Family History of the Monaghan Family - Still Residents in our District.Light Blue Card with Dark Blue Tape, with Black Hand written titleOur Irish Ancestors and a History of their Descendants. Family History (Underlined) Monaghan Mills Hodgetts, etc Ryanstawell

A history of several Aboriginal reserves, containing long transcribed narratives from those who lived there as well as letters and general information about Aboriginal-white relations in the early 20th century.B&w photographssevington, cummeragunja, moonahcullah, victorian history, new south wales history, race relations, racism, government relations, indigenous reserves, oral histories

Facsimile Editions No.30. 2 v. : illus., fold. charts, tables. non-fictionThis two-volume work by Captain Phillip Parker King (1791–1856) was published in 1827, and describes the Royal Navy's 1817–22 surveying expedition to chart the coastal regions of Australia. King carried out the surveys in two successive ships, the Mermaid, which was declared unseaworthy in 1820, and the newly commissioned Bathurst. He worked on the charts, which were published by the Hydrographic Office, for two years after his return to England. He was made a Fellow of the Royal Society, and later undertook a similar surveying voyage, in which he was accompanied by Captain Fitzroy on the Beagle, around the coast of South America. The book is derived from the author's journal, and describes not only the voyages but also the towns and settlements of the region. Volume 2 continues the survey along the north and west coasts of Australia, and contains an appendix describing winds, currents, ports and islands.australia -- description and travel -- to 1850., hydrography -- australia., natural history -- australia.

Jean Harkins describes the interdependence of language forms and meanings in their cultural context. A full and varied dialect of English, Aboriginal English with its distinctive Aboriginal world view offers a rich perspective.yipirinya school, aboriginal english, pidgin english, bilingual education

Red buckram hard copy, gold text on covers, black & white photos & illustrations. .1) Vol I The Story of ANZAC, 662 pages .2) Vol II The Story of ANZAC, 975 pages .3) Vol III The AIF in France 1916, 1036 pages .4) Vol IV The AIF in France 1917, 1030 pages .5) Vol V The AIF in France 1918, 825 pages .6) Vol VI The AIF in France: May 1918, 1099 pages .7) Vol VII Sinai and Palestine, 844 pages .8) Vol VIII The Australian Flying Corps, 493 pages .9) Vol IX The Royal Australian Navy, 649 pages .10) Vol X The Australians at Rabaul, 412 pages .11) Vol XI Australia During The War, 922 pages .12) Vol XII Photographic Record of the War, 753 pages .13) Vol XIII Photographic Record of the War, 753 pagesbooks, military history

Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation

Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation

Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation

This set produced by the Victorian Department of Natural Resources and Environ met and Aboriginal Affairs Victoria. Mini poster 1: Aboriginal scarred trees; 2 Aboriginal mounds; [3 missing]; 4 Aboriginal flaked stone tools; 5 Aboriginal burials; 6 Aboriginal surface scatters; [7 missing]; 8 Aboriginal ground-edge axes; 9 Aboriginal grinding stones; 10 Aboriginal stone arrangements; [11 missing]; 12 Aboriginal axe-grinding grooves; 13 Aboriginal coastal shell middens; 14 Aboriginal rock art.11 parts of incomplete set, each two sided, text and photographsaborigines - victoria, aboriginal affairs victoria

Transcription of G. A. Robinson?s journals for the period 01/01/1839 - 30/09/1840. Includes some reproductions of sketches, and some wordlists of Aboriginal languages and Aboriginal personal and place names.maps, document reproductions, b&w illustrations, word listsgeorge augustus robinson, port phillip, colonisation

History of a local family and the beach named for them.History of early settlers in Peterborough area.Photocopied booklet about the Croft family and their journey from England to Peterborough.croft family, thomas croft, peterborough 3270, croft's bay

A pictorial history of HealesvillePaperback. Front and back covers have black and white photographs of Healesville c 1903.Stamp of the Marysville & District Historical Society Inc / P.O. Box 22 / Marysville 3779healesville, victoria, australia, history

Brian McLennan of the Ballarat School of Mines hands a certificate to six Aboriginal childcare workers.childcare, ballarat school of mines, social and commuinty studies, aboriginal, aborigines

Yellow, white and black booklet for the Aboriginal and Torres Strait Islander students at the University of Ballarat.aboriginal, torres strait islander, aboriginal education centre, abstudy, recinciliation, indigenous access scholarships

This is a book of 48 pages. It has a red cover with black printing. The pages contain printed material and black and white photographs.non-fictionAboriginal words and their English meaningsaustralian aboriginal words and their meaning

"The History of Australasia" by David Blair was one of three important publications of the author. Written in 1879, the book relates the history of both Australia and New Zealand from their discovery through to the establishment of self-government in both colonies. Blair was born in Ireland and after studying for the ministry in Ireland came to Australia in 1850. Instead of a missionary career he took up journalism, became a member of the Legislative Assembly in Victoria and published his books on Australasia.A large thick hard leather covered book -History of Australasia by David Blair and published in 1879. The covers are black with a gold pattern border. The front cover shows an embossed Australian crest in gilt with kangaroo and emu and ' Advance Australia'. It is an illustrated edition with beautifully coloured maps for each Australian colony and New Zealand.book blair-david history-australasia

Popularly known today as Z Special Unit, or by the wartime cover names of Inter-Allied Services Department (ISD) and Services Reconnaissance Department (SRD), Special Operations Australia (SOA) was the Special Operations component of the US-led Allied Intelligence Bureau in the Pacific Theatre during the Second World War. From the secret files of Z Special Unit, and the third in a set of five volumes, Volume 3 - Communications describes the communications links and equipment which were the lifeline for "Z" Operatives in the field. From "Z's" early days relying on Dutch military communications stations in Melbourne and Darwin to the establishment of dedicated "Z" communications stations in Darwin, Morotai and Labuan, Vol 3 provides the only comprehensive history of these sites ever committed to paper. Radio and Special Forces enthusiasts will be agog at the appendices in this volume, which not only include copies of the actual operating instructions and technical manuals for much of the specialist SOE communications hardware used by "Z" during the war, but also the once-top secret SOE ciphers and codes used by Z parties in the field. The Official History of Special Operations Australia, Volume 3 - Communications is a unique record of one of the most important aspects of Second World War Special Operations.australian special operations, special forces, world war ii

Ill, p.199.non-fictionThe Australian army in various theaters during World War Twoworld war 1939-1945 - australia, world war 1939-1945 - personal narratives - australia

Ill, p.204.non-fictionThe Australian army in various theaters during World War Twoworld war 1939-1945 - australia, world war 1939-1945 - personal narratives - australia

Ill, p.208.non-fictionMost of the items in this volume were received in a competition for stories, verse and drawings, with this competition showing a better representation from the Women's Services than in previous years. Previous titles include: Active service, Soldiering on and Khaki and green. world war 1939-1945 - australia, world war 1939-1945 - personal narratives - australia

Ill, p.206.non-fictionStories and anecdotes from Australian soldiers involved in the war against Japanworld war 1939-1945 - personal narratives - australia, world war 1939-1945 - campaigns - pacific area

Ill, p.202.non-fictionA cavalcade of events with the Australian services from 1788 to 1946world war 1939-1945 - personal narratives - australia, australia - military history

Ill, p.202.non-fictionA cavalcade of events with the Australian services from 1788 to 1946world war 1939-1945 - personal narratives - australia, australia - military history

Ill, p.202.non-fictionA cavalcade of events with the Australian services from 1788 to 1946world war 1939-1945 - personal narratives - australia, australia - military history