Pink cotton shift dress with side splits at hem, square ne4neckline, adjustment at neckline, adjustment on shoulder seam. Garment is home made. Two holes near hem in front also backs and stains. It is a slip to Dress NA 4317.costume, female underwear

Dress was donated by Christine Pitt, a member of the Society. It belonged to either her Aunt or Grandmother who was born in 1888.Dress 1920. Orange sleeveless, dropped waistline. Waistline has a rouleau band above a gathered skirt.costume, female

Belonged to the donor's aunt or grandmother, she was born in 1888Black crepe evening dress, rouched bodice over bust. Tie rouched belt fastened with eight covered buttons. Back of bodice rouched and fastened with 21 covered buttons.costume, female

Boots belonged to donor's grandmother, who was born in 1888. She used to go bush walking in the 1920sBrown boots - laced up - leather - heavily repaired on sole. Scuffed on heels. Fancy stitching around perimeter of boots and over the toes. Long tongue with laces to tie on books. There are 13 eyelets.3 426.36costume, female footwear

Belonged to an aunt of the donor. Mostly used when patient was in hospital.Pink handknitted bed cape. Open work on yoke and ribbon tie at the neck.costume, female nightwear

Hand knitted by Valda Arrowsmith for herself in the 1970s and worn for many years. Knitted to the original pattern (see Supplementary file) with a wide turn back cuff and altered by Betty Tickell to a turn under narrow cuff in 1980s.Pale green (eau de nil) mohair jumper knitted in lattice pattern. It has long sleeves and a round neck. Wool is brushed Carissa.costume, female, handcrafts, knitting

Shoes worn by donor's Aunt.Red court shoes with black Vinyl heels. There is a pad attached to each shoe under the toe area.AMALFI by Paragon for Peter Sheppard. Made in Italy.costume, female footwear

Dress worn by Ellen Kelly aunt of donorBlue and black Coat and Dress. Four cm black trim around all edges, and two patch pockets, eight black buttons down front.Aphrodite Australian madecostume, female

Owned by members of donor's family in 1850s.White cotton bonnet decorated with embroidered Anglais and trimmed around face and hem. Ties for under chin. Worn in 1850s. Night bonnet.costume, female headwear

Grey polyester Blouse - long pointed 1970s collar, seven buttons down the front. Long sleeve, deep cuff,with two buttons.Myer, Made in Hong kong. To fit bust 90 cmcostume, female

Pink and white striped cotton maternity dress. Square neckline with short sleeves. Seven pleats across centre of front with a white pearly button on each side at hip level. Three bands across at neck and another three at hip level. Back of dress is identical to the front.Daly Jones 12costume, female

Suit owned by donor - Valda Arrowsmith and was worn to many City of Nunawading official functions.1980 Burgandy wool women's pleated skirt and three buttoned jacket. Jacket fully lined.Fletcher Jones Australia Finest Clothingcostume, female

Donor, Valda Arrowsmith wore the suit during her time as Mayor of Nunawading at official functions in 1987/8.1987 Two piece black woollen suit. Skirt is straight hand woven and is lined. Top is woven wool with panels in shades of blue lurex, wool, braid, chenille and black lurex. Sleeves are magyar style. Black ribbed band at waist.costume, female

A 1930s cream nylon seersucker dance dress. Full skirt with horizontal pleated bodice with plaited roleua straps covered in sequins. Self fabric bow & tail on left side at bodice. Boning on side of bodice with gold metal zip on left side.costume, female

Wedding Dress worn by Liz Forster for her marriage to ? Humphries on 13 January 1965 at St Oswalds Anglican Church conducted by her father the Rev. Joseph Forster.1965 White Guipure lace full length short sleeve wedding dress, piped at waist with full satin lining.costume, female ceremonial

Cream sleeveless nightdress with round neckline. Fine lace insert on front of neckline and around arm holes and extending to back of neckline. Panels of ten pin tucks on each side of front lace panel and twelve pin tucks at centre of neckline.costume, female nightwear

Kilt was worn by Maude Bastion during 1970 and later by her daughter Wendy Standfield, the donor and a Society member.1970 Ladies tartan skirt designed as a kilt. Skirt wraps around and is fastened with a silver buckle and black buttons at waist. Red and green tartan.costume, female

Made by Heather Hillier for donor, Wendy Standfield1983 Black felt vest lined with gold/grey cotton. Both fronts are decorated with embroidered gum blossom and appliqued gum leaves in green and brown with blossom in pink and cream.costume, female

Purchasedcirca 1990s / 2000s aqua chiffon evening dress in the style of a slip with rouleau straps. Lines of crystal beads and balls vertically, with heavily beaded hem of aqua and grey beads and diamantes. Aqua satin lining. Knee lengthSuki size 6costume, female

1970s Ladies black lace sleeveless top with v neckline back and front. A placket front.Waist has black press stud closingcostume, female

not knowncirca 2000 black chiffon evening full length waisted dress with short sleeves, round neck and front of a false waistcoat beaded with black flowers and tied at the back. Underskirt of fine black lawn. Back zipperDG Sport Classic Comfortcostume, female

Wedding ceremony on 14th October 1950 at Congregational Church Kew1950's Magnolia satin, vee neckline with collar, button and loops to vee shaped waist. Long sleeves buttoned at wrist, coming to points. Skirt is ankle length at front. Back falls to a train.costume, female

Formally Miss Sharlene Barry now Mrs Ron Drager, the great grand daughter of the girl for whom the dress was originally made in England. The wedding was in Ceylon, and later the dress travelled with the happy couple to Australia. In total the dress has been worn four times. It missed one generation and then was sent to Adelaide for the wartime wedding of Sharlene's aunt, Mrs Hubbard. It returned to Melbourne for the wedding of Sharlene's mother Mrs Barry. The elaborately rouched dress with tight bodice and slight bustle effect was altered for the 1941 wedding.Used in 1950's for fourth wedding. Dress altered from the original dress made in 1886. Lace taken from draped overskirt and remade to square neck and long sleeve. Bodice pointed front and 22 satin covered buttons on back. Satin skirt and train edged with lace. Lace and cotton overskirt stiffened and draped and caught to the left side. Brussels lace mounted on satin.costume, female ceremonial

Made by Mrs Harris in 19141914 short bodice, fuller at front, short sleeve. Fly front closing, embroidered with lover's knot and scalloped edges, round neck drawn with tape, also at waist.costume, female underwear

Made by a Mrs Harris in 19141914 white cotton with short sleeves. Opening down the front with fly front. A short bodice, fuller at the front than the back. Round neck drawn up with pink ribbon. Waist has cotton tape to draw it up. Blue and white button hole embroidery around neck and down front. Blue butterflies embroidered each side of front opening with blue white flowerscostume, female underwear

Worn by Mary Jane Schroder for her marriage to Ralph Pardy Rudd on 24th Nov 1886 in Ceylon.1886 cream kid with ribbon bow on front with apple blossom. Two beaded bows on elastic bands to hold shoe on foot. See also Wedding bodice NA3580, fan NA3582 and bridal headdress NA3489.costume, female footwear

Dress first worn at wedding of Miss Margery Rudd and then in 1973 for the wedding of Miss Sharlene Barry (now Draeger)1950's claret crushed velvet floor length dress with cream lace around the high square neckline and around cuffs on long sleeves. 25 velvet covered buttons down back. Waist comes to a point at back with inverted pleat falling from point at back waist line. Sash is separated with press stud fastening and a bow effect.costume, female ceremonial

1960's shortie pyjama top. Black nylon with pink nylon on reverse side, frilled panel around. Off the shoulder neckline and over the shoulders. Frill around base and top of the panel with pink stitching exposed. Pink rouleau bows on each shoulder and in front of neckline. Elastic inserted around waistHelen Stuart Regd 38costume, female nightwear

Bought for collection from Op ShopAfternoon Tea apron trimmed with 7cm lace border. Also with four insertions of lace panels in frontcostume, female working

Apron was used during 1950's by donor's aunt, Myrtle BennettCirca 1950 floral cotton button through coverall. Has 2 pockets trimmed with purple braid. Sleeveless, trimmed at arm holes and neck edge with purple braid. Six white buttonscostume, female working