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matching portland collection
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Glenelg Shire Council Cultural Collection
Print, The Undertaker's Assistant, 1983-1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of standing male from hips to head. The man wears a black suit, white gloves and has a moustache. Work has pink background with leaf and plant forms in greens, yellows and blues.Front: Portland Commemorative Print 5/20 A. Gee. The Undertaker's Assistant. John Cain signature Premier of Victoria. Back: 15 -
Glenelg Shire Council Cultural Collection
Print, Dawn of an Error, 1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of high tension electricity towers on top of coastline. The foreground shows the ocean with white rocks and the cliffs of the coastline in gold and various shades of green. The electricity towers are black and gold and printed on a purple and blue background.Front: 40/60 (lower left) "Dawn of an Error" (lower centre) CJ Snook '84 (lower right) (pencil) Back: 29 -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Aerial view from the N.W. of Portland Harbour under construction, c. 1950
Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland archives -
Glenelg Shire Council Cultural Collection
Print, One Farm's History, 1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of four images of houses displayed in a vertical layout. The top image is a close view of a yellow wall, white door and green foliage. The next image shows a pink house with purple and yellow details, a white picket fence and several large trees. The third image is of a yellow house with a red roof, white wire fence and trees. The bottom image shows a pink brick house with brown roof.Front: 20/22 One Farm's History, Tyrendarra. Carmel Wallace 1984 Back: 48 -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Loading Fish, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives -
Glenelg Shire Council Cultural Collection
Print, The Captain Sails, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a child's drawing of a ship. The work is a red line drawing with "Michael" written in a child's hand. The image show a ship with a person standing on board and a flag above them which says 'ME'. On the left of the work is the sun.Front: (no inscriptions) Back: 49 -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Official Opening Portland Harbour, November 1960, 1960
Port of Portland Authority archives.Front: (no inscriptions) Back: Line drawing attached to verso recording identities seated on the foredeck of a visiting naval vessel. -
Glenelg Shire Council Cultural Collection
Print, Nuns Beach, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of coastline around Nuns Beach and Portland Lighthouse. The work takes the perspective of, sitting in a car parked on the cliff facing the lighthouse. The foreground features the cars steering wheel, dashboard and red bonnet. The majority of the work illustrates the cliffs in various shades of green and brown. In the top right is the Portland Lighthouse and the ocean and rocks below.Front: Terry Priestly 28/30 (lower right) (pencil) Back: 32 -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Roll-on-roll-off ship 'Lalandia' loading, n.d
Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland archives -
Glenelg Shire Council Cultural Collection
Programme - Programme - Official opening of Portland Municipal Offices and Council Chambers 1 May 1984, n.d
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Glenelg Shire Council Cultural Collection
Print, Steampacket Inn, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a drawing of a building. The details of the building are done in thick black lines with patches of green, yellow and brown. The background has been left as the plain paper.Front: Darren Pumpa (lower left) Steam Packet Inn (upper centre) (pencil) Back: 50 -
Glenelg Shire Council Cultural Collection
Print - Print - Impression of Ultimate Development of Port of Portland, Victoria, n.d
Port of Portland Authority archives.Front: (no inscriptions) Back: 'Impression of Ultimate Development of Port of Portland, Victoria.' 'Bruce Ormandy' 1977-port of portland archives, portland harbour -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Aged Care Facility Casterton, c. 1963
Sourced from Casterton Town HallBack: 'Old Folks Home Casterton' - handwritten, green biro -
Glenelg Shire Council Cultural Collection
Print, Kingsley, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of freehand drawing of a two storey building. The building is predominantly made up of numerous black lines and cross-hatching. Sections of the building have blocks of green or brown colour. The background is blue and white and features the text "Portland's 150th" in black at the top of the work.Front: Kingsley (upper centre) Stephen Rietman (lower centre) (pencil) Back: 33 -
Glenelg Shire Council Cultural Collection
Administrative record - Administrative record - List of children's addresses, n.d
K.S. Anderson Collection -
Glenelg Shire Council Cultural Collection
Print, Are we falling off the sheep's back?, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of: a sheep transport boat; sheep truck; abattoir; sheep and protestors. The background is blue, green and silver, and features large silos. The text "Are we falling off the sheep's back?" is at the top of the work, as well as a simple map of the "Persian Gulf" with "Kuwait" marked.Front: RBR 28 (lower right image, printed) 30/50 (lower right) (pencil) Back: 35 -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Casterton Post Office, c. 1963
Sourced from Casterton Town Hall (Former Shire of Glenelg)Back: Black stamp, '003826' -
Glenelg Shire Council Cultural Collection
Letter - Letters - K. S. Anderson, n.d
K.S. Anderson Collectionk s anderson, bruce anderson, personal letters -
Glenelg Shire Council Cultural Collection
Print, Bridgewater Bay, 1983
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of females in various landscapes. The top half of the work features the ocean, coastline and breaking waves. Super imposed on this are images of: five seagulls; a blue portrait of a female face; and a female torso and head. In the centre of the work a female stands looking towards a house and the ocean in the distance. The lowest section of the work features the image of a female face in a blue and orange rectangle. To the left of her is a twig.Front: 14/16 Bridgewater Bay. Catherine Taylor '83 Back: 42 -
Glenelg Shire Council Cultural Collection
Document - Invitation - Maretimo Cocktail Party, n.d
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Glenelg Shire Council Cultural Collection
Print, Cape Nelson at Sunset, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of four seagulls on a blue, orange and yellow diamond-shaped grid. The seagulls are created through black outline and shading. Seagulls are in various poses, all with wings extended. The grid alternates from blue diamond shapes to those which fade from orange at the top to yellow at the bottom. The grid is surrounded by a blue and white cloud-like border.Front: 12/20 Cape Nelson at Sunset. Catherine Taylor Back: 43 -
Glenelg Shire Council Cultural Collection
Document - 34th Annual Report for the Port of Portland, Photos: Greg Baker, Malcolm McEachern, 1984-1985
port of portland -
Glenelg Shire Council Cultural Collection
Administrative record - Portland Harbour Trust Report 1950-1969, Port of Portland, Victoria, n.d
Front: 'B. VIVIAN' - top right, handwritten, blue biroport of portland -
Glenelg Shire Council Cultural Collection
Print, Kingsley, Gordon and Catherine, 1983
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of Bentinck Street from foreshore with a female face and top of vehicle in the foreground. The female has red hair and lips, yellow face and blue clothing. The vehicle is red and blue. An extensive patch of grass separates the woman and vehicle from Bentinck Street. The buildings have patches of green, yellow, white and red added. Behind the buildings is a clear light blue sky.Front: 10/14 Kingsley, Gordon & Catherine signature '83 Back: 44 -
Glenelg Shire Council Cultural Collection
Administrative record - Port of Portland, 22nd Annual Report 1973, Osborn Mannett, Hamilton, Victoria, c. 1973
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Glenelg Shire Council Cultural Collection
Booklet - Booklet - Alcoa of Australia operations, Apr-79
Bowerbird Museum -
Glenelg Shire Council Cultural Collection
Print, Portland is for Everyone, 1983
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Three indigenous women stand before trees and grass trees. The fgiure on the far left is wearing traditional clothing, and the two figures on the right wear Victorian period dresses. The background depicts abstract patterning. At the top of the print are the words "Portland is for Everyone". The bottom of the image includes the words "Thanks to the Aboriginal Cultural Centre, Heywood, and the Portland Historical Society." Background is mauve and colours include green, blue, yellow, orange and tan. Mounted in dark cream matt in an ornate gold-detailed wooden frame.Front: 41/60 (lower left) Angela Gee '83 (lower right) (pencil) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Programme, City of Portland, Pioneer Festival 1992, c. 1992
Bowerbird Museum -
Glenelg Shire Council Cultural Collection
Print, Edward Henty, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of three framed images on a striped background. The top left image is a black and white sketch of Burswood. The top right image is a black and white portrait of Edward Henty. Below these images is a coloured image of two bluestone buildings. The background is striped pattern of red, blue and gold.Front: Edward Henty (lower centre) Back: 46 -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Ocean Pier Portland Harbour, Victoria, n.d
Front: 'Deepwater Pier' & Baths, Portland Vic' - black script, bottom left Back: Handwritten message