Caitlin LOWE (1990- ) Born Townsville, Queensland Caitlin Lowe completed a Bachelor of Fine Arts (Visual Arts) degree at the University of Ballarat (later Federation University) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Two framed mixed media artworks consisting of 5 x 5 cm LGH tiles, glazed using Speckled Blue Stoneware and Celadon Stoneware glazes. Presented on handmade paper using cotton hand stitching.art, artwork, mixed media, caitlin lowe, ceramics, available

Cardboard model, fold up of a V Line: .1 - N Class Model in V Line colours with details of the locomotive underneath. Artwork by V/L Graphic Design. .2 - BN class air conditioned car.trams, tramways, models, railway vehicle manufacture, railways

If you can assist with information on this artist or artwork please use the email link below. Framed watercolour paintingpainting, landscape, c. gallagher

Student with artwork, c. 1980s. Please contact [email protected] to request access to this record.classroom, visual and performing arts

This is a silk picture woven by the highly acclaimed French jacquard loom woven tapestry maker Neyret Freres. The scene is derived from a painting by Spanish artist Mariano Alonzo Perez (1853-1930). This style of weaving is referred to as a Stevengraph, named for their original creator, Thomas Stevens (1828-1888), a 19th century weaver from Coventry, England. Neyret Freres began manufacturing textiles in 1823, and are still in operation today. Silk embroidery in a decorative gilt frame. The scene depicts a group of women taking a fencing lesson, under the guidance of a male teacher. Two women are pictured pointing sabres at each other at the centre of the image, while four other women look on at the right of the image. The teacher is shown on the left hand side of the image, holding a sabre in his right hand which is pointing downwards so that the tip of his sabre is resting against the floor. All figures in the image are wearing Victorian era dress. There is a sticker for Gibson's Auctioneers attached to the bottom right hand corner of the front of the artwork. Two small stickers for Gibson's Auctioneers are attached to the back of the artwork, as well as a sticker referencing the framer of the work and a shipping sticker for International Art Services. Two d-rings and a wire fitting are attached to the back of the artwork for hanging.

"This project has extra meaning for me. It’s intended to create a positive effect on the local community” Ballarat-born artist, Justine McAllister's artwork was commissioned to bring a colourful facelift to the Little Bridge Street Bus Exchange precinct from December 2020-December 2021. The artwork installation is part of the extended City of Ballarat early works beautification program, designed to bring a fresh, bold and vibrant aesthetic to the location. painted work onto bus shelter

Ballarat School of Mines and Industries is a predecessor of Federation University.Blue, Black, white and red artwork for the Bickart's Lino Cut Competition at School of Mines Ballarat published in the School of Mines Ballarat Students Magazine 1940. First Prize - Section "C" - P.Martin. Bickart's, The Modern and Practical Jewellers.ballarat school of mines, ballarat school of mines and industries, p. martin, bickart's, lino cut, competition, bickart's lino cut competition

Ballarat School of Mines and Industries is a predecessor of Federation University.Blue, Black, white and red artwork for the Bickart's Lino Cut Competition at School of Mines Ballarat published in the School of Mines Ballarat Students Magazine 1940. Second Prize - Section "A" - B. Sargeant. Bickart's, The Modern and Practical Jewellers.ballarat school of mines, ballarat school of mines and industries, bickart's, lino cut, competition, bickart's lino cut competition, b. sargeant

Ballarat School of Mines and Industries is a predecessor of Federation University.Blue, Black, white and red artwork for the Bickart's Lino Cut Competition at School of Mines Ballarat published in the School of Mines Ballarat Students Magazine 1940. First Prize - Section "B" - S.Moss. Bickart's, The Modern and Practical Jewellers.ballarat school of mines, ballarat school of mines and industries, bickart's, lino cut, competition, bickart's lino cut competition, s. moss

Artwork. Norman Penrose collection: black shaded drawing of the ornate top of a building column. Mounted on cardboard with a grey matt. Shading for Drawing Teachers Secondary Certificate. Norman W. Penrose. School of Mines. Bendigo. Initialled J.P.S.N. Penrosedrawing, pencil, norman penrose collection, artwork, shading

Artwork. Norman Penrose collection: pen and ink drawing of a climbing plant like a Sweet Pea. Mounted on cardboard with a grey, green and reddish checked matt. Foliage Drawing for Drawing Teachers Secondary Certificate. Norman W. PenroseN. Penrosedrawing, pencil, school of mines, norman penrose collection, artwork, foliage drawing

Artwork. Norman Penrose collection: brown and cream coloured drawing of a lion's head. He has his mouth wide open showing all his teeth. He has a small mane. Drawn on light tan paper.drawing, pencil, norman penrose collection, artwork, lion portrait

The late Hilda Morieson (very active in early Historical Society) owned the print. It was then passed on to Mary Morieson, then to Rosemary Kennet. It has been passed onto the Historical Society with permission from Ben Morieson, Hilda's grandsonLarge coloured print of supplement to Numurkah Standard 1888. Artist's view/impression of Numurkah streets (map) surrounded by artwork of a number of Numurkah businesses in the town and local district. The print is under glass in a faux-wood-grained framesee photo abovenumurkah standard, numurkah township map, numurkah businesses, 1888, print

Ballarat School of Mines and Industries is a predecessor of Federation University.Blue, Black, white and red artwork for the Bickart's Lino Cut Competition at School of Mines Ballarat published in the School of Mines Ballarat Students Magazine 1940. First Prize - Section "A" - S. Moss. Bickart's, The Modern and Practical Jewellers.ballarat school of mines, ballarat school of mines and industries, bickart's, lino cut, competition, bickart's lino cut competition, s. moss

This is an image of a public square on the island of Kos in Greece. Kos was the home of Hippocrates, and the tree in this image is reputedly the plane tree under which Hippocrates sat as he taught his pupils medicine. Hippocrates is known as the "Father of Medicine" for his revolutionary impact on the field of medicine. The letters 'A.P.D.R' printed below the title on this artwork refer to the copyright granted to engravers in France.Black and white engraving of a market square scene on the island of Kos in Greece. A large tree dominates the scene. Below the tree sits a roofed structure with a series of small steps. Water appears to be coming out of a channel of each of the visible sides of the structure, suggesting a fountain. To the left, an array of human figures, horses and a dog sit or stand beneath the tree and on the steps of the fountain. To the right, there are shaded platforms on which people are sitting in groups. There are three dogs in front of the group sitting on a platform at bottom right. Text printed below image reads 'VUE DE LA PLACE PUBLIQUE DE COS/A.P.D.R.' Small printed text below bottom left corner of image is partly illegible, but references the original creator of the artwork, Jean-Baptiste Hilair. Small printed text below bottom right corner of image reads ' Gravé à l'eau forte par C. Weisbrod/ el terminé au burin par J. Aliamet'. Small printed text above top left hand corner of image reads 'Pl. 59.' The print has been framed in a brown wooden frame with gold trim. An old display label is affixed to the back of the object. A card from Professor Franco Crainz is affixed to the back of the object, thanking the unnamed receiver for a reprint of their "interesting paper on D.D.Davis' Obstetric Atlas". The front of the card carries a print of the Temple of Esculapia, located in the Villa Borghese in Rome. A wire and two hooks have been attached to the rear of the work for hanging.

The painting explores the mental health issues often faced by those who work at sea as a result of loneliness, isolation and illness, amongst other things. This seafarer’s face is made up of thousands of SOS Morse code symbols: dot,dot,dot dash,dash,dash dot,dot,dot. Morse code was used to signal to land that a ship or crew was in trouble. This seafarer is in trouble- his face says it all and speaks volumes. Mental health issues are often hidden when we look from afar but when we take the time to look closer and listen, the signs are often there.Lisa Carman entered this painting to the Maritime Art Prize 2019 and donated the artwork after the exhibition.Naive, Marine artLisa Carman, MTSV Collection Squared shape painting depicting a portrait in blue and dark tones of a sailor with a beard wearing a beanie. His face is made of dots using the SOS Morse code.sos, seafarers welfare, maritime art prize, 2019, lisa carman, morse code, seafarers, sailors, beanie, blue

Children from Banyule contributed their writing and artwork to a book called "Of bugs and birds and magical things".News clipping, black text, colour image.winston hills pre-school, yarra plenty regional library, banyule city council

Stawell Technical School Woodwork Workshops 1923-1924 Examples of mainly artwork made by students.stawell education

This artwork is thought to have come from Robin Boyd's East Melbourne office after his death in 1971. Robin Boyd was a long time friend of Grahame King and sculptor Inge King and he designed their Warrandyte home and studio in three stages between 1952 and 1964. This artwork may have been a gift from them.Red and black abstract composition.Signature and date on lower right. 3/20grahame king, inge king, robin boyd, walsh st artwork, ohm2022, ohm2022_22

Head and shoulders portrait painting of a man. The man has receding grey hair, and is wearing a blue shirt and brown top, and is painted on a black background. The number '20' is handwritten on both sides of the wooden frame on the back of the artwork. The number '18' is handwritten on both the top and bottom edges of the wooden frame on the back of the artwork. Bottom right hand corner of the frame is printed with the text 'BLARNEY STRETCHERS' and a phone number. Left hand side of frame is printed with the text 'BLARNEY LINEN and STRETCHERS' on upper section, and 'BLARNEY LINEN and' at bottom corner.

Chinese and Japanese artwork was fashionable c1900 and early settlers made decorated boxes to store special items Early settlers in Moorabbin Shire c1900 used decorated boxes to store jewellery, and special items.A wooden box with blue velvet lined lid and with Chinese decorationcraftwork, woodwork, chinese decoration, containers, bentleigh, cheltenham, early settlers, moorabbin

'Queep-Queep’ means ‘birds’ in Woi-wurrung language—the language of the Wurundjeri people—the Traditional Owners of the land on which the building is standing. Referencing what lived and flourished in this area prior to European invasion, the artwork acknowledges the important Aboriginal history of the area now known as the City of Yarra. The six native birds depicted in the artwork can all be found living within the City of Yarra: the male red-rumped parrot, kookaburra, superb fairy wren, rainbow lorikeet, raven, and wedge-tailed eagle. Many south-eastern Aboriginal people recognise the wedge-tailed eagle as Bunjil—the creator spirit. Bunjil is the head of the Kulin Nation and is very powerful. Bunjil created the land, waterways, animals, plants and even the people. He is watching over the land to ensure that we are caring for Country—reminding us to respect ourselves, respect others and respect the environment.'Queep-Queep' is a site-specific artwork commissioned for the new Richmond Kindergarten, Lord Street, Richmond, 2023.Two aluminium birds (a wedge-tailed eagle and a raven) at the entrance to the building, and a large, colourful mural of Australian native birds painted in a graphic style on the other side of the wall facing into the playground.accompanying plaquebirds, bunjil, country, kulin nation, environment, public art

Ballarat School of Mines and Industries is a predecessor of Federation University.Blue, Black, white and red artwork for the Bickart's Lino Cut Competition at School of Mines Ballarat published in the School of Mines Ballarat Students Magazine 1940. Second Prize - Section "B" - B. Sargeant. Bickart's, The Modern and Practical Jewellers.ballarat school of mines, ballarat school of mines and industries, bickart's, lino cut, competition, bickart's lino cut competition, b. sargeant

Handwritten Note - (Bendigo Historical Society?) with the following handwritten (re a drawing/painting/ artwork): Blacksmith shop of S H Stoneman. Coachbuilder Williamson Street Bendigo 1880. Presented by Miss Edith Stoneman. Artist J S Distonorganization, business, bendigo businesses

Artwork. Norman Penrose collection: 4 shields drawn on cardboard. All are various lions taken from a brass at Stanford Dingley, Berkshire, 1444., Broughton-Under-Blean, Kent, 1405., Felbrigge, Norfolk, 1380., and Spilsby, Lincolnshire, 1391.drawing, ink, norman penrose collection, artwork, shields, lions

Two colour polaroid photographs of the sculpture 'The Grip of Time' on the north exterior wall of the Kew Library. At left is the coat of arms of the City of Kew. The sculpture was purchased and donated to the City of Kew by Mrs Laurel Abercrombie. The artwork was created by Peter Schipperheyn.public sculpture - kew (vic), kew civic hall, kew library, the grip of time, public art