Showing 637 items
matching coloured glass
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Bendigo Military Museum
Map - MAP WW1,FRAMED, Post WW1
Brown wooden frame with glass front & fawn paper backing. Mounted is a coloured map of the war zone in Europe. A thin white line represents the approximate line of contact between the opposing forces at the end of the 1st year of war in 1915.Printed top left: “Map of The War Zone in Europe by H E C Robinson Sydney - Copyright” On back: “Bethany Gallery, 116 Bridge Street, Bendigo”map, framed, war zone, european -
Bendigo Military Museum
Map - MAP TOBRUK, FRAMED, Post 1941
Coloured map of Tobruk Seige. Lacquered wooden frame, glass front & cardboard backing.Printed top centre: “TOBRUK SEIGE, AUSTRALIAN POSITIONS AS AT 1ST MAY 1941” Donation sticker on bottom LHS. map, tobruk, seige -
Bendigo Military Museum
Certificate - CERTIFICATE WW2, FRAMED, Osboldstone & Co, Post WW2
... Gold wooden frame with glass front & cardboard backing... with glass front & cardboard backing. Coloured certificate with white ...Gold wooden frame with glass front & cardboard backing. Coloured certificate with white border. King George photo with crown, Union Jack & Australian flags at top. South Africa, India & Australian State emblems around border & red seal bottom LHS. The Call to Arms 1940. Paying Tribute to Pte Frederick George Crosbie for Service in The World War 1939” Signed by: “Mayor & Town Clerk of Borough of Inglewood” On backing in black texta: “MRS J CROSBIE”certificate, shire, inglewood -
Ballan Shire Historical Society
Craft - Doily, Jones, Isabella, For King and Country, c. 1914
... , placed under glass in a cream coloured timber frame. The text..., mounted on a black background, placed under glass in a cream ...A memento created during WW1 A doily crochet in cotton, mounted on a black background, placed under glass in a cream coloured timber frame. The text "For King and Country" can be seen, also visible is a crown and a rudimentary Union Jack.jones isabella, barrett frances -
Bendigo Military Museum
Accessory - FOB WATCH & CASE WW1, c.1900
Item was given to M E MONIGATTI who was a POW in Germany in exchange for a sandwich by a German soldier. Ref Cat No 3562 for his service details..1) FOB Watch, round, face is intricate with inlays of silver, coloured flowers blue / red / green around numbers. Face has small second hand. Rear opens, inside inscriptions. .2) Metal case to suit watch with glass face, inside has red felt lining. Swivel ring at top..1) Wording appears to be: “Resnontow cylinder 10 Reelis, 22652” .2) Wording appears to be: “BRAVO”accessory, watch, fob -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman in a Hat
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head and shoulders, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography -
Federation University Historical Collection
Photograph - Little Gem tintype, Portrait of a Woman in a hat
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a woman's head, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography -
Whitehorse Historical Society Inc.
Functional object - Lamp
... Kerosene lamp with glass chimney and brass coloured...Lamp Functional object Kerosene lamp with glass chimney ...Kerosene lamp with glass chimney and brass coloured reflector painted gold. Base and back painted green and made from Solvol tin with 'Solvol' stamped onlighting, kerosene & oil -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Print - Framed Print, Officer Prince of Wales's Light Horse Hussars 1870's, c 1960
40 x 220 mm coloured print of Officer of Prince of Wales's Light Horse Hussars set in glass fronted wooden frameJess 45 Property of 4/19 PWLH Officers' Mess Feb 96 Framed by Elan's Picture Framers 818-7801, 277-6969australian light horse, history, army officers -
Trafalgar Holden Museum
Container - Glass Jar
... Square shaped glass jar with brown coloured label affixed...Glass Jar Container Square shaped glass jar with brown ...Used to maintain and dress saddleryImported and distributed by Holden and FrostSquare shaped glass jar with brown coloured label affixed that has contents printed on. Cork stopper in bottle neck.Frank Millers (Crown logo) crown dressing New York U.S.A.bottle, equine, dressing -
Canterbury History Group
Book, Gray, Patricia, Windows within worship at St. Barnabas'
Booklet giving information on all the windows in St Barnabas' Anglican Church. Includes coloured photographs of all the windowsbalwyn, balwyn road, st barnabas' anglican church, stained glass, shurey> charles frederick, sewell family, taylor> george henry, wiseman> george ernest, rae> robert a.v, rennick> francis, inglis> dr e. m & rita, curry> alice evelyn & norman weliet, snowden> maria victoria, hicks> mary, murray> andrew & jessie, bice> flight lieuttenant edward john, maling> charles henry & katherine, world war 1914-1918, churches -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Infant feeding bottle collected by Dr Frank Forster, Johnson & Johnson, 1965
Part of Frank Forster's baby feeding bottle collection. In Australia, this type of bottle was known as "Truflow"; and was manufactured by Johnson & Johnson. The missing 'c' on this bottle makes this bottle rare and of greater value than similar ones with the correct spelling. (Verbal communication: Helen Johnson) In Australia this type of bottle was known as "Truflow" which was also manufactured by Johnson & Johnson.Broadly cylindrical glass bottle, but flattened to create six sides. Graduations in ounces and cubic centimetres written on two sides. With cream coloured plastic top. The first 'c' in cubic is missing in the text on the bottle. Bottle carries the text "evenflo", "MADE IN U.S.A", "BOTTLE CONFIG. R". Text on base reads "FF (in circle) 18"infant feeding, dr frank forster -
Bendigo Military Museum
Photograph - PHOTOGRAPH RAAF, FRAMED, C. WW2
Robert Charles Roberts No 3200 RAAF. Enlisted 17.1.1938, Rose to the rank of T/Sgt LAC 1.11.1939, transfer to Aircrew 26.11.1940, commissioned 29.7.1941, embarked for Canada 15.9.1941 then UK, posted to 455 Sqd (UK) 24.2.1942. Reported missing 10.4.1942 then presumed dead 11.4.1942.Coloured photo, cream background., head & shoulders portrait of Robert Charles ROBERTS in RAAF uniform. Peaked cap, white shirt & tie, Air Force wings badge on L breast. Brown wooden frame with gold trim, glass front, fawn cardboard backing.In black texta on back: Lyn Harrisonphotographs, raaf, framed -
Warrnambool and District Historical Society Inc.
Decorative object - Oval Carnival Ware Dishes, c. 1940
These two orange-coloured dishes are made of pressed glass to which an iridiscent surface shimmer has been added by the application of metallic salts. They are examples of Carnival Ware and the orange colour is known in the trade world as 'marigold'. Carnival Ware was first produced in 1908 as a relatively cheap version of decorative glassware in U.S.A. and this country was the main producer up to the 1940s, with the 1920s being the decade when it was most popular. Carnival Ware was also produced in other countries including Australia and the United Kingdom and is a collectable item today. These two dishes have no known local provenance and are retained as examples of vintage household items serving both a utilitarian and a decorative purpose..1 An oval shaped shallow glass dish with pressed patterns and handles at either end. The item is orange-coloured. .2 as abovecarnival ware, orange glass dishes, vintage decorative items -
Bendigo Military Museum
Accessory - STERILIZING KIT
Part of the KEVIN JOHN HERDMAN, No. 397661 Collection. See Cat No. 5942P for details of his service record.1. Metal container with black painted lid with two labelled, cylindrical glass vials containing water sterilizing tablets. Directions for use printed on the inside of the lid. 2. Contains blue tablets. 3. Contains cream coloured tablets.1. Printed in white on lid: "STERILIZING OUTFIT, FOR USE WITH WATER BOTTLES (KEEP DRY). 2. Printed on label: THIO TABLETS. 3. Printed on label: 'STERILIZING TABLETS, CRUSH TABLET BEFORE USE, Water bottle must be emptied before refilling."accessory, sterilizing outfit, water sterilization, kevin john herdman -
Greensborough Historical Society
Certificate (Framed), Shirley Fraser - Honorary Life Governor of Royal Children's Hospital [Melbourne], 18/10/1973
Certificate awarded to Shirley Fraser (nee Black) in 1973 for her fundraising efforts for the Royal Melbourne Children's Hospital.This certificate is an example of Mrs Fraser's contribution to the wider community.Coloured certificate in gilt wooden frame, under glass. Has the crest of the Royal Melbourne Hospital Melbourne."This is to certify that Mrs Shirley Margaret Fraser is an Honorary Life Governor of Royal Children's Hospital. 18th October 1973.shirley fraser, shirley black, honorary life governors, royal childrens hospital melbourne. -
Glenelg Shire Council Cultural Collection
Artwork, other - Etching, BRIGIT THOMAS, Lady Nelson, c. 2015
Etching, hand coloured, white mount, black-painted wooden frame, reflective glass, hanging wire across width of frame, on backFront: 'Lady Nelson A/P BT' - hand written, pencil in between etching and mount Back: Artist's business card glued to back of etching, lower left hand corner -
Glenelg Shire Council Cultural Collection
Print, Sentinel, 1968
Art CollectionThe picture depicts a black background featuring two white squares on top of one another. The white squares have rust-coloured lines and circles in them, as well as blue circles and lines. These blue lines are much thicker. The frame is wooden and has a white mount and glass.Front: 8/10 (lead pencil, lower left) Sentinel (lead pencil, centre) Stephen Spurrier 68 (lead pencil, lower right) Back: Stephen Spurrier "Sentinel" (1969) Silk Screen and Etching (printed on white strip, clear plastic cover) -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Daviesia Brevifolia (Leafless Bitter-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Stem and detailed views of flowering plant in coloured pencil. On left is a stem view with small pink pea flowers and no leaves. On right (t-b): flower buds; side view of stem with flowers; front view of flower; rear view of flower with sepals. Each view is numbered in pencil and with typed numbers and letters on white paper affixed to surface of paper. Mounted in double matt (white on apricot), framed under glass in gold wooden frame.Front: CEW (signature, lower left in image) (maroon pencil). Daviesia brevifolia (lower right) (pencil). Back: 20 (top left) (pen)cema, botanical, collin woolcock -
Whitehorse Historical Society Inc.
Medal - War Medals
War Medals WWI|Cpl S.M.S. Chambers 548|Veterinary Corps A.I.F. Aust. Light Horse|Donated to Mitcham R.S.L.Rectangular box with glass lid, lined with green felt on base (Memory Box).|Two medals - British War Medal and Victory Medal.|Australian Light Horse - Veterinary Corps A.I.F (Regimental No. 548) belonging to Cpl S.M.S. ChambersBoth metals inscribed: 548 Cpl S.M.S. Chambers Vet C.P.S. A.I.F.|Medal 1: Gold coloured - 'The Great War for Civilisation 1914 - 1919'.|Medal 2: Silver coloured - Front 1914 - 1918; Back George IVs V Britain Rex EI IND IMP 002773 in Australia|Box metal coloured. Medals Minted.military history, army, numismatics, medals - military -
Glenelg Shire Council Cultural Collection
Photograph, n.d
Port of Portland Authority archives.Front: (no inscriptions) Back: No longer the property of G. Dunneport of portland, lee breakwater, portland bay -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - N.G. Nicol, LLB JP, Mayor 1960-1962, c. 1960
Portland Town CouncilFront: Bottom right: N.G. NICOL, LLB JP, Mayor 1960-1962 (white) Back: Yellow sticker top left with no. 3505 written on it.ng nicol -
Glenelg Shire Council Cultural Collection
Drawing, Blue Wren. Golden Whistler. Eastern Spine-Bill, n.d
Drawing of three birds perched on twigs, with two twigs at top right and bottom of image. Bird at top left is blue, black and white, with long blue tail feathers. Bird at centre has yellow front with black head and white under beak and on neck. Tail feathers and wings are grey. Lower bird has red belly, white feathers under chin with red markings, black head and tail feathers, red patch on back and blue-black wings. Mounted in grey matt under glass in wooden frame.Front: (no inscriptions) Back: 1. Blue Wren. 2. Golden Whistler. 3. Eastern Spinebill (ink and coloured pencil). Collin E. Woolcock (upper left) (sticker, black pen). -
Glenelg Shire Council Cultural Collection
Painting, Helen Fergusson, Pat's Joy, 1998
... and dark gray double matt, framed under glass in gold-coloured... and dark gray double matt, framed under glass in gold-coloured ...1998 Portland Rotary Art ShowScene of a cottage in a wild garden. There is a mountain in the background of the right. Blue sky with light clouds. Mounted in cream and dark gray double matt, framed under glass in gold-coloured wooden frame.Front: (no inscriptions) Back: (no inscriptions)landscape, garden, flowers, rotary -
Glenelg Shire Council Cultural Collection
Painting, Home at Narrawong, c. 1999
Exhibition in the Arts Company in 1999?Painting of three seagulls standing on a sandbar between river and ocean. Painted in bright colours, predominantly blues, green and orange. Framed under glass in wooden and gold-coloured frame.Front: (no inscriptions) Back: (no inscriptions)narrawong, painting, seagulls -
Glenelg Shire Council Cultural Collection
Painting, Captain James Fawthrop, n.d
Small oil on paper painting of Captain James Fawthrop, wearing his gold Admella medal. He is wearing a dark-coloured uniform jacket & cap with letters "HD" in gold. Blue sky & clouds in background. The painting is covered with glass and is set in an oval, dark wooden frame, that has a gold inner line. The painting is bordered by three mat boards, dark grey, light grey and gold. The back is covered in brown paper, with cord between the two metal 'eyes' for hanging. -
Glenelg Shire Council Cultural Collection
Souvenir - View Ware Dish - Portland Botanical Gardens, n.d
View ware dish, glass oblong, eight sided design, Art Deco, Botanical Gardens, Portland, hand coloured photograph, royal blue baseBack: 'Botanical gardens POortland' - white label, black print -
Glenelg Shire Council Cultural Collection
Souvenir - Glass Ashtray - Botanical Gardens Portland, Victoria, n.d
Purchased by Cultural Collection Officer at 2nd hand shop in Warracknabeal.Oblong glass ashtray with view of Botanical Gardens in Portland. Hand Coloured image adhered to reverse of ashtray, showing curator's cottage, trees and flower beds. Reverse of ashtray painted blue. -
Glenelg Shire Council Cultural Collection
Print, J. Macfarlane et al, Meeting of Major Mitchell and Edward Henty, Portland Bay, 1836, n.d
Displayed at History House.Lithograph, engraving of men on horses standing outside a wooden cottage and pole fence. Trees in background. On far left man is standing observing another standing man shaking hands with a central mounted figure. Framed under glass in wooden carved frame with inner gold-coloured frame.Front: Meeting of Major Mitchell and Edward Henty, Portland Bay, 1836 (engraved, lower centre -
Glenelg Shire Council Cultural Collection
Souvenir - Souvenir Glass, n.d
... Clear glass, wine glass, small. Pewter coloured rim around... Clear glass, wine glass, small. Pewter coloured rim around top ...Clear glass, wine glass, small. Pewter coloured rim around top and Portland Golf Club logo.