Showing 1458 items
matching kodak print
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Melbourne Tram Museum
Photograph - Set of 11 Colour Print/s, Bill Davis, mid 1980's to 1990
... FM Radio, Bank of Melbourne, Space Deamons Printed... of Melbourne, Space Deamons Printed on Kodak, Fujichrome or Konica ...Set of 11 colour prints of Melbourne trams and locations during the mid 1980's to 1990, Photos not well focused. .1 - trams 782, 259 and 2002 out the front of South Melbourne Depot .2 - 979 and 888 at ditto .3 - 888 .4 - 975 and two other W's at Preston Depot .5 - 2001 - Burwood Road on a Special, near Hawthorn Bridge. .6 - ditto .7 - 968, Kingsway, South Melbourne near Sturt St .8 - 861 ditto .9 - 881 outbound St Kilda Road .10 - 900 and W2 442 (Restaurant tram 1) at Acland St terminus. .11 - 913, inbound Glenhuntly Road, on the east side of Glenhuntly Station. Features advertisements on trams for: Triple FM Radio, Bank of Melbourne, Space Deamons Printed on Kodak, Fujichrome or Konica paper.trams, tramways, ptc, south melbourne depot, preston depot, burwood rd, kingsway, st kilda rd, acland st, glenhuntly rd, tram 782, tram 259, tram 2002, tram 2001, tram 979, tram 888, tram 975, tram 968, tram 861, tram 881, tram 900, tram 442, tram 913 -
Melbourne Tram Museum
Photograph - Set of 14 Colour Print/s, Ray Jackson, 1979
... built. Printed on Kodak Paper... built. Printed on Kodak Paper Photograph Set of 14 Colour ...Set of 14 colour prints of Z and Z3 trams being built and equipment at Preston Workshops and Comeng Dandenong, c1979. .1 - Two pantographs of different types laid on top of each other. .2 - ASEA trucks or bogie one marked 115 .3 - Jacobs truck or bogie for a Z3 tram .4 - Z class roof sections stored at Comeng yard .5 - Z class fronts being finished off .6 - Z or Z3 class cars bodies being built at Comeng .7 - Z cab interior showing control panel .8 - Z cab being built .9 - Z class underside or underframe .10 - Interior of Z class being built .11 - ditto .12 - as for .8 .13 - Z3 front .14 - Z class being built. Printed on Kodak Papertrams, tramways, preston workshops, z class, z3 class, pantographs, bogies, tramcar bodies, tramcar manufacture, tramcar trucks, tram 115 -
Melbourne Tram Museum
Photograph - Set of 7 Colour Print/s, Melbourne & Metropolitan Tramways Board (MMTB), c1973
... and on the Wattle Park route. All printed on Kodak paper. .1 - at Preston... Park route. All printed on Kodak paper. .1 - at Preston ...Set of seven black and white prints of prototype tram 1041, during its first days of commissioning and testing in the city and on the Wattle Park route. All printed on Kodak paper. .1 - at Preston workshops, showing City, route 088 .2 - ditto .3 - ditto - 2nd copy added from donation of Geoff Warburton added 10/10/17. .4 - In Riversdale Road, Wattle Park, showing W. Park Elgar Rd, route 070. .5 - ditto, but showing special and route 000 - trees behind the tram had been faded out. .6 - turning out of Bourke St into Spring St with destination of E. Brunswick, route 96. Has been painted with words "Welcome Board" and "Enter here" on front door. Has the Windsor hotel in the background. Second trolley retriever fitted as well. .7 as for .5 but at a different location. 2nd copy of .3 added 10/10/17.4 - notes to remove pole, ext and I HT and grating on rear along with a sketch of the tram outline and number 16. .6 - on rear "9 3/4 x 6 1/8" .7 on front of the photo "9 3/4" x 6 1/4" in felt pen. .3 - second copy "1041-Preston-3-MMTB" in pencil on rear.trams, tramways, mmtb, prototype tramcar, 1041, riversdale rd, wattle park, preston workshops, tram 1041 -
Ballarat Tramway Museum
Photograph - Colour Photograph/s - set of 14, Carolyn Cleak, 12/03/2006 12:00:00 AM
... the 2006 Begonia Festival period. Printed on Kodak paper. .1... the 2006 Begonia Festival period. Printed on Kodak paper. .1 - 661 ...Set of 14 colour photographs by Carolyn Dean during the 2006 Begonia Festival period. Printed on Kodak paper. .1 - 661 and 27 at Gardens loop - 12/3/2006 .2 - Crowd scene at Gardens Loop .3 - Neil Lardner - conductor .4 - Loading passengers - 27 Gardens Loop .5 - Group scene at Mess room - Bruce Worthington, Graeme Cleak, Neil Lardner, John Shaw, Bill Kingsley, Alastair Reither, Greg Rodgers. .6 - Graeme Cleak and Bill Kingsley, 661 at St Aidans Drive .7 - Bruce Worthington sweeping track at depot .8 - Swinging the pole at Depot Junction .9 - 40 out in the open with 26 and 8 behind - 11/3/2006 .10 - ditto .11 - 466 on 6 road .12 - 671 at Depot Jtn - 12/3/2006 .13 - Graeme Cleak issuing check tickets .14 - ditto.On rear of each photo is name and address label of Carolyn Dean and date in black ink.wendouree parade, begonia festival, btm, depot, tram 661, tram 27, tram 671, tram 40, tram 8, tram 26, tram 466 -
Ballarat Tramway Museum
Photograph - Colour Photograph/s set of 6, Carolyn Dean, 10/03/2001 12:00:00 AM
... . Printed on Kodak paper. 1786.1 - Gold tram 45 - at Gardens Loop... in Wendouree Parade during the 2001 Begonia Festival. Printed on Kodak ...Set of six photographs taken by Carolyn Dean on 10.03.2001 of operations in Wendouree Parade during the 2001 Begonia Festival. Printed on Kodak paper. 1786.1 - Gold tram 45 - at Gardens Loop, heading south, with destination "Begonias". Has witches hats and special stop boards in view. Also advertising Ballarat Eureka and Sovereign Hill. .2 - Tram 33 - south bound at Depot Junction with Peter Winspur talking to crew. Has Ice Cream Man van in background. .3 - Gold tram 45 at Depot Junction, southbound, showing destination "Car Park" with Dave Macartney in view and another crew member (Phillip Bertram) in uniform holding the megaphone. .4 - Tram 33, showing "Depot" near Depot Junction, running northbound. .5 - Gold tram 45, at same location, showing "Car Park", northbound and Bendigo Cafe tram advertising board. .6 - as for .3, with Phillip Bertram in photo holding megaphoneAll have date "10.03.01" and "Photo Carolyn Dean" written on the back in blue ink.begonia festival, gold tram, depot junction, gardens loop, wendouree parade, btm, tram 45, tram 33 -
Melbourne Tram Museum
Photograph - Set of 7 Colour Print/s, Bill Davis, mid 1980's to 1990
... Radio, Bank of Melbourne Printed on Kodak or Konica paper.... on Kodak or Konica paper. Photograph Set of 7 Colour Print/s Bill ...Set of 7 colour prints of Melbourne trams and locations during the mid 1980's to 1990, Photos not well focused. .1 - 981 inbound, Swanston St with Town Hall in background. .2 - Two W's in Swanston St .3 - 918 outbound, Princes Bridge with the Gas and Fuel towers in the background. .4 - 947 and 425? Swanston St - with cars in Swanston St. .5 - large line up of trams in the north bound side of Swanston St. Note people at the tram safety zone. Last tram is 836. Has Billy Guyatts store in the background. .6 - 763 outbound, Swanston and Flinders St. Bourke St has been closed to motor traffic. .7 - Z3 172, Swanston St on a wet day, does not have a destination showing - could be a transfer tram. Features advertisements on trams for: Triple FM Radio, Bank of Melbourne Printed on Kodak or Konica paper.trams, tramways, ptc, swanston st, tram 981, tram 918, tram 947, tram 425, tram 836, tram 763, tram 172 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s - set of 4, 1960s
... , photos in folder 83 Printed on Kodak XtralifeII paper. See... Printed on Kodak XtralifeII paper. See the June 2010 issue ...Yields information about the use of the Jelbart road roller by the Ballarat Tramways and the sale of a unit to the City of Ballarat.Set of documents concerning the Ballarat Jelbart Bros road roller that the SEC had purchased. .1 - Photocopy of part copy of a letter between Jelbart Bros and the City of Ballarat, dated 24/7/1923 concerning the purchase of a roller, guarantee and withholding a sum of money. Below the letter is an image of a roller with the name "Ballarat Electrical Tramways" written on it. .2 - Reproduction of a photograph of the roller pre 1936, working on tram track. The roller has the words "Ballarat Electric Tramways" painted on the side of it. Location not known, possibly Victoria St. The building in the background does not exist any more. .3 - Reproduction of a photograph of the roller at Sturt and Lydiard Streets c1969 - see also Reg Item. 3743 .4 - Reproduction a photograph of 8 road/workers (working on a footpath or crossing) holding shovels or picks. Date unknown. .1 - in folded 11, photos in folder 83 Printed on Kodak XtralifeII paper. See the June 2010 issue of Fares Please! for an article written by Colin Holmes on Jelbart and the Ballarat roller.In pencil on rear of each photograph: .2 - "Ballarat Electrical Tramways on LHS of Roller Jelbart, pre 1936. Colin Holmes." .3 - "Ballarat PO Corner Jelbart Roller SEC. Colin Holmes" .4 - "Not to be viewed by younger members. Colin Holmes"trams, tramways, jelbart, secv, sturt st, road works, trackwork -
Melbourne Tram Museum
Photograph - Set of 11 Colour Print/s, Bill Davis, mid 1980's to 1990
... Removalists. All printed on Kodak paper.... Removalists. All printed on Kodak paper. Photograph Set of 11 ...Set of 11 colour prints of Melbourne trams and locations during the mid 1980's to 1990, Photos not well focused. .1 - Group of four trams outside Malvern depot No. 2 shed. W7 1018 in Benetton clothing advertising livery March 1990 to early 1991. Along with 987, 876, 853. .2 - side on view of 1018. .3 - similar to .1 .4 - 1027, outbound, Princes Bridge with Arts Centre in the background. .5 - 1012, inbound ditto .6 - 929 inbound Swanston St, with Linea Hairdressing in the background. .7 - 885, outbound Swanston St, with Flinders St Station in the background. .8 - 847, ditto, between Collins and Flinders St, with Triple FM radio Ad. .9 - 913, ditto inbound. .10 - 897, at the Latrobe St terminus, Spencer St, with J. Wilson removalists advertisement on the front of the tram. Tram running route 9. .11 - ditto with the William Angliss College in the background. Features advertisements on trams for: Spring Valley drinks, Bank of Melbourne, Triple FM Radio, UDL drinks, Benetton, J. Wilson Removalists. All printed on Kodak paper.trams, tramways, ptc, malvern depot, swanston st, latrobe st, tram 1018, tram 1027, tram 987, tram 876, tram 853, tram 1012, tram 929, tram 885, tram 847, tram 913, tram 897 -
Melbourne Tram Museum
Photograph - Set of 4 Black & White Photograph/s, Don Schulz, mid 1920's
... car passing. Printed on Kodak Paper. Adam Chandler... car passing. Printed on Kodak Paper. Adam Chandler ...Series of four Black and White Photographs cable trams in Melbourne at the Bridge Road terminus or city during the mid 1920's/ .1 - Bridge road terminus with the car house or depot on the left hand side with the destination of Spencer St. .2 - Gripman possibly checking his watch with a depot worker? stepping off the tram. .3 - family stepping off the tram with cable trailer 368 in the view - Elizabeth St, near Flinders St? See Brian Weedon's notes re the photo and the trailer. .4 - As for .1 - with an X marked above the lady and a very large motor car passing. Printed on Kodak Paper. Adam Chandler advised by email 5/8/2020: " note there's a destination box fitted to the grip - from memory, these started to be used from the mid-1920s with the dummy and trailer repaints into the brown colour? That also looks to be either a 1925 or 26 Buick - the "moustache" shape at the top of the front radiator grille and the distinctly angled lower sash of the windscreen are further hints. Given the Richmond line closed in 1927 for conversion I'd say some time between 1924 and 29 June 1927." Also see image i5.pdf for further notes regarding the photographs and the Bridge Road tram depot building - use the original pdf file to read. Image i6, has had the "X" removed - done by Darren Hutchesson.On rear in ink in each print, "Cable car Melbourne" and "286 Anzac Hy/Marion Rd Adelaide SA, collection of late Don Schultz"trams, tramways, cable trams, bridge road, flinders st, richmond depot, hawthorn bridge, tram 368 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s - set of 32, Eldon Hogan, 4/06/1965 12:00:00 AM
... . Printed on Kodak Paper .33 - roll of negatives of some... Eldon Hogan. Printed on Kodak Paper .33 - roll of negatives ...Yields information about a 1924 Jelbart Engine manufacturing display in Sturt St and the street scene and peoples clothing at the time.Set of 32 black and white photographs of an Association of Railway Enthusiasts tour to Bendigo and trams 4/7/1965. The photos are not necessarily in photographic order. .1 - 30 on the Eaglehawk terminal track, beyond the normal terminus. .2 - 30 & 29 High St Eaglehawk. .3 - ditto with a poppet head in the background. .4 - 30 at one of the crossing loops .5 - 30 at Eaglehawk terminus extension .6 - ditto. .7 - ditto .8 - cleaning out the track .9 - showing the location of the track at Eaglehawk terminus and its extension .10 - cleaning out track .11 - a portable shed adjacent to the track .12 - A view of the two Birneys travelling in the empty country. .13 - ditto .14 - 19 and 18 at Golden Square .15 - Bendigo tram depot - creek crossing .16 - Scrubber at the depot .17 - 28 and 19 at the North Bendigo terminus .18 - 18 and 30 on the Golden Sq line .19 - 28 and 19 at the North Bendigo terminus .20 - ditto. .21 - 28 and 19 near the depot entry. .22 - 28 and 30 Pall Mall .23 - 28 at North Bendigo .24 - 17 and 19 and 6 at Quarry Hill .25 - 28 and 30 Mitchell St .26 - 19, 6 and 21 Quarry Hill .27 - 19 and 6 Quarry Hill .28 - 28 and 6 at the depot entry .29 - ditto .30 - 18 and 30, Golden Sq line .31 - 25 at depot .32 - 6 and 19 Charing Cross. Photographer Eldon Hogan. Printed on Kodak Paper .33 - roll of negatives of some of the above photos - stored in box 83 as well. trams, tramways, are, bendigo, eaglehawk, quarry hill, golden square, north bendigo, tram 30, tram 29, tram 28, tram 6, tram 19, tram 25, tram 17, tram 18 -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photography, Camera Kodak Flash 11 with leather case c1940, c1940
... folder for negatives and prints Front ; KODAK / 'KODET' LENS ...Kodak was founded by George Eastman and Henry A. Strong on September 4, 1888 in New York USA. During most of the 20th century, Kodak held a dominant position in photographic film. Kodak began to struggle financially in the late 1990s, as a result of the decline in sales of photographic film and its slowness in transitioning to digital photography, despite developing the first self-contained digital camera. The first model of the Kodak camera appeared in 1888. It took round pictures 6.4 cm (2.5 in) in diameter, was of the fixed focus type, and carried a roll of film enough for 100 exposures. Its invention practically marked the advent of amateur photography, as before that time both apparatus and processes were too burdensome to classify photography as recreation. The first films had to be loaded into the camera and unloaded in the dark room, but the film cartridge system with its protecting strip of opaque paper made it possible to load and unload the camera in ordinary light. The Brownie camera was introduced in 1900, creating a new mass market for photography. This Kodak Brownie Box Camera is typical of the cameras used by amateur photographers c 1940A metal Kodak Brownie Box camera with a leather case, and an empty folder for negatives and prints Front ; KODAK / 'KODET' LENS / Brownie Flash 11 / CAMERA / MADE IN ENGLAND BY KODAK LTD LONDON Folder The Pleasures of PHOTOGRAPHY / Make Photography Your Hobby kodak ltd, eastman george, strong henry, photography. brownie box camera, digital photography, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, postcard "Boiling the Billy" c1900, Early 1900's "Boiling the Billy", c1900
Early 1900's. "Boiling the billy". The term billy or billycan is particularly associated with Australian usage, but is also used in the UK and Ireland. It is widely accepted that the term "billycan" is derived from the large cans used for transporting bouilli or bully beef on Australia-bound ships or during exploration of the outback, which after use were modified for boiling water over a camp fire. Postcards developed out of the complex tradition of nineteenth-century printed calling cards, beginning with the advent of the Cartes-de-Visite in France. In the 1850s, Parisian photographer Andre Adolphe Eugene Disderi invented a photographic process involving egg white, albumen, and silver nitrate to create inexpensive portraits on paper cards. These photographic Cartes-de-Visites were 2 1/2 (75mm) by 4 inches (98mm) and became a popular, collectable form of "visiting cards" world-wide. Photographers would reprint portraits of famous individuals they had taken at their studios or during travel and sell them as collectable cards. Postcards as we know them now first began in 1861 as cards mailed by private post. In the 1870s picture postcards grew in popularity throughout the United States, Britain, Europe, and Japan. Cards were first permitted to have a "Divided Back," with text written on the left half of a dividing line and the address on the right half, beginning in England in 1902. Around 1900 the first postcards made of "Real Photos" rather than artwork began to circulate, aided in by advances in amateur photography equipment by companies such as Kodak. Kodak also introduced postcard paper for photographic development and photography studios began to offer portraits printed as postcards Many local town, countryside, and architectural images were captured during this period by local photographers, then printed and sold as postcards . Advances in amateur photography all contributed to a postcard craze that lasted from 1900 to the First World War. Postcards were the preferred means to send a quick note, whether across town or across a continent.Postcard with a black and white Photograph on the front and a 'Divided Back ' for the message and address. There are seven men surrounding the billy suspended over a camp fire. The ground has a lot of dead branches around. One man is bending down towards the billy. Two men on either side of the camp fire are carrying either a white bag across their shoulders or the fish in their hands. You can see, that there is some steam also coming out of the billy, which means that its hot. Court Post Card. / this space may be used for correspondence. / The address only to be written here.1900's, boiling the billy , postcards, photographers, england, hungary, america, cartes-de-visite, visiting cards, moorabbin, cheltenham, bentleigh, market gardeners, early settlers, pioneers, -
The Beechworth Burke Museum
Photograph, 1960s
This photograph was taken in the 1960s at Lake Sambell Caravan Park, visible in the photograph are individual caravan sites with electricity outlets, a large single-story building, a parked car, and two caravans partially obstructed by trees. Lake Sambell Caravan Park opened in 1959 owing to the work of R.E. Carter, Beechworth Shire engineer from 1954-63. Carter advocated for improvements to the lake and surrounding area in order to encourage tourism in Beechworth. The opening of the caravan park was part of many improvements to Lake Sambell made in this period by Carter including: the swimming pool in 1961, water skiing and boating facilities, and increased lake surface in 1964. These improvements were financed mainly by grants from the Tourist Development Authority. The popularity of caravanning in Australia exploded during this post-war period of the late 1950s and 1960s. This popularity was driven by multiple factors, including: the stopping of fuel rations, the accessibility of car ownership through the manufacturing of affordable cars, technological developments in caravan design, and the increase in prosperity and leisure time for many Australians. Facilities such as electrical outlets to power caravans are present in this photograph of Lake Sambell Caravan Park. Lake Sambell is an artificial lake that was developed on the previous site of the Rocky Mountain Mining Company workings and was officially opened by Minister for Lands, Mr Baily, on October 5, 1928. The disused and unattractive remains of the mine were converted into a recreational area intended for swimming, boating, and fishing. The lake is named after Mr L.H. Sambell, shire engineer and secretary of the Forward Beechworth Committee, who advocated for the enhancement of Beechworth into a tourist destination and was central to the planning and establishment of the lake. This photograph is of historic and social significance in documenting the enhancement of the Lake Sambell area overseen by R.E. Carter and providing insight into caravanning during the 1960s in Australia. Caravanning was extremely popular in Australia during the late 1950s and 60s due to multiple social and economic factors including the stopping of fuel rations, the accessibility of car ownership through the manufacturing of affordable cars, technological developments in caravan design, and the increase in prosperity and leisure time for many Australians. Black and white rectangle photograph printed on photographic paper and unmounted.Reverse: 3538/ [logo back printing KODAK/ VELOX/ PAPER] / C798lake sambell caravan park, lake sambell, lake sambell 1960s, lake sambell fishing, lake sambell boating, lake sambell swimming pool, r.e. carter, l.h. sambell, tourist development authority, caravanning 1960s, caravan electricity outlets, caravan park, forward beechworth committee, rocky mountain mining company, lake caravan park, caravan mid 20th century, beechworth tourism, travel in the 1960s, holiday 1960s -
The Beechworth Burke Museum
Postcard, 1900s
Photographed in the 1900s, the postcard depicts six young women seated in a canoe. They are all wearing white dresses, and three of them are holding Japanese umbrellas.Black and white rectangular postcard printed on card.Reverse: 3710 / POST CARD / KODAK / 29 / 3710 / CORRESPONDENCE / | / ADDRESS ONLY / AUSTRAL / 15 / AUSTRAL / KODAK /entertainment album, 1900s, canoe, lake, postcard, japan, japanese umbrellas, white dresses -
The Beechworth Burke Museum
Postcard, 1908
Printed in 1908, the postcard depicts a public gathering at Baarmutha Park, Beechworth on Boxing Day the same year. There are many men, women and children dressed in formal attire including suits and hats. A large number of women are holding parasols. Multiple horse-drawn carts are visible throughout the image.The record is historically significant due to its production in the very early twentieth century. This significance is enhanced by its contextual information, as the record provides insight into the social and leisure activities enjoyed by people at Baarmutha Park during this time.Sepia rectangular postcard printed on card.Obverse: BAARMUTHA PARK, BEECHWORTH. BOXING DAY, 1908. / Reverse: Parks & Gardens. / POST CARD. / KODAK / CORRESPONDENCE. / ADDRESS ONLY. / AUSTRAL / AUSTRAL / KODAK / (?) Craig / Stanley / 3747 / 9/ - Boxing Day / Sports Baarmutha / Park Beechworth / 84-148-1 / GARDENS / 97.2335 / 79.21.9 /entertainment album, baarmutha park, beechworth, 1900s, social, leisure, gathering, horses -
The Beechworth Burke Museum
Postcard
Taken in c. 1912-13, depicted are fifteen young men dressed in suits and hats. They are posing around a park bench located in the Town Hall Gardens, Beechworth.Sepia rectangular photograph printed on card.Reverse: Beechworth boys / 97.2333 / POST CARD / KODAK CORRESPONDENCE / ADDRESS ONLY / AUSTRAL / AUSTRAL / BR / - / - / - / 4 George Alexander / KODAK / 1912 - 13? /entertainment album, entertainment, beechworth, town hall gardens, postcard, 1910s -
The Beechworth Burke Museum
Postcard
The postcard depicts a large group of young men and women posing inside the Beechworth Town Hall. They are attending the Back to Childhood Ball in Beechworth on 3 November 1937. Joining them is a small goat in the front row.The postcard provides insight into entertainment, leisure and recreation in Beechworth during the 1930s. It enriches the community's understanding of how entertainment has developed in Beechworth since the early twentieth century.Black and white rectangular postcard printed on card.Obverse: a memento of the Back To Childhood Ball "Beechworth" / 3.11.37 / Reverse: 3708 / POST CARD / KODAK / CORRESPONDENCE / ADDRESS ONLY / AUSTRAL / A / AUSTRAL / KODAK / N. R. McGEEHAN, (Flashlight Specialist.) / 154 HOTHAM ST., ST. KILDA. S. 2. /entertainment, entertainment album, beechworth, 1930s, goat, recreation, performance, leisure, back to childhood ball, social -
The Beechworth Burke Museum
Postcard
The postcard depicts two large groups of men and women, separated by a barbed wire fence. There are horse-drawn carriages in the background. The group in the foreground appear to be a choir, as the members are holding booklets and are accompanied by a conductor. Some of the men are wearing sashes.Sepia rectangular postcard printed on card.Reverse: 7160 / POST CARD / KODAK / CORRESPONDENCE. / ADDRESS ONLY. / AUSTRAL / AUSTRAL / KODAK /entertainment, entertainment album, 1900s, choir, recreation, arts, ceremony, performance, music -
The Beechworth Burke Museum
Postcard
... / CORRESPONDENCE / ADDRESS ONLY / KODAK / KODAK / A02450 / Printed ...Printed in the late 1880s, the postcard features a photograph of Charles Sherwood Stratton (professionally known as General Tom Thumb) and his wife, Lavinia Warren Stratton. Accompanying this image are a pair of black calf boots. Charles Sherwood Stratton and Lavinia Warren Stratton were American performers who traveled with the Barnum & Bailey Circus, founded by Phineas Taylor (P. T.) Barnum. They each participated in various acts including singing, dancing, miming, and celebrity impersonations. Both Charles and Lavinia gained international fame for their successful careers and small physical stature. Charles and Lavinia performed in Australia in August 1870. The duo were joined by their touring party as part of the Barnum & Bailey Circus "Round the World" tour. They performed at three evening events and two matinees in Beechworth during this time. Charles, Lavinia, P. T. Barnum and the circus inspired the musical drama film, "The Greatest Showman" (2017).The postcard is historically significant due to Charles Sherwood Stratton's status as an internationally renowned performer. It also provides insight into the arts in Victoria during the late nineteenth century, illustrating the type of entertainment that was enjoyed by the public during this time.Black and white rectangular postcard printed on card.Obverse: A pair of General Tom Thumb's boots presented to / the town of Beechworth, where he and three other / dwarfs gave 3 night & 2 matinee performances 1870 / General Tom Thumb toured Europe as the star of / Barnum's famous circus giving impersonation acts / He was a great favourite of Queen Victoria / He was then 34 years old and 31 inches high / His wife was 34 inches / Reverse: 3706 / POST / CARD / KODA / CORRESPONDENCE / ADDRESS ONLY / KODAK / KODAK / A02450 /entertainment album, general tom thumb, charles sherwood stratton, lavinia stratton, circus, p.t. barnum, barnum and bailey circus, arts, performance, recreation, entertainment -
The Beechworth Burke Museum
Postcard
Taken on an unknown date, depicted is a full-length portrait of a young, unidentified male soldier. He is dressed in an Australian military uniform. It is believed that this soldier was part of The Australian Imperial Force during World War I. This can be inferred by the chevron rank insignia visible on the uniform. The placement of this insignia on the sleeve of the right arm suggests that this soldier was either a Warrant Officer or a Non-Commissioned Officer (NCO). Specifically, the number of chevron stripes - here, there are two - are believed to signify a Corporal rank. The man in this photograph is also wearing a 'Rising Sun' collar badge on his coat. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Black and white rectangular postcard printed on card.Reverse: Mendelssohn & Co., / Swanston St., Melbourne / POST CARD / KODAK / CORRESPONDENCE / ADDRESS ONLY / AUSTRAL / AUSTRAL / KODAK / BMM 2640.3 /military album, world war i, wwi, corporal, portrait, soldier, australian imperial force, aif, postcard, uniform -
The Beechworth Burke Museum
Postcard
Taken on an unknown date, depicted is a full-length portrait of a young, unidentified male soldier. He is dressed in an Australian military uniform. It is believed that this soldier was part of The Australian Imperial Force during World War I. This can be inferred by the 'Rising Sun' collar badge on his coat. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Black and white postcard printed on card.Reverse: BMM 2640 / POST CARD / KODAK / 5 CORRESPONDENCE / ADDRESS ONLY / AUSTRAL / AUSTRAL / KODAK / R. McGEEHAN, PHOTO, 57 ELM GROVE RIPPONLEA, / EXTRA COPIES & ENLARGEMENTS OBTAINABLE. /military album, military, war, world war i, wwi, australian imperial force, aif, rising sun, uniform, portrait -
The Beechworth Burke Museum
Postcard, c1900-1912
This object is a photographic postcard showing some of the above-ground structures of the Golden Bar mine in Chiltern, including a building with a smokestack and the poppet head which is used to haul equipment, materials, and men above or below ground. The Golden Bar site, mined by the Golden Bar Mining Company which was formed in 1901, managed to yield approximately 12,453 oz of gold before work stopped in 1912 - it was one of the principal mines in the area, as well as the deepest and one of the richest. The text on the postcard was handwritten by H.Gordon (?) to Issy (?), to show the mine where he presumably worked as he promises to take them 'above and below'. The postcard can be approximately dated to between 1901-1912. It is stated that after 1902 Kodak added the line on the postcard backs to divide into correspondence and address sections as seen on the reverse of this object. In addition, there is also a similar Kodak photographic postcard in the Burke Museum collection that is dated to 1908 and has the same specific font type and manufacturer markings (see references for link). Lastly, the Golden Bar mine ceased operations in 1912 so the photograph was likely taken prior to this. This photographic postcard is a rare and fair conditioned representation of one of the most significant gold mines in the Chiltern area, showing the above ground structures at the time it was being actively mined. This postcard also holds social significance as a snapshot of working life in the gold mining rush of Victoria, and a personal record of one of its miners. A sepia rectangular postcard printed on card.Obverse: Dudley Studio / Golden Bar. Chiltern Reverse: BMM 8034 / Post Card. / Correspondence. / Address Only. / Kodak. Austral. 110 / My Dear Issy (?), / A card only, to show (?) the mine / and when you come down I will / take you above and below, / All (...) love, me to. Has the baby / gone home yet Heini (?) wants to know / give my love to Syd when next you write / Your loving (...), H. Gordon (?)photographic postcard, postcard, chiltern, golden bar mine, golden bar mining company, dudley studio, kodak -
The Beechworth Burke Museum
Postcard, 1914-1916
This postcard shows a group of men standing outside of the Everton mine alongside a mining trolley sitting on tracks. The search for gold is ingrained into the history of Victoria and therefore, images like this one can reveal important information for society and technology for the date when the photograph was taken. It also shows a location where reef mining was undertaken which provides insight into the impact on the environment at a time when it was done.A sepia toned rectangular postcard printed on photographic paperpost card/correspondence address only/ Kodak Australia/1914everton mine, mining, goldrush, postcard, burke museum, black and white, photograph, mining trolley -
The Beechworth Burke Museum
Photograph
Taken in Beechworth, this photograph depicts a birds eye view of Ford Street. Black and white rectangular postcard. The image is printed on matte photographic paper and is mounted on cardboard. Obverse: (98) BEECHWORTH Reverse: 1997.2761 POST CARD CORRESPONDENCE ADDRESS ONLY KODAK AUSTRALIAbeechworth, ford street, kodak, burke museum, birds eye view -
Federation University Historical Collection
Photograph - Black and White, Kodak Australia, Frank Wright, 1923
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of the torso of a man in a three piece suit, with a visible fob chain. The man is Frank Wright.Written in pen on back - Frank Wright (21), Taken at Brisbane (Q), Easter 1923 Printed on back - Post Card, Kodak Australiafrank wright, cornet, conductor, ballarat -
Federation University Historical Collection
Photograph - Photograph - Black and White, Herald, Frank Wright departing Australia, 1933, 5/8/1933
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia..1) Black and white photograph of the torso of a man wearing a suit, leaning against ship's railing and holding streamers. The man is Frank Wright and the ship is 'Balranald'. .2) Black and white photograph of two levels of the side of a ship with passengers standing at the railings. In the middle distance is a man leaning against the railing, holding streamers and in the foreground are the backs of a crowd of men. The man is Frank Wright and the ship is 'Balranald'..1) Printed on back - Post Card, Kodak Handwritten in pencil on back - Frank Wright, Taken by Herald photographer when boat ("Balranald") was leaving Port Melbourne for London, Aug 5th 1933 Stamped on back - An indistinct "Copyright Herald ..." stampfrank wright, cornet, conductor, ballarat, st hilda's band, herald, balranald, port melbourne -
Federation University Historical Collection
Photograph, Kodak Australia, Frank Wright's Parents at Laura Villa, Smeaton, 1922
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Sepia photograph of a man and a woman standing in front of a picket fence which surrounds a timber cottage with a corrugated iron roof, including a striped front verandah roof. On the left hand side of the photograph is a hill with a large pine tree. The people are Sarah and William Wright and the cottage is "Laura Villa" at Smeaton.Printed on back - Post Card, Kodak Australiafrank wright, sarah wright, william wright, laura villa, smeaton, picket fence -
Federation University Historical Collection
Photograph - Black and White, Scott's Pharmacy, Frank and sister at Laura Villa
... Stamped on back - Printed at Scott's Pharmacy Kodak Dealer...). They are standing in the garden of Laura Villa. Stamped on back - Printed ...Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man and a schoolgirl standing on a path inside a fenced garden. In the backgroud are tall pine trees.The man is Frank Wight and the girl is his sister (perhaps Lydia). They are standing in the garden of Laura Villa.Stamped on back - Printed at Scott's Pharmacy Kodak Dealer, (143) Sturt St, Ballaratfrank wright, cornet, conductor, ballarat, lydia wright, laura villa -
Lara RSL Sub Branch
Framed Print of Naval Review,Sydney Harbour, 1st October,1988, Naval Review,Sydney Harbour, 1st October,1988, 12/01/1990
The bicentenary of Australia was celebrated in 1988. It marked 200 years since the arrival of the First Fleet of British convict ships at Sydney in 1788. This aerial photo shows naval and pleasure craft in Sydney Harbour for the bicentennial celebrations.The bicentennial year marked Captain Arthur Phillip's arrival with the 11 ships of the First Fleet in Sydney Harbour in 1788, and the founding of the city of Sydney and the colony of New South Wales. 1988 is considered the official bicentenary year of the founding of Australia. Rectangular shaped glass covered picture frame showing photo of Naval Review, Sydney Harbour, 1st October,1988Naval Review, Sydney Harbour, 1st October,1988 This 140 degree panoramic photograph was taken from a helicopter by Phil Gray. It shows the visiting warships in the harbour including the USS New Jersey, FNS Colbert and HMS Ark Royal in the foreground.This print is the fourth in the Sydney Harbour Panorama series by Phil Gray who uses Kodak film.Printed in Australia.prints, naval photos, hms ships, sydney harbour, lara r.s.l. -
Federation University Historical Collection
Photograph - Photograph - black and white, Kodak Australia, Sarah Wright and son Alex, circa mid - late 1920's
Alex Wright was the brother ofFrank Wright who was a renown resident of Smeaton. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia..1) Black and white photograph of a man and a woman standing in front of a picket fence, with a large tree in the background. The man is wearing a suit and is Frank Wright. The woman is wearing a long dark skirt and long sleeved blouse with a brooch at the neckline. She is his mother Sarah Wright. The man is wearing a suit and is Sarah's son Alex. The picket fence surrounds "Laura Villa". .2) Glass plate for this photographPrinted on the back - Post Card, Kodak Australiafrank wright, sarah wright, picket fence, laura villa, smeaton, cornet