Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Laconia Pure Lamb's Wool Blankets (mother and baby in bed)Laconia Pure Lamb's Wool Blankets/Make Goodnight a Certainty/*There's nothing in the World like WOOLblankets, blanket fever, wool, laconia, advertisement, australian women's weekly

Twenty page book within card covers titled "Melbourne and Metropolitan Tramways Board / Gratuities (New Scheme) Long Service Leave (All Employees) Sick Leave (Daily Paid Employees) / Medical Examinations and Employees' Register". Dated 1 March 1957 with a reprint date of 2nd May 1977. Signed by W. Aird, Secretary. See also Reg Item 67 for an earlier version. Second copy added 15/1/2015 from donation of Lindsay Rickard.On the inside of the front cover in blue ink some five lines of writing - looks like Spanish or Italian.trams, tramways, mmtb, personnel, procedures

Published in c1948 by Wightons Print, 215 Moreland Road, Coburg. These chapbooks were sold door to door after WWII by members of the Partially Blinded Soldiers Association in Victoria to fundraise for the association. The Association was established in 1924 to serve the interests and welfare of partially blinded returned soldiers. The author, George Robert Riley (late AIF and AMF) was born in Drouin in 1890; died in 1952. He trained as a compositor. Served in France and was partially blinded during WWI. He also enlisted during WW2 when he seems to have lowered his age. There do not appear to be many copies of this publication that have survived. It does not appear in either the State Library of Victoria or the National Library of Australia catalogue. The Museum of Victoria may have a copy. Apart from its significance as a fundraiser for returned soldiers, it documents culinary fashions in the post-WW2 period. Although a number of the recipes in Part 1 have exotic names, they are yet to be influenced by post-war migration to Australia.A 32 page booklet held by 2 metal staples. The paper is stained and embrittled but was probably originally cream. The cover depicts a soldier at rest under a palm tree dreaming of home and a hearty meal. Printed in shades of green and grey-black. This is Part One of Two. The chapbook contains 140 recipes, mostly broadly Anglo-European. Nilchapbooks, ww2, wightons print, mrs kate brennan, partially blind soldiers association, george robert riley

Newspaper copy,Gathering of the Clan, The McKays of Drummartin and Sunshine. Like many other early immigrants to Australia, this family came from Ireland, and like so many arrivals they made for the diggings.This family's name became famous for its contribution to agriculture through the Sunshine Harvester, the invention of Hugh Victor McKay, which revolutionised farming in Australia.Weekly Timesnewspaper, weekly times, h.v.mckay the sunshine harvester

Car belonged to Michael Smith, grandson of Society member Valda Arrowsmith. Always dreamed of owning a Ferrari, so at about aged 15 he purchased this model (1996)Red model Ferrari racing car. Four rubber tyres with Eagle Good Year stamped on each. Wheels have gold spokes and rims. Each side has 'Asprey Pioneer Arexons SKF brembo BBS & the Shell sign printed on it.The driving seat has seat belt, steering wheel and windscreen. Base Ferra. F310 (1996) Scale 1/20 Maisto ShellAsprey Pioneer Shell / Good Year / Schumachertoys, mechanical, transport, models

A long and large handmade knobkerrie club of very dark, smooth with. It has a long handle and a large ball like club on one end.knobkerrie aboriginal hunting fishing club

Six page pink program. There is a possibility that one page may be missing as there is what looks like a cut-off page in the middle of the program.collingwood college of tafe, horticulture school, awards, nmit

This uterine sound is possibly made of aluminium, but this has not been confirmed.Metal uterine sound. Instrument is a thin, tube-like piece of metal, which tapers and curves up into a blunt point at either end.

This uterine sound is possibly made of aluminium, but this has not been confirmed.This is one of a collection of items received from the practice of Dr Lachlan Hardy-Wilson, FRCOG, Launceston, Tasmania.Metal uterine sound. Instrument is a thin, tube-like piece of metal, which tapers and curves up into a blunt point at either end. gynaecology

A small circular black laquered jewellery box. Engraved on the lid with shell (like abalone) butterflies and plants. Some has broken off.jewellery

Various stories written by local and former Tatura residents. Includes trip by school children to 1956 Olympic Games, Township of Tatura 1879, Matt Patterson's life story, Dhurringile Mansion history by J Lowry, W Doller and R NewnhamPlastic cover, black and white cartoon like characters and grave yard scene on front. Contains plastic sleeves each with printed material.tatura and district, documents, history, tatura residents, 1956 olympic games, tatura 1879, matt patterson, dhurringile mansion history, j. lowry, w. doller, r newnham

Old small hard covered book. Looks like it is covered with a faded cloth. Hard to read name of book on spine.126 pages

made in Camp 3 approx 1940 by Rudolf HoeferSMALL Jewel box made of polished red gum, shaped like an egg cup, sitting on a saucer, with a domed lid featuring a knobwooden jewel box, hoefer, rudolf, camp 3, tatura, kazenwadel, gerda, handcrafts, woodcarving

Used by internees at Camp 3. Known as "Klip Klop" sandals. Worn to lavatory and shower blocks early mornings.Pair of carved wooden platform heel sandals. Rubber like covering on heel and sole. Leather strap nailed in position to cover toessandals, bissinger g, wied k and n, camp 3, tatura, ww2, costume, female, footwear, handcrafts, woodwork

Used by internee children at Camp 3Wooden box with fern like leaves and stars painted on the sides and top. A burning candle also painted on the top. Contains 4 jigsaws, Karl Wied, Taturawooden jigsaws, g hornung, k wied, internment camp hand crafts, children's jig saws, children's toys, camp 3 children's toys, gisela bissinger, gisela wied

Pobably belonged to donor's mother Abigail (b: 1902 d: 1995)A kniutting needle metal guage in a suede cover with gumnut etching on front. Needle guage is shaped like a bell with leather tie on topNo: 1-16 Knitting pin size is width of slotshandcrafts, knitting

White china sauce boat, spoon and saucer with fluted edges like petals. Sauce boat has yellow iridescent glaze insidedomestic items, crockery

WW11 Historical significance.WWII army kit canvas kit bag. Bag is shaped like a sausage with holes in the top for a rope to be used for opening and closing the bag.VX42319 Wales A.C.S. is painted in red and white on the bag twice.

Dark brown honour board with gold text shaped like a rectangle with a protrusion at the top to accommodate for a large WHS logo and a PREFECTS heading.PREFECTS 1953 GLENEISE ROSS: B. SOUTHGATE,W. KNEEBONE, D. BARR, B. BRADSHAW, F. BRISBANE, R. BRYANT, E. CANING, M. LEAN, R. MACAULAY, C. PARK. DOUGLAS McLAUGHLIN: L. BARR, P. DINSDALE, J. HERRIN, T. PAPPAS 1954 CORAL PARK: J. BISHOP, D. CIRUTO, M. COCHNEAS, S. HERBLE, A. SAVAGE, D. STANDISH, D. WHITE. JOHN EMSLIE: C. BOURKE, D. ELLIS, P. STEVENS, W. STUDHAM 1955 SHIRLEY HEBERLE: D. CIRCITO, J. BISHOP, L. BRISBANE, E. CLARK, A. KENTMANN, J. PETTERSON, G. TUDDENHAM. JOHN BELL: E. JONES, J. SONNEMANN, W. STUDHAM 1956 JILL PETTERSON: G. TUDDENHAM, V. CROWTHER, M. DERRICK, L. HEBERLE, L. HOWELL, C. LEIGH, M. VINCENT. ERNEST JONES: J. SONNEMANN, B. HOPPER, K. SAVAGE 1957 MARION VINCENT: C. LEIGH, M. DERRICK, R. HOLMES, I. LEAN, E. MARENGO, B. NICOLL, N. THOMAS. KENNETH SAVAGE: K. HADLEY, J. HALL, K. JOHNSON, D. McDONAGH 1958 ROSEMARY HOLMES: P. McDONALD, J. MORELY, B. PRIESTLY, A. BOWFITCH, E. MAUGHER, C. EMSLIE, B. GLOVER, S. BRADSHAW. KENNETH HADLEY: D. McDONAGH, N. ROSENGREN, R. SQUIRE 1959 MARGOT FISHER: C. PROBYN, C. EMSLIE, N. JONES, J. PRATT, W. ROBERTS, M. SCAMBLER, L. SIMMONS, J. THOMPSON. ROSS SQUIRE: A. BARR, B. PENDLEBURY, K. SCAMMELL, T. TONURI 1960 BARBARA JOB: N. JONES, L. BENSON, S. EDGAR, R. FERRARI, H. GIBB, M. GROSSMAN, C. KNEEBONE, F. NEWLAND, D. POLMEAR. NEIL STEWART: B. SUTTON, L. FRY, M, KNEENAN, J. STONE, G. WATSON 1961 MARGARET DUNDAS: S, EDGAR, E. AMERY, R. ANGUS, D. BRADBURY, V. CROSS, S. EVERTON, W. GERRETT, D. GIBB, E. MORRISS, S. NICHOLL, J. POWELL, R. REID, J. SUTTON, M. WHITE, R. WOOD. FRANK COBHAM: M. KEENAN, G. DUSTIN, D. FLINN, R. GROWLING, L. LANG,B. RAE, R. STONE, L. SULLIVAN, J. WELCH 1962 SHIRLEY NICOLL: V. CROSS, J. ADAMTHWAITE, C. BADGER, H. CAMERON, B. CROCKETT, C. HENDERSON, J. LANG, N. KINIBURGH, H. MORRIS, M. OSMOND, J. POWER, B. REITH, R. TANSLEY, C. TIPPETT, J. WHITEHEAD. LAURIE LANG: D. FLINN, P. BENNETT, R. BOYD, G. DUNSTEN, G. GOWLING, R. McCONCHIE, C. SQUIRE, R. STONE, L. SULLIVAN 1963 CHERYL TIPPETT: HELEN MORRIS, R. BENTON, R. BERRY, H. CAMERON, H. CROCKETT, R. EDE, R. FERGUSON, N. KINIBURGH, J. LANG, M. McKENZIE, B. MUNCEY, M. OSMAND, V. ROSEGREN, E. STANTON, J. STEWART. LANCE SULLIVAN: GEOFFREY7 DUSTIN, B. HANSEN, M. IRVINE, R. McCONCHIE, N. MARTIN, W. SCHULTZ, C. SQUIRE, C. STONE, R. SWAN

Two plaster ornaments of Lions in a lying down pose with front feet extended, painted with a bronze like finish and sitting on a rectangular base.ornaments, plaster, statue

"Today the Chalet lounges and hallways are stocked with a number of disparate furnishings of unknown provenance - table and chair settings... many ranging in styles from Edwardian and Art Deco periods. While they may appear to be original to the rooms, the items are not evident in any of the historic photographs surveyed in the course of this report, so their historical association with the Chalet does not appear to be strong and enduring. Some... appear to be domestic furnishings rather than those of a 'resort house'.Six lounge / club chairs, covered in brown vinyl. They are solid and bulky and have square, short block-like feet of dark wood.

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Coarse, gritty fabric almost sandy. Plastered surface has a dark brown paint with a star like pattern in yellow over the top. Small paper label inscribed with 'B9' attached to back of largest fragment. wall plaster, james dodgson, aquila dodgson, flinders petrie

Two photographs of a Scalebuoy Unit. The Scalebuoy Unit is sitting on a stool in front of a large leaf plant. It looks like a motor driven Unit.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence

Winner of Bayside Acquisitive Art Prize 2017. oil on linensnow, figures, animals, painting, michael vale, dream-like, skeleton, pipe, city, bayside acquisitive art prize