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RMIT GSBL Justice Smith Collection
Book, Finn, Paul Desmond, Essays in equity, 1985
Previous owner: T. H. SmithISBN: 045520585Xequity -- australia -
Brimbank City Council Art Collection
Mixed media, Blooming Suburbia, 1988
Paul Borg is a local artist who lives and works in the area. In 2014 he was short listed for the Rick Amor drawing prize at Art Gallery of Ballarat.Dimensional artwork, oil and mixed media, with view of thistles growing in suburbia. Collage has real thistles incorporated into the foreground. -
Brimbank City Council Art Collection
Ceramic Sculpture, Paul Vella-Critien, Woman on sphere, 1981
Local artist. Displayed at Rainbow Workshop exhibitionceramic sculptureSignature and date on the side of the base -
Brimbank City Council Art Collection
Mixed media, Paul McVeigh, Moving Woman, 1987
Exhibited at 1986 Sunshine Community Arts Program ExhibitionMixed media artwork - Figure of a woman in movement against red background. -
Gippsland Art Gallery
Print, Sandby, Paul (after), Roche Abbey in Yorkshire, 1780
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sandby, Paul (after), Benson Castle, 1779
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sandby, Paul (after), Battle Abbey in Sussex from Mr Wyndhams, 1780
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sandby, Paul (after), View of Cory-Lin, on the River Clyde near Lanerk, 1778
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sandby, Paul (after), A View down the River Clyde, from the top of Cory-Lin, 1778
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sandby, Paul (after), Buildwas Abbey Shropshire, 1779
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sandby, Paul (after), View of Boniton-Lin, 1778
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sandby, Paul (after), Beauchief Abbey in Derbyshire, 1778
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sandby, Paul (after), Inside of Bothwell Castle, 1778
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Sandby, Paul (after), Wenlock Abbey Shropshire, 1778
Purchased, 2013Copper-line engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Satchell, Paul, Rosedale, 1971
Acquired as winner of the Rosedale Centenary Art Competition, 1971Oil on canvasgippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Partos, Paul, Untitled, 1986
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Roulette on copper etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Partos, Paul, Untitled, c.1981-84
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Softground copper etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Partos, Paul, Abstract Form, 1982
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Softground copper etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Partos, Paul, Abstract Form, 1980
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Softground copper etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Partos, Paul, Untitled, 1981-82
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Rough biting and aquatint on copper on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Partos, Paul, Reflection, 1981
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Drypoint and softground copper etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Partos, Paul, Window, c.1983
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Aquatint, softground, papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Partos, Paul, Oblong Form, 1986
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Roulette on copper etching on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Partos, Paul, Abstract Form, 1981
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Etching, engraving and drypoint on copper on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Partos, Paul, Oblique Form, 1982-86
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Etching, engraving and aquatint on copper on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Partos, Paul, The Source, 1986
Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Etching and engraving on copper on papergippsland, artwork, permanent collection -
Stawell Historical Society Inc
Book, Paul Davies, Pioneers Past, A History of Families in the Stawell District
stawell davies -
Vision Australia
Functional object - Object, Jonathon Paul Fitovers, Fitover glasses, 199
The Fitover sunglasses are designed to be worn directly over your prescription glasses. This wrap-around style blocks light from above and both sides which can benefit, alleviate and prevent many symptoms of common eye diseases by providing 100% UVA/UBA protection from harmful UV rays. 1 pair of black fitover glassesassistive devices, equipment -
Vision Australia
Painting - Artwork, Portrait of John Moule, 2003
Framed portrait of John Moule who was President of the Vision Australia Foundation, from 1992-1999. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Moule is standing with his arm on a dresser, and holds a pair of glasses. He is dressed in a navy blue suit, with a blue kercheif in his breast pocket,, a white collared shirt and a blue, white and black striped tie. On his lapel is a small gold badge. The plaque at the base of the painting reads 'Mr John A. Moule AM / President 1992-1999 / Vision Australia Foundation'. 1 art original in old gold frameThe plaque at the base of the painting reads 'Mr John A. Moule AM / President 1992-1999 / Vision Australia Foundation'.vision australia, john moule -
Vision Australia
Painting - Artwork, Portrait of Malcolm Daubney, 2003
Framed portrait of Malcolm Daubney who was President of Vision Australia Foundation 1999-2002. It is part of a series of paintings commissioned by the AFB/VAF Board to commemorate the work of past presidents of the organisation. Mr Daubney wears a navy suit, pale blue shirt and navy blue Kiwi tie. Mr Malcolm Daubney has worked closely with blind and vision impaired people for many years. In the 1980s Mr Daubney was “volunteered” by John Wicking to the Vision Australia’s Kooyong Committee. Shortly after his appointment he was posted to Singapore for business, where he served on the committee of the Singapore Association for the Blind for five years. Upon his return he rejoined the Kooyong Branch Committee. Later he was appointed to the Vision Australia Board of which he was President from 1999 to 2002, and then Chief Executive Officer from 2002-2005.1 art original in old gold frameThe plaque at the base of the painting reads 'Mr Malcolm Daubney / President 1999-2002 / Vision Australia Foundation'.vision australia, malcolm daubney