This set of 14 grey and red cushions (items F045-F058) are located on the two daybeds in the front west facing rooms of the Children's Pavilion.Dark grey heavy cotton cover; concealed zip in seam. Insert: feather stuffing in cotton casing. Piping around edgeswalsh st furnishings, robin boyd

This set of 14 grey and red cushions (items F045-F058) are located on the two daybeds in the front west facing rooms of the Children's Pavilion.Dark grey heavy cotton cover; concealed zip in seam. Insert: feather stuffing in cotton casing. Piping around edgeswalsh st furnishings, robin boyd

This set of 14 grey and red cushions (items F045-F058) are located on the two daybeds in the front west facing rooms of the Children's Pavilion.Dark grey heavy cotton cover; concealed zip in seam. Insert: down stuffing in cotton casing. Piping around edgeswalsh st furnishings, robin boyd

This set of 14 grey and red cushions (items F045-F058) are located on the two daybeds in the front west facing rooms of the Children's Pavilion.Dark grey heavy cotton cover; concealed zip in seam. Insert: down stuffing in cotton casing. Piping around edgeswalsh st furnishings, robin boyd

Peace Time (1971) Navy CommodoreBlack Wool. Royal Australian Navy. Commodore Mess Jacket. Gold Lace Rank to both Lower Sleeves. Gold Buttons (8). Gold Thread Australia to both shoulders. Two Fob Pockets to Front. Black cotton lining. Pocket to left hand inside Australia to both shoulders. Inside left of jacket J.N.Crosthwaite. (John Nevil) C.G.C.F. Which is Commonwealth Clothing Factory. R.A.N. Which is. Royal Australian navy. Made in australia. Gold Circular Rosette 4.5cm dia. Width of Gold Laceing. 4.5cm. Two Jacket buttons Link with metal link. Black cotton lining in side. Lable to Collar C.G.C.F.uniform, royal australian navy, commodore

Centre panel of floral cotton, nine cms in diameter. Surrounded by folded strips of coloured cotton fabric, forming a "flower" type design. A row of embroidery in green stranded cotton edges the centre panel. Padded in the centre, the pot holder is backed with blue floral cotton fabric, and bound with the same around the outer edge.Made by Merle's Grangmother Williamson.domestic equipment, food storage & preservation, fabric pot holder- circular

This waistcoat belonged to Olga Black, a long-time Brighton resident. Part of a Greek national costume, it was designed by Olga in the 1950s, with the silver cornelli work completed by a Collins Street workshop. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Black velvet waistcoat, decorated with silver cornelli work. Pale blue cotton lining. Fastens with hooks and eyes.greece, ithaca, migration, olga black

This suit was made to order in 1975 for Ted Henry at a Fletcher Jones factory, probably the one in Warrnambool. The other items were obtained at the same time. David Fletcher Jones began his business by opening shops in Liebig Street Warrnambool in the 1920s. His Man's Shop sold suits and overcoats and manufactured men's clothing on site. In 1946 a Fletcher Jones shop was opened in Melbourne and a factory was opened in Warrnambool in 1948. The Fletcher Jones and Staff Company expanded and became well known throughout Australia for the quality of its men's and women's clothing. The Company ceased business in 2011. The surname "Henry" is well known in Warrnambool and district. These items are important mementoes of Fletcher Jones and Staff one of the most significant Australian businesses originating in Warrnambool..1 Carry bag, oblong shaped made of pale orange cloth with full length white zip and dark brown edging and stitching It has a maker's label on the interior. .2 Black plastic clothes hanger with suit maker's name and logo .3 Silk and cotton tie in black, beige and tan broad stripes. It has two labels attached. .4 Man's trousers. The trousers are made of wool and polyester woven pattern in brown. grey and tan. There is a metal zip, The pockets have cream cloth lining . There are two labels. There are loops for a belt. .5 Man's suit coat made of the same material as the trousers (above). It has three butttons on each sleeve and two on the front. It is fully lined with brown cloth and cream lining on the sleeves. It has a maker's label. There is some padding in the shoulders. There are two internal pockets and three on the exterior.Celsius 30 A woolblendmark fabric developed for summer 80% new wool 20% polyester Henry L. 30.6.75 654 silk 35% cotton MADE IN ENGLAND.ted henry, fletcher jones and staff company, fletcher jones factory warrnambool, men's clothing

Camisole. Cream coloured cotton, cotton crochet lace with short sleeve & top. Square pattern. Pintucks front and back. Square neckline. Front opening with three buttons. Small peplum. Cotton tape tie around waist. .costume, female, underwear

The Scarlet Tanager is an American songbird of medium size with bright coloured plumage. They are commonly located in eastern North America and in northwestern South America. They can often be found within woodlands that have oaks. On occasion, the Tanager can be seen in suburban areas including parks and gardens. These birds are sociable and often join with other foraging flocks. They are carnivores (insectivores) and feed on insects including wasps, ants, moths, beetles, butterflies and grasshoppers. The numbers of these birds in America are declining due to exposure and starvation during the colder months. These birds can also die from collisions with man made objects which includes the TV and radio towers, buildings and cars. They also have high rates of predation and brood parasitism. However, at current the IUCN classifies this species as Least Concern and note that their numbers are stable. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Scarlet Tanager specimen stands perched on a wooden platform looking towards the ground. It has bright red/orange feathers on the main body and head with dark black feathers on the tail and wings. Overall, whilst retaining a bright appearance the bird has faded in contrast to it's original colouring This particular specimen has disheveled feathers and is missing one leg. The bill is short and pale and the specimen has been provided with glass eyes made in a dark colour. The specimen has two paper identification tags attached to the damaged leg.Swing tag: 114a / unnamed / catalogue, page 59 Cotton tag: A.4440 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, american, american birds, scarlet tanager, tanager, medium bird, small bird

These starched winged collars were part of the Formal Suit worn by men in Melbourne c1960 when attending special occasions , events and ceremonies The collars were fastened to the shirt with metal studs at front and napeThese starched winged collars were typical of the Formal outfit worn by men in City of Moorabbin c 1960 White starched winged Collars detachable x2 worn by men as part of the formal wear for special occasions, ceremonies and civic functions all cotton/ made in England; a) Welmar 161/2 ;b) Kent151/2 clothing, craftwork, early settlers, moorabbin shire, cheltenham, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, maynard dennis, collars winged, collars detachable, dress shirts, dinner suits, tailcoats, formal wear,

Clothing. Gloves are bound at the wrist, and around a 7 cms long opening on the inside of the wrist. This opening fastens with a white plastic button 1.5 cm in diameter, and a hand-stitched button. Neither button or button hole appears to be original. On the back of the hand are three 7 cm long rows of stitching-appearing to be double rows, but done in one stitching action. These rows are slightly formed out from the wrist, over the back of the hand.100% cotton fabric. Empire Made M (inside left-hand glove).costume, male, pair white cotton gloves

Welmar white dress shirt. Collarless. Long sleeves with 7.5 cm cuffs of marcella waffle weave fabric. Cuffs have one button hole on either side of opening. 2cm band around neckline with buttonholes at centre back and either side of front opening. Panels of waffle patterned fabric on either side of front opening extending to above waistline (33cms X 11 cms). Each side of front opening has three button holes. Loop at centre back below neckline 7 cm X 8 cm Loops on either side of front 17 cms below shoulder extending from outside edge of waffle pattern panels (7 cm X 2.5 cm ).Label inside back, Welmar. All Cotton / Adhesive label 50 54costume, male, dress shirt

Northern District School of Nursing nurse's base uniform 1950s - 70sBlue cotton uniform worn beneath white apron. The uniform is open at the front with nine button holes in right placket for buttons and shanks to attach. There are corresponding buttonholes on left side for closing with white buttons and metal shanks, a small pocket at top left and a pocket at RHS of skirt. There is a small buttonhole at back of neck and two each on inside seam of sleeves to attach collar and cuffs. The front has gathering from below the shoulders and the back top has an inverted pleat at centre.Two white tags one with 'Cotton' in red is attached inside back neck. The other white tag has the name 'Lesley Moloney' in red embroidery There are other indecipherable words in black marking pen, probably laundry marks.nurses uniform, northern district school of nursing

WW2 era.Army shorts, green cotton, khaki.uniform, shorts, ww2

Worn by Robert Lawson Promoted to Petty Officer Engineering (MTP) 1979This uniform was worn by Bob Lawson. Bob is a member of Lara RSL, and this uniform is representative of his service in the Royal Australian Navy.Two grey grey cotton socks. lara, rsl, military, war, australia, navy

Donated by Cpl Bramley who was in charge of our Catafalque party ANZAC Day 2006 Blue cotton, Black elastic strap. Sewn Tag Noone Image Wearclothing

This item reflects the handcraft skills of women in the first half of the 20th century. A circular white cotton crocheted doiley.doiley crochet handcraft table-linen

Packet of Compressed Absorbent Cotton Woolflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Underpants WW1 style Cotton underpantsuniform, 1969, army

Metal silver Australia on khaki cottonuniform, current, army

Container of Cotton Wool prt of COL021equipment, 1914, army

Ammunition Belt Cotton Machine Gunammunition, army

Cream coloured ceramic cotton reel.handcrafts, needlework, cotton reel