This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this in 2012 at an auction of vintage clothing from the private collection of prominent Sydney fashion designer Lisa Ho, part of a wider sale of assets after Ho's business fell into deep debt. Ho began collecting vintage clothing and fabrics at the age of fifteen and her collection featured significant clothing items collected from around the world. For many years she drew on it as a source of design inspiration, particularly for print, in her highly successful fashion business. Di later wished she had purchased more at the auction!A full length slim fitting gown of gold metal thread and black thread self wave design fabric. The dress features a shawl collar, vertical pleat bodice, three panel, peaked front skirt. The dress secures with press studs at the centre front for modesty with a full left side opening secured by press studs. The sleeve features a front and back seam creating a squared shoulder head with fullness that is pleated in centre on the arm. the sleeve length is above the elbow. lisa ho, lisa ho collection, di reidie, vintage clothing, 1930s

This musical instrument belonged to Donald Robert McDonald who was a member of a prominent South Warrnambool family. As his army service number is on the case it is presumed that he had the musical instrument with him during his wartime service (World War Two). Donald Robert McDonald (b. 1908) enlisted in 1942 and was discharged in 1946. He was a bombardier in the 2/4 Aust. Composite A/A Regiment.The instrument is significant because it belonged to a member of a prominent South Warrnambool family. It had historical and social significance as an example of the musical entertainment common in the 1940s (perhaps Donald McDonald played in a local band or a military band)Silver-coloured soprano saxophone; end taped with mouthpiece missing; Black case for holding a musical instrument made of moulded cardboard and lined with black velvet. It has a leather handle and metal catches and studs. ‘Trade Mark Boosey’ ‘Boosey and Co Makers London 25081’ ‘British Throughout’ donald robert mcdonald, south warrnambool, south warrnambool, 2/4 aust. composite a/a regiment., warrnambool

.1) Brown soft leather glove with press stud attachment. Three rows of stitching on back. Double stitched hem around glove opening. (Right hand). .2) Same as .1) (Left hand).uniform, accessory, gloves

Belonged to Keith Purves CLARKE NX34844. Refer Cat 3607 for his service details..1) Leather case, brown with internal sections to hold handle & blades. Closes via press stud. .2) Handle, screw in, metal with knurled surface. .3) Razor & holder, metal, silver colour..3) “VALET AUTO STROP SAFETY RAZOR COY LTD LONDON ENGLAND”accessory, shaving, kit

Map Case, khaki canvas outer, tri-fold with clear perspex sections for securing map inside. Fastens with two canvas flaps & brass press studs & a canvas strap. Small pocket on outside. military equipment, containers, map, passchendaele barracks trust

This appears to be unused as it is starched.This item is an example of a handcrafted item and reflects the needlework skills of women in the early 20th century when women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homesA hand embroidered cushion cover. It is cream coloured with blue edging. In the centre is an orange diamond shape with an oval in the centre. There is a vase with flowers branching out. They are yellow and pink. The cover closes with 3 press studs.handcraft embroidery cushion-cover

During the Victorian era, the period (1837-1901) in which Queen Victoria ruled England. The queen’s influence was felt throughout the world, including in the United States and Australia where Victorian values shaped society and style, especially in home décor. This period’s distinct style presents an eclectic mix of highly ornamented furniture, wallpaper, and knick-knacks. Particularly in terms of furniture, and the characteristic floral patterns and rich, contrasting colours, wall hanging that enjoyed the height of its popularity during the Victorian era were of the spiritual type with an either embroidered or punched paper religious motto or bible quote. Mottoes were commonly hung high up on the wall or in an area of prominence, to remind the viewer of their important message, such as “He Leadeth Me” and “Honesty, Industry, and Sobriety.” Short and pithy, they embodied the ideals of Victorian society. Technological advances contributed to the boom of religious mottoes whereas before the Industrial Revolution home décor of this sort was handmade and therefore minimal, now consumers could purchase and fill their homes with all sorts of mass-produced ephemera goods similar to the subject item. Many of these mass-produced period pieces still exist today, often in their original frames, ceramic, or paper formats. Flagstaff maritime museum has many examples of mottoes on display that serve to reflect the period in which values of home, faith, and Christianity were very prominent in everyday Victorian society.An item that reflects the social values and attitudes of the late Victorian era that was used to promote good Christian and moral values in many households. These items of decoration were very popular at this time and the subject item is significant as it gives a snapshot into the social norms of past generations. Wall decoration white china with relief circular hanging pieces, paper folds pinned back to reveal words Paper is pinned by metal studs. Paper folds create star shape. (set of 2)Watch and Pray and Come Unto Meflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, great ocean road, paper wall decoration

Chest metal with hinged lid and 2 metal handles each end, painted red inside. Has brass lock on front. Has 4 studs on top. 580mmL x 360mmW x 350mmHflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

White men's detachable collar by Viking with turned down corners. Button holes at either side of opening and centre back 1.7 cm cream coloured stud in back button hole. Collar is stiffened.Stamped inside collar. Diamond shaped stamp ''Cremorne Collar Company Melbourne ''. 6V-1 1-43 Viking 15 1/2 X 1 2/3 .costume, male, detatchable men's collar

A souvenir imitation coal scuttle fashioned from beaten copper. It is on a brass stand and has brass handles fastened with lion head studs and copper rivets. The handle has an imitation Delft blue grip.

Ribbon awarded to Mr Charles Wilson Peel of 'Callenondah' at Gnawarre. Mr Peel ran a superfine merino stud. This ribbon is from the Royal Melbourne Show 1969.White wool ribbon with yellow stitched text.

View from the Yard. Champion Jersey Bull 'Hero'. Ayrshire Stud. Milking Time. Plates 154, 155, 159, 160 & 161 Chuck Photo Series.j.s. douglas, roxburgh farm, farming, building, persons, costume, livestock

Ribbon awarded to Mr Charles Wilson Peel of 'Callenondah' at Gnawarre. Mr Peel ran a superfine merino stud. This ribbon is from the Geelong Legacy Fleece Show 1969.Yellow wool ribbon with red stamped text.

Ribbon awarded to Mr Charles Wilson Peel of 'Callenondah' at Gnawarre. Mr Peel ran a superfine merino stud. This ribbon is from the Geelong Legacy Fleece Show 1969.Navy blue wool ribbon with stamped yellow text.

Ribbon awarded to Mr Charles Wilson Peel of 'Callenondah' at Gnawarre. Mr Peel ran a superfine merino stud. This ribbon is from the Geelong Legacy Fleece Show 1973.Yellow/gold wool ribbon with red stamped text.

Red white and blue felt trophy rosette, International Corriedale Fleece Competition, 1965, and Victorian Champion Ram Fleece, presented to Stanbury Coriedale Stud, R EWettenhallINTERNATIONAL CORRIEDALE FLEECE COMPETITION 1965 VICTORIAN CHAMPION RAM FLEECEcorriedale sheep sheep breeding agricultural shows, stanbury corriedale stud, wettenhall, mr rupert e. wettenhall, mrs janet, victoria, corriedale sheep, sheep breeding, agricultural shows

Red white and blue felt trophy rosette, International Corriedale Fleece Competition, 1965, and Supreme Champion Ram Fleece, presented to the Stanbury Coriedale Stud, R EWettenhall.INTERNATIONAL CORRIEDALE FLEECE COMPETITION 1965 SUPREME CHAMPION RAM FLEECEcorriedale sheep sheep breeding agricultural shows, stanbury corriedale stud, wettenhall, mr rupert e. wettenhall, mrs janet, victoria, corriedale sheep, sheep breeding, agricultural shows