Colour photographeltham, alistair knox park, art, sculptures, ernst fries, surveyor of suburban environs (1991)

Commissioned by the Eltham Cemetery Trust to celebrate the 150th Anniversary of the CemeteryBorn Digitaleltham cemetery, matcham skipper, eltham cemetery trust, art in public places, sculptures, young man awakening

Commissioned by the Eltham Cemetery Trust to celebrate the 150th Anniversary of the CemeteryBorn Digitaleltham cemetery, matcham skipper, eltham cemetery trust, art in public places, sculptures, young man awakening

Commissioned by the Eltham Cemetery Trust to celebrate the 150th Anniversary of the CemeteryBorn Digitaleltham cemetery, matcham skipper, eltham cemetery trust, art in public places, sculptures, young man awakening

Commissioned by the Eltham Cemetery Trust to celebrate the 150th Anniversary of the CemeteryBorn Digitaleltham cemetery, matcham skipper, eltham cemetery trust, art in public places, sculptures, young man awakening

Commissioned by the Eltham Cemetery Trust to celebrate the 150th Anniversary of the CemeteryBorn Digitaleltham cemetery, matcham skipper, eltham cemetery trust, art in public places, sculptures, young man awakening

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

An Underwood & Underwood stereoscope viewer with aluminium covered hood with etched design & Sun Sculpture Trade Mark U&U. A folding wooden handle & moveable card holder, felt trim around hood with 2 magnifier glass eye pieces.Man'f'd by Underwood & Underwood New York. Patented June 11 1901 Foreign Patents applied for.photography, viewers, stereographic

A Currawong Takes Flight, Michael Wilson 2015 Commissioned by Harold Mitchell AC, the first of the Eltham Cemetery Trust's Grand Estate sculpturesTomorrow's history documented todayeltham, jim connor collection, a currawong takes flight, art in public places, eltham cemetery, eltham cemetery trust, harold mitchell ac, main road, michael wilson, grand estate, sculpture

A Currawong Takes Flight, Michael Wilson 2015 Commissioned by Harold Mitchell AC, the first of the Eltham Cemetery Trust's Grand Estate sculpturesTomorrow's history documented todayeltham, jim connor collection, art in public places, eltham cemetery, eltham cemetery trust, sculpture, a currawong takes flight, grand estate, harold mitchell ac, michael wilson

Official opening of Long Neck Turtle Project, a collaborative community sculpture project at the Lower Plenty Shopping Centre, 21 November 2019.Colour leaflet, printed both sideslower plenty shopping centre, long neck turtle project

Inspired by a well-loved poem of Gerard Manley Hopkins, the abstract sculpture is reflective of the elements of Bayside's coastal environment: wind, water and waves.welded steel Public Art Commission located on Sandringham Foreshore Reserve, Beach Rd, near Sandringham Life Saving Club, Sandringham, Victoria.sculpture, windhover, clouds, wind, waves, lenton parr, public art, sandringham, foreshore, bayside art coastal trail, beach road

Carving of a large male head made by a patient of Mayday Hills Asylum. The sculpture has been roughly hewn from a single piece of wood.Mayday Hills Asylum was one of the three largest psychiatric hospitals in Victoria, and played an important role in the treatment of mental health illnesses from its establishment in 1867 to its closure in 1995. As part of prescribed treatment, many patients participated in craft activities were they were able to create an array of objects. A limb of a tree roughly carved into the shape of the man's face featuring heavy eyebrows, moustache and beard.beechworth, burke museum, mayday hills asylum, carving, wooden sculpture

Carving of a small female head made by a patient of Mayday Hills Asylum. The sculpture as been roughly hewn from a tree limb with multiple branches.Mayday Hills Asylum was one of the three largest psychiatric hospitals in Victoria, and played an important role in the treatment of mental health illnesses from its establishment in 1867 to its closure in 1995. As part of prescribed treatment, many patients participated in craft activities were they were able to create an array of objects. A limb of a tree roughly carved into the shape of a face, featuring a wide nose, protruding eyes, and flat mouth. On a limb section that extends above the head is a carving of a small totem-like face. Two small limb sections protruding from the back. Pen lines and figures on nose and ears.beechworth, burke museum, mayday hills asylum, sculpture, wood carving

Mohammed and the Origami Lightning" was a print I made in 1980, soon after my return from Mossman, north Queensland and a six month stint of studying the metaphysics of Shaik Ibn Arabi with Diane Cilento. The unspeakable omniscience of the prophet is conjured up in the left hand part of the image, and the playfull fantasy of a make believe world in the right hand part. These two realities spliced into the one printed image was what I found very attractive at the time. (March 2021)Jock CLUTTERBUCK (1945- ) Born Edenhope, Victoria Jock Clutterbuck is a sculptor and printmaker of national significance, his prints in colour etchings and aquatints are often from shaped plates and reflect themes found in his sculpture. Known for sophisticated and detailed abstract form, Clutterbuck studied sculpture and drawing at the Royal Melbourne Institute of Technology from 1965 – 1966, where he subsequently taught from 1969 – 1973 before taking up a role as the lecturer in Sculpture at the Victorian College of the Arts from 1974 – 2000. This work is an etching with aquatint and colour stencil on Torinoko An early supporter was Tate Adams, who established the Crossley Gallery to exhibit prints. He urged Jock Clutterbuck to create a series of etchings for Crossley Gallery, a gallery estabished by Tate to exhibit prints. Clutterbuck was awarded the National Gallery of Victoria Society Drawing Prize in 1966, the Australian Print Council Prize in 1969 and 1973, the Geelong Print Prize in 1972, the State Government Bicentenary award for sculpture in 1970, the PCA print prize in 1973, the Fremantle Arts Centre Print Prize in 1976 and the Caulfield Arts Centre Sculpture Award in 1979. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, jock clutterbuck, printmaking, etching, printmaking etching, available

The Traralgon War Memorial was originally erected in memory of the fallen soldiers of World War One. The Gippsland Times of 01 March 1923."On Sunday a memorial that has been erected in memory of the fallen soldiers of the district was unveiled. The ceremony was performed by Mr G. H.Wise, and addresses were delivered by Mr W West, M.LA. the president of the shire and local clergymen. The memorial, which cost £700, and contains 54 names of young men who made the supreme sacrifice is a lifesized figure of an Australian soldier and is made white Italian marble. It now commemorates Australian servicemen and women who have served in all wars and conflicts. It was re-dedicated on 11 November 1999.Colour photograph of the Traralgon War Memorial with surrounding townscape. The war memorial features a life sizes sculpture of an Australian world war soldier wearing a slouch hat. Loy Yang Power stations are evident in the background. Traralgon Post office on right foreground. traralgon, world war one, anzac day, loy yang, traralgon post office, anzac centenary

The Flock is a kinetic sculpture made up of 11 parts. It celebrates a local migratory bird, the ibis. The sculpture comprises tall steel poles with a steel ibis balanced on the top of each pole by its beak. Balanced on a spherical joint to allow fluid movement in all directions, each element of the Flock is designed to look like a bird in flight. The kinetic wind-powered elements of the artwork were inspired by the nearby Waubra Wind Farm.The artwork is of aesthetic and social significance to the people of BallaratEleven white and black birds on poles with moving partsibis, friends of learmonth, learmonth

Chainsaw carver Hikaru Kodama puts some finishing touches on wartime wooden sculptures that will be displayed at Greensborough War Memorial Park ahead of Anzac Day.News article 1 page, black text and colour image .hikaru kodama, wooden sculptures, greensborough war memorial park, chainsaw sculptures, homefront project

Contents: • Next meeting, guest speaker; Ted Howard: Mud and Man • September Meeting • Exploring the Upper Yarra • Alan Marshall Sculpture • Other News The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

On the pending sale of Holy Trinity church, this baptismal font was removed from the church for safe keeping by the Society and placed in storage at McClusy's garage. When McClusky moved out in 1997, the font was again removed and placed in sections in the Spring Street foyer of the Port Melbourne Town Hall. In February 1998 it was assembled by members of the Society.Baptismal font, eight sided, ornamental, free standing, in three sections: base, column, water bowl; made of concrete and finished in plaster of Paris for relief sculptures; painted an off-white. Base of Tasmanian oak added in 1998. Pic ref item 1485.02religion - anglican (holy trinity)

Site specific outdoor installation on permanent display near the Sandown Street Dog Beach, BrightonAnne Ross, Summertime 2017, patinated bronze, 220 x 220 x 150 cm. Bayside City Council Art and Heritage Collection. Commissioned 2017.A free standing, three dimensional sculpture, cast in bronze, patinated and painted. A larger than life dog wearing sunglasses with ears blowing in the wind is sitting under a singular tall tree facing the beach. Both the dog and tree sit on a large rectangular base.sculpture, public art, dog, brighton, beach, tree, anne ross, coastal art trail, foreshore