Cohn Brothers Accounts to be passed for payment for years commencing Oct 11th 1893 through to April 14th 1896. Twenty-nine sheets held together by string. Hundreds of hand written names beside money amounts and their totals.bendigo, industry, cohn bros brewery, cohn brothers accounts to be paid 1893 -1896

Letter from Bendigo and District Servicemens Club offereing Honorary Membership to Norm Gillies for the year 1983 to show appreciation for his (the company) generosity during the passed year, dated 1st January 1983 Letter format, creasedBendigo and District Servicemens Club

Document. Blue grey cloth covered pass book. Label on the front Central Nell Gwynne GMC N L Wages Trust a/c in account current with The English Scottish & Australian Bank Limited Bendigo Page 515.McColl, Rankin & Stanistreetorganization, business, central nell gwynne, mccoll, rankin & stanistreet, central nell gwynne gmc n l, the english scottish & australian bank limited, gold mining, pass book

MALCOLM BOYD Born Gippsland, Victoria In 1977 Malcolm Boyd graduated with a Diploma of Visual Arts from the Gippsland Institute of Advanced Education. It was at this time that he presented this work to the Jan Feder Memorial Ceramics Collection. Over thirty years later he still has a passion for ceramic history and design. Boyd operated the Black Cockatoo Pottery from around 1980-1995, starting in Essendon, then moving to Ascot Vale, Stratford, Bairnsdale and finally Fernbank in Gippsland. His handbuilt stoneware pots and clay sculptures are wood fired at his East Gippsland studio. He often uses ochre coloured dam banks on his property at Fernbank. The local clays are crushed, screened and blended with a white stoneware body to produce a number of shades and textures. All Malcolm Boyd's pot's are hand built using moulding, coiling, slabbing, and modelling techniques, and are high temperature fired (1300C) to allow some of the very ancient oriental glazes to mature. All works spend at least 20 hours in the wood fired kilns. This work is part of the Jan Feder Memorial Ceramics Collection which was amassed with funds raised by Jan Feder's student peers at the Gippsland Centre for Art and Design in the mid 1980s after Jan Feder passed away. Although many of the works are donated the intention of the collection was to purchase from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Churchill Campus. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.malcolm boyd, ceramics, artist, artwork, jan feder memorial ceramics collection, gippsland campus, alumni

Samuel Baird attended Ballarat College 1864 - 1872. He was the first student enrolled at the school. His father, Samuel Baird, was the first engineer for the city of Ballarat. According to his grandson Samuel Baird was indentured to a local chemist in Ballarat. He moved to Melbourne and took over the chemist business Hood and Co in Elizabeth Street Melbourne. This business remained in the family for a further generation. This certificate is accompanied by an earlier certificate indicating that Samuel also sat a matriculation examination in October 1871 and passed in four subjects (000132.1). The certificates are accompanied by signed receipts from the University of Melbourne for matriculation examinations at a totla of four times - Receipt no 503 30 October 1871 for 5 subjects (000132.2) Receipt no 495 6 August 1872 less than six subjects (000132.3) Receipt no 696 29 October 1872 for 8 subjects (000132.4) Receipt no 195 14 February 1873 for matriculation exam (000132.5) for purchased copies of matriculation certificates. This infers that Samuel Baird sat some portion of the matriculation certificate over four examinations. Record 000131 is related to these items being a reference from the Principal Robert Oliver McCoy for Samuel Baird written in 1873. Historic significance for its connection with the first student of Ballarat College. Single sheet form printed on one side with handwritten insertions. Front: THE UNIVERSITY OF MELBOURNE / MATRICULATION EXAMINATION CERTIFICATE / At a Matriculation Examination held in the / October Term, 1872 / Samuel Baird / passed in the following six subjects: / 1. Latin 4. Arithmetic / 2. English 5. Algebra / 3. French 6. Euclid / [Signature] President / 14 Feb 1873 [Signature] Registrarsamuel-baird, 1864, ballarat-college, receipt, university-of-melbourne, matriculation

1051 - Form - DL size, printed on off white paper, two colours, three fold giving details of student passes for Melbourne Metro area, regional transit student passes, eligibility criteria, how to obtain a concession card, conditions for use, a survey form. Partly filled in with some details - 9/1993. 1051.1 - Form DL - 5 fold, similar to above, dated 2001. See also Reg Item 5513 for another example. .3 - 6 fold DL with tear off application form for Myki use - dated 2007.trams, tramways, concession fares, students, tickets, passes, the met, ptc, myki

Letter from Alf Ferris to his Brother Jim and family at Terrick Terrick Victoria., Refer Cat No 4183.3P for Alf’s service details..1) Envelope with Rising Sun AIF Australian Comforts fund logo, Field PO stamp, passed by censor stamp, hand written in purple. .2).3).4).5) Letter with same logo, hand written in black pencil..2) “Soumouses ? Near Maubeuge France 24th Jan 1919, Dear Jim & All”letters, envelopes, comforts funds

Letter from Alfred Ferris to his family in Terrick Terrick Victoria, refer Cat No 4183.3P for his service details..1) Envelope rectangular YMCA logo brown colour, Field PO stamp and Passed by censor stamp, hand written in black pencil. .2) .3) letter yellowed rectangular shape, ruled lines, hand written in black pencil. .2) “Monte-Le-telle..” Charleroi Belgium 1st May 1919, Dear Mother and All”letters, envelopes, ymca, belgium

This postcard was produced in the 1950's for the tourist trade in the Kiewa Valley and Alpine region. It encompasses the period when the State of Victoria was pressured by the ever increasing demand by industry and its population for electricity supplies. Hydro electricity was seen as an untapped natural resource to quench this demand. The Victorian Alps and the rivers flowing into its valleys was ideal for the construction of the Kiewa Hydro Electricity Scheme. The late 1940's saw the development of this scheme and the changing of sections of alpine landscape is covered by this and other postcards/pictures (tourists, construction workers, and established rural populations). This period in time was before the established wildlife and forest/nature groups became political activist who changed legislative acts to protect the environment. The regulatory pondage on the northern aspect of the village had no water over-spill from the unfinished power station.This rural region in 1950 (Kiewa Valley/alpine plains) was at most only significant to a smaller group of winter sports, summer hikers/horse riders and rural farmers/graziers. The numbers of tourists and the increase in the local resident population was boosted by the construction of the Hydro Electricity Scheme. This influx to the regional population resulted in a corresponding diversity in services and brought about an environment that responded to a growing level of tourists and thereby permitting this industry to grow more rapidly than it would have naturally. This postcard details an attraction to the "cleaner" method of providing electricity. This postcard was purchased in 1950 by a surveyor at Landford's Gap. The couple shown in this photograph would have been employed by the S.E.C. under the Kiewa Hydro-Electricity Scheme.This item is a scanned black and white photograph of a panoramic view of Mount Beauty Village in 1950 (a closed village, entry by pass only). The regulatory pondage has earthen walls but no water.See 0480 (A) -(D) and (F) for other photos of similar postcards"MT. BEAUTY VILLAGE KIEWA HYDRO-ELECTRIC PROJECT"kiewa valley tourism, victorian alps, alternate energy supplies, alpine population growth

This postcard was produced in the 1950's for the tourist trade in the Kiewa Valley and Alpine region. It encompasses the period when the State of Victoria was pressured by the ever increasing demand by industry and its population for electricity supplies. Hydro electricity was seen as an untapped natural resource to quench this demand. The Victorian Alps and the rivers flowing into its valleys was ideal for the construction of the Kiewa Hydro Electricity Scheme. The late 1940's saw the development of this scheme and the changing of sections of alpine landscape is covered by this and other postcards/pictures (tourists, construction workers, and established rural populations). This period in time was before the established wildlife and forest/nature groups became political activist who changed legislative acts to protect the environment.This rural region (Kiewa Valley/alpine plains) was at most only significant to a smaller group of winter sports, summer hikers/horse riders and rural farmers/graziers. The numbers of tourists and the increase in the local resident population was boosted by the construction of the Hydro Electricity Scheme. This influx to the regional population resulted in a corresponding diversity in services and brought about an environment that responded to a growing level of tourists and thereby permitting this industry to grow more rapidly than it would have naturally. This postcard details an attraction to the "cleaner" method of providing electricity. This postcard was purchased in 1950 by a surveyor at Landford's Gap.This item is a scanned black and white photograph of a panoramic view of Howman Gap Hostel under snow in 1950 (a closed village, entry by pass only). This accommodation was for construction workers only. See 0480 (A) -(E) for other photos of similar postcards.On the photo, " Howman Gap Hostel under snow Kiewa Hydro-Electric Project" . On postcard address and personal information side "V.2 Valentine's Post Card "kiewa valley tourism, victorian alps, alternate energy supplies, alpine population growth, bogong, secv, howman's gap hostel

Rudder from the tug boat YORK SYME, built in 1961 by ADELAIDE SHIP CONSTRUCTION INTERNATIONAL - PORT ADELAIDE, AUSTRALIA. It is sailing under the flag of the Cook Islands. Its gross tonnage is 149 tons. The rudder is believed to come from a lifeboat previously attached to the Tug. The tug York Syme operated in various ports in New Zealand until around 2011. It is believed this is when it went to the Cook Islands. The registered owner is unknown at this time.The rudder is from the 1961 Tug York Syme. Its size suggests it was from the tug's lifeboat or ancillary boat. It is an example of marine technology from the mid-20th century. Although small, it works on similar principles to 19th-century rudders from the large sailing ships. A comparison of size and construction can be made between the various rudders from different eras in our collection.Rudder; small blonde wooden rudder from a small boat. It has two brass fittings. A thin spliced rope has been passed through a hole near the rudder's neck. A stamped inscription is located just below the rope.Stamped in black; "YORK SYME"warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, marine equipment, steering, navigation, rudder, adelaide ship construction international, tug boat, york syme, cook islands, marine technology, ship fitting

Cheap suitcase for one-way tripSuitcase body made of fibre covered with striped brown and cream plasticised cloth; pink plastic skintone handle with label strings, two key locks and central latch for padlock. Edges covered with pink stitched plastic Corners of lid reinforced with metal, two metal hinges, studs five metal studs underneath. Leather straps to hold lid open/. Interior covered with grey and black patterned paper. Marks of a label on left side, removed.Torn paper custom sticker, PASSED, Australia, 3869. Embossed on rear of lower part ES 20 FIBRE 26 Cheney (on lock); Cheney England on central lock

"Hillcrest" on Mernda Road, Olinda. The home of the Devine Family. c1911 The descriptive text on the reverse of this photograph was hand written by John Lundy-Clarke.“Hillcrest” Mernda Road Olinda 1911. The home of the Devine family. The early settlement road passed to the left of the camera. House faced down over the valley of the Sassafras + Perrin Creek towards Kallista. The deviation to regrade the road passed to the right of the house. It was in front of the house on the left hand side of the picture that Vera Devine and her school mates practiced the maypole dance under her tuition. hillcrest, devine, devine family, mernda road

This cocktail cabinet is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.A beautifully hand carved ornate wooden cocktail cabinet featuring two female carved busts, carved mythical beasts on the front, sides and two doors of the cabinet underneath the drop down mirrored shelf. The shelf is attached by two gold linked chains screwed onto the sides. Two drawers at the top are elaborately decorated. The cupboard doors at the bottom open to show a shelf inside. This cabinet is part of a special bequest to the Mont De Lancey Museum of handcarved items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection.On the top shelf, carved into the relief panels at the back is 'WELL BEFALL' and 'HEARTH HALL'bar equipment, cocktail cabinets, cabinets, furniture

.2) The 8 pointed central star could represent the 8 countries linked to the Maltese Cross. Items in the collection re John D Gardiner No 2832, refer Cat No 5892.2 for his service details..1) Possible belt buckle part, brass with section for belt to pass through, face has a Maltese Cross in curved shape, nothing on rear. .2) Maltese Cross style cast metal with centre 8 pointed star, nothing on rear.accessory, belts, maltese

Michael Forrester b.1866 Branxholme,Victoria,d.1945 age 79 years. Buried Quambatook,he was the 8th of 10 children of parents, Pat and Johanna Forrester, both buried at Wycheproof. A bachelor farmer, Michael worked on the selection property at East Towaninnie.He and his unmarried sister, Ellen Forrester, inherited some of the parents' land, sold it and lived out their final years at Quambatook. Typical of many early local residents,Michael was born into a large family and did not move far from his beginnings. Farming and family was his life. This photograph is of Michael Forrester a local member of the community who spent most of his adult life in the area.Large glass framed 'Heirloom' photo reproduced from a 1940 photo- ornate and oval framed.Coloured formal photo with bronze attachment with words, "portrayed by the artist in a manner and quality befitting work to be passed on to future genertions as a priceless heirloom.Workmanship and materials guaranteed." Heirloom Product Style 37. F.L. Wirth Art Director. Price 5 Guineas.michael forester, branxholme

A blank cheque from the State Savings Bank of Victoria, available pre-decimalisation. No. 35 _______ 5.750m - 5/30 Pass book must be produced with this order. Amount should be written in words as well as figures. If accont to be closed the words "and interest" are to be added.No .......... / Geelong ......19...... / The State Savings Bank of Victoria / Pay ...........................or Bearer / The sum of .......................£.................. / ............................Signature of Depositerbank cheque, state savings bank

Bulletin (5 pages) concerning the history of Radio Australia. Commenced on 5 December 1939 Federal Cabinet authorised an international short wave service to meet the needs of Australians at war. In 1945 the name changed to Radio Australia. In 1950 it passed to the A.B.C.The history of Radio Australia.radio broadcasting, menzies, robert gordon, sir, australia calling, radio australia, australian broadcasting commission

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Black and white photograph of two servicemen at Albury Drill Hall, one in RAAF uniform and the other in 8/13 VMR uniform. Part of a collection of photographs collected during the life of the regiment and passed to the Heritage Collection when it was formalised in the early 1980s." Anzac Day Duties. John Larkin, ex F/Sgt. AG/ Alan Young."