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Bendigo Historical Society Inc.
Photograph - JOHN JONES COLLECTION: MALE/FEMALE PORTRAIT
Sepia photograph of three young men and three young women sitting at the base of a tree. Names have been written on the photo but they are illegible. Photo mounted on white paper then greyish matt board. Written on the back - Picnic at Kyneton. Stuck to the back is typed information- Reference: Magnifying glass, Family History, Jean Jones. BACK Thomas George Rowland Lowe born 13.5.1887 left, right Samuel Charlesworth. FRONTL. To R. John Kerr (Jean's father) Clarise May 9.3.1890 - 29.4.1916. Jennie or Annie Wright. Lila Gertrude born 7.8.1892 (Mrs McCawley). Photo - Jean Jones. McIvor Rd., Bendigo.? Studio, Kynetonperson, group, men and women, john jones collection - male/female portrait, jean jones, thomas george rowland lowe, samual charlesworth, john kerr, clarise may, jennie or annie wright, lila gertrude, mrs mccawley, ? studio kyneton -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE SCHOOL COLLECTION: BENDIGO COMPETITIONS, 1941
Bendigo Competitions 1941, Golden Square State School Choir, Grade V winners of A.G.Treloar trophy. Black and white photograph, mixed group boys and girls in a brown timber frame, under glass with list of names attached on back. Back row: G. Whitlock, K. Wills, B. Vernon, K. Thomas, C. Sheridan. 2nd back row: K. Wilkinson, F. Crofts, C. Rance, J. Eadie, r. Purdy, L. Kent. B. Westgarth, m. Jorgenson. 2nd front row: P. griffiths, N. Iles, L. Browell, L. Bateman, D. Lewis, A. Matthews, A. Foley, L. Roberts, V. Potter. Ftont row: B. Jones, L. Westgarth, B. Mamouney, P. Laub, L. Porter, J. Cooper, R. Bull, I. Watt, M. Sullivan.Kalma Studiosbendigo, education, golden square primary school -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE STATE SCHOOL COLLECTION: BENDIGO COMPETITIONS 1941, 1941
Black and white photograph mounted on card, Golden Square State School Choir Grade VI Winners of Kalma Trophy Bendigo Competitions 1941, with list of names attached to back. Fourth row from left: Fred Allen, Arthur Sullivan, Leigh Anquetil, Len Thirlwell, Bill Stevenson, Walter Randall, George Watt, Keith Taylor, Murray Woodman. Third Row: Fred Foon, Arthur Dixon, Stan Sullivan, Jean Guy, Unknown, Margareta Tuff, Barbara McIvor, Norm Priddle, Graeme Warne, John Meager. Second row: Csaryl Hammill, Ruby Crofts, Nora Willcocks, Lois Goodwin, Betty oldham, Margaret Withworth, Nancy Tarr, Joyce Pozza, Joan Dresder. Front row: Barbara Mamouney, Ruth Bull, Mary Watt, Arlene Matthews, Valerie Potter, Jean Cooper, Joy Porter, Lorna Browell, Margaret or Joan Sullivan.Kalma Studiosbendigo, education, golden square primary school -
Bendigo Historical Society Inc.
Postcard - BUSH COLLECTION: POSTCARD (S.A. BUSH GOLDEN WEDDING), 1912
Postcard commemorating the Golden Wedding of S. A. Bush. Handwritten inscriptions in ink on reverse: 'Mr. S. A. Bush with our remembrances. 'Golden Wedding Oct 15. 1912'; Married Oct 15th 1862.Yeoman Studiosperson, family, husband and wife -
Bendigo Historical Society Inc.
Document - ABBOTT COLLECTION: HAROLD ATHELSTANE ABBOTT, Circa 1915
Photograph from the Australian War Memorial website of Harold Athelstane Abbott in an A.I.F uniform of the 4th Field Artillery Brigade, aged 26Studio Portraitperson, individual, harold athelstane abbott, harold athelstane abbott, 4th field artillery brigade -
Bendigo Historical Society Inc.
Photograph - SWEENEY COLLECTION: PHOTOGRAPHS, 1900s
F. C. Sweeney as a child photographed in a studio setting with his sister and parents. Marking Bartlett(?) Studio Bendigo (name obscured)Bartlettphotograph, person -
Kew Historical Society Inc
Photograph - Daguerreotype of a gentleman, 1855-65
One of a pair of separate half-length studio portraits of an unidentified man and a woman photographed using the daguerreotype process. Both portraits are contained within pinchbeck frames, bound in brown-tooled leather cases, with red, cut-velvet binding. Each daguerreotype required an individual negative, presented to the sitter as a positive, and was not reproducible. Due to an exposure time that could extend to many minutes, people were often seated for portraits. Sitters were almost exclusively drawn from the middle to upper classes because of the cost of production of the photograph. It is assumed that the subjects of the two daguerreotypes were unidentified members of Gwen Steele's family. They are the earliest photographs in the pictures collection.Three quarte-length studio portrait of an unidentified man photographed using the daguerreotype process. The portrait is contained within pinchbeck frames, bound in brown-tooled leather cases, with red, cut-velvet binding.daguerreotype, photograph, portrait -
Stawell Historical Society Inc
Photograph, Mr John Alexander Hall & Miss Margaret Mary Frawley wedding 1930, 1930
Hall Wedding 1930. John Alexander Hall & Margaret Mary Frawley 1930Shows a Bride and Groom in Studio SettingOn Rear: MARGARET MARY ( FRAWLEY) {13.12} with a line through the numbers. JACK { MAY } Ccrossed out (JOHN ALEXANDER) d. 13 /12/1980 Married 1930stawell portrait -
Stawell Historical Society Inc
Photograph, Mrs Theresa Cook nee Unknown in later life -- Studio Portrait
Wife of Isaac Cook Saddler Main Street Studio portrait of lady in dark clothing -
Federation University Art Collection
Work on paper - Printmaking - Aquatint, Model in Studio, 1988
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed acquatint etching of a model in a studio.art, artwork, horsham, barbara guille, alumni, printmaking -
Phillip Island and District Historical Society Inc.
Photograph, Anderson Family
A dapper young man - George Anderson. Trim Moustache, white shirt and tie, brown coat and waistcoat.Studio Photograph of the young George AndersonPhotographer A Marks & co. Elgin Street, Carlton.local history, photography, photographs, slides, film, george anderson, sepia photograph, mrs emma anderson jacobs -
Kyneton RSL Sub Branch
Framed portrait photograph
Studio photographic portrait. Subject unknown.Portrait Painters Walsh Bros 297 Malvern Rd. South Yarra. Marked: 607 Kyneton , on back -
Stawell Historical Society Inc
Photograph, Christopher R Herbert Photographer, Mrs Bella Hartley nee Unknown -- Studio Portrait
Sepia Studio Portrait Bella Hartley Bella -
Bendigo Historical Society Inc.
Photograph - CREETH STUDIO 1895 VIEW STREET
DVD. Creeth Street Studio . Photos -
Nillumbik Shire Council
Print (etching, acquatint, stencil): Jock CLUTTERBUCK (b.1945), Jock Clutterbuck, ‘Frosty Night Cartouche’ from 'The Baldessin & Friends' commemorative folio, 2016
Jock Clutterbuck is a sculptor and printmaker of national significance, known for his sophisticated abstract forms with underlying esoteric mysticism. Clutterbuck overlapped with Baldessin when he studied sculpture and printmaking at the Royal Melbourne Institute of Technology, RMIT (1965-66). He taught at RMIT from (1969-73) before lecturing in sculpture at the Victorian College of the Arts (1974-2000). He is represented in many national and international public art collections and is a recipient of many National prizes and awards. George Baldessin (1939-1978) was a printmaker and sculptor who built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.‘Frosty Night Cartouche’ is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Following a visit to the Press in 2015, Clutterbuck was reminded of a suite of paintings he had produced some thirty years earlier inspired by plein-air drawings of the night sky. This print attempts to capture something of the enchantment, mystery and drama of a frosty rural property where Clutterbuck spent many years. It is a frost dreaming; a subtle personal homage to Baldessin, embodying the reverence of a fellow artist towards an old friend. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Frosty Night Cartouche' (title); right 'Jock Clutterbuck' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)ekphrasis2018, symbols -
Wycheproof & District Historical Society Inc.
Sepia Photograph, Maker Unknown, Wedding Photograph Mary Cody and Ted Molloy, 1947 (exact)
Studio portrait of Ted and Mary Molloy nee Cody. They were married at the Catholic Church Ballarat East, Victoria on the 06-09-1922. They honey-mooned in Tasmania.Studio Portrait. Ted Molloy bride-groom, dark single-breasted suit, orange-blossom buttonhole, waistcoat, white bow-tie-gloves, watch-chain. Mary Cody bride, Ankle-length gown with fine-lace overlay. Muslin veil attached with orange-blossom medium-heeled satin-shoes. A large bouquet of fresh daffodils, daisies, freesias, asparagus-fern and a trailer of ribbons. Backdrop: curtain and chair. studio portrait, orange blossom, wedding gown, veil, bouquet, single breasted suit, bride, bride groom -
Greensborough Historical Society
Photograph - Digital Image, Charles Partington Junior, 1883c
Photograph of Charles Partington Junior.Digital copy of black and white studio photograph.charles partington junior, partington -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Lindsay Black [as infant], 1906_
Lindsay Black attended Greensborough State School and later married Hazel Stafford. The Black family were landowners in Watsonia, from Grimshaw Street to Lambourn Road.Watsonia pioneer family.Digital copy of black and white studio photograph.lindsay black., watsonia -
Greensborough Historical Society
Photograph - Digital Image, Adem Bosch II and family [Bosch/Bush], 1893c
Photograph of Adem Bosch II and family. Johannes Bosch came to Australia in 1884 aged 17. He married Henrietta Duck, had 3 children and divorced in 1903. Around 1902 he anglicized the family name to Bush.Digital copy of black and white studio photograph.adem bosch, bosch family, bush family -
Greensborough Historical Society
Photograph - Digital image, Bosch family [as adults], 1914c
Photograph of Bosch (Bush) family as adults. Left to right: John Adam Bush Senior (Johannes Adem Bosch born 19/8/1867 died1925), Frederick William Bush (31/3/1892-20/8/1952), John Adam Bush Junior (3/2/1895-24/6/1970), Amelia Suzanne Bush (b25/6/1893). Johannes Bosch came to Australia in 1884 aged 17. He married Henrietta Duck, had 3 children and divorced in 1903. Around 1902 he anglicized the family name to Bush.They farmed along the Plenty River having purchased land from Flintoff. Digital copy of black and white studio photograph.john adam bush, johannes adem bosch, frederick william bush, amelia suzanne bush, bosch family, bush family -
Greensborough Historical Society
Photograph - Digital image, Hetta Bosch, 1889c
Photograph of Hetta Bosch. Johannes Bosch and family migrated from Southern Germany to Greensborough district c1889. They farmed along the Plenty River having purchased land from Flintoff. They later changed their surname from Bosch to Bush.Digital copy of black and white studio photograph.hetta bosch, johannes bosch, bosch family, bush family -
Greensborough Historical Society
Photograph - Digital image, Charles Partington, 1880s
Charles Partington and family came to Melbourne in the 1857 and moved to Greensborough where they farmed along the Plenty River. Descendants still live in Greensborough.A pioneer Greensborough family.Digital copy of black and white studio photograph.charles partington, partington family -
Greensborough Historical Society
Photograph - Digital image, Charles Partington [Heywood], 1856_
Photograph of Charles Partington probably taken in England before his departure (in 1856) for Melbourne. Charles Partington and family came to Melbourne in the 1857 and moved to Greensborough where they farmed along the Plenty River. Digital copy of black and white studio photograph.charles partington -
Greensborough Historical Society
Photograph - Digital image, Ellen Partington [nee Whatmough], 1897c
Photograph of Ellen Partington (nee Whatmough). She and husband Charles Partington and family came to Melbourne in the 1857 and moved to Greensborough where they farmed along the Plenty River. Descendants still live in Greensborough.Pioneer Greensborough familyDigital copy of black and white studio photograph.charles partington, ellen partington, ellen whatmough -
Greensborough Historical Society
Photograph - Digital image, Ellen Partington, 1897c
Photograph of Ellen Partington (nee Whatmough). She and husband Charles Partington and family came to Melbourne in the 1857 and moved to Greensborough where they farmed along the Plenty River. Descendants still live in Greensborough.Greensborough pioneer family.Digital copy of black and white studio photograph.ellen partington, ellenwhatmough, charles partington -
Greensborough Historical Society
Photograph - Digital image, Frederick Nevins Flintoff, 1850c
Photograph of Frederick Nevins Flintoff. The Flintoff family came to Greensborough circa 1841. They owned, farmed and leased land north of the present Civic Drive. A pioneer Greensborough family. A pioneer Greensborough family. Digital copy of black and white studio photograph.frederick nevins flintoff, flintoff family -
Greensborough Historical Society
Photograph - Digital Image, Gilding portrait [man and woman], 1890c
Portrait of George Iredale and Anna Marie Iredale [nee Gilding]. The Gilding family lived in Greensborough and operated a Bootmaker’s shop located on the west side of Main Street, north of the rail line.Digital copy of black and white studio photograph.gilding, gilding family -
Greensborough Historical Society
Photograph - Digital image, Iredale Family 1 [man and woman], 1890c
Photograph of members of the Iredale family - George Iredale and Anna Marie [nee Gilding]. In 1858, James Iredale owned the General Store in Main Street Greensborough, when it became the Town’s Post Office. The Farmers Arms Hotel was built on the corner of Main and Hailes Street in 1864 by George Iredale to cater for the ever increasing number of wood carters and other hauliers carting their wares between Melbourne, timber mills and the gold fields. The Farmers Arms Hotel is currently the site of the Greensborough Hotel. Digital copy of black and white studio photograph.james iredale, george iredale, farmers arms hotel -
Greensborough Historical Society
Photograph - Digital image, George Iredale, 1890c
Cropped photograph of male Iredale. In 1858, James Iredale owned the General Store in Main Street Greensborough, when it became the Town’s Post Office. The Farmers Arms Hotel was built on the corner of Main and Hailes Street in 1864 by George Iredale to cater for the ever increasing number of wood carters and other hauliers carting their wares between Melbourne, timber mills and the gold fields. The Farmers Arms Hotel is currently the site of the Greensborough Hotel. Cropped section of black and white studio photograph.george arthur iredale, james iredale, farmers arms hotel -
Greensborough Historical Society
Photograph - Digital image, G.E.W. Maygar, 1900c
George Edwin Willis Grimshaw Maygar [1858-1915] was the son of Edwin and Helen. The Maygar family came to Greensborough circa 1841 from Somerset England. They were of Hungarian descent. They farmed along the Plenty River. Digital copy of black and white studio photograph.maygar family, g e w maygar