An article from the Bendigo Advertiser Amy Huxtable column titled 'Bendigo surgeon and wife make further gifts to Art Gallery.' Mr. and Mrs A. L. Newson donated many pieces of furniture and paintings to the Bendigo Art Gallery. This article includes a photo of a 19th Century mahogany wine cooler. It has zinc lined ice boxes on each side and magnum holders in the centre. It also has lion paw feet, is skilfully carved and in mint condition. 19/01/1977.bendigo, buildings, bendigo art gallery, lydia chancellor collection, collection, antiques, mr. a. l. newson, mrs j. newson, bendigo art gallery, art gallery, building, furniture, antique furniture, paintings, art, artwork, heritage, amy huxtable, newson collection

This bookmark was found loose inside one of our antiquarian books and no connection to the book or its unknown original owner have been found. The word Mizpah means Watchtower in Hebrew and a Mizpah card or bookmark was sent or given to Jewish people who were separated from their loved ones, with the message that the Lord was watching over those absent. The bookmark has been made by the firm of Thomas Stevens of Coventry. This city was the English centre of ribbon weaving in the 19th century and Thomas Stevens, a local weaver, invented and developed in the 1860s the art of making woven silk items - book marks, greeting cards, art works etc. These were called Stevengraphs. Stevens opened a factory in London in 1878 and by the 1880s was producing over 900 woven silk designs. Stevengraphs are a collectors' Items today and this Mizpah bookmark is a fine example of one.This is a woven silk bookmark with multi-coloured patterns. coloured script and a sprig of fuchsia flowers, all on a yellow background. There is a red tassel at the end of the bookmark. The bookmark was affixed to a rectangular sheet of paper containing details of the maker but the bookmark is now detached. The backing sheet is partly torn.Mizpah The Lord watch between Me and thee when we are Absent one from anotherreligious book marks, stevengraphs

Bendigo Art Gallery"Colonial Bendigo", Bendigo Art Gallery exhibition (5th December 1984 - 25th February 1985) which celebrates the rich pictorial history of 19th century Bendigo. Booklet includes twelve B&W prints of early Bendigo development. The exhibition celebrates the rich pictorial history of 19th century Bendigo; linked to Victoria's 150th Anniversary Celebrations. colonial bendigo, exhibition, bendigo art gallery

Royal Doulton as part of the Minton Miniature series produced this heron model in 2001. A limited edition of 1,793 pieces were made, and this heron is number 89. The heron is a scaled down model of the original life-size piece first produced by Paul Comolera, c. 1892, as a walking stick and umbrella stand. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms, and life-size renditions of birds and animals that won him admiration in public and artistic circles. The Warrnambool Art Gallery (WAG) has a life-sized Heron in its collection. A rare miniature heron demonstrates the artistry and skill required to produce Majolica ware during the 19th century and the present.A miniature grey heron standing by bulrushes and holding a struggling fish in its beak, its plumage naturalistically coloured, on a circular base glazed in tones of grey and green and applied with further leaves and water lilies.Inscribed at the base Minton founded 1793, made in Englandminton & co., majolica, miniature model, flagstaff hill maritime museum, stoke upon trent, paul comolera, staffordshire

The Scottish Widows' Fund was a Mutual Life Assurance Society established in 1815. It started issuing bookmarks advertising its services in the early 19th century. Many of these bookmarks may be found in Australia as not only were many Fund investors/insured in the Australian colonies but A & C Black books also contained these bookmarks and were sold in the colonies with them.Issued c. 1900 and printed in black on a thin card with aesthetic movement decoration surrounding an English country scene the reverse has a medallion designed by Walter Crane. walter crane, bookmark, a & c. black, australian colonies, scottish widows' fund, insurance company, australia, art

This glass epergne was first owned by John Sanderson's grandmother, who lived in Wandin (Clegg Road) until the 1940s. She first purchased it in 1920 and used it as a vase before passing it on to her daughter Norma Spicer. Epergne's were first created during the early 18th century France as a table centrepiece to display 'exotic' fruits and cakes from France's colonies. They were originally made of silver, however, the late 18th century saw a rise in epergnes made of porcelain due to the growing status of the European porcelain industry. The late 19th century saw another shift as Victorian and Art glass became the name of the day, and most epergne's became increasingly more complex glass works, no longer used for holding food. This epergne is the product of these later glasswork vases, reflecting 1920s interest in uranium glass and clouded geometric patterns. Epergnes like this filtered out of popularity after World War II as large dining sets and table centrepieces became less important to every day life. Those that remained transferred to more useful roles within the household: this one being used as a vase for most of its life. Green tinted glass epergne with white clouded vertical stripes. Glass thick and slightly opaque, possibly uranium glass. Base is a fruit bowl with scalloped/ruffle edges and middle coming up into a triangle. The very edges of the fruit bowl and clouded with white and blue. A golden metal notion attaches to the middle of the fruit bowl with a globe shaped connector. Notion looks like a flat gold flower with six petals and three small leaves, with middle of the flower having a screw on which to screw the largest flute. The flower has three small bucket-shaped containers attached to it in which the smaller flutes are placed. Four flutes attach from the very middle, all bell shaped with very ends flaring out into a scalloped/ruffle edge. One large flute is screwed into the middle of the fruit bowl and stands straight up. Three smaller flutes are placed in around the larger one leaning slightly away from the centre.vases, epergne, 1920, 1920s, 20s, twenties, glass, glassware, uranium glass, radium glass, clouded glass, art deco, decorative objects, tableware, wandin, clegg road