This photograph shows the wharf in the 1980's. It is the early days of tourism, and shows Helen Coulson, dressed in period costume guiding the tourists. The sign shows distances from Echuca to significant sites on the Murray River in miles, as that was the way distance was calculated in the 1870's. The sign is no longer there.This photograph shows Helen Coulson as a tour guide. Helen was the first Manager of the Port of Echuca from the mid 1970's. The tourism industry was still in it's infancy and Helen was a strong supporter of the Port. The photograph also shows the structure of the wharf as the photograph is taken on the lower level.3 black and white photographs of tourists under the wharf with Helen Coulson, dressed in period costume, as a tour guide. The structure of the wharf can be clearly seen. Also a sign with towns showing their distance from Echuca, in miles, can clearly be seen. The three photographs are identical. There are no inscriptions or markings.helen coulson, echuca wharf., tourism, murray river, rosel, mike

This butter mould/pat may have been manufactured post 1967(year post codes appeared in Australia) however the post code was only stamped on after it was machined. This type of butter mould was used by rural families to fashion home/farm made butter. This period was in most rural regions a time of self sufficiency where any domestic type implement which could be fashioned by the family would be crafted with skill. Shopping for goods required catalogues from stores located in major rural towns and cities and involved lengthy waiting times. Travelling to and from these specialised stores was not pleasant due to the relatively poor quality of the roads and the lengthy times taken. The small general stores in the Kiewa Valley could not cater for all the needs of the valley. The 1960's was a time when facilities especially goods and services started to improve drastically. The S.E.C. of Victoria with its Kiewa Hydro Electricity Scheme provided not only an improvement of facilities in the valley but also a increase in the population. This increase resulted in a greater demand for local produce. This item is one of many domestic food processing implements used by Kiewa Valley households in the mid 1900s, whether on the farm or in the small towns and hamlets. Self sufficiency was the key to survival during these early times. Where ever possible supplies from within the valley were preferred to that brought in by travelling salesmen or traders. This butter mould and butter pat was commonly used to fashion "home" made butter throughout the valley and in some cases supplied to "outside" regional towns. Although this method of production was phased out by better access to goods from nearby cities the revival of the good organic home grown produce in the 1980s saw a greater demand of this type of farm based produce.This well crafted circular wooden butter mould could also be used as a butter pat.The handle in the middle of the mould was not added after the crafting but has been fashioned from the initial block of wood when the bowl was crafted. The bowl structure has a rim around the edge.The top of the handle has an ink stamp "T. & W. Dav" on the top line and "Tawonga 3697" underneath.domestic food preparation, wooden butter pat, butter mould circular, dairy industry

Postcard, WW1, sepia photo of a damaged structure that could have been an observation post or a defensive rocky outcrop at Pozieres. Had been given the nickname 'Gibraltar' judging by the handwritten comment on the back. 'Pozieres - ("Gibraltar") after capture by 1st Australia Division July 1916'postcard, postcard, ww1, france, pozieres, 1st australia division

The disused cottage was owned by Alec Lloyd who was the fruiterer in Sunbury. It was situated on a sheep run on the Diggers Rest-Toolern Vale Road and was destroyed by fire in the early 1990's.A coloured photograph of a weatherboard farm cottage in a paddock with tall gum trees behind the house. The cottage with a pitched roof over the main structure and a lean-to with skillion roof at the rear is used as a storage for hay. The remains of a tank are on one side of the house and sheep are grazing around the property.farm cottages, sheep farming, lloyd, alec, george evans collection

One of original religious artefacts used in the Loreto Chapel. Although no maker's mark, opals would indicated Australian made.Gold coloured monstrance. (Receptacle in which the Holy Eucharist was kept as well as placed for public adoration.) At the top is a large round structure, rayed like the sun - 'viril' and inside the viril is a glass section for holding the host - 'vidriera'. Highly decorated and surrounded by gem stones and opals.

Colour photograph: Reservoir Hotel, Condon Street, Kennington. Image shows brown brick modern structure, brown and taupe awnings over windows, ladder leaning on wall. Reservoir Hotel, Kennington, on small sign near front door. Could be early 1980's?bendigo, hotel, reservoir hotel

Aulsebrook Collection: House inspections booklet by National Trust of Australia (Victorian Branch) - 1967 October 29th -4 pages, typed -Lists and descriptins of various houses up for inspection in Bendigo - related to historical significances attached to the house; whether it is furniture or the house structure itself.

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Very fine, silk short-sleeved evening dress, comprised of a shift of silk crepe de chine covered by a layer of chiffon, heavily embroidered with pink sequins. While one or two strands of sequins have come adrift, the overall structure is intact and in excellent condition. flapper dresses, evening wear, dance frocks, weir collection

Colour photograph. Ground floor facing south towards Lonsdale street in what was to be the cafe and in 2015 is the Breacan office. Entrances show access corridors to former towers. White besser blocks in foreground. New structure for roof seen with tarp. Taken during restoration inspection.building construction, historic buildings, cultural structures and establishments

One of two sets of stereographs donated by the O'Beirne family along with a stereoscope for viewing (Stereoscope is Registration no. 2014-51).Stereograph of two black and white images. Images are of groups of people. One group is standing under the eaves of a structure. A group is standing at the very top of an iced over waterfall. Another group is walking along a walkway and the final group is walking over a small incline in the background.From Inclined Railway Station, over Ice Mountain to Ice-clad precipice and / American FAlls, Niagara Falls, U.S.A.stereographs

Colour photograph of the old lookout tree on Jemmys Point, showing a standing dead grey box tree, remains of three branches at top which once held a platform and signal structure. Two timber seats on lawn at base, roadway in foreground. Lakes Entrance, Victoria,2008historic sites, navigation

Colour photograph of the old lookout tree on Jemmys Point, showing a standing dead grey box tree, remains of three branches at top which once held a platform and signal structure. Two timber seats on lawn at base, roadway in foreground. Lakes Entrance, Victoria,historic sites, navigation

Sepia photograph mounted on fawn board. Group photo - 3 rows of men and woman in front of building with canvas roof. Branches from eucalypts leaning against structure. Men are dressed in suits and hats, women in long dresses and hats. Handwritten on back ' cannot identify'Davis & Co., Photographers ( portraits and landscape )person, group, casual

Colour photograph of the old lookout tree on Jemmys Point, showing a standing dead grey box tree, remains of three branches at top which once held a platform and signal structure. Two timber seats on lawn at base, roadway in foreground. Lakes Entrance, Victoria,historic sites, navigation

Colour photograph of the old lookout tree on Jemmys Point, showing a standing dead grey box tree, remains of three branches at top which once held a platform and signal structure. Two timber seats on lawn at base, roadway in foreground. Lakes Entrance, Victoria,historic sites, navigation

This Favag Timer apparatus was a part of the first electronic control system -(1960's), in Victoria), which worked using telephone stepping selectors to convey a change in voltage providing a regulated pulse from the control centre(Mount Beauty) to the remote Power Stations opening and closing (stop/start) of various devices at the Power Station and a return signal confirmed the action taken. Testing of this unit was carried out using a "dummy" device at the remote Power Station so as not to disrupt the power plant's operation. This timer was one of many electrical apparatus connected to the large SEC Victoria Hydro Scheme's electrical power producing generators. These generators are powered by the hydro force of "stored" water at a higher altitude. The establishment of both the NSW and Victorian Hydro Schemes was achieved from the early 1900's to the 1960's. At this point in time the need for additional power sources to quench both an industrial and domestic demand for electricity was purely an economic and not and environmental (carbon reduction) factor. This hydro scheme was instigated by "the Government of the day" as a bold move and was the major force of the World War II refugee and "technical" workforce,inclusion of skilled and unskilled, migration into the Australian environment. Although this mass "invasion" of workers with families was thought of in some circles as intrusive, the expansion of population post war years and its integration into the Australian rural sector, produced the multi- lingual multi-cultural diversity of later years.This Favag Timer was one of the crucial pieces of equipment that made it possible for the Mount Beauty Terminal Station to control the operations of these Power Stations; McKay, Clover, West Kiewa Power Stations and the Dederang Terminal Station.This aluminium and anodised "FAVAG" (pulse) timer is fastened to a base structure which comes with its own metal cover that is fastened by two metal hooks. From the top of these hooks runs a thick leather "carry" strap.The instrument, itself, a small "micro motor" at one end tape feeding spool on the other. Aluminium metal structures offer a preventative barrier against any electronic spikes from static electricity sources. There are two toggle switches to the bottom right hand side and twelve coloured "pin" connection points.There is a sliding access sleeve which exposes a circuit board.with various leads fastened on each side. In front of one of this slide are two "screw in" fuses, spare fuses are in a small envelope taped above. Circuit diagrams are etched white on black background on the top face of the main structure. At the base of the back section is a two pronged input terminal. There is a fine black rubber layer (cushioning) for the mian top cover.On the cover fastened with two rivets "FAVAG" underneath in small print "Fabrique d'appareils electriques S.A." underneathe "NEUCHATEL-SUISSE". on one end is a "STATE ELECTRICITY COMMISSION OF VICTORIA" metal label screwed on.The back label has manufacturers' type and model number.sec vic kiewa hydro scheme, alternate energy supplies, alpine population growth

This camera was made for the mobile photographer and the camera manufacturer Kodak was at the peak of production. Mr. George Eastman, the company's founder, who invented roll film, which could withstand the outdoor activities and therefor replaced photographic plates. In 1900, the Box Brownie camera was first released Kodak's motto was' "You push the button, we do the rest," The film used in this camera was Kodak Verichrome 620 introduced in 1936 and only went out of production 2009. This camera was a vintage 1970s one. Between 1963 and 1970 the company sold 50 million of this type of camera. The production of smaller and more user friendly digital cameras, mainly from Japan finally nailed the coffin lid on the Kodak Company. Ironically, one of Kodak's engineers called Steve Sasson, devised a camera that could save images using electronic circuits. The images were transferred onto a tape cassette and were viewable by attaching the camera to a TV screen, however Kodak tried to maintain its photographic film products beyond its "use by date". In1975 Kodak becomes the first company to make a digital camera, however the Japanese manufacturers could make smaller and more compact cameras ending Kodak's monopoly and eventual demise.This particular "box brownie" was used by Margaret Shefford, nee Turner, who with her husband retired, in the 1980s, to Mount Beauty. The camera was purchased in the 197's and used on their cruise to England. The significance of this item is that at the time of its introduction to Mount Beauty the camera was a "state of the art", for general public, camera introduced by an ever increasing influx of retirees. This identifies the Kiewa Valley not only as an attraction for sightseers and overseas tourists but also retirees. The social implications of this trend will continue to provide a broader requirement for medical and other facilities geared up to the requirements of an aging population. As a lot of cities in Australia have increasing levels of violence (mainly drug related) rural "retreats" are becoming more sought after by sections of "the gentle populous"This is a black metal rectangular camera, rounded on the ends and has silver colored fittings(stainless steel) and a small leather handle on hinges the left side (facing the lens). The folding lens and shutter component fold out from the main compartment. Two metal arms swing out and hold the lens and collapsible lens body to the required length. When not in use this collapsible (folding) lens extension is fastened to the main body structure providing security and preventing damage to the folding material. The camera has a collapsible eye piece or view finder at the top end. The right hand bottom end has a cylindrical film wider (polished steel). Inside there are two cylindrical cavities, one holding the roll of unexposed film and the other (winder) end a cylinder onto which the unexposed film is wound through for each picture frame. There is a locking mechanism to hold the folding lens structure to the main box structure. See KVHS 0419B for its carrying caseNo external makings but when the lens is folded out it exposes manufacturing information on metal base around the lens " Kodette II B I shutter"(B= Bulb and I= Instant), underneath this, in larger print, is "'FOLDING 'BROWNIE' SIX - 20" below the lens and in smaller print, "made in Great Britain" and underneath this "by KODAK ltd"kodak kodette ii, folding brownie camera, photography, hobby personal item, tourist gadgets.

Bob (Herman) Hymans (a former member of the Royal Netherlands Navy) was born in Bloemendaal, Holland on 30th September 1922. During World War II he fought against the Japanese in the Dutch East Indies (now Indonesia) and was imprisoned in Changi and on the Burma Railway. After gaining qualifications as a Ski Instructor, Bob arrived in Falls Creek in July 1950. Working as an Instructor and Supervisor at Bogong Lodge, Bob decided his future was in accommodation. He was successful in negotiating an indenture for land from the State Electricity Commission (SEC). It took Bob two years to build his Grand Coeur Chalet but, tragically, it was burned down in August 1961. Bob also built the first Chairlift in Australia. This was a single chairlift and the structure was built from wooden electricity poles. He was constantly full of new ideas and proposals for the village. Bob Hymans died on 7th July 2007. This Collection of documents and letters tells the story of Bob's endeavours to develop Falls Creek into the ski village it is today.This item is significant because it documents proposals put forward by Bob Hymans to develop facilities in the Falls Creek Tourist Area.This letter to the Falls Creek Tourist Area Management Committee contains Mr Hymans' application to establish one or the other of two proposals at Falls Creek. Proposal A was for the installation and operation of a double Chairlift with drive station at the top as well as the establishment and operation of an observation lounge and restaurant facilities at the top station. Proposal B was for the establishment and operation of an accommodation building. In either scheme, all patrons of the restaurant would have a panoramic view of the Valley Chairlift and every skiing slope through uninterrupted glass walls. Information regarding structure details and tariffs is included. The capital expenditure was expected to exceed £220.000 for Scheme A or £45,000 for Scheme B. Mr. Hymans proposed that construction would be scheduled for completion by the commencement of the 1963 snow season.falls creek tourist area management committee, bob hymans, falls creek administration

Digitised video (2.73GB). Duration: 58 minutes. Recorded July, 2024. (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Guest Speaker, Peter Hanson grew up in Warrandyte surrounded by signs of gold mining activities including in his own back yard. In this presentation, Peter talks about the numerous diggings in the area, with images, maps and drawings of the mines, tunnels, shafts and structures above and below ground.

The Album was compiled by Nancy McHaffie late 1990's, with the assistance of Edith Jeffery's, with her book "Garden of Memories" and extensive knowledge of Phillip Island. Phillip Island Cemetery Notice BoardPhillip Island Cemetery Trust Est. 1870. The Secretary must be notified before any monument is to be erected. No wooden structure allowed. By order of Trustees. Secretary/Treasurer Cherry McFee RMB 1266, Cowes 3922 (03) 5956 9214 This cemetery is maintained by a Trust and Voluntary Helpers.phillip island cemetery, nancy mchaffie, edith jeffrey

Port of Portland CollectionModel of a ship. Hull is painted in black (above water line) and burgundy (below water line). Ship has three masts, a smoke stack (black with red stripes) and a white super structure with portholes. Supported on brass stands. Housed in a timber and glass case. Label in case.Front: T.S.M.V. Clan MacDougall Length BP 475', Breadth 64'-6", Depth 41½. Built by the Greenock Dockyard Co. Ltd. for Clanline Steamers Ltd., London.port of portland collection

The construction and development of the Kiewa Hydro scheme showing its construction and the people in work and play during its duration. It also shows the development of Mt Beauty and Bogong townships. The films were used as News Reels, Tourist Information and Entertainment.This item provids a snap shot in time (1990) when the Kiewa Valley was still relatively under populated and holiday houses owned by city bound workers was still relatively insignificant. As more and more holiday makers retire to a small but friendly region(Kiewa Valley and Mount Beauty) the increase in visitor numbers will affect the local rural bush scene more and more. The changes that will occur (in time) can be measured against the scenes presented in this video. The additional resources provided by the State Electricity Commission of Victoria of "alpine bush" fire control and management, together with an ongoing educational scheme for school children in learning about what constitutes the Alpine country's unique environment, are a very important offshoot, benefitting to both the communities within the Kiewa Valley and regional Victoria.This VHS tape is stored within its own plastic cover which has a front side Titled "KIEWA in the MAKING". The VHS tape is nestled within a formed inner structure which not only prevents the tape from moving to and fro but also unnecessary intrusion of foreign particles. Titled "Kiewa Compile" with 4 short films titled 1. Kiewa in the Making 2. Kiewa Capers 3. It only seems like yesterday 4. Kiewa.kiewa, hydro electricity, state electricity commission of victoria, construction towns, 1940s 1960s, mt beauty, bogong, falls creek, clover power station, mckay power station, bill sutton, news film, construction workers, early machinery

Diggers & Mining. Diggers and Miners. This is all that remains of the Long Tunnel Mine. The photo shows a tunnel on the right of picture and possibly another in the top left corner there are 2 man made structures, the front one appears to be a chimney. Markings: 35 994.5 WAL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

black and white photograph : corrugated iron shed at left, poppet legs at right and associated structures. Trees at right foreground, car body, metal cylinders on ground in foreground. On back' Hand written in ball point pen ' Central Deborah, A. Richardson, 29 Harrison. St., Bendigo.A. Doneyorganization, business, central deborah gold mine

Christmas card supplied by 8 RAR for soldiers to send to family and friends.Christmas card with RAR V111 in gold embossed with Australian emblem on grey textured paper mounted on cream colored card. Inside there is a picture of the RAR emblem on white brick structure in front of a building. Hand written message to family in blue ink. Black ink message for Christmas.Blue ink "To mum, Dad, Robyn and Rex / Bill Black type " Best Wishes for Christmas and the New Year from" / 8th Battalion, the Royal Australian Regiment.rar issue, maschette, 8rar, private, 5716538, christmas card, 8 rar, correspondence

A set of 12 photographs of the 'Enterprize Project' showing the different stages of the rebuilding of the historic schooner 'Enterprize' which brought early setters to Victoria from Tasmania in 1834. George Evans who settled in Sunbury was one of the schooner passengers.A coloured photograph of the early stages in the reconstruction of the schooner 'Enterprize'. The ribs of the hull are exposed and some of the boards around the sides of the hull have been fitted. The structure is on a raised scaffold under an open shed. A painted sign 'Enterprize Project' shows details of the project is under a wooden stairway.schnooner 'enterprize', evans, irene, south wharf - melbourne, enterprize project, shire of bulla, george evans collection

Diggers & Mining. Stores at the diggings. After 1853, many hotels were built on the diggings. The diggings hotel was generally a rambling wooden structure with large stables. A billiard room or a bowling alley was often to be found nearby. Markings: 42 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Sea Baths at Cowes built 1893. Wooden structures extending into water. Much seaweed on sand, Moonah tree and scrub to right of photograph.The baths seafront, CowesThe Baths, Cowes. Black and Whitelocal history, photographs, sea baths, cowes, sepia photograph, mary karney

Location and significance not yet identified for this structure which was part of the series of 48 photos taken along Main Road, Eltham in February 1968In February 1968 an unknown person took a series of photos from the Eltham Hotel at Pitt Street heading north along Main Road through the shopping centre to just north of Elsa Court covering the length of the section of Main Road which was duplicated shortly thereafter. Shows the condition and environment of the streesscape of Main Road, Eltham immediately prior to the duplication between Pitt Street and Elsa Court through the shopping centre. Also shows a number of shops and businesses that operated at that time.Black and white photographduplication, eltham, main road