Showing 1154 items
matching timber framing
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Chiltern Athenaeum Trust
Painting - Oil Painting, Alfred Eustace
... , in original timber frame with beige matte and a twist wire stand. One..., in original timber frame with beige matte and a twist wire stand. One ...This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth. Miniature oil painting of a landscape, with creek in foreground and bush and hill behind, by A.W. Eustace, under glass, in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, chiltern, oil painting, landscape -
Chiltern Athenaeum Trust
Painting - Oil Painting, Alfred Eustace
... timber frame with beige matte and a twist wire stand. One of 3... timber frame with beige matte and a twist wire stand. One of 3 ...This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape with creek and surrounding trees by A.W. Eustace, under glass, in original dark brown timber frame with beige matte and a twist wire stand. One of 3 miniatures. Sticker on back: 188 (original Registration number)alfred eustace, chiltern, oil, landscape -
Federation University Art Collection
Photograph, Unknown, [Balancing Rocks, Wilson's Promontory], Pre 2011
... Promontory mounted on green card in a temporary timber frame. If you... on green card in a temporary timber frame. If you are able ...This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A colour photograph of a balancing rock at Wilson's Promontory mounted on green card in a temporary timber frame. If you are able to assist with information on this artist or artwork please email using the link below right.art, artwork, photography, wilson's promontory, available -
Melbourne Tram Museum
Newspaper, Herald Sun, "Historic tram plan derailed", 1/4/1992
... the crashworthiness of the W class trams. Notes issues with the timber framed... the crashworthiness of the W class trams. Notes issues with the timber framed ...Report titled "Historic tram plan derailed", concerning a report by Monash University Accident Research Centre about the crashworthiness of the W class trams. Notes issues with the timber framed cabins, National Trust, and others. Quotes Norm Cross about the 1993 proposal with a photo of the tram that was to be the prototype. Yields information about the investigation into the crash worthiness of the W class tram and Monash University report.Newspaper clipping from Herald Sun 26/3/2003.tramways, w8 class, preston workshops, w class, accidents, national trust, monash university -
Bendigo Military Museum
Honour Board - 6TH FAB HONOUR BOARD WW1, Raphael Tuck & Sons Ltd, post WW1
... Brown timber frame, glass front, cardboard backing. Honour... details. documents - lists frame accessories military history ...The roll was in the collection relating to Leslie F Iser AIF who served in the 18th Battery. Refer 337 for his service details.Brown timber frame, glass front, cardboard backing. Honour Roll printed on white background. Print shows names re-inforcements, WIA, KIA, Battles, Unit colour patches, Gallantry awards. Top: "18th Battery - 6th Field Artillery Brigade Honour Roll of Officers, NCO's and Men" Below: "Names, Reinforcements, WIA, KIA, Battles, Unit Colour Patches & Gallantry Awards" Printed in texta on rear: "Tom Iser & Ian Sides"documents - lists, frame accessories, military history, artillery -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED
... Framed photograph, timber frame, brown colour with glass... portraits WW1 Framed photograph, timber frame, brown colour ...Charles Frederick Langdon No 6452 enlisted in the AIF on 26.9.1916 with 18 reinforcements 23rd Batt age 24 years 11 months. Embarked for England 23.11.1916, embark for France 13.8.1917, hospital 1.10.1917 with Synovitis of the Knee, return to unit 6.10.1917, hospital 8.2.1918 with Gastritis and Trench Fever. Returned to Australia 24.8.1918 classed with Gastritis, Trench Fever and Debility, discharged from the AIF 28.2.1919. He enlists again on 16.1.1942 No V145863 in the CMF, serves in various units in AHQ & LHQ, promoted to Cpl 19.3.1943, discharged from the Army 2.2.1944 medically unfit.Framed photograph, timber frame, brown colour with glass, photograph B & W copy of photograph, portrait, beige background, type written label at bottom, rear has information re Sig C.F.Langdon.photography, framing, portraits ww1 -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW1, FRAMED, Post WW1
... Thomas Stanley Wright "MM" no. 5242. 6th Batt AIF. Timber... Stanley Wright "MM" no. 5242. 6th Batt AIF. Timber frame. mid ...Thomas Stanley Wright "MM". Refer 780 for his service details plus his brothers Charles and George KIA, also 781.2P.Thomas Stanley Wright "MM" no. 5242. 6th Batt AIF. Timber frame. mid brown colour. Black and white photograph of a soldier in uniform with cream colour cardboard surround. Full length portrait.Printed in black ink on the back "Pte THOMAS STANELY WRIGHT, MM/6th Battalion, AIF, Regt 5242/enlisted Bendigo 21 years, 7 months old / 8th of February 1916"photographs, framed, wright, mm -
Bendigo Historical Society Inc.
Painting - JOHN HALL COLLECTION: NEW CHUM MINE
... Watercolour by John Hall, in gold timber frame, cream... by John Hall, in gold timber frame, cream mount board. Painting ...Watercolour by John Hall, in gold timber frame, cream mount board. Painting shows the New Chum Mine site. In foreground, open shaft with timber supports, in background mining chimneys and poppet head.John Hall, Eaglehawkbendigo, mining, new chum mine -
National Vietnam Veterans Museum (NVVM)
Photograph, Soldier with children
... Timber framed colour photo of children with Peter 'Jack... Trease on front. Timber framed colour photo of children ...Timber framed colour photo of children with Peter 'Jack' Trease at the village of Dat Do in 1970. One child has lost half a hand in a mine explosion, just been repaired by an Aussie Digger.70-253 VN on sticker 3796546 Pte. Peter John Trease on front.peter 'jack' trease, 2 rar, photograph -
National Vietnam Veterans Museum (NVVM)
Photograph, 29/06/1970 12:00:00 AM
... Black and white photograph in brown timber frame (gold... and white photograph in brown timber frame (gold painted inner edge ...Black and white photograph in brown timber frame (gold painted inner edge). Photo depicts personnel from 2 Squadron Magpie 21, gathered around the 60,000th bomb under aircraft wing.60,00th Bomb delivered by 2 Squadron Magpie 21 29/6/19702 squadron raaf, bombs -
National Vietnam Veterans Museum (NVVM)
Photograph - Photograph, Framed, The Huey - Vietnam Icon, 1971
... Timber framed, black matt board. Coloured photograph...", Vietnam icon, 1971, c. copyright, Leon Pavich. Timber framed ...Timber framed, black matt board. Coloured photograph of a Huey flying above the jungle. The photograph is taken from onboard another Huey flying just ahead. Door & Gunner's knee is in the photo on the side.My Vietnam Collection - "The Huey", Vietnam icon, 1971, c. copyright, Leon Pavich.photograph, huey helicopter, my vietnam collection -
National Vietnam Veterans Museum (NVVM)
Document, 50th Anniversary RAAF in Vietnam
... Document in timber frame of The Vietnamese Veterans... Newhaven phillip-island-and-the-bass-coast RAAF ASSOC VIC Framed ...Document in timber frame of The Vietnamese Veterans Association of VIC Commemerates the 50th Anniversary of Australian Military Commitment to the Vietnam War. The South Vietnamese flag flies in the background. Plaque of the 9 RAAF units are in the foreground.raaf assoc vic, framed document, vietnam veterans association of vic -
Benalla Art Gallery
Print, Conrad MARTENS, View of Sydney. NSW, 1855
... painted timber frame with off white arched window mount and gold... and ships and buildings in background. Black painted timber frame ...Born: London, England 1801; Arrived: Sydney, New South Wales, Australia 1835; Died: Sydney, New South Wales, Australia 1878ColonialBennett Bequest, 1999 Hand-coloured lithograph depicting industrial waterscape with rocky shoreline and ships and buildings in background. Black painted timber frame with off white arched window mount and gold brushed internal window edgeRecto: Not signed, not dated, not titled print, waterscape, sea, harbour, land, figures, boats, tress, sydney harbour, buildings -
Robin Boyd Foundation
Certificate, Life Fellow from Royal Australian Institute of Architects, 1970
... . Certificate is registered No 5773. This is in a timber frame..... Certificate is registered No 5773. This is in a timber frame. Life ...Robin Boyd, a Fellow of RAIA since 1958, won the RAIA Gold medal in 1969 and then was elected Life Fellow the following year in 1970.Certificate from The Royal Australian Institute of Architects stating that Robin Boyd has been elected Life Fellow on 9th February 1970. It is signed by the President and Secretary. Certificate is registered No 5773. This is in a timber frame.The Royal Australian Institute of Architects. This is to certify that Robin Gerard Penleigh Boyd of Melbourne, Victoria has been elected a Life Fellow of the Royal Australian Institute of Architects, founded in the year of our Lord One Thousand Nine Hundred and Twenty Nine (1929) as The Australian Institute of Architects, and incorporated in the year of our Lord One Thousand Nine Hundred and Thirty as Royal Australian Institute of Architects for the Advancement, Protection, and Elevation of Architecture. In Witness whereof the Common Seal has been hereunto affixed as required under the Articles of Association 9th February, 1970. Signed by president and Secretary. Registered No. 5773. The reverse has Dean's framing sticker. Handwritten No 7436/D.royal australian institute of architects, fellow, raia fellow, robin boyd -
Bendigo Military Museum
Domestic object - CLOCK, MANTLE PIECE, Gilbert Clock Co. U.S.A, possible 1918 - 1921
... Mantle Piece Clock, timber frame, hinged glass cover over... Clock, timber frame, hinged glass cover over the face is missing ...This clock was originally in the front Office of the Soldiers Memorial Institute Bendigo on the mantlepiece of the fireplace. Original donor or date of being placed is unknown. It was last used in 2005 by Jack Barnes OAM who wound it every day he was in the Office, he was Secretary for 43 years of the BRSL. After the renovations to the SMI in 2016 - 18 it was placed on the mantlepiece of the fireplace in what is now called "The Building and RSL History Room"Mantle Piece Clock, timber frame, hinged glass cover over the face is missing, numbers are 1 - 12 on clock face, rear door to the mechanism, a pendulum weight is taped to the inside, no wind up key.On Clock face, "Gilbert". Around clock face, "Made in Winsted Conn United States of America"brsl, smirsl, mantle -
Bendigo Military Museum
Container - CARRY CASE, Hindmarch Bros Ltd, 1918
... timber framed, small rectangular padding glued to interior base... on strap. Interior of case timber framed, small rectangular padding ...Item from 17th Light Horse Regiment collection box. Clinometer: A device for setting angles for artillery bombardment.Carry case rectangular, tooled leather, lift up lid, long carry leather strap, brass buckle on strap. Interior of case timber framed, small rectangular padding glued to interior base & lid. Stamped label on case back: “Case Clinometer Vickers .303 Gun Mark II, Hindmarch Bros Ltd 1918” Stamped instructions on interior of lid: “Set degree scale at zero”containers, clinometer, artillery, passchendaele barracks trust -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED, Gunner Harry F Midgley, System generated
... cap with badge in front, faux timber frame with glass front... timber frame with glass front, cardboard back. Gunner Harry F ...Harry Foster Midgley No 3414 enlisted in the AIF in 11th reinforcements 14 th Batt on 14.7.1915 aged 21 years 4 months. Embarked for Egypt 11.10.1915, hospitalised 14.12.1915 with Dysentry, returned to unit 4.2.1916, transferred to 46th Batt 3.3.1916 then 12th FAB as a gunner 17.3.1916. Embarked for France 2.6.1916, transferred to 11th FAB, WIA GSW to left ear, transferred to 4th Div Ammunition column 25.6.1917, WIA 1.8.1917 with GSW’s to chest, back, right arm, right leg. DOW’s in 41st Casualty Clearing Station Belgium 2.8.1917.Black & white photocopied photograph of soldier, button up uniform from waist up with Rising Sun badges on lapels. Peeked cap with badge in front, faux timber frame with glass front, cardboard back. 3414 Gunner Henry Foster Midgley, Bendigo 11th Field Artillery Brigade on top. Died of wounds - 02 August 1917 at bottom. On back: Brenda Chambers in texta.photography-photographs, military history, midgley -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED, SEARS, Field Marshall Kitchener
... Framed photograph, timber frame, glass, photograph B&W... British Passchendaele barracks trust Framed photograph, timber ...Framed photograph, timber frame, glass, photograph B&W, half portrait of Field Marshall Lord Kitchener in uniform, backing mount beige colour, black print under photo, framing label on rear.photography-photographs/frame accessories, military history, british, passchendaele barracks trust -
Flagstaff Hill Maritime Museum and Village
Craft - Ship Model, Arethusa, 1894
... case with timber frame and 4 legged stand..... The ship is displayed in a glass case with timber frame and 4 ...Original Ships History: Aréthuse was a French frigate, launched in 1757 during the Seven Years War between England and France. She was captured by the Royal Navy in 1759 and became the fifth-rate HMS Arethusa. She remained in Royal Navy service for twenty years until she was wrecked after being badly damaged in battle. The ship was constructed at Le Havre for privateer warfare as ”Pélerine” and soon after her launch, she was purchased by King Louis XV (1710-1774) and commissioned as Aréthuse on 21 January 1758. In June, under captain Vauquelin, she sailed through the British blockade of Louisbourg helping to defend the site before departing, again forcing the blockade. On 18 May 1759, she was in transit from Rochefort to Brest, under the command of Louis-Philippe de Rigaud, Marquis of Vaudreuil, when she was intercepted near Audierne Bay (Baie d'Audierne) by three Royal Navy ships the Thames, Venus and Chatham. She attempted to escape but after two hours, lost her topmasts and was overtaken by her pursuers. Thames and Venus engaged her with heavy fire, causing 60 casualties before the vessel surrendered. She entered service with the Royal Navy for the rest of the war, and was in service in British home waters and became responsible for the capture of several French privateer cutters. In 1777, a Scotsman James Aitken, widely known as John the Painter, was hanged from her mizzenmast for burning the Rope House at Portsmouth Royal Dockyard on 7 December 1776, to aid the struggle of American independence. The mast was struck from the ship and re-erected at the dockyard entrance so as many people as possible could watch the execution. On 17 June 1778, she fought a famous duel against the French 36-gun frigate, Belle Poule. Belle Poule was on a reconnaissance mission, along with the 26-gun Licorne, the corvette Hirondelle and the smaller Coureur when she encountered a large British squadron that included Arethusa at a point 37 km south of The Lizard. Admiral Keppel, commanding the British fleet ordered that the French ships be pursued. The captain of Belle Poule refused the order to sail back to the British fleet. The British fired a warning shot across his ship's bow, to which he responded with a full broadside. This action began a furious, two-hour battle between the two ships that resulted in the deaths of the French second captain and 30 of the crew. However, Arethusa was crippled by the loss of a mast and withdrew, allowing Belle Poule to escape. This battle was the first between British and French naval forces during the American Revolutionary War and took place around three weeks before France had made a formal declaration of war. The battle was widely celebrated in France as a victory, even inspiring a hair-style in court circles that included a model of Belle Poule. It was also viewed as a victory in Britain and became the subject of a traditional Sea shanty, The Saucy Arethusa. On 18 March 1779, under captain Charles Holmes Everitt, Arethusa engaged the French Aigrette, under Lieutenant Mortemart, sustaining considerable damage in the fight. Arethusa was wrecked the next day off Ushant, It was the fame of this Arethusa which induced the Royal Navy, during the following two centuries, to bestow the name on a further seven consecutive individual ships and two consecutive classes of cruisers. (See Provenance Sec this document for information on the makers of this model). Model ship of the 3 masted frigate the “Arethusa”, model is painted black and white with varnished deck and masts. A British flag is flown at the stern. The ship is displayed in a glass case with timber frame and 4 legged stand.Label at bottom of glass case, printed in black script on a gold strip “Model of the “Arethusa" "A famous frigate, taken from the French by the British, on the 18th of May 1759 and lost on the French coast in 1779. – Made and presented by G. Lance & P. Diggins, October 1894” flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, arethusa ship model, george lance, peter diggins, len asling, warrnambool art gallery, warrnambool exhibition, message in a bottle -
Federation University Historical Collection
Photograph - Black and White, Graduate Diploma in Occupational Hazard Management - Intake 2, 1980
... .1 A timber framed black and white photograph taken... - 8105-45 .1 A timber framed black and white photograph taken ...Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Students would have attended Ballarat College of Advanced Education..1 A timber framed black and white photograph taken at Sovereign Hill of a group of twelve people dressed in period costume with a name plate at the bottom. .3 Sepia colour portrait mounted on card - photographers information Typed name plate with names .3 Red Hill Photographic Rooms, Sovereign Hill. Number of photograph - 8105-45viosh, viosh australia, graduate diploma in occupational hazard management, andrew barnard, robert brown, alan channon, brian emerson, frederick garner, murray giles, roy hegney, ronald mansfield, anthony payne, george robotham, robert sutton, ballarat college of advanced education -
Bendigo Historical Society Inc.
Document - STRAUCH COLLECTION: MASONIC CERTIFICATE OF ACCEPTANCE, 1880
... to the Golden Corinthian Lodge No 641 Sandhurst Vic. Brown timber frame... Sandhurst Vic. Brown timber frame, no glass. Deframed 2022 Document ...Framed certificate of acceptance into United Grand Lodge Masons for George. Carl. H.A.Jess 17th September 1878 admitted to the Golden Corinthian Lodge No 641 Sandhurst Vic. Brown timber frame, no glass. Deframed 2022document, certificate, masons -
National Vietnam Veterans Museum (NVVM)
Photograph, Filling water bladder
... Black timber frame, Black and white photograph of Ptes Col... James Pte David Kitt Photograph Black timber frame, Black ...Black timber frame, Black and white photograph of Ptes Col James and David Kitt (rear) of 'D' Coy 8 RAR fill all important personal water bottles from a small mountain stream.d coy 8 rar, pte col james, pte david kitt, photograph -
National Vietnam Veterans Museum (NVVM)
Memorabilia - Presentation frame, Warrant Officer, Class 2 Keith Payne
... Dark timber frame, burgundy matt board box display... Vietnam. WO Keith Payne Dark timber frame, burgundy matt board box ...Dark timber frame, burgundy matt board box display of twenty-four medals & bars, four badges, beret, L & R sleeves with insignia & cloth badges, photo & citation of WO11 Keith Payne.victoria cross, medals, vietnam., wo keith payne -
Bendigo Historical Society Inc.
Tool - BENDIGO STOCK EXCHANGE BLACKBOARD
... Wooden framed blackboard. Written on timber frame in gold... Wooden framed blackboard. Written on timber frame in gold print ...Wooden framed blackboard. Written on timber frame in gold print: 'Bendigo Stock Exchange'. Written on blackboard in gold: 'Reports'. Board was used in the Bendigo Stock Exchange, housed in the Beehive Building, Pall Mall, Bendigo. -
Bendigo Historical Society Inc.
Photograph - EXAMPLE OF: VICTORIAN FASHIONS, 1950
... and baby in pram, framed with a thin timber frame under glass..., framed with a thin timber frame under glass, markings read ...Small photo depicting Victorian Fashions, shows 3 adults and baby in pram, framed with a thin timber frame under glass, markings read 'Victor Keppler', Donated by Mr Atkinson related to Mary Reibyperson, group, casual, victorian fashion, fashion -
National Vietnam Veterans Museum (NVVM)
Painting, HMAS Vampire
... /Bone inset timber frame (Acrylic on board )Vampire did escort... timber frame (Acrylic on board )Vampire did escort duties ...Painting Depicting HMAS Vampire.(Gunship) Destroyer in Gold /Bone inset timber frame (Acrylic on board )Vampire did escort duties in Vietnam.HMAS Vampire has a sister ship Vandetta daring class destroyers.hmas vampire. -
Wangaratta RSL Sub Branch
Souvenir - Framed embroidered cloth
... Brown timber frame containing dark green square silk cloth... Brown timber frame containing dark green square silk cloth edged ...A related souvenir from the Second Word War is the colourful 'Souvenir of Palestine'. Like the First World War Egyptian embroideries, they used cotton sateen in a range of bright colours (although sometimes velveteen was used instead) and bear the words 'Souvenir of Palestine', a year date, and sometimes a personal message, as well as images of specific mosques or landmarks, camels, goats and date palms. The Palestinian souvenirs were often seen displayed for sale outside houses in country villages These types of souvenirs were very popular with Australian troops; they were easy to send home and were colourful. The vendors would have a number of designs for sale already machine embroidered, from which the soldier could select and then personalise with a date or message. Brown timber frame containing dark green square silk cloth edged with gold fringe, embroidered with two flap poles either side of rising sun crest/badge above two red heartsSouvenir Of Palestine 1941 Australia Commonwealth Military Forcespalestine, 1941, souvenir, embroidered cloth -
Chiltern Athenaeum Trust
Painting - Oil painting, Alfred Eustace
... , by A.W. Eustace, under glass in original timber frame with beige..., by A.W. Eustace, under glass in original timber frame with beige ...This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape, with creek and grassland in foreground surrounded by bushland and hill in distance, by A.W. Eustace, under glass in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, oil painting, landscape, chiltern -
Ambulance Victoria Museum
Painting, Ambulance Station, North Eastern Victoria District Ambulance Service, Wangaratta, Grant and Associates Architects and Engineers, Circa 1950s
... Timber framed water colour showing ambulance station seen... wangaratta Timber framed water colour showing ambulance station seen ...Created by architects Grant and Associates to show their concept for a new ambulance district headquarters and station in Wangaratta. This building was subsequently built and as of 2015 is still in use.Timber framed water colour showing ambulance station seen from the road. Two cars present and several women and men are walking near the building. Ambulance Service logo has been adhered to the building.north eastern victoria district ambulance service, wangaratta -
South Gippsland Shire Council
Photograph, Framed, 2003
... . Brown timber frame..... Brown timber frame. Photograph, Framed ...Framed colour photograph featuring a coastal scene Wilson's Promotory or Cape Patterson area. Shows a red sports cars on winding road with rocky islands bearing some foliage in background. Brown timber frame.