artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

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A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 429 Whitehorse Rd., Mitcham The property has be listed as having sold for $90,000 in 1992 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 429 Whitehorse Rd., Mitcham depicting a black and white line drawing of a single story brick house with a driveway on the left leading to a separate garage, wit ha path branching of toward the front door. There are two holepunch holes on just under the upper edge 429 Whitehorse Rd., Mitcham Margaret Picken - 92 Woodards - Glen Iriswhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

The Magpie-Lark, also commonly known as a Mudlark, is a carnivorous bird found in many regions of Australia, Indonesia, Timor, and Southern New Guinea. They are a non-migratory species and are extremely adaptable to a variety of environments. These environments include dry forest, savannah, grassland, and even urban areas. Magpie-Larks are typically monogamous and are often found in pairs. They are black and white, with a white underbelly, long legs, and a long, thin beak. The females of this species have a white throat, while the males have a white eyebrow and a black throat. While juveniles have dark eyes, mature adults have light irises. This information helps identify this specimen as an adult male. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Magpie-Lark is a small to medium-sized bird which has distinctive black and white colouring. The bill is long and thin and is a whitish colour which differentiates it to other Magpie species. When mature, like this particular specimen, the Magpie-Lark have distinctive light irises. The glass eyes provided for this specimen are accurate in colour. This male specimen has a white 'eyebrow' marking and a black chest or bib. This Magpie-Lark stands on a wooden mount with a swing tag attached to its leg.Swing-tag: 20a. / Reed Grallina / See catalogue page 10 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, mudlark, magpie-lark

Round turned wooden collar box with (inside) central round stud holder compartment, with two copper studs with bone fronts. Has matching lid with chiselled/cut design of an Iris flower with leaves.British Make Giltdomestic equipment, containers, collars

Eula Collins, Helen Callis, Iris Lucas and Louli Defteros at a social function at the clubrooms of the Ithacan Philanthropic Society some time in the 1990s. A coloured photograph of four ladies sitting on lounge chairs at a social function. There is a white border across the top and below the image.

Ellen Harvey married Neil Wishart in 1928. The bridesmaid was Iris Maddock. The groomsman was Len Coulson and the two train bearers Betty and Austin Dyson.Copy of a black and white image of a wedding party. The wedding party consists of the bride, groom, bridesmaid, groomsman and two train bearers. Four people are in the background along with a baby pram.ellen harvey, neil wishart, iris maddock, len soulson, betty dyson, austin dyson

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

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