Swords were a common item of equipment of Japanese officers and soldiers in WWII. Representative of souvenirs brought back following the end of WWII.Japanese Samuari Sword with 70mm hand guard with wooden handle wrapped with red and white and brown tape - blade length 700mm. Common souvenir brought back by returning servicemen from the Southwest Pacific area following the Japanese surrender.japan, samurai, sword, wwii, world war two

Medals awarded to W1940 J C Hitchins, Pacific Star, BWM 39-45, ASM 39-45. No ribbons attached.world war two, wwii, hitchins, medal

Private Max Morrow was killed in action in New Guinea 9 August 1945. Medal group: 1939-45 Star, Pacific Star, Defence Medal 1939-45, Australian Service Medal 1939-45 awarded to Private M Morrow 2/5th Infantry Battalion.new guinea, morrow, world war two, wwii

The Atlantic Star was instituted in May 1945 to honour those who took part in the Battle of the Atlantic and was intended primarily for award to those who served in shipping convoys and their escorts and anti-submarine forces, as well as to those who served on fast merchant ships which sailed alone. The Battle of the Atlantic took place between 3 September 1939 and 8 May 1945, as German U-boats attacked convoys transporting vital supplies from America and the Colonies to Britain. Warships of the Royal Navy and aircraft of the Royal Air Force escorted these convoys, hunted the U-boats and, despite some notable successes by the U-boats, eventually won a comprehensive victory in the Atlantic. Group of three World War Two medals awarded to J Pritchard Merchant Navy: Atlantic Star, Pacific Star and Australian Service Medal 39-45.atlantic, merchant navy, world war two, wwii

The 2/8th Armoured Regiment was raised in June 1941 under the command of Lieutenant Colonel W G Hopkins with officers and men selected from the wider AIF in Victoria. The regiment trained in newly arrived M3 General Grant tanks at Puckapunyal before moving north to Singleton, then the Wee Waa plains. The regiment sailed for New Guinea in April 1943 and carried out mobile defence to airfields at Port Moresby, Milne Bay, Dobadura and Popondetta. The regiment returned to Australia in February 1944 and disbanded as an armoured regiment and retrained as Nos 41, 42 and 43 Landing Craft Companies. They returned to the South West Pacific serving at Bougainville, Balikpapan, Lae and Wewak.Black and white photograph of squadron of armoured regiment soldiers, thought to be 2/8th Armoured Regiment. c. 1942armour, uniform, world war two, wwii, ww2

Framed black and white photograph of two restored WWII aircraft. Typed label at the bottom of the frame reads: "Two restored second world war aircraft flying over Albury area June 1990. Top: Wirraway Intermediate Trainer, built by Commonwealth Aircraft Corporation (CAC) in Australia under licence. 600 H.P. Pratt and Whitney wasp engine also built by CAC under licence. Top speed 200mph range 640 miles. Bottom: American Kittyhawk Fighter Bomber. Flown by RAAF in the Middle East and South West Pacific Areas. Top speed 355m.p.h. at 20,000 feet."kittyhawk, bombers, aircraft, pilots, world war 2

This diorama is the central feature in the World War 2 Gallery - South West Pacific area. Soldiers are shown still wearing khaki uniforms including shorts. Details include helmet, .303 SMLE rifles, small pack and fighting order. Japanese "Woodpecker" machine gun is show abandoned beside the track.1:1 scale diorama showing Australian patrol advancing up the Kokoda Track in light fighting order circa August 1942.kokoda

This diorama is the introductory feature in the World War 2 Gallery - South West Pacific area. A private soldier is shown cautiously advancing down a jungle track outflanking Allied defensive positions1:1 scale diorama showing soldier of Imperial Japanese Army advancing through jungle in Malaya January 1942fall of singapore, 8th australian division

Official history complete with dust cover556 pages

3 Volume set - hard cover covering Americas involvement in WW2. Part of The West Point Military series. Author -Brig Gen Thomas E. Griess (Series Editor)Publisher - Avery Publishing Group Inc NJ USA

The story of No10 Squadron in WW2. Europe and Pacific areas. also 113 Air Sea Rescue in the Pacific Area in WW2. Soft cover, 190 printed pages plus some photos. Author Joe Leach.

A card recording details for the Junior Legacy Honour Roll. The Roll kept details of Junior Legatees that served in World War II. This card records the personal details of Fred Blatchford, a Junior Legatee who joined the RAAF. He died at the age of 21 in an aircraft accident at Bairnsdale in 1943, having already fought in New Guinea and the South West Pacific. Frederick Edward Blatchford was the son of Legatee Claude Blatchford who wrote the book about the history of Melbourne Legacy which was published in 1932. Claude Blatchford died in 1933 which was when Fred became a Junior Legatee. The card is an example of the information kept about junior legatees that joined the services and which were finally collated into an Honour Roll that is on display at Legacy House. The whereabouts of other cards is not known.Commemorates the life of a Junior Legatee and his contribution to the RAAF’s involvement in WWII.Junior Legacy Honour Roll card, on cream card with black type and typing, faded dark blue ink handwriting, recording details of a Junior Legatee who died in WWII.Handwritten and typed information about the Junior Legatee Fred Blatchford.junior legatee, honour roll, fred blatchford

HMS J3 (later HMAS J3) was a J-class submarine operated by the Royal Navy and later the Royal Australian Navy. After the war, the British Admiralty decided that the best way to protect the Pacific region was with a force of submarines and cruisers. To this end, they offered the six surviving submarines of the J-class to the Royal Australian Navy as gifts. J1 and her sisters were commissioned into the RAN in April 1919, and sailed for Australia on 9 April, in the company of the cruisers Sydney and Brisbane, and the tender Platypus. The flotilla reached Thursday Island on 29 June, and Sydney on 10 July. Because of the submarines' condition after the long voyage, they were immediately taken out of service for refits. Apart from local exercises and a 1921 visit to Tasmania, the submarines saw little use, and by June 1922, the cost of maintaining the boats and deteriorating economic conditions saw the six submarines decommissioned and marked for disposal.The wreck of JR can still be seen off Swan Bay2 propellers from the J3 submarine 'HMAS Reaper'j3, j class submarines, hmas reaper

Baulch Family HistorySIgnificantKhaki Dress Jacket size ? Issued by Defence Department AustraliaSleeve (both sleeves) patches Red and Blue on a grey background. Brass "Australia" flashes on both shoulders. Corporal stripes and Star on Right sleeve. Australian medals x 4 on right chest: - 1939 - 45 Star, - Pacific Star, - 1939-45 Australian Service Medal, -War Medal. Rising Sun Collar badges x 2. Brass buttons (1 button missing lower front)

25th Anniversary of the War in the Pacific. Postmarked 30.8.1967. T.P & N.G.ephemera, ww2, general

Five World War II medals attached to coloured ribbons. Clip on back. Two star medals, bronze, and three silver round medals.The 1939-1945 Star, The Pacific Star (two medals). On reverse of both, 56830 Tanner KL 1. 1939 1945 with lion, otherside, head of King George, on rim, A31746 Tanner KL. 2. 1939- 1945 with lion, other side, head of King George. 56830 Tanner KL. 3.Head of Queen Elizabeth, otherside, For long-service and good conduct, on rim, A31746 Tanner K.L.ww2 medals,tanner, pacific star., 1939- 1945 star

SS Mariposa was a luxury ocean liner launched in 1931, one of four ships in the Matson Lines "White Fleet", which included SS Monterey, SS Malolo, and SS Lurline. She was later renamed SS Homeric. Mariposa was designed for service in the Pacific Ocean, including regular stops in ports along the West Coast of the United States, Hawaii, Samoa, Fiji, New Zealand, and Australia. On the 12th January 1942 the Mariposa left San Francisco in the "Australian — Suva" convoy escorted by two destroyers and the light cruiser and with two other troopships (destined for Suva). This was the first large convoy to Australia after Pearl Harbor with Mariposa transporting Army personnel, ammunition and fifty P-40 fighters intended for the Philippines and Java.Mrs B SmythAn oil painting of the SS Mariposa in an ornate gold frame. Mariposamigrant ships, ss mariposa, wwii

RMS Mauretania was launched on 28 July 1938 at the Cammell Laird yard in Birkenhead, England and was completed in May 1939. The second Mauretania was the first ship built for the newly formed Cunard White Star company following the merger in April 1934 of the Cunard and White Star lines. A booklet illustrating the history of construction through to the launch of the passenger liner Mauretania in 1938rms mauretania, troop transport, passenger liner, cunard, white star

Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs.

Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs.