Cenotaph, Charring Cross, Bendigo. Fountain Plaza, Bendigo. Remembrance day, 11/11/1966. Flowers layed in place.slide, bendigo, cenotaph

Small light blue pocket dictionary.Spine damaged and torn. English section page edges have been cut and alphabet A - M written in pencil to mark change of letter. Some pages loose. Whole book unstable could be easliy damagednon-fiction

Heather Adam 1988 Entrant No. 61 Ref: No photos kept in Series 34 The images in this record were not selected for inclusion. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. shire of eltham archives, bicentennial project, eltham, eltham community photographic survey, film - ilford fp4, heather adam, pets, scan - 35mm negative, series 35

Identification has been given as follows: Young women: (?) Elizabeth Cooper, Ilma Bodley, "Queen" Avis Andrews, Marion Fair, Lynette Elliott. Names of girl and boy attendants not known by donor. The Queen Carnival was a fundraiser for the Holy Trinity Tennis Club. The Queen Carnival Coronation was held in the Canterbury Memorial Hall on 11 June 1940. Mrs F Eastwood was the trainer and the Honorary Secretary of the tennis club. The donor Mary Holborn married Geoffrey Stroud Clucas in 1946 in Surrey Hills. The photo documents a social fundraising practice common in the early 20th century. Queen carnivals were also popular in New Zealand. In both countries they were particularly common during World War I and in the years after, when they were used to raise funds for returned soldiers. The first such carnival is believed to have been held in Napier, New Zealand, in 1913. The carnivals were not always annual events, and were held in various locations throughout a year.Black and white group photo of 5 women, 2 girls and 2 boys in formal costume mounted on cardboard which has been roughly trimmed. The 'Queen' is seated in the centre and the 2 young girls and 4 young women are standing beside her. The 2 'pages' seated in front of her on the edge of her train. The photo appears to have been taken in a hall. REAR: "Holy Trinity Tennis Club Queen Carnival / June 11 / 1940 / M Clucas / 33 Jurang St / Balwyn"sport, tennis, holy trinity anglican church, 1940, clothing and dress, queen carnival, mrs mary clucas, miss mary holborn, mrs f eastwood, elizabeth cooper, ilma bodley, avis andrews, marion fair, lynette elliott, canterbury memorial hall

Yields information the appearance of the SEC tram depot in July 1938 and in particular No. 29, the orphan of the fleet.Digital image from the Wal Jack Ballarat Album of No. 29 at Rubicon St., 11-10-39. Tram has the destination of Lydiard St North, has a number of billboards in the background, including one for Atlantic Petrol. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeOn rear of photograph in ink "Ballarat No. 29 ex MMTB 152 11-10-39 / (1937 - ? ) and in bottom right hand corner "W. Jack T34"trams, tramways, rubicon st, albert st, tram 29

This machine was used by the State Electricity Commission of Victoria on the Kiewa Hydro Electric Scheme by office workers who worked in the payroll office.The State Electricity Commission of Victoria used the latest technology available for office equipment on the Kiewa Hydro Electric Scheme. This machine was used in the payroll office.Black metal table with machine on top. Electric motor with belt drive to machine which is situated under the rear left side of the table. Safety metal mesh protects the leather belt and is at the rear of the table. The operator faces the machine which has a tray on the left and is divided longitudinally into two and holds new shiny metal plates on each side. There is a brown bakelite wheel on the left and two printing wheels inside a myriad of moving parts that enable the metal plates to be embossed with payroll information i.e. "Gang No. etc. / Names / Pay No. / Rate type. This has to be checked out each time / Date"ULQ 11 10"state electricity commission of victoria. kiewa hydro electric scheme. payroll office. office work. payroll machine. office equipment

"League of Soldiers' Friends", part of the "Soldiers Institute" operated an "open-air" lounge in the grounds of St Paul's Cathedral where returned soldiers could gather for refreshments and was alcohol free.Notes regarding the aquistion of, information, correspondence and photographs compiled by Harry Gilham (EDHS) regarding the donation of a large cash book of the "League of Soldiers' Friends" (1918) to EDHS which was subsequently donated to the Archives at St Paul's Cathedral, Melbourne.HG Booklet 11cash book, harry gilham collection, league of soliders' friends, mollison library, st. pauls cathedral archives, trinity college

A colour photograph of Steavenson Falls in Marysville in Victoria.A colour photograph of Steavenson Falls in Marysville in Victoria. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860s.11 23 '03steavenson falls, waterfalls, marysville, victoria, john steavenson

Standard ww2 .303 Vickers Machine gun oil bottleWW2 Vickers Machine gun Oil Tin, 1 Quart size dated 1941, with brass oil filling plug and Brass pouring spout and Brass chain linking both. Domed top and rectangular base.11 1941 Bedford?oil bottle

The padlock give a conceptual understanding of functional objects used in early Victorian goldfield gaols. Padlock with cracked blue enamel paint. Attached functional key Object #1241 Five screws on front - nine screws on back#11 in red paint. gaol, incarceration, goldfields, prisoner

Slide. Hercules and Energetic Mine, Long Gully. Poppet head, chimney stack, mullock heaps, wood stack, engine house and boiler. Large dam in foreground with ducks and geese .No. 11 on bottom of slidemine, gold, unknown mine., bendigo mines-jack hattam collection

Photograph of crowds of well wishers lining the wharf to farewell troops of the 7RAR as HMAS Sydneyprepares to get underway on another voyage to Vietnam. Photo taken at Sydney, NSW in February 1970AWM M0921/11photograph, 7 rar, hmas sydney

oringinal colour photograph, TV aerial, cars parked in roadcolour photograph, unmounted good condition11 Eildon Road

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Prince-Garibardi Building, Altaville, California, USA, 1857Made in USA / 11mit bemis professorship, mit, robin boyd, slide

Colour slide in a mount. Pfitzenmaier House, Surfers Paradise, Queensland, 1953. (Architects: Hayes and Scott.)11 / 46 (Handwritten)slide, robin boyd

Colour slide in a mount. Image from a magazineEncircled 11 (Handwritten)slide, robin boyd

Robin Boyd's Marriott House (1954) in Flinders Victoria on the Mornington Peninsular was commissioned by the Ron Marriott, who owned Hecla Electrics. See also item S1383.Colour slide in a mount. Possibly Mr and Mrs Marriott (on right) from Robin Boyd’s 1954 Marriott House, Flinders, VictoriaMade in Australia / 11

Colour slide in a mount. Unknown people.11 / 59 (Handwritten)

Carbon copy of a typed letter to David Sowden & Sons, ordering tappets for a twin shuttle loom. Among items from Yarra Falls Mill.Carbon copy of a typed letter to David Sowden & Sons, ordering tappets for a twin shuttle loom.May 24/11textile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving

Acquired when "Classweave Industries" closed down.9 11/87textile mills - staff woollen mills, classweave industries pty ltd federal woollen mills ltd, textile mills - staff, woollen mills

Issued to some district officers. Not used in ambulances. These telephones did not have good reception. Source Chas Martin AHSV curatorBlack vinyl carry case with handle. Contains black telephone and cigarette lighter charging point.MOTOROLA PH.11

Agfa plastic mount (blue base, white cover) with a photo of No. 34 at Gray St., showing Grey St. (Bala St. on other side), early 1961. Tram has two Admiral TV roof advertisements. Tram is in the process of being fitted with dash canopy lights and tiger strips. Slide rescanned at 3200 dpi 24-10-2020, jpg replaced, tiff file retained. This file was scanned in 2003 and may show colour changes."BAS 11" in penciltramways, trams, sebastopol, albert st, grey st, tram 34

Agfa plastic mount (blue base, white cover) with a photo of Bendigo 7, at the north end of the Bridge St. Loop. Photo taken c1962. Note the road works in the background with the kerosene warning lamps and wooden protection barriers. House opposite tram is 122 Bridge St., which is part of a butchers shop (noted during 8/2004 visit)"BES 11" in penciltramways, trams, bendigo, north bendigo, mccrae st, road works, tram 7

Agfachrome Professional plastic mount (blue base, white cover) reproduction slide of a colour slide of Geelong No. 8 at Newtown terminus, just after arrival. Tram has the destination of Newtown. Dave O'Neil notes remark about the sign on the left hand side of the road, partly obscured by the tram. Sign says way to Queens Park - was taken down during 2002. "G 11" in pencil.tramways, trams, geelong, newtown, tram 8

Nyuwara Tapaya (5 August 1971-c2005) Born Ernabella, South Australia Pitjantjatjara speaker Nyuwara Tapaya had distinguished career in print media and textiles (batik). She trained at Ernabella Arts and studied dye technique in Indonesia. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition lithograph print. If you can provide information on this artist or artwork please use the comment box below.Edition 11/17art, artwork, nyuwara tapaya, printmaking, ernabella