girls' Home in Elsternwick where she worked for 15 years. She retired in 1948 when it was noted "In complete dedication matron has given herself to this care of souls". Deaconess Foster was awarded the British Empire Medal for her work in the Queen's birthday honours in 1981. Deaconess Foster was one of the first qualified Mother Christmasses in Australia. [Minutes of the Sixth Synod, Oct 1982]Dark red leather bound book embossed with gold "Holy Bible" lettering on the cover and spine. The bible has black end papers and gilt edging to its pages. The Holy Bible containing the old and new testaments. Translated out of the original tongues; and with the former translated diligently compared and revised" By His Majesty's Special Command. Appointed to be read in churches.non-fiction"Hilda Elizabeth Foster Presbyterian Training Institute 34 Ferrars Place, Albert Park 1912" "Proverbs 3.6"hilda e foster, presbyterian deaconess hilda elizabeth foster -
Uniting Church Archives - Synod of Victoria
Uniform - Presbyterian Deaconess' Dress
... Elizabeth Foster Black woollen long sleeved unlined shirt-waist ...Hilda Elizabeth Foster (1890-1982) was commissioned as a Deaconess in 1914 giving a lifetime of service to the church particularly in the social care aspect of the Gospel. She was also a double certified nurse. Deaconess Hilda Foster began her work as a Deaconess in South Melbourne and then served for 13 years with the Presbyterian Sisterhood in North Fitzroy caring for unmarried mothers and their babies. In 1933 she was appointed Matron of the Presbyterian Girls' Home in Elsternwick where she worked for 15 years. She retired in 1948 when it was noted "In complete dedication matron has given herself to this care of souls". Deaconess Foster was awarded the British Empire Medal for her work in the Queen's birthday honours in 1981. Deaconess Foster was one of the first qualified Mother Christmasses in Australia. [Minutes of the Sixth Synod, Oct 1982]Black woollen long sleeved unlined shirt-waist dress with a side zip, three fabric covered button and two breast pockets. The dress has a collar and has two box pleats at the front and back. It has a white cotton lining at the neck.presbyterian deaconess, deaconess hilda elizabeth foster -
Uniting Church Archives - Synod of Victoria
Clothing - Presbyterian Deaconess' winter coat
The raincoat was worn by Hilda Elizabeth Foster, Presbyterian Deaconess. Hilda Elizabeth Foster (1890-1982) was commissioned as a Deaconess in 1914 giving a lifetime of service to the church particularly in the social care aspect of the Gospel. She was also a double certified nurse. Deaconess Hilda Foster began her work as a Deaconess in South Melbourne and then served for 13 years with the Presbyterian Sisterhood in North Fitzroy caring for unmarried mothers and their babies. In 1933 she was appointed Matron of the Presbyterian Girls' Home in Elsternwick where she worked for 15 years. She retired in 1948 when it was noted "In complete dedication matron has given herself to this care of souls". Deaconess Foster was awarded the British Empire Medal for her work in the Queen's birthday honours in 1981. Deaconess Foster was one of the first qualified Mother Christmasses in Australia. [Minutes of the Sixth Synod, Oct 1982] Black gabardine winter coat with a plaid lining, two side pockets and a buckled belt. Their is a label in the raincoat which advises re waterproofing."Dunlop waterproofs" "Reign in the rain" "65% Wool 35% Cotton"presbyterian deaconess, deaconess hilda elizabeth foster -
Uniting Church Archives - Synod of Victoria
Photograph, Elizabeth Adler, June-July 1981
Elisabeth Adler was part of the World Council of Churches Program to Combat Racism's visit to Australian Aborigines, June 15-July 3 1981. Adler was the German DDR Director of the Evangelical Academy of Berlin Brandenburg.Black and white photograph. Head and shoulders portrait of Ms Elisabeth Adler with dark hair and wearing a white blouse.elizabeth adler, world council of churches -
Robin Boyd Foundation
Newspaper - Clipping, Geoffrey Dutton, Unimaginative Copyists - that's us, 10.12.1960
This is a review of Robin Boyd's book 'The Australian Ugliness'. It has a local aspect looking at what Boyd says about Elizabeth, a city in South Australia, 24 km north of Adelaide city centre.Handwritten in black pen Adelaide News and date.australian ugliness, geoffrey dutton, elizabeth south australia, featurism, walsh st library -
Uniting Church Archives - Synod of Victoria
Plaque
Metal oblong gold coloured plastic plaque with black text."The W. J. Carig Memorial Lecture is given to commemorate the late W. J. Craig, whose daughter Mrs. Elizabeth McCormick donated to the Church in 1925 the property now known as Canterbury Family Centre"canterbury family centre -
Hume City Civic Collection
Photograph, 1953
A black and white photograph of students in grades 1, 2, and 3 at Our Lady of Mt Carmel Catholic School in 1953.our lady's of mt. carmel school, st. mary's school, education, schools, sunbury, lupson, nicholas, sleeman, brendan, curran, peter, potts, robert, sullivan, neil, dunn, tommy, mccarthy, ron, mclaren, roslyn, joan, horvath, elizabeth, gail, dickson, beth, o'brien, pat, callaghan, margaret, phillips, brooks, wendy, leonie, suta, elaine, john, clarke, bill, wertich, steven, de vos, hans, dale, denise, delaney, mcmahon, anne, czerwinski, donka, patterson, jeannene, murphy, maureen, dubrnic, maria, giselle, gwenda, frawley, shane, andrew, ryan, wasyl, bondon, terry, michael, keily, alan, george evans collection -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Group of Female Students and Staff Member, 1930
Dorothy Allender was on Burnley Staff 1925-31 (Preceptor of the girls). She also appears in group photograph B91.103. Photograph was used in a display in the Burnley Library Nov.1995.Black and white photograph.Also photocopy. 4 female students and a female staff member dressed up, standing outside the Pavilion entrance.On reverse, "Elizabeth Grewar, Nan Wallace, Dorothy Allender, Alice Jeffery, Jessie Bloomfield March 1930."elizabeth grewar, nan wallace, dorothy allender, alice jeffery, jessie bloomfield, 1930, staff, preceptor, group staff and students, pavilion -
Stawell Historical Society Inc
Photograph, Boothey Family Photo Collection -- Eight sleeves of Photos, 28 photographs
Boothey Photo Collection. Eight sleeves.-1 Black Memorial Card John Boothey January 14, 1908 -2 Marble Gravestone for John Boothey & Hannah Boothey buried at Stawell -3 John & Ann Boothey Family -4 Wedding Photo Son of John & Hannah Boothey (seated) and his wife in wedding dress -5 Wife of John & Hannah's son -6 Mrs J Boothey -7 Mrs J Boothey -8 Boothey House Lake Road Stawell -9 Boothey House Napier Street, Stawell -10 Boothey Home Napier Street, Stawell -11 Left to Right Mrs Boothey, J Robson, W Boothey, L Robson, E Boothey, D Boothey, c 1940's -12 Sent By Cpl. Boothey E B V240192. Left Myself, Bill Cairns, Sgt Mc Nell, Lieut. Izod, Ken Cullen, Reg Kelso -13 Myself & Bob Richards. New Guinea 1945. -14 Stawell Cenotaph Main Street. Lawson's Model Bakery at left. -15 Erin, Daisy, Walter -16 Daisy 15 Years -17 Mrs W B Boothey 1934. nee Ursula Harris -18 W B Boothey in suit with Bicycle -19 Man with two Puppets on knee -20 Five puppets -21 Walter Boothey & dancing dolls 1941 -22 Daisey Boothey -23 Soldier in uniform WW2 in Card Folder Ern Boothey -24 Soldier in uniform WW2 Ern Boothey -25 Man in suit with Gladston bag in front of tree foliage. Mr E Boothey left Stawell for camp 19 December 1941 -26 Soldier with parents. To Ern from Mum & Dad. May 1942. -27 Early truck. Ern Truck Boothey -28 Ern Boothey in uniform.-1 The Australian Card Company, 49 Elizabeth Street Melbourne -3 Stawell Photographic Co, Close Railway Station, C Hewitt, Manager -12 PHOTOGRAPH No 15587, Supplied by Military History Section (S.D.9), General Staff L.H.Q. -15 W. J. Chapman, Stawell. -23 Chapman Photo Stawell -25 Mr E Boothey left Stawell for camp 19 December 1941 -26 To Ern from Mum & Dad. May 1942. -27 Ern Truck Boothey stawell -
Stawell Historical Society Inc
Headwear - Costume and Accessories, c1970
Stawell High School Hat worn in 1970. Black oval shape with school badge embroidered in gold. Blue red and green initials SHS. Worn by Elizabeth McCann.stawell clothing material -
Chiltern Athenaeum Trust
Painting - Oil painting on gumleaf by Alfred William Eustace, circa 1851 to 1907
This gum leaf painting is one of a pair displayed on foil in the same frame. It is typical of many paintings by the self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.An oil painting on gum leaf by the well-known Australian artist Alfred William Eustace. He was a self-taught artist during the 19th and early 20th century and a prominent resident of Chiltern. Oil painting on gum leaf by Alfred William Eustace. A scene of a log cabin on Black Dog Creek Road, Chiltern, with Skeleton Hill in the background. The canvas is a juvenile Red Box (Eucalyptus polyanthemos) leaf. It is one of a pair of Eustace gum leaf paintings mounted on gold foil, under glass in a brown frame. Inscription on back. Labels on back: Rehoused by The Centre for Cultural Materials/ Conservation, University of Melbourne "Oil on Gum Leaf"/ by Alfred William Eustace/ Donor:- Cam & Connie Boadle/ Wales U.K. Crescent/ MUSEUM/ GRADE/ 24 OCT 1998/ CONSERVATION BOARD ALBURY/ PICTURE FRAMERS/ Shop 15 & 16/ AMP Lane,/ Albury, 2640/ Ph: 02 6021 7088black dog creek, chiltern, alfred eustace, skeleton hill, gum leaf, painting, eustace -
Chiltern Athenaeum Trust
Photograph
This black and white photograph of the grave of A.W. Eustace is believed to have been taken in September 1987 at the Chiltern New Cemetery. Alfred William Eustace, an Australian artist, was born in the small village of Ashbury, Berkshire, England, the son of John Eustace, Head Game-keeper to the Earl of Craven at the beautiful Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped next to the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was owned by the Withers family and was in excess of 55,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that are in the Beechworth Museum collection are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by his relatives from the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.A. W. Eustace, as well as being a well-known Australian artist, was a significant member of the Chiltern community.Black and white photograph of the grave of A.W. Eustace, under glass, in a metal frame.Sticker on back: 184 (original Registration number)a. w. eustace, grave, chiltern new cemetery -
Chiltern Athenaeum Trust
Photograph - Reproduction
These copies of five oil on gum leaf paintings by Alfred William Eustace (1820-1907) display the subjects and detail of his small gum leaf paintings. A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Alfred William Eustace was a well-known self-taught Australian artist who was known worldwide for her unique oil on gum leaf paintings. He was also a prominent Chiltern citizen.Copies of five A.W.Eustace oil paintings on gum leaf, under glass, displayed on blue paper in a black metal frame.alfred eustace, gum leaf painting, chiltern -
Melbourne Athenaeum Archives
Theatre Program, The Department (play) By David Williamson performed at the Athenaeum Theatre commencing 7 January 1988
The play was presented by The Australian Elizabethan Theatre Trust in association with The Northside Theatre company, Marian Street Sydney. Noel Ferrier was the Executive Producer of The Australian Elizabeth Theatre Trust and Stan Coogan Acting chief Executive Officer. The play was produced in association with the radio station 3AW.Large yellow and black program - good conditionthe department, david williamson, max gillies, athenaeum theatre, elizabethan theatre trust, northside theatre company marian street theatre, tracy mann, noel ferrier, 3aw