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Glenelg Shire Council Cultural Collection
Painting, Noel Jones, Stone Quarry, 1974
NoneView of a quarry. In the centre of the image a conveyor belt runs up from a pile of rubble to a small hut on tall stilts. A conveyor belt runs down from this hut to an orange truck. Below and to either side of the stilted building are two wooden buildings with tin rooves. A stilted tower is depicted in maroon to the left, and another in the distance to the right. Mounds, painting in brown, yeloow, grey and shades of blue run across the centre of the image, below a sky washed with blue and highlighted with orange. Mounted in a decorative matt, in wooden frame with glass.Front: N. W. Jones 74 (lower left, blue paint) Back: 1974 (upper left, pencil) -
Glenelg Shire Council Cultural Collection
Painting, Ludmilla Meilerts, Still Life, 1970
... white. Brown wooden frame. Still Life Painting Painting Ludmilla ...None.Still life of fruit and a jog. Painted in thick impasto paint, creating a very textured surface. Fruit is depicted in green, brown, apricot, pink and red. Background is abstract. Upper left background is brown, upper centre and right background is in shades of grey, blue and green, with some white. Brown wooden frame.Front: L Meilerts 70 (lower right, black paint) -
Glenelg Shire Council Cultural Collection
Painting, S.S. Casino Off Cape Otway 1932, 1932
Depiction of a ship in heavy swells, tilting towards viewer. Ocean is deep blue green with white crests. Ship has a black and red hull, white cabin, white and black smokestack and red mast. Flags from mast and at rear of ship are flapping in strong wind. Sky is cloudy and grey, with lighter areas in cream and pale grey, darker areas in slate grey and blue. Framed in wooden frame with gold edging.Front: SS CASINO OFF CAPE OTWAY 1932 (lower left, paint) A.V. GREGORY 1932 (lower right, paint) -
Glenelg Shire Council Cultural Collection
Painting, Robert Ulmann, Goat, c. 1974
... painted wooden frame, with glass. Goat Painting Painting Robert ...Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Painting, Harry Rosengrave, (Untitled - Landscape), 1969
Caltex $500 Prizewinner at Portland Arts Festival - retained for Portland Collection.Landscape scene, densley treed. There is a clearing on the left with 3 houses and possibly a figure in the centre of the clearing. Blue sky with a long cloud. Mounted in a tan-coloured matt in a wooden frame with a faux-distressed gold finish.Front: H. Rosengrave 69 (lower right). Back: Top right - yellow sticker "1969-". Bottom centre - "Gary Hayman. Picture framer. 41 Julia Street, Portland, 33-5. 055 233154. Custom framing, framed printed, photos and oils." -
Glenelg Shire Council Cultural Collection
Painting, (Untitled - still life), n.d
Painting, oil on board. Floral design, white flowers, green foliage, greenish-grey background. Gilded wooden frame. Two eyelets, wire for hangingBack: Picture framer's sticker, white, blue print. 'DG Coope and son, Bendigo -
Glenelg Shire Council Cultural Collection
Painting, High Tide, 2003
Portland Library Exhibition, 2005Abstract painting with predominantly green, rose and yellow colours. Mounted in cream double matt, in dark wood frame with glass glazing.bruce vinall, warrnambool artist, watercolour, abstract -
Glenelg Shire Council Cultural Collection
Drawing, Low Tide/Cape Grant Area, 1990
Depiction of a beach with large boulders. The boulders are covered in lichen and algae, and beach sweeps up towards centre right of image. The central third of painting shows the sea (continuing behind the boulders), depicted in blue with white highlights and dark blue shadows. It is edged in the background by a cliff face (painted in brown and grey). Sky is darker blue at top and lighter blue where it meets the horizon. Mounted in double matt (pale tan on faun) with decorative cut-out border, framed under glass in wooden frame.Front: Rankin '90 (lower right) (white paint) Back: 333 (upper left) (sticker) 1990- (upper left) (pencil). Low tide Cape Grant area September 1990 $350 Pastel Ian Rankin. 46 Hurd St Portland Vic 3305 Phone Portland 231465. Phone 055/231465. -
Glenelg Shire Council Cultural Collection
Painting, Untitled (Lake), 1990
Scene of a lagoon. The lagoon is in lower third of image, in blue and green. The shore is edged with trees, some dead and some with lots of green foliage. Top third depicts a deep blue sky, highlighted in some areas with white. Mounted in cream matt, framed under glass in wooden frame with gold edging.Front: McL 90 (lower right) (white paint) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Painting, Sunset, Blairs Creek 1893, 1893
... Roundel painting in circular frame. Scene depicts a lagoon...) (upper left). Roundel painting in circular frame. Scene depicts ...Roundel painting in circular frame. Scene depicts a lagoon edged with grass and low bushes in foreground and trees in background. Two black swans swim in foreground and a boat with a mast and rigging is anchored near land and a tree at centre right of image. Top half of painting is a sunset with clouds in pink, red, white, yellow, indigo, russet. These colours are generally reflected in foreground water. Framed in round wooden frame.Front: (no inscriptions) Back: "Sunset" Blair's Creek, Portland. Jan. 7th 1893 (centre) (black ink). 90 (ink on varnish) (centre left). 1996 (pencil) (upper left). -
Glenelg Shire Council Cultural Collection
Painting, Untitled (Eagle), 1990
Image of an eagle with head turned towards viewer. Eagle is depicted in brown and blue, with feathers detailed in white and yellow. Beak and around eyes are highlighted with pale blue and white. Background is abstract colouring in blue and pink. Mounted in cream matt in carved wooden frame, under glass.Front: McL 90 (lower right) (white paint) Back: (no inscriptions)eagle -
Glenelg Shire Council Cultural Collection
Painting, Alan Wilson, Crumpets, 1991
Exhibition, CEMA 1991.View of beach with crumpets in foreground and hills and cliffs in background. Scene sweeps up to the right of image. Sea is breaking over several boulders along shoreline. Far out to sea the water's colour is dark green and indigo, arond a rocky island. Sky is pale blue with violet clouds near horizon line and white wispy clouds above. Mounted in a double matt (white on violet) and framed under glass in decorative wooden frame with gold decoration and paint.Front: (no inscriptions) Back: Alan Wilson. "Crumpets". Hollands framing sticker (lower centre). Oils-on canvas on ply. 1991. (lower right) (pen) 1991 (lower centre) (pencil). -
Glenelg Shire Council Cultural Collection
Painting, Summer Holiday, 1967
Aerial view of a harbour with a jetty and a boat. At edge of water is a narrow beach and 4 houses (white with roofs painted in orange, yellow, white and pale blue). Seaweed and reefs are visible below surface of water. Framed in wood and board frame (white and grey).Front: Barnard 1967 (lower left, blue paint). Back: Phyl Barnard "Summer Holiday" 1967. -
Glenelg Shire Council Cultural Collection
Painting, Untitled (Portrait of Edward Henty), c. 1860
Portrait of a man against a dark background (green-brown and black). He is wearing formal attire: a black suit, black waistcoat, a white shirt with small brass (?) buttons and a narrow black cravat. His hair is dark blond and parted on the left. His sideburns are of a more reddish shade and reach to his jawline. Only upper torso visible. Original frame: ornate gold-painted wooden frame.Front: (no inscriptions) Back: Framers label - (Isaac Whitehead Collins St Melbourne) Conservation Centre, Melbourne label. -
Glenelg Shire Council Cultural Collection
Painting, Joshua Black, c. 1850
UnknownPortrait of a man against a blank brown and black background. He is in formal attire, with black jacket, high-collared white shirt and black cravat. His hair (black) is parted on the left and he has side burns descending past his cheekbones. Framed in a black frame with gilding.Front: (no inscriptions) Back: (no inscriptions) Conservation Centre, Melbourne - label. -
Glenelg Shire Council Cultural Collection
Painting, Port Phillip Bay (Sunset), n.d
UnknownScene of two sailing ships on a harbour at sunset. The ship on the left is in full sail, the ship on the right has furled sails. At front left is a flock of gulls and on front right is a figure in a row boat. At centre right is coastline with structures and several small boats. The sky has clouds reflecting the sunset in pink, yellow and indigo. These colours are reflected on the surface of the water. Framed in gilded wooden frame.Front: A.S. Murray (lower left) Port Phillip Bay (Sunset) (brass plate, l. centre of frame) Back: (no inscriptions) Conservation Centre, Melb. label. -
Glenelg Shire Council Cultural Collection
Painting, Thomas Clark, Portland Bay, c. 1860
... : (no inscriptions) Plaque on frame read: "PRESENTED BY MRS. J.E. GRICE GRAND ...Port of Portland AuthorityView of Portland Bay with a bluff in foreground left. On top of bluff is a lighthouse and a white cottage. Lighthouse is white with a red roof. Cottage has a tall flagpole flying a red flag. Two figures stand in front of cottage. Below bluff are two further figures looking out to see. In background right is a town and harbour. Further figures can be seen on the beach. Framed in ornate gilded frame.Front: (no inscriptions) Plaque on frame read: "PRESENTED BY MRS. J.E. GRICE GRAND DAUGHTER OF STEPHEN GEORGE AND JANE HENTY." Back: (unknown)portland bay, thomas clark -
Glenelg Shire Council Cultural Collection
Painting, J. Trangmar Mayor, n.d
... in ornate wooden frame. J. Trangmar Mayor Painting Painting Unknown ...UnknownPortrait of a man in dress uniform (navy blue suit, gold cuffs and epulets, belt and sash, with dress sword hanging in sheath on his left hip). He has white hair and a beard and is looking out of the frame to the upper left. His right elbow is resting on three books on top of a stone plinth. To far left of image is a domed uniform hat with an insignia on the front and a spike on top. Background is a modulating colour field: green/brown on left to darker browns and reds on right. Framed in ornate wooden frame.Front: J. Trangmar Esq. Mayor (brass plate affixed to lower centre front of frame). -
Glenelg Shire Council Cultural Collection
Painting, Helen Fergusson, Pat's Joy, 1998
... in gold-coloured wooden frame. Pat's Joy Painting Painting Helen ...1998 Portland Rotary Art ShowScene of a cottage in a wild garden. There is a mountain in the background of the right. Blue sky with light clouds. Mounted in cream and dark gray double matt, framed under glass in gold-coloured wooden frame.Front: (no inscriptions) Back: (no inscriptions)landscape, garden, flowers, rotary -
Glenelg Shire Council Cultural Collection
Painting - Painting - Old Town Hall Portland, Pauline Grayling, 1983
... . Mounted in cream matt and framed in a wooden frame. Painting ...View of bluestone building with false columns decorating front of central structure. The building is situated on the side of a road, with red sand/gravel in front and low-lying greenery behind. Mounted in cream matt and framed in a wooden frame.Front: Old Town Hall, Portland (1863) Pauling Grayling 1983 (Black Ink) Back: Old Town Hall/Portland - $100 (Pauline Grayling/42 Greenwood Ave/Ringwood 870 7649 (black felt tip pen on sticker, upper right). -
Glenelg Shire Council Cultural Collection
Painting, Down the Street, 1977
... , upper right) Mer-ger Galleries, Picture Framing sticker, order ...UnknownView of a building on a country street. The building is large, and in 3 sections, two of which may be shops. The building on the corner has a verandah and balcony over the footpath, and may be a pub. Two people lean on the wall to the right of the building. One man in overalls and carrying a bag walks along the centre of the dirt road. Framed in gold painted wooden frame.Front: B Malloch '77 (lower left) (brown paint) Back: 1977 - (yellow sticker, upper right) Mer-ger Galleries, Picture Framing sticker, order no. 1057 (sticker, lower centre) "Dow...E Street" (blue pen on sticker, lower left, torn) -
Glenelg Shire Council Cultural Collection
Painting, Hawker Transport, 1977
... Cliff Street Portland great-ocean-road oil painting camel horses ...View of two tents and a wagon in a dry landscape. In foreground is a camel loaded with packaged goods. A man on a horse is in centre of image, to the right of one of the tents. Two more horses are tethered by the wagon of far right. In background are trees and grassland. The top half of image is sky, with clouds painted in blue, grey and mauve with white highlights. Framed in silver and gold painted wooden frame.Front: B. Malloch '77 (lower right) (sienna paint) Back: 8 (pencil, sticker, upper left)oil painting, camel, horses -
Glenelg Shire Council Cultural Collection
Painting, Home at Narrawong, c. 1999
... in wooden and gold-coloured frame. Home at Narrawong Painting ...Exhibition in the Arts Company in 1999?Painting of three seagulls standing on a sandbar between river and ocean. Painted in bright colours, predominantly blues, green and orange. Framed under glass in wooden and gold-coloured frame.Front: (no inscriptions) Back: (no inscriptions)narrawong, painting, seagulls -
Glenelg Shire Council Cultural Collection
Painting, Greenmont from rear, c. 1955
... and right. Framed in wooden frame. Greenmont from rear Painting ...Portland Town Council (?)Painting of a bluestone building with a shingle roof. In foreground right is a wooden fence. A carriageway cuts through centre of building, and above this is a window filled in with corrugated iron. The right side of building has large cracks. A tree is growing against the building in image centre, and bushes at image left and right. Framed in wooden frame.Front: Travis Webber (brown paint, lower left) Back: Geelong Picture Framers, 211 Moorabool Street, Gelong. Ph: 97805 (blue ink stamp, lower centre).oil painting, greenmont, portland town council -
Glenelg Shire Council Cultural Collection
Painting, Portland Town Hall, c. 1955
... Webber (brown paint, lower right). Back: Geelong Picture Framers ...Portland Town CouncilPainting of a bluestone building with four columns mounted decoratively on the front of the building. A footpath is in front of the building, with a man and woman walking. A dirt road curves from foreground centre towards and past the building to the left. Two tall pines are behind the building on right. Building bears sign reading "Town Hall 1869". Framed under stippled glass in wooden frame.Front: Town Hall Portland '55 (brown paint, lower let). Travis Webber (brown paint, lower right). Back: Geelong Picture Framers, 211 Moorabool Street, GEELONG. Ph. 97805 (blue ink stamp, lower centre). -
Glenelg Shire Council Cultural Collection
Painting - Painting on cloth - Tongan Tapa Cloth, n.d
Clircular tapa cloth painted and sewn to a round wooden frame. View of a village painted on front of cloth, depicting a pole and wire fence with palnts at base, and palm trees and bushland in the background. The huts have thatched roofs.Front: Tonga Friendly Islands (lower centre, black dye) -
Glenelg Shire Council Cultural Collection
Painting, Captain James Fawthrop, n.d
Small oil on paper painting of Captain James Fawthrop, wearing his gold Admella medal. He is wearing a dark-coloured uniform jacket & cap with letters "HD" in gold. Blue sky & clouds in background. The painting is covered with glass and is set in an oval, dark wooden frame, that has a gold inner line. The painting is bordered by three mat boards, dark grey, light grey and gold. The back is covered in brown paper, with cord between the two metal 'eyes' for hanging. -
Greensborough Historical Society
Painting (Framed), The Bush by Doug Hall, 1970c
... "The Bush, Doug Hall" Oil painting of a bush scene, in timber frame ...Bush scene of local area, painted by Greensborough artist, the late Doug Hall.Oil painting of a bush scene, in timber frame.On back of painting "The Bush, Doug Hall"doug hall -
Greensborough Historical Society
Painting (Framed), Oldstead Farmhouse by Doug Hall, 1978_
... "Oldstead Farm, Doug Hall" Oil painting of a house, in timber frame ...Oldstead Farmhouse, painted by Greensborough artist, the late Doug Hall. Oldstead Farm was in the area around the present Oldstead Road Greensborough.Oil painting of a house, in timber frame.On back of painting "Oldstead Farm, Doug Hall"doug hall, oldstead farm, oldstead road greensborough -
Glenelg Shire Council Cultural Collection
Photograph - Photograph of painting - Photocopy - Joshua Black, n.d
Coloured photo of painting. Joshua Black - Head and shoulders. Black Jacket and tie. White shirt.Back: Holland's Picture Framing and Art Supplies. Hilary. 16 Henty St, Portland. Phone 03 55233582