Colour postcard showing a photographed aerial view of the West Gate Bridge. Also visible is the aircraft factory and the industrial area of Fishermens Bendwest gate bridge, engineering - bridges, built environment - industrial, fishermans bend

Colour photo of West Gate Bridge over Yarra River looking west. Shows rock wall to stabilise bank. Fishermens Bendbuilt environment - civic, engineering - bridges, west gate bridge, yarra river

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. Black and white photograph with white border of a closed gate with a paddock in the foreground. A line of trees and the chimney of Amess House is visible behind the fenceline.Catalogue number written on reverse in pencilchurchill island

Photograph of entrance to German War Cemetery at Tatura.Colour photograph showing the entrance to the German War Cemetery and the graves and cross behind. Lawn in front and trees at either side behind the gates.german war cemetery, winter road tatura, german internee graves, ww2 graves

Colour Photograph: White brick house, Iron roof. Partially hidden by tree. Wooden fence with carved wooden railing iron gateOn Reverse: 14 Seaby St. Morrie Robson

End of WW1 1917 -1918 - Family lived in Fisher Street. copies of 18 B/W Photos taken in yard near fence line of Path some have Peppercorn Tree. Family with pet dogs. Most men have Poppy on lapels. Geoff Bullock purchased Glass Slide Photos in garage sale in Fisher Street Stawell in early 2000'sTwo Men either side of a Woman standing on a path in front of wooden fence and gate. Male on left with a pipe, male on right with cigarette.

Willima Finney died on 20 May 1911, aged 60 years.Headstone for William Finney in the Warrnambool Cemetery. Includes sculptural anchor, open gates, open book, draped cloth, arch, masonic symbol.cemetery art, headstone art

J. G. Roberts with his son Bert (sitting on gate) at the entrance to his country home Sunnyside at South Sassafras (now Kallista).Entrance To Sunnyside GGMj g roberts, bert roberts, sunnyside, south sassafras

Copy of Rose Series Postcard number 1834Copy of Rose Series Postcard # 1834 showing the Main Road, Olinda looking towards Sassafras. The Lich gate and 'Hathaway" on LHS. c1950s.olinda, lich gate, hathaway

Cream yearbook with a full page black and white image on the cover depicting the WHS entry gates open and a dirt road leading into the school

Yields information about the tram operations in Lydiard St North and the type of trams used.Digital image, black and white, of No. 42 in Lydiard St, north bound, waiting at the railway gates with the signal box in the background. Out of focus.trams, tramways, level crossings, lydiard st north, railway station, tram 42

Digital Image of tram No. 27 at the Lydiard St North with the Ballarat General Cemetery gates and building in the background. Tram has the destination of Sebastopol.trams, tramways, lydiard st north, cemetery, tram 27

Yields information about Ballarat's trams in Lydiard St North at the terminus.Agfa blue/white mount, colour slide of a bogie tram at the Lydiard St North terminus, looking through gates of the New Cemetery."5-4-69" in ink.tramways, trams, lydiard st, cemetery

Jonathan Harris operated a winery on the banks of the Axe Creek, Axedale in the 1850s.Large metal gate hinge with hole at top and thread at the bottom. Two square metal pieces - one moveable. Part of the Harris Collection.agriculture, farm, gate hinge, harris collection

Showing streetscape in the late 1990s. Roundabout construction started in 1987Showing streetscape in the late 1990s.Black and white photograph of roundabout at intersection of Learmonth and Warrenheip Streets Buninyong. Background RSL Hall and Memorial gardens and Gates, Masonic Centrestreetscape, buninyong, rsl memorial gardens, rsl hall, masonic centre

Murray Comrie Collection. This photograph is a poor, indistinct copy created from an original photograph.Monochrome photograph depicting members of Tarnagulla Brass Band standing with instruments near a picket fence. A girl is standing near gate in background.tarnagulla, band, brass band, music, musicians

The building is the former Gate House or Lodge that is at the gates at Rupertswood in Macedon Street. A lodge was often erected at the entrance of a large estate to direct guests to the mansion or reject unauthorised people from entering the property. The presence for a Gatehouse or Lodge erected at the entrance of a larger property was a tradition copied by wealthy landowners in the Colony from one practised by the upper classes in Britain. A coloured photograph of blue stone top storey cottage with a slate roof surrounded by an attractive garden. The building has 3 chimneys and there is a smaller single storey wing added to the building.the lodge, the gatehouse, rupertswood, macedon street

Eltham Council (now the Shire of Nillumbik) commissioned this work in 1989 to create an entrance / gateway to Edendale Community Farm. It was also aided by a grant from the Ministry of the Arts (now Arts Victoria). The former name of this work was "Gateway to Edendale Farm". Edendale Farm is a demonstration farm modelling sustainable environmental practices, providing support to the local residents of Nillumbik. Established in 1986, the land was purchased in 1970. It was previously an English gentleman's residence and was used for grazing. It consists of 5.6 hectares, with the Diamond Creek meandering through the property. The Victorian Fences Act 1968 governs liability of occupiers of adjoining lands to fence, and deals with disputes between neighbours regarding boundaries fences and costs. This work took into consideration ideas and suggestions from residents and committees, who required the use of recycled materials and that the work celebrate man's relationship with nature, animals and the earth, as well as relate to the fence-line on the far side of the carpark. Trembath also absorbed significant aspects of local history, making references to Eltham's agricultural past, the clearing of the land, the destruction of trees, the ruthless pruning of trees by suburban Councils and incorporated such Australian features as the post and rail fence. 'The Fences Act 1968' is significant for aesthetic, historic and social reasons at a regional level. It makes prominent the historical and social significance of Edendale and the rural aspects of Nillumbik. The use of existing tree stumps and salt pots in the work explores the iconography of the countryside such as the isolated farmhouse, pioneering farming practices, post and rail fencing and the regrowth of lopped trees. The title of the work, as well as the extensive community involvement in its creation, also makes reference to the Victorian Fences Act 1968, which makes neighbours jointly responsible for the cost of construction and maintenance of fences in the partitioning of land for settlement. 'The Fences Act 1968' has been classified as of regional significance by the National Trust of Australia. The work is an installation of wood and metal, approximately twenty five meters long. The design is very informal and rustic and runs the full width of the fence-line. It comprises groups of recycled tree trunks fitted with metal caps (chrome-nickel 'salt pots' that are shaped like tall bowler / top hats). Metal rods protrude from the trunks and some of these rods have metal birds. Two larger, sentinel-like stumps at the two outer ends have metal flame-like wings, which bend inward. To the left of the entrance, a simple architectural element indicates an isolated farmhouse. The rustic fence runs between the groups of tree trunks with native planting in clumps along it. The fence-line incorporates a functional engineered double gate and post and rail fencing. There may be many interpretations of the work and the intention is to stimulate interest and imagination rather than alienate. Interpretation is based on the personal experience that a visitor brings. The artist recommended that no explanation of the design logic be positioned with the work. N/Apublic art, sculpture, edendale, recycled, wood, metal, fences act 1968, gate, trembath, salt pot, tree stumps

Colour photograph of Closed Cemetery Gates.stawell

Buildings - "Town Hall, Memorial Gates"

Buildings - "Town Hall, Memorial Gates"

The gates were constructed by Stamp Ironfoundry.ballarat cemetary

Deep Lead Cemetery Entrance Gatesstawell

Colour photograph of Closed Cemetery Gates.stawell

Yields information about the operations of the Ballarat Tramway system on the last day of SEC tramway operations in Ballarat.Set of 6 Kodak - Kodachrome slides - cardboard mounts - all taken on 19/9/1971, last day of operations prior to closure of the SEC operated tramway. .1 - Tram 40, waits at the level crossing gates - the gates are being opened. In the background is the station building and the signal gantry. Tram has the destination of Sebastopol. .2 - No. 42, with destination of Lydiard St north, northbound in Lydiard St, with railway station buildings and VRI in the background. .3 - No. 35 on inbound, Lydiard St North. .4 - No. 35, on inbound service, leaving Skipton St loop with another bogie in the background. .5 - No. 39 on inbound service, Albert St Sebastopol with the Sebastopol boundary sign and Binks Ford in the background. Tram has an everything under control in my all electric kitchen roof advert. .6 - No. 42, with destination of Sebastopol, Albert St Sebastopol.In ink on slide: .1 - Sun 19 Sept 71 - up Lydiard St Nth waits for gates to be opened after fast goods. .2 - Sun 19 Sept 1971, down Lydiard St Nth near VRI. .3 - Sun 19 Sept 1971, Up Lydiard St Nth .4 - Sun 19 Sept 1971, Up Sebastopol (supplementary service) has just crossed down in Skipton St near Drummond St. .5 - Sun 19 Sept 1971, Up Sebas at Ballarat / Sebastopol boundary. .6 - Sun 19 Sept 1971, c5.30pm down Sebas in Sebas shire.tramways, trams, lydiard st nth, railway station, level crossings, skipton st, albert st, sebastopol, closure, last day, tram 40, tram 42, tram 35, tram 39