Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the modern day.Colour photograph of a man wearing a leather apron, hammering a piece of heated steel on an anvil attached to a wooden log.[catalogue number written on reverse in pencil]churchill island, photograph, blacksmith

Logging Chain Dog. Lever type latch for tightening large chains. It has two hooks and two links

Also two other colour photographs of the mill 04715.1 and 04715.2 10 x 15 cmColour photograph of Don Stephens cutting blue gum logs at his spot mill at Swan Reach Victoriaenvironment, people, waterways

Fern gully in Sherbrooke Forest. A bridge with long log sides crosses a creek. Tree ferns edge the track.

Painter, printmaker and installation artist John Wolseley was born in Somerset, England. He lived and worked throughout Europe before relocating to Australia in 1976. His work explores how people dwell and move within landscape. Wolseley see's himself as a hybrid mix of artist and scientist; one who tries to relate the minutiae of the natural world - leaf, feather and beetle wing - to the abstract dimensions of the earth's dynamic systems. Using techniques of watercolour, collage, frottage, nature printing and other methods of direct physical or kinetic contact Wolseley finds ways of collaborating with the actual plants, birds, trees, rocks and earth of a particular place. George Baldessin was one of the first artists John Wolseley met when he arrived in Australia in 1976. Both immigrated to Australia and connected through this shared experience. They were both at 'Realities Gallery' with Marianne Baillieu in the 1970s and 80s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'Life world of the Longicorn beetle' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Communion and collaboration with nature are central to Wolseley's practice. He assembles different drawing methods to represent a kind of inventory or document about the state of the earth. His interest is to paint the processes and energy field of the living systems of this land. 'Life world of the Longicorn beetle' is his continued exploration of Australia's natural eco-systems. The beetle attacks the eucalypt and in the process of tunnelling into the wood of the tree leaves scribbly patterns. The work celebrates the cycle of life, and the wisdom and delicacy of these creatures. This three dimensional work consisting of three layers of paper is a varied edition, offering just the slightest difference between each print, reflective of variation in nature. The found log used as a woodcut acknowledges the interconnectedness of nature and living beings; the log is not apart from the art and the beetle has become an active artistic collaborator. An intimate and layered print of a tree log with line trails from the Longicorn beetle. Patches of pink, yellow and orange watercolour placed randomly. Woodcut from found log and etching on chine-colle with water colour on Gampi (top layer), Mulberry (middle layer) and Arches (bottom layer) paper. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Life world of the Longicorn beetle' (title); right 'John Wolseley' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)woodcut, etching, chine-colle, landscape, environment, longicorn beetle, print, baldessin, ekphrasis2018, eco, mixed media

Part of John Jansson CollectionLarge black and white photo of a large ship at, possibly, the Rhyll pier. Tide is out and several large logs are on the sand.Nilrhyll, shipping, photographs, rhyll pier, water transport

BLACK AND WHITE PHOTOGRAPH.TWO BLACK CROWS MARYSVILLE Victoria 1924-25 / TWO MEN STANDING IN FRONT OF LOG CABINphotograph, person, male

Wooden log with iron spike - part of the deck of the "Joseph Scammel" which sank off Point Danger, Torquay 1891.joseph scammell, timber with iron spike

A male identified as George Hayes in a WW1 uniform posed in front of an artificial bush settingA man identified as George Hayes, dressed in uniform, complete with leggings sitting on logs (made to look like a bush setting).on back:LHS in circle: Day or Night centre: Whiteney Bros / ELECTRIC STUDIOS / 118 BOURKE ST / Melbourne / AUSTRALIA written in pencil twice: George Hayes / 101 Stafford St /Victoria RHS in corner circle: FINISHED / while / you waitworld war 1, soldiers, armed forces, uniforms, men, clothing and dress, hayes, george, whitney brothers, photographers, george evans collection

Parts are items from either Course Setting or Bomb SightsVarious aircraft parts of unknown as to what their specific use is. Metal & aluminium Log Cabin tin, various items of aircraft parts.military, aircraft, raaf

A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria.A colour photograph of a sculpture in Bruno's Art & Sculptures Garden in Marysville in Victoria. Bruno's Sculptures Garden is one of Marysville's popular attractions. There is a sculpture garden as well as a gallery of artworks. Both the garden and gallery were destroyed during the 2009 Black Saturday bushfires. Some of the sculptures were totally destroyed though a few did survive the fires. Bruno made the decision to re-sculpt the lost sculptures and re-built his gallery and re-open his garden to visitors to Marysville.bruno torfs, gardens-design, marysville, victoria, sculpture, australia, sculpture garden, sculptors, bruno's art and sculptures garden, 2009 black saturday bushfires, photograph

Photo shows horse connected to gold crushing equipment A circular pit with log braced over centre Two men in foreground1 copy B/W 1 copy Sepiamining, gold mining, mafeking

The people in the photo are: Mr & Mrs Gus Knight and Ray Knight (on the right). The names of the other three people are not known. The site of the house is where a later monument would stand (see inscription).Photo shows six people; three seated on a large log, two standing and one leaning on a tree stump; in front of a house."Mr & Mrs Gus Knight, Ray on right. -Where Monument will go. Ray just cut down tree - so it would not fall on house." written in biro on rear of photo. "Wannon" written in pencil on rear of photo.people, knight, buildings, tea rooms

This photograph was taken at the "old station" at Corringle near Orbost. It was a popular picnic spot. Late in 1857 Mr Thomas T. Stirling took over Corringle Run ("Corringle" means "shallow water"). Mr Stirling and his family came from the wester district - Winchelsea. He settled at the Old Station. A few people were employed at the Orbost Stationb and there was settlement on the Orbost flats, Mr T. T. Stirling held the land from Lake Tyrers to Bemm River as a cattle run. About 1888 he became Secretary of the new Tambo Shire. In the photograph L-R are; Hilda Kerr; Myra Malcolm; Marion Nixon; Bess Goudie (teacher); Mary Gilbert; Gwen Hobson (teacher); Pen GilbertOrbost High School / Orbost Secondary College has played a significant part in the education of senior students in the Orbost district . It is the sole senior educational institution. This item is representative of its history. It is a useful reference tool.A black / white photograph of a group of young women sitting on a log in a clearing in a bush setting. Five are in school uniform. On the left is a horseeducation-orbost orbost-higher-elementary-school recreation old-station-corringle

Black and white photo of Toc H Members inspecting damage to Mitcham Branch's log cabin in March 1960|Ref ND2597toc h - mitcham branch, williams, george, skewes, white, orme, walker, arthur, graham, 'uncle jack', crossley, les, arrowsmith, ted, crawley, len, gleeson, dickie

Black and white print of two men standing on a log bridge over a stream. Both wearing camping clothes and carrying packs.war memorials

Port of Portland Authority archives.Front: (no inscriptions) Back: Poles in the background. Timber treatment plant in middle. Mills at background. Photography by the Arthur Studio. Further copies always obtainable at 27 Commercial St. East, Mt. Gambier. (purple stamp, lower right) (upper left, pencil), 22 (lower right, pencil).port of portland archives

Deals with a tenancy agreement between the Marsh and Partington families. There is also a brief family history of the Marsh family in Greensborough.Marsh and Partington families are Greensborough pioneer families.Collection of documents relating to the Marsh family. In particular a dispute about a log crossing on the Plenty River, the access to which was across Marsh's land.Some handwritten documents.marsh family, partington, greensborough, hailes street, church street, plenty river

The Stoney Creek dray bridge. Stoney Creek has been bridged a number of times on school road since the creek was re-routed in the early 1900s. A dray bridge was built C 1910 by local residents, which stood them in good stead for more than a decade. This bridge was replaced by a higher timber structure. Image two is a story from 1906 relating to Marshall White and his family trying to recross Delley's bridge after finding the Stoney Creek dray bridge washed away.Photo of two men on horseback on a wooden bridge with low log railing. A shelter can be seen in the background and there are thick trees surrounding the road.structures, bridges

A side vie of Silverband Falls.The photo shows a side view of a waterfall (Silverband Falls). To the right of the falls there is a rock face and in the foreground there is a large log and a rock among bracken.scenery, silverband falls

China hat pin holder with black and white retriever dog, base of green grass & brown logs with six holes for hat pins.costume accessories, hat accessories, hat pin holder

Photograph, Eaglehawk Police Station & an old Log Lockup on the right , looking south from High Street. SUN: 27 March 1938photograph, building, eaglehawk police station & lockup

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.Black and white photograph of a group of twisted and dried logs. Photograph has been printed on a type of card and has a matte finish applied.Catalogue number written in pencil on reverse.churchill island, photograph

The tourist track running alongside the creek from Sassafras Mechanics’ Hall to Emerald. In the early 1900s the track started at Rostrevor Guest House.Black & White postcard P1501 from the Rose Series. Shows a log bridge along a tree fern lined section of the Tourist Track.On reverse - POST CARD A Real Photograph. Produced in Australia.rose series, sassafras, track, postcard, mechanics' hall

A tramline was built to bring logs down from a mill up on Stoney Creek. The tramline was made of timber and the trolleys of logs were pulled as afr as possible by horse and then a driver would ride the logs down to the flat land below pulling a brake when nearing the end. (Close to site of present Primary School).Photo is a copy of Anne Borella (nee Nicholson) depicting the haulage of timber along a tramline. Two horses are pulling a trolley while a driver stands on the load with the wheelbrake ready.transport, horse drawn, structures, tramway

This book recorded the ships on which seafarers came to Melbourne.The logbook provides an insight into which ships and the origins of their crews were visiting Melbourne in 2004-2005. Yellow note on the cover with the words: "Melbourne Visitors Log 06/08/04 - 21/03/05sailors, seafarers, seamen, ship, nationality, mission to seafarers, seamen mission, flinders street

The P.S Adelaide was launched on 21st July 1866. It was owned by J.G.Grassie from Poon Boon Station and the Officer Family of Murray Downs Station Swan Hill. The Adelaide was named after the niece of the Officer Bros, Adelaide Blackwood. The shipwright who built her was George Linklater. The Adelaide brought wool and passengers from the wool stations on the Murray and Darling Rivers down to the Echuca Wharf. In 1872 she was sold to David Blair & Sons. She was used to bring timber from the Barmah Forest to the Echuca Wharf. She did this work for the next 80 years. In 1953 she was tied up near the Mill and left. In 1958 she went to Paringa South Australia to work in the sawmill industry again. In 1960 the Echuca Apex Club and The Echuca Historical Society raised enough funds to buy the P.S. Adelaide and return her to Echuca. In November 1963 she was lifted out of the water and placed in Hopwood Gardens as this was thought to be a way of preserving her. In 1984 it was decided to return her to the water to resume work as a passenger vessel. In that time the Port of Echuca and the Echuca Wharf had been restored as a Tourist Precinct. This photograph shows the beginning of the task to return her to the river. It took several weeks in March and April 1984.The P.S Adelaide is extremely significant as it it the oldest known wooden hulled paddle steamers in the world. She was built in Echuca in 1866 and still operates on the Murray River today. She has worked in the Wool Industry, the Timber Industry and the Tourist Industry.Colour photograph of the P.S Adelaide, having been hauled out and dry-docked. The P.S Adelaide is resting on a log platform with a winch attached to the front.p.s. adelaide, grassie, j.g, port of echuca, linklater, george, poon boon station, blair, david, murray river, darling river, logging industry, officer brothers., barmah forest, fulton & shaw, hutchinson, kevin, murray downs station, blackwood, adelaide, 1866, 1984