This photograph was taken on Friday the 27th of August 2004 as part of an event called 'Direct Seeding Expo'. This event was one of many held by the Wooragee Landcare Group in the early 2000s which aimed to educate the local community on certain agricultural and biodiversity conservative techniques. This particular event took place at the property of Lisa and Marcus O'Connor in Wooragee. This photograph shows a demonstration being given on a Hamilton Tree Seeder (a soil ripper). This machine is used to loosen tough, compact soil in order to prepare it for the planting of seedlings.This photograph is significant as it provides evidence of a project undertaken by the Wooragee Landcare Group in the early 2000s to educate members of the public on alternative and potentially more efficient methods of planting seedlings. The Wooragee Landcare Group has been instrumental in the co-ordination of programs relating to biodiversity protection in the local area, providing great assistance to landholders.Portrait coloured photograph printed on gloss paperReverse: WAN NA EONA2N2. ANN+ 2 4240 /

Photos possibly relate to the 38th Bn Post WW1.Three black & white panorama photos framed, white border, brown wooden frame & plywood backing, no glass front. Under each is text.Under top photo, "Infantry Course Portsea Circa 1930 - 1", followed by, "C.1 Beery Birewuth Adj Punch Binns" Under centre photo, "Circa 1935 - 36" Under bottom photo, "Circa Seymour 1934 - 35" RHS bottom of centre photo: "Walker Photo" RHS bottom rear sticker bearing: "Trust No 2"passchendaele barracks trust, photographs, panorama

This is the 4th issue of the annual Orbost High School magazine. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". This magazine was owned by Mary Gilbert, a former teacher at the school.This magazine is the fourth issue of the annual Orbost High School magazine and is a useful reference tool. A 36 pp green covered magazine titled Croajingolong 1951. This is the 4th issue of the annual Orbost High School magazine.croajingolong orbost-high-school

Illustrated large-format book with 224 pages [36] p. of plates. : ill., maps, ports.Bibliography: p. 199-201non-fictionIn the mid-nineteenth century, Victoria’s primitive maritime infrastructure was not coping with the volume of passenger and cargo traffic arriving in and departing from the burgeoning gold-fevered colony. However, the opening of Railway Pier at Port Melbourne in 1854 greatly improved the situation. Railway Pier serviced the steamships, which plied Port Phillip Bay and the Victorian coastal waters beyond, and also offered berths for vessels on the regular runs to other Australian colonies and to overseas destinations. However, as the larger and more powerful steamships of the early twentieth century found berthing increasingly difficult at Railway Pier, the need for a more modern pier became apparent. By 1930, the new Station Pier had replaced its predecessor. Itself extended and upgraded several times including during the past decade, Station pier still offers every contemporary convenience to shipping services using its busy facilities, just as did its predecessor Railway Pier, 150 years ago. The Victorian Government commissioned Welcome & Farewell to celebrate the 150 years since the opening of the Railway Pier. In doing so, it was mindful that the story of the site is not limited to its contribution to national and state economies, or to its physical development. The Government wanted a history that would also speak to ordinary Victorians, and other Australians, of their own experiences of this significant place. For indeed the Station Pier site has played its part in almost every milestone or phase in our history: at moments of celebration and commemoration, during economic booms and depressions, during times of war and peace. It has also won a place in the hearts of ordinary individuals affected by the welcomes and farewells they have experienced there: those for visiting royalty and celebrities, for servicemen and medical personnel off to war or returning home, for migrants from distant countries and refugees from war zones, for friends and family travelling for personal, professional or cultural reasons. Welcome & Farewell thoughtfully examines Station Pier’s significance and offers a splendid visual panorama of the experiences lived out there between 1854 and 2004.port melbourne, station pier

BENDIGO EASTER FAIR SOCIETY CONSTITUTION AND RULES. 8 pages, with 36 rule points. Adopted 4 November 1926.Bendigo Easter Fair Societyevent, easter fair, rules and constitution 1926, bendigo, bendigo easter fair

Brass memorial medallion on USA RAN with 36 names on reverse, There is an eagle in the centre of the medallion with the writing of USA RAN and EMU.Vietnam 1967 - 1972, Get the bloody job done.medallon, usa, vietnam, cerberus collection

Used by builders and others for measuring36 inch long rule with inch, half inch and quarter inch markings. Numbers in black and background mustard colourDean, made in Englandtrades, carpentry

Number of parts: 36. Seamless Parchment Diffusion Cells in original box, 1.0 - 1.2 in height, 0.2 - 0.35 in width.

Yields information about Ballarat tram operations possibly during the 1956 Olympics.Negative and Digital images of the Wal Jack Ballarat Negative file of trams 36 (Mt Pleasant, with an auxiliary board) and No. 30 meeting at Hospital Corner. No. 30 is about to enter Drummond St North. The style of the auxiliary board on No. 36 is similar to that used on trams during the Olympic Games. In the background is the Shell Service Station.trams, tramways, hospital corner, olympics, drummond st nth, tram 30 tram 36

Barn Owls are the most widely distributed owl species in the world and one of the most widespread of all bird species, including in Australia. Barn Owls are sedentary and prefer open habitats such as grasslands, farmlands, and open woodlands, where they forage and hunt small mammals, particularly rodents, at night. Barn Owls nest in deep hollows in old trees, especially eucalypts, but also in caves, rock cavities, and sometimes cavities in buildings. Barn Owl's have a highly distinctive white heart-shaped face and pale underbelly feathers. They can be seen circling low above grassland areas at dusk or at night, and their drawn-out shrieking, hissing, and 'eerie' rasping sounds have led some rural populations to consider they have magical powers. Barn Owls vary in size but average 330-390mm in length, with wing spans between 800-950mm. Females are larger than males and most are a mix of white, pale brown and shades of grey speckled with fine black tear-shaped spots. They have a distinctive flat heart-shaped facial mask with oversized oblique black eye-slits and black irises. A ridge of feathers sits above the beak resembling a long nose. The feet vary in colour from pink to grey, and beaks can be pale to dark buff, corresponding to general plumage hue. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Barn Owl is medium sized with long wings and a short squarish tail. Its underbelly is pale and speckled with dark spots. The wings and tail feathers are light brown, grey and white with small, dark, tear-shaped speckles on the upper parts. It has a distinctive white heart-shaped facial disc with large black eyes and curved beak. This specimen stands on a wooden perch pedestal and it has metal and paper identification tags attached to its legs. Swing tag: 36. / Barn [torn] / Catalogue [torn] / Metal tag: 4058 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, birds of prey, tyto alba, heart-shaped faced owl, nocturnal birds, predator birds, 'harbingers of misfortune', demon owl, ghost owl, death owl, magical animals, lich owl, birds as omens, barn owl, carnivore, hissing owl

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a landscape with several social comments. The top of the work features a Micky Mouse symbol with dollar signs in his eyes and a speech bubble which says "We'll move the Heathland". To the left is text stating "ALCOA AIMS TO MOVE THE HEATHLAND. "AGE" 5-9-80". In the centre of the work vegetation burns, aboriginal people wave and a tractor drives below the text "THEY BURNT THE HEATHLAND 4-12-80". The lower section of the work shows two men with a red megaphone. A speech bubble comes from the megaphone which states, "I UNDERSTAND YOUR ANGUISH!" To the right of the men is a wreath of native plants with two animals (native mice?).Front: 26 B. Sharrock (lower right, image) (pencil) Back: 36

Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Doldertal apartments, Zurich, Switzerland, 1935-6. (Architects: Marcel Breuer with Alfred Roth and Emil Roth.)Zurich / 'Doldertal' Flats / A.S.E. Roth / M.Breuer / 1935-36 (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display, a large rock feature made from Australian sandstone and a native plant garden.Colour slide in a mount. Herd of cattle, probably far north Queensland, AustraliaMade in Australia / 11 / AUG 66M3 / Encircled 36 (Handwritten) / 92 (Handwritten)queensland, slide

CLUNES MUSEUM DURING RESTORATION. VERANDAH ROOF AND DECOR REMOVED.WILLIAM BARKELL MEMORIAL ARTS & HISTORIC CENTRE, 36 FRASER STREET,CLUNESlocal history, photography, photographs, museum, clunes

Antoinetta COVINO-BEEHRE born Avellino, Italy arrived Australia 1968 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. lls '2/36' lc 'Shadow of the Night' lrs ''Antoinetta Covino-Beehre'artist, artwork, antoinetta cravino-beehre, printmaking, parallel prints

Construction of the North tram route along The Esplanade, looking north. New grooved rail is laid out on the slope down to Corio Bay. 1928Yields information on the development of Tramways infrastructure in Geelong.Black and white print on paper.Repeat 8-14, 24/25 - 36, written in pencil on the rear of the photograph.geelong esplanade, grooved tramway rail, corio bay

Cardboard cover with Union Jack on blue / grey background. 36 pages, white with blue photos & printing. Spaces for 112 stamps.Printed on front cover: “BRITISH DEFENCE SERIES, MORROWS POSTER STAMP ALBUM” In pencil on front at bottom: “Merle Mobbs” Inside front cover: “Album is the property of: DOUGLAS MOBBS 49 HUNTER ST CASTLEMAINE, COLLECTION COMMENCED - 27TH JANUARY 1940”albums, defence series

1937 booklet to commemorate the official opening of the City of Heidelberg Civic Centre - Town Hall and Municipal Offices.A snapshot of the Heidelberg area in 1937, includes photos of local homes and civic amenities. 36 pages plus cover, black and white illustrations. Cover has illustration of Heidelberg Town Hall in Ivanhoe. Original item.

This newspaper was found under the floor during works on Town Hall in Caulfield. It was published in the same year (1930) that the portico was added to the Town Hall. The newspaper publication month coincides with the commencement of works in August 1930. It is possible that this object was deliberately placed underneath the floor at the time. The Sun News Pictorial was established in 1922 and published Monday to Saturday.Copy of The Sun News Pictorial, 18 August 1930. Pages are numbered to 36, but only 24 pages intact. Missing inserts.

Black and white photograph of Ballarat 36 at the South Melbourne Tram Depot, 1971. Has Works trams No. 6 and another alongside.trams, tramways, ballarat, south melbourne depot, tourism, tram 36

Shorts Army greenuniform, c1969, army

Shaving soap stick with paper wrap.Image of 50's style Skymaster airliner. Outward bound - shaving soap

The bible was carried by William James BLAKE No 3110. Enlisted in the 8th reinforcements 60th Batt AIF on 25.9.1916. Embarked for England 16.12.1916. Transferred to the 46th Batt 29.6.1917. Promoted to L/Cpl 6.10.1917. Hospitalised 16.5.1918 with Dysentery. KIA 18.9.1918.Pocket size New Testament. Black cover with red & gold edges to pages, & black tape marker.bibles, books