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Williamstown High School
9 JO 1997
Colour photograph mounted on card accompanied by students and teacher names.See JPG above.williamstown high school, 1997, class photographs, 9 jo, ms hewett -
National Wool Museum
Textile - Art Quilt, 2004
Square art quilt with tones of brown and cream.reverse side: Pamela Fitzsimons 2004 / SILK + WOOL DYED WITH EUCALYPTUS LEAVES / HAND STITCHED WITH SILK THREADhandicrafts quilting textile, national wool museum, fitzsimons, ms pamela, geelong, victoria, handicrafts, quilting, textile -
National Wool Museum
Photograph
Photograph depicts Alice Kittelty or her sister or another female worker at the Federal Mill, c.1900-15.textile mills staff, federal woollen mills ltd, kittelty, ms alice, textile mills - staff -
National Wool Museum
Photograph
Photograph depicts Alice Kittelty or her sister or another female worker at the Federal Mill, c.1900-15.textile mills staff, federal woollen mills ltd, kittelty, ms alice, textile mills - staff -
National Wool Museum
Photograph
Photograph depicts Alice Kittelty, her sister and other female workers at the Federal Mill, c.1900-15.textile mills staff, federal woollen mills ltd, kittelty, ms alice, textile mills - staff -
National Wool Museum
Book, Expressions 2000: The Wool Quilt Prize
"Expressions 2000: the wool quilt prize" - National Wool Museum, 2000. This book is a catalogue of the quilts shown in the exhibition "Expressions 2000: the wool quilt prize", held at the National Wool Museum, Geelong from 16 September - 3 December 2000 (extended to 4 February 2001). It contains details of the exhibitors and an essay by quilter Jan Irvine-Nealie. The exhibition contained contemporary quilts and the prize winning quilt was acquired by the National Wool Museum.expressions / 2000 / the wool quilt prize / 16 September - 3 December 2000 / National Wool Museum, Geelong / NATIONAL / WOOL / MUSEUMquilting patchwork, irvine-nealie, ms jan, quilting, patchwork -
National Wool Museum
Book, Pam Gaunt, selected works 1989-1996
"Pam Gaunt, selected works 1989-1996" Curtin University of Technology, 1997. Pam Gaunt is a Perth-based textile artist.sewing textile art, gaunt, ms pam, sewing, textile art -
Wangaratta RSL Sub Branch
Framed print, The Great Grey Raider
On the night of August 24, 1941 HMS Kanimbla, with 300 Indian troops on board led a flotilla in a surprise attack on the Iranian port of Bandar Shahpur capturing eight German and Italian merchant vessels all containing valuable cargoes, as well as two Iranian gunboats and a floating dock. Kanimbla went alongside the burning Italian tanker Bronte and fought the fires while engaging a train with her main armament and with her 3-inch guns. She remained in the region until October 11, supervising the port and carrying out salvage work on the captured vessels, including salvage work on the German freighter Hohenfels. After further work in Indian waters during the latter part of October and November, Kanimbla proceeded to Singapore and escorted the first convoy out of that city after the Japanese attack on Malaya. She arrived in Melbourne on Christmas Day. She carried out further convoy work off the Australian coast and in both the Indian and the Pacific Oceans. At the end of the war HMAS Kanimbla was employed in repatriating Australian servicemen from the Pacific Islands and also in returning Dutch dependents to the East Indies (Indonesia). Between October 1946 and June 1948 she sailed between Australia and Japan transporting British Commonwealth Occupation Forces. MS Kanimbla was unique for many reasons, she was the only passenger liner in history to have a fully operational radio broadcasting station built into the ship at the time of construction. The equipment was manufactured by AWA in Australia and had been shipped to Ireland for installation whilst the ship was still under construction.Brown timber frame housing white mount and dark blue print with grey ship in the centre above list of names below and top right and left corners.THE GREAT GREY RAIDER Captured 22 Ships, / Floating Dock, / 1Train Ships captured: Weissenfels, Wildenfels, V. Mayakovsky, Sheng Wha, Marienfels, Karakoram, Hathor, Winford, Sturmfels, Hohenfels, Store Nordiske, Tonjer, Chahbaaz, Barbara, Talisman, Corona, Carboto, Dah Pu, Sygna, Gabon, Bronte, Agnes Pre War: M.V. Kanimbla, McIlrath McEachern Line, 12000 Tons War: Commissioned as H.M.S. & Later H.M.A.S as armed Merchant Cruiserkanimbla, great grey raider, hohenfels, bronte, ww2, 1941 -
National Wool Museum
Textile - Dress, Wendy Waugh, 1996
Wedding dress originally made for Farmvision '96 from wool slivers produced by Geelong Wool Combing Ltd. Designed and made by Ann Wisby and Wendy Waugh of Gordon TAFE with the assistance of their students from Creative Studies Department. This dress has been modelled, professionally photographed and displayed at Farmvision '96 and National Wool Week '96 and '97. The dress was then given back to GWC and then donated to the Wool Museum.Wedding dress, made from wool top slivers. Halter neck, embroidered and appliqued bodice, long skirt. Also includes head dress and bouquet.fashion, geelong wool combing ltd, wool tops, waugh, ms wendy - gordon institute of tafe wisby, ms ann - gordon institute of tafe -
National Wool Museum
Bootees
Bootees knitted by Sylvia Maidment 1944-1948.knitting, maidment, mr ian maidment, ms sylvia -
National Wool Museum
Bootees
Made by Syliva Maidment in 1947-48.Bootees knitted by Sylvia Maidment 1944-1948.knitting, maidment, mr ian maidment, ms sylvia -
National Wool Museum
Bootees
Made by Sylvia Maidment 1944-48.Bootees knitted by Sylvia Maidment 1944-1948.knitting, maidment, mr ian maidment, ms sylvia -
National Wool Museum
Bonnet
Made by Syliva Maidment in 1947-48.Bonnet knitted by Sylvia Maidment 1944-1948.knitting, maidment, mr ian maidment, ms sylvia -
National Wool Museum
Bonnet
Made by Syliva Maidment in 1947-48.Bonnet knitted by Sylvia Maidment 1944-1948.knitting, maidment, mr ian maidment, ms sylvia -
National Wool Museum
Pants
Made by Sylvia Maidment 1944-48.Pants knitted by Sylvia Maidment 1944-1948.knitting, maidment, mr ian maidment, ms sylvia -
National Wool Museum
Pram Cover
Made by Sylvia Maidment 1944-48.Pram cover knitted by Sylvia Maidment 1944-1948.knitting, maidment, mr ian maidment, ms sylvia -
National Wool Museum
Textile - Bed Jacket
Made by Syliva Maidment in 1947-48 from a pattern in "The Australian Women's Weekly", March 23rd, 1946, page 41.Blue bed jacket knitted by Sylvia Maidment 1944-1948knitting, maidment, mr ian maidment, ms sylvia -
National Wool Museum
Textile - Wool
Used by Sylvia Maidment.Left over wool used by Sylvia Maidment to knit bed jacket.knitting, maidment, mr ian maidment, ms sylvia, wool, yarn, blue -
National Wool Museum
Blanket
Made by Godfrey Hirst and hand embroidered by Wendy Hillman. Given to Ron and Sylvia Maidment for Ian Maidment (donor) by Mr and Mrs Buckley, Bordertown, South Australia in April, 1948.Light blue wool baby blanket embroidered with pink and white flowers, a white rabbit and two white mushrooms.An all wool Exclesior baby blanket by Godfrey Hirst Geelong hand embroidered by Wendy Hillman 30" x 40"embroidery, maidment, mr ian maidment, ms sylvia -
National Wool Museum
Singlet
Made by Sylvia Maidment 1947-48.Cream baby's singlet knitted by Sylvia Maidment 1944-1948.knitting, maidment, mr ian maidment, ms sylvia -
National Wool Museum
Bonnet
Made by Sylvia Maidment 1947-48.Baby's bonnet knitted by Sylvia Maidment 1944-1948.knitting, maidment, mr ian maidment, ms sylvia -
National Wool Museum
Dress
Made by Sylvia Maidment 1947-48.Cream baby's dress knitted by Sylvia Maidment 1944-1948.knitting, maidment, mr ian maidment, ms sylvia -
National Wool Museum
Mittens
Made by Sylvia Maidment 1944-48.Baby's mittens knitted by Sylvia Maidment 1944-1948.knitting, maidment, mr ian maidment, ms sylvia -
National Wool Museum
Bootees
Made by Sylvia Maidment 1944-48.Baby's bootees knitted by Sylvia Maidment 1944-1948.knitting, maidment, mr ian maidment, ms sylvia -
National Wool Museum
Bonnet
Made by Sylvia Maidment 1944-48.Baby's bonnet knitted by Sylvia Maidment 1944-1948.knitting, maidment, mr ian maidment, ms sylvia -
National Wool Museum
Mitten
Made by Sylvia Maidment 1944-48.Mitten knitted by Sylvia Maidment 1944-1948.knitting, maidment, mr ian maidment, ms sylvia -
National Wool Museum
Wool
Piece of wool left over by Sylvia Maidment 1944-1948.knitting, maidment, mr ian maidment, ms sylvia -
National Wool Museum
Quilt, Interweave One
'Interweave One' is a quilt made by Judy Turner in 2000. It consists of a woollen background and coloured woollen yarn which have been machine couched to the background. The techniques used to make it include: quilting and machine couching. This quilt was an entrant in "Expressions 2000: the wool quilt prize"; an acquisitive exhibition held by the National Wool Museum from 16 Sept. 2000 to 3 Dec. 2000 (extended until 2 Feb. 2001) for contemporary art quilts, with the first prize winning $2000. 'Interweave 1' was selected as a highly commended entrant of this exhibition and was later purchased for $2000. It was catalogue entry no. 21.Quilt, "Interweave 1" by Judy Turner.INTERWEAVE ONE / 76 X 126 CM / 2000 / JUDY TURNER / 31 BERTEL CRES / CHAPMAN / ACT 2611 / AUSTRALIA / PH 02 62886465quilting handicrafts, masters of technique: creators on cloth - exhibition (15/06/2001 - 22/07/2001) expressions 2000: the wool quilt prize - exhibition (16/09/2000 - 04/02/2001), turner, ms judy, quilting, handicrafts -
National Wool Museum
Camera
Kodak Model 1A Junior folding camera that uses size 116 film. Owned by donor's mother. Jess Cameron Shannon (nee Gilbert). This was my mother's camera and took many snaps of her family in Orbost, East Gippsland, moved with her to South Yarra as a young working woman in the 1930s, then on out to Warrandyte in 1951 with her young family.Kodak Model 1A Junior folding camera. Kodak Model 1A Junior folding camera.Kodakdepression era, kodak australia, shannon, ms gael - national wool museum -
National Wool Museum
Quilt, Sure as night follows day
The quilt was purchased from the Wool Quilt exhibition held at the National Wool Museum in 1995. It was subsequently exhibited in the Expressions 2000: The Wool Quilt Prize exhibition in the 'Invited exhibitors' section of the show. (Jan Irvine wrote the catalogue essay for this exhibition.) The quilt is part of the "Running Stitch" Collection. This quilt is titled "Sure as Night follows Day" and was made by Jan Irvine from worn and recycled woollen blankets with wool batting. The quilt has been crazy pieced, air brush dyed and hand quilted. The quilt was exhibited in the Running Stitch Contemporary Wool Quilt Exhibition held at the National Wool Museum in 1995 and was purchased for $1800 from this exhibition. The quilt was catalogue entry no. 18. It was later exhibited in "Expressions 2000: the wool quilt prize" from 16 Sept. to 3 Dec. 2000 (extended until 2/2/2001, catalogue entry no. 26).Catalogue entry from "Expressions 2000" Catalogue, held 16th September to 3 December 2000. Introduction to exhibition "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery. Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 6 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 7 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 8 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 9 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 10 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5SURE AS NIGHT FOLLOWS DAY DESIGNER + MAKER: JAN IRVINE NSW AUSTRALIA MADE:1995...quilting, handicrafts, textile art, running stitch group, blankets, running stitch collection, irvine-nealie, ms jan