A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 125 Jolimont Rd., Vermont This property is listed as having sold for $351,000 in 2003 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house, with steps from the footpath leading up to a raised porch. In the foreground is a stone retaining fence enclosing a front yard with garden bed edging. There are two hole punch holes just below centre of the upper edge125 Jolimont Rd., Vermont Picken © 2003 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 14 Worrell St., Nunawading This property is listed as having sold for $130,000 in 1992 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black white line drawing line drawing of a single story weatherboard house with large verandah and porch. On the right is a driveway leading to a connected carport in the background. In the foreground on the right hand side is a front yards with shrubs. There are two hole punch holes just below centre of the upper edge14 Worrell St Nunawading Margaret Picken -92 Woodards - Boxhillwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 22 Ballina Tce., Vermont South This property is not listed as having sold in 1992 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house. On the left is a driveway leading to a connected carport, behind which is a set of steps in the background. In the foreground on the right hand side is a lush front garden. There are two hole punch holes just below centre of the upper edge22 Ballina Tce., Vermont Sth Margaret Picken -92 Woodards - Malvernwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 125 Jolimont Rd., Vermont This property is listed as having sold for $124,000 in 1994 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of two single story brick houses, one behind the other. There is a driveway on the left leading to the house at the back of the block, with paths up to the front doors. In the foreground on the right is a front lawn, and a brick post box. There are two hole punch holes just below centre of the upper edgeUnits 1+2/2 Lusk Dve., Vermont Margaret Picken - 93 Woodardswhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

This design of ink bottle was commonly referred to as a ‘penny ink well’ because it was very inexpensive to produce. It is also known as a dwarf ink bottle. Pen and ink has been in use for hand writing from about the seventh century up until the mid-20th century up until around the mid-19th century a quill pen made from a bird’s feather was used. In the 1850s the steel point pen was invented and could be manufactured on machines in large quantities. In the 1880s a successful portable fountain pen was designed, giving a smooth flowing ink and ease of use replacing the quill or dip pen. History of the Loch Ard: The Loch Ard got its name from "Loch Ard" a loch that lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curle & Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen, and candles, as well as a heavier load of railway irons, cement, lead, and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Lochard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy that had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost families in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce, and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Lochard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Lochard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Lochard Gorge. Cargo and artefact's have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.This ink well is historically significant as it represents methods of hand written communication that were still common up until the mid-20th century, when fountain pens and ballpoint pens took over in popularity and convenience. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefact's from Loch Ard and its collection is significant for being one of the largest accumulation of artefact's from this notable Victorian shipwreck of which the subject items are a small part. The collection's objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history.Stoneware penny Ink bottle ironstone salt-glazed, stoneware cylindrical shape with small mouth and squat neck, broad shoulders brown colour, . with light coloured encrustation spots.flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, penny ink well, writing equipment, domestic, stoneware, clay, ceramic, pottery, ink well, inkwell, ink bottle, dip pen, ink, hand writing, business, vintage, dwarf ink

A property illustration by Margret Picken Commissioned by the real estate agency Fletchers Real Estate for the purpose of advertising 7 Alfred Rd, Burwood in 2000 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as having had unit 10 sell for $404,000 in 2000 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 9 Tainton St., Burwood. A single story brick bungalow, with roofed porch wrapping around the font left corner of the house. A Picket and brick fence borders the front yard, and opens to a brick driveway on the left. Shrubbery growing in front of house and along the fence.7 Alfred Rd., Burwood Margaret Picken © 2000 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Malvan for the purpose of advertising 16 Kalista., Burwood in 1991 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as having had unit 10 sell for $145,500 in 1991 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 16 Kalista Court., Burwood East. A driveway run right to left in the foreground, with a single story L shaped brick house in the background. On the right is a front yard with a gumtree, enclosed by low timber fence. There are two hole punch holes along the top edge.16 Kalista Court., Burwood E. Margaret Picken Woodards - Malvanwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden, burwood esat

Drafts of various writings/speeches by Boyd. One page written in blue and red ink appears to be a draft for 'The Value of Expos' (see D112) that is taken in point form. One page written in pencil and green ink appears to be a draft for an article on Australia moving forward to modern architecture after WWII and the potentials of Skyscrapers and prefabricated housing.Handwritten, quarto, 3 pieces: x2 are folded, x1 small paper slip pagesexpo 64, prefabrication, archigram and metabolism, robin boyd, manuscript

1384.1 - Ticket, printed on gold card using brown ink titled "Souvenir Ticket Closure of Hawthorn Depot" for the Tramway Museum Society of Victoria's 5th tour to mark the closure as a running shed on 13/14 Feb. 1965. Notes the Official Opening day of 6/4/1916. Tour used tram SW6 850. See Reg Item 1384 for another sample of this ticket and another Hawthorn depot associated tour ticket. 1384.2 - Ticket printed on dark gold card using brown ink titled "Souvenir ticket to mark the 50th year of the opening of the Hawthorn Tramway Trust", gives dates of the opening, MMTB Takeover and closure. Notes it is the 11th TMSV tour.The date of the MMTB taken over has been changed in ink from "1st" to "2nd"trams, tramways, mmtb, tickets, tours, tmsv, htt, hawthorn

Premiership cap presented to Hercules "Hec" Vollugi after Essendon won the 1901 premiership. Premiership caps were presented by both the VFA and the VFL until about 1924. The caps were traditionally made of navy silk. This one has had Essendon's colours embroidered on the peak in the shape of a shield. Vollugi was a fine wingman who played 70 games for Essendon from 1901 to 1906.Navy blue grosgrain silk cap with small peak; cap is divided into six segments separated by cream silk braid with navy button on top; embroidered badge in metallic and silk gold thread at front of cap; badge consists of monogram of interwined V F L with "Premiers" in a scroll beneath and "1901" beneath that; shield embroidered in red and black longstitch on peak. Cap is lined with "H. A. Vollugi 1901" handwritten in ink in centre."H. A. Vollugi 1901" is handwritten in ink on the inside of the cap

Colour slide of red gum trees in a forest near the Murray River. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. More photos show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of trees in a Red Gum forest during Operation Firewood in brown Anscochrome cardboard mount. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Hand written on front 'Red gum trees / River Murry' in blue pen.operation firewood, trees, forest

Black and white photograph of a demonstration of a dental procedure on a patient who has received anaesthsia. Dr Geoffrey Kaye, wearing a white gown, is holding a dental suction hose and metal medical tray under the patient's mouth, who is leaning over the tray. An anaesthetist is holding an inhaler over the patient's nose. The background of the photo has been covered with black ink so that only Dr Kaye, the patient, and anaesthetist are visible.•Printed text in black ink on paper label glued under photo: Management of Vomiting. •Handwritten with blue ink on reverse: Photo. 8. / (Frame 29).anaesthesia, anaesthetist, geoffrey kaye, dental procedure, patient

The cards relates to George Frederick Pierce DCM. Refer Cat No 1891P for his AIF service, award and death.Four page folding card, front cover has crossed rifles over a town scene, inside a short poem headed “He hath fought the good fight”. Next page a brief sympathy message and under hand written in ink. A grey string holds the pages together.Front cover has, “In Remembrance”, inside in ink from “F.E.Carey, Captain Raywood Rifle Club”sympathy, military, cards

Typewriters pre date computers and were used by office workers eg. Secretaries for documents and letter writing. An inked tape was hit by the keys as it moved along which resulted in their imprint being copied onto paper. Multiple copies were made by inserting carbon paper between sheets of paper. The original was easily identified.Used in the Kiewa Valley.Large, heavy, hard plastic two toned grey typewriter. The keys board includes symbols for inches, pounds, dollars, cents and fractions. The margins and size of paper measurements are in inches.The keyboard slopes up to a vertical plane. On top the area is flat where there is a small gap which exposes the metal keys. The cylinder that holds and enables the paper to be moved is long with controls at each end and a large lever that returns the cylinder to the left. Behind the cylinder there is a compartment. The keys hit an inked tape (black or red and black) which forms an impression onto the paper. Mechanisms, using the correct buttons, enable margins etc. to be pre set. This typewriter sits 3 cm high from a base. Vinyl deep red/black cover sits on top covering top and sides to protect the typewriter from dust. It is homemade with 2 sides attached to 1 long piece.Front top left: "Royal" Back top right "Made in England" Back silver paper sticker on top left "For Supplies and Service / Business Equipment Pty Ltd typewriter. royal. office. secretary. writing. business equipment.

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 14 Jaques GVE., Forest Hill, This property is listed as having sold for $157,000 in 1993. The house depicted in this artwork is no longer standing. Having been demolished and a new house built in its place between the time of this artworks creation in 1993 and 2024. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 14 Jaques Grv., Forest Hill, depicting a single story brick house set back from a low fence and front yard, with a driveway on the right. There are two hole punch holes centre near the upper edge.14 Jaques Grv., Forest Hill Margaret Picken- 93 Woodards - B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

This chart displays unit colour patches worn by members of the Australia Military forces during World War 11. The Australian Military Forces consisted of the 2nd Australian Imperial Force, The Citizens Military Forces and the Permanent Military Force.Chart: Paper, colour illustrations of the " Colour Patches" with black printed numbers 1 - 630. Information on "Colour Patches" printed below illustrations in black ink. Mount: - cardboard, black with gold inner edge. Frame: Timber, mid brown colour with varnish finish. Decorative edge with perspex front. Backing: timber plywood, paper delivery docket adhered to backing. Small adhesive labels on front and back.Printed in red ink on chart, COLOUR PATCHES/ OF THE/ AUSTRALIAN MILITARY FORCES - WORLD WAR 11. Small adhesive labels, white, printed back ink "74".print, ww11, military, uniforms

Black and white photograph of a demonstration of a dental procedure on a patient who is receiving anaesthesia. Dr Geoffrey Kaye, wearing a white gown, is inserting a mouth gag dental instrument into the patient's mouth. The anaesthetist's hands are supporting the patient's head and administering anaesthesia to the patient through an inhaler. The background of the photo has been covered with black ink so that only Dr Kaye, the patient, and hands of the anaesthetist are visible.•Printed text in black ink on paper label glued under photo: Inserting the Gag under Vision. •Handwritten with blue ink on reverse and underlined: Photo. 2.anaesthesia, dental procedure, anaesthetist, patient, geoffrey kaye

Black and white photograph of a demonstration of a dental procedure on a patient who is receiving anaesthesia. Dr Geoffrey Kaye, wearing a white gown, is changing a mouth gag dental instrument in the patient's mouth. The anaesthetist's hands are supporting the patient's head and administering anaesthesia to the patient through an inhaler. The background of the photo has been covered with black ink so that only Dr Kaye, the patient, and the hands of the anaesthetist are visible.•Printed text in black ink on paper label glued under photo: Changing-Over the Gag. •Handwritten with blue ink on reverse: Photo. 4. / (Frame 20).dental procedure, dental instrument, anaesthesia, anaesthetist, patient, geoffrey kaye

The programme for the “Atlantic Race Meeting” held on board a ship belonging to the Royal Mail Lines LTD. Part of the Frederick Gardner Davey DFC RAAF collection. refer Cat No 3536P for his service record.Four page printed on cream card, page 1 is illustrated with a stylised drawing of a black horse, title is in both B & W type on a yellow background, pages 2 & 3 contain details of each race and a list of prize money, printing in black type, page 4 printed in black ink inside a yellow border, space is provided for race results is providedOn back page handwritten in black ink, “race results and dividend paid”souvenir, race programme, entertainment

The photo is in the region of “Berchtesgadener in Germany”, item was sent around Christmas 1945. Part of the collection re Frederick Gardner Davey DFC RAAF. Refer Cat No 3536P for his service records.Post card, rectangular shape, white edge around with a B & W photo of a building in a forested mountain region, in white on the bottom RH corner acknowledgement of the photographer, on the back is a hand written letter in blue ink and space for a stamp.On the rear in blue ink,” Wishing the recipient a happy Christmas and offering a description of the region where the photograph was taken, signed by Alan Fi”postcards, germany, souvenirs

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising units 1-8 Harrison St., Mitcham The property has be listed as having sold for $270,000 in 1999. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of Units 1-8 Harrison St., Mitcham depicting a black and white line drawing of a two story rendered house with incorporated garage on the right. Set back from a pillared wrought iron fence and landscaped front yard. There are two holepunch holes centered just under the upper edgeUnits 1-8 Harrison St., Mitcham Margaret Picken - 99 Woodards whitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 14 Manorwood Plc. Mitcham. This property is listed as having sold for $240,000 in 1997 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 14 Manorwood Plc. Mitcham depicting a black and white line drawing of a multi level brick house with weatherboard feature at the windows. There is a driveway curving from the righthand side of the foreground up to a built in garage, with garden either side of the driveway. There are two holepunch holes centred just under the upper edge14 Manorwood Plc. Mitcham Margaret Picken -97 Woodards - b/burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 444 Mitcham Rd., Mitcham. This property is listed as having sold for $78,000 in 1985 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 444 Mitcham Rd., Mitcham depicting a black and white line drawing of a single story brickhouse, viewed from the gated driveway, which leads to a separate garage at the end of the driveway. on the left is a front lawn enclosed by the brick fence. There are two holepunch holes centred just under the upper edge.444 Mitcham Rd., Mitcham Marg. Picken '87 Woodards - boxhillwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 27 Citriodora Walk., Vermont South This property is listed as having sold for $157,000 in 1993 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house with a concrete footpath in front and along the right hand side leading to a back gate in the background. There is greenery along long the left, right and bottom edges of the drawing. There are two hole punch holes just below centre of the upper edge27 Citriodora Walk., Vermont South Margaret Picken - 93 Woodards - Kewwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

Land was first selected at Murphy's Flat in 1865. The first Wesleyan church was built in 1866 and from 1869 this was used as State School 149. A purpose built school, No. 1311 opened mid 1876. The areas name was changed to Murphy's Creek in 1915.A blue and white exercise book. Attached within are various subscription receipts in the front and back, including the "Australian Home Journal," "Singer Sewing Machine Company," and an "Annual Audit of Depositors' Pass-books by the State Savings Bank of Australia. Also included in approximately half the book are handwritten record of correspondence notes in blue ink, many regarding sewing from 1949-1956.The Shell Exercise Book. Name: M. Symons (Handwritten Blue Ink). Grade: Murphys Creek. School: Via, Tarnagulla, Victoria (Handwritten Blue Ink). Receipts, Etc.(Handwritten Blue Ink), Approved by the Education Department. Shell Series. On the back is printed Arithmetic Tables and a Multiplication Tableexercise book, receipts, tarnagulla

Black and white photograph of MMTB SW6 850 probably soon after n. Side on photograph of tram. Destination City gives build date 1939 and notes that car was built with a tail light/s, which is visible at the right end of the tram. Has cropping marks in ink on right side of photograph. On rear is a type note (glued on sheet of paper) specifications of the tramcar and car dimensions. Destination City 5th edition gives a view of the tram - 3/4 front on showing the tail light arrangement - p41. Also on rear is "Sutcliffe Pty Ltd, Commercial Photographers 94 Elizabeth St. Melbourne, Cent 1500" stamp in light blue ink. and date stamp of print - "12 Jan 1946". See Destination City, 4th Edition and 5th edition.On rear in ink is notations "57", and measurement "4 9/16" with cropping mark.trams, tramways, mmtb, sw6 class, tram 850

Set of five BTPS or BTM forms used to summarise the pay in to the bank. Printed by laser printer. 1683.1 - 10/1995 version by WAD on an A4 size sheet of paper. Has tram 33 logo in top left hand corner. 1683.2 - 6/1989 version, printed by Milldean Press - photocopied version of 1683.3 on A4 size sheet, form T31/(5). 1683.3 - 6/1989 version, printed by Milldean Press in green ink on an A4 size sheet of white paper. 1683.4 - 1/78 version, printed by Milldean Press in green ink on white quarto size white paper form T31(2) with additional lines for adult and child fares and no line for who paid in. 1683.5 - as for 1683.4 but without additional lines for charters or for adult and child fares. On 1683.4 and 1683.5 - "Staff No." has been crossed out in red or blue ink.trams, tramways, btps, pay-in forms, accounting