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matching womens clothing
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Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: SEWING MACHINES
Black and white photograph of women using industrial sewing machines, taken in the Hanro factory in Switzerlandorganization, business, hanro, hanro, clothing manufacture, sewing machines -
Bendigo Historical Society Inc.
Photograph - LYDIA CHANCELLOR COLLECTION: PHOTO UNKNOWN FEMALE
... photograph photography women fashion clothing portraits A photo ...A photo of an unknown female. Time, place and date unknown. Ferns are in the background. (She may be in the fernery at Rosalind park.) Is in a full length frock with a ruffled front and a decorated hat. A second photo appears to be the same female. This photo is damaged. She has a bow tied at the back of her neck and a brooch at the front.photograph, portrait, female, lydia chancellor, collection, photo, photograph, photography, women, fashion, clothing, portraits -
Bendigo Historical Society Inc.
Magazine - HANRO ADVERTISEMENTS
Seventeen Hanro Knitting Mill newspaper color clothing advertisements dating mid 1950's. One from Bendigo Advertiser remainder Aust Women's Weekly.bendigo, industry, hanro knitting mill -
Bendigo Historical Society Inc.
Clothing - HAT BOX WEDDING ITEMS
Round Hat Box containing a collection of lace womens wedding items. Box is approximately 400mm in diameter. -
Churchill Island Heritage Farm
Clothing - Lace Collar, circa 1870
This handmade lace collar includes Honiton-style motifs joined with bobbin-made brides. Honiton lace is characterised by scrollwork and botanical motifs. Initially called 'bone' lace due to the bobbins being made from bone, it was developed in the small village of Honiton in Devon. It was thought to be brought from the Netherlands by Dutch refugees in the mid-16th century after the Dutch revolt. It grew in popularity after Queen Victoria chose this style of lace for her wedding dress and veil for her marriage to Prince Albert in 1840. It was again chosen for the royal christening gown which is still in use today. Brides, or bars, are the narrow connections between lace motifs that do not have a mesh background. They are ornamented in line with each individual lace technique, in this case with tiny picots at irregular intervals along the bar. Handmade items were highly sought after for their imperfections and irregularities as opposed to machine-made items which were repetitive in their perfection.This collar is part of a 94 piece collection of small lace items accumulated by four generations of Amess women, starting with Janet Amess in the 1850s. Hand-made individual bobbin made lace motifs hand sewn together with bobbin made brides. Cream colouredlace, churchill island, janet amess lace collection, bobbin lace, lace collar, amess -
Churchill Island Heritage Farm
Clothing - Lace Collar, c 1865
The 8 pointed Maltese Cross is blatantly evident at the centre of the piece being worked in cloth stitch and the plaited tallies or “wheat ears’ form the floral surrounds. At 32cm in length it could be applied to a low necked bodice and form a v shape at the waistline however this beautiful piece appears to have been attached to the bodice at the neckline. It would have been quite elegant on a dark coloured bodice. This type of bib collar may have been originally joined to another section of lace to attach it around the neckline.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Bobbin Silk, Maltese Silk, hand made bobbin lace. Packaged with note: "Lace collar Maltese Lace"janet amess lace collection, lace, churchill island, janet, amess, bobbin, maltese, silk, embroidery -
Churchill Island Heritage Farm
Clothing - Camisole, c 1870
This delicate camisole was donated with a note enclosed stating the following : “hand embroidered cotton camisole c 1870”. However it is believed to be silk net with silk machine made lace insertions and silk hand embroidery (Lace Group Embroiderers Guild 1/3/12).The camisole came in to being in the Victorian era. The wearing of corsets to ‘improve’ body shape was mandatory and the chemise being long was considered too bulky to cover the corset. The camisole was developed being short and light and was worn over the corset and under the bodice of the outer garment. This beautiful camisole would most likely have been used under evening wear.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess womenMachine lace insertions; silk embroidery (NGV) silk net, machine embroidery (Lace Group Embroiderers Guild 1/3/12) See photos (5)Packaged with note; "hand embroidered cotton camisole c 1870"janet amess lace collection, lace, churchill island, janet, amess, camisole, machine, silk, cotton, embroidery -
Churchill Island Heritage Farm
Clothing - Bed Jacket, c 1860
Another delicate item, this bed jacket has been made with machine made cotton net which has seams joined with bobbin tape. The hand appliqued motifs on the back of the jacket are possibly Princess lace which is a type of tape lace made in Belgium in the late nineteenth and twentieth centuries. There are two types of Princess lace, one is where the tape shapes are sewn on to net and the other is where the shapes are linked together to form a type of guipure lace. This could be an example of the former known as an applique lace. Unfortunately one of the cuffs has become detached. Packaged with note: "Limerick lace bed jacket Janet Amess 1860 from Kel Bright collection with separated cuff" Packaged with note: "Machined lace bed jacket. Janet Amess 1860The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Motifs hand sewn on to machined net; bobbin tape on seams (NGV) Princess machine lace machine made motifs hand-applied Packaged with note: "Machined lace bed jacket. Janet Amess 1860. From Kel Bright Collection with separated cuff".janet amess lace collection, lace, churchill island, janet, amess, bed, jacket, garment, clothing, hand, sewn, bobbin, machine -
Churchill Island Heritage Farm
Textile - Bed Jacket, Cuff, 1860
This is a fine cotton bed jacket decorated with beautiful whitework embroidery. Whitework is any type of embroidery where the threads worked are the same colour as the base fabric. It is usually worked on white linen but this could be worked on Hardanger fabric which is 22 thread count cotton. The embroidery is a combination of types but drawn thread work and Hardanger work can be clearly seen on this garment.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women, see above.Bed Jacket with open frontPackaged with note: "Limerick lace bed jacket Janet Amess 1860 from Kel Bright collection with separated cuff".janet amess lace collection, lace, churchill island, janet, amess, bed, jacket, cuff, garment, clothing, princess, machine, bobbin -
Churchill Island Heritage Farm
Clothing - Bed jacket
The names of the Amess women who owned the lace are: Jane Amess (nee Straughan) – donor Unity’s great grandmother (pet name Janet, but not used as it will confuse with Unity’s mother). Jane was the wife of Samuel Amess, first Samuel Amess to own Churchill Island. Frances Amess (nee Turnbull) – grandmother, married Robert Lisle Straughan Amess, 4th child of Samuel and Jane Janet Jickell (nee Amess) – mother, 2nd of two children of Robert and Francis, married James Jickell Unity Mary Bright (nee Jickell) was the donor, 2nd of two children of Robert and Francis. The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women, see above.See photos (4)Packaged with note "Fine cotton bed jacket. Hand embroidered scalloped edge."janet amess lace collection, lace, churchill island, bed, jacket, amess -
Churchill Island Heritage Farm
Clothing - Petticoat
This elegant petticoat has been made with rows of hairpin crochet interspersed with traditional crochet. Hairpin crochet is worked over a ‘loom’ to keep all of the loops the same length. What a special wedding petticoat this is and perhaps the bride had worked it herself to keep in her ‘hope chest’ or trousseau. The thread used for this project is a machine braid. Note that this is only a half petticoat as the bride would have worn a camisole under the bodice of her gown.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women. white petticoat, with crochet trim, and a machine made elasticised waist bandPackaged with note: "Wedding petticoat. Hand crocheted. Handmade button holes. Pure cotton. Machined waist band".janet amess lace collection, lace, churchill island, janet, amess, petticoat, garment, clothing, machine, braid, crotchet -
Churchill Island Heritage Farm
Clothing - Camisole
This may have been the camisole worn by the same bride as in 0087. It would be worn over her corset and under the bodice of her gown. This fabric must have been bought with a camisole in mind and the machine embroidery in place. It would have been embroidered on a Schiffli machine. It is interesting that the seams are hand stitched which may indicate that it was an item from a trousseau. There are ribbon insertion points along the top and bottom of the garment and although there are satin shoulder straps they could easily be tucked away or removed so that this could be worn under an off the shoulder gown. Packaged with note: "White cotton camisole hand stitched seams. Probably purchased fabric pre 1900".The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women,.Machine embroidery with small floral motifs Packaged with note: "White cotton camisole hand stitched seams. Probably purchased fabric pre 1900".janet amess lace collection, lace, churchill island, janet, amess, jane, corset, cover, machine, embroidery -
Churchill Island Heritage Farm
Clothing - Blouse, 1970s
This bed jacket was, as the enclosed note stated, “probably hand made in Asia” and has been identified as Chinese 20th century by the Lace Group Embroiderers Guild. The insertions at the wrist are very fine handmade Irish crochet with the treble fans and Clones knots visible. The embroidery on the reminder of the jacket has also been executed by hand. Being white work is quite unusual for Chinese embroidery as it is traditionally colourful or monochromatic such as red work or blue as in the willow pattern. Perhaps this was made with the Western market in mind.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess womenChinese 20th C Hand crocheted insertions. Hand embroidery. White blouse/bed jacket.Packaged with note "Light bed jacket. Probably hand made in Asia c 1970 judging by size tag '14'"amess lace collection, lace, churchill island, frances, janet, jane, amess, embroidery, cotton, chinese, hand, crotcheted -
Churchill Island Heritage Farm
Clothing - Muff, Seal Fur
After European settlement in 1788 Australian Fur Seals were hunted intensively from 1798 until 1825 for meat, oil and their skins. The growing Industrial Revolution called out for oil which was readily sourced from seals along with their valuable fur. Indigenous people had been sustainably harvesting seals for their meat and their skins .and the European sealers often coerced or kidnapped Aboriginal women for their knowledge of hunting seals. After 1825 the seal population had been decimated and therefore the hunt was no longer economically viable, but it wasn’t until 1923 that the Australian Government legislated to stop the hunting of seals altogether. In the time of the Amess family residence on Churchill Island it was perfectly legitimate to shoot any seal that interfered with fishing and furs were tanned and lined with fine fabrics to create items of apparel. Seal fur has a soft velvety feel when stroked in the direction of growth. A muff was a thick tubular piece of fur or other material used by women and girls to keep the hands warm and it was also used as a handbag, The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women, see above.Seal fur muff, with lining and some fraying on edges. seal, fur, churchill island, amess fur collection, janet, jane, amess, frances -
Churchill Island Heritage Farm
Clothing - Strip, Seal Fur
After European settlement in 1788 Australian Fur Seals were hunted intensively from 1798 until 1825 for meat, oil and their skins. The growing Industrial Revolution called out for oil which was readily sourced from seals along with their valuable fur. Indigenous people had been sustainably harvesting seals for their meat and their skins .and the European sealers often coerced or kidnapped Aboriginal women for their knowledge of hunting seals. After 1825 the seal population had been decimated and therefore the hunt was no longer economically viable, but it wasn’t until 1923 that the Australian Government legislated to stop the hunting of seals altogether. In the time of the Amess family residence on Churchill Island it was perfectly legitimate to shoot any seal that interfered with fishing or was unlucky enough to come ashore on the Island. Furs were tanned and lined with fine fabrics to create items of apparel because seal fur has a soft velvety feel when stroked in the direction of growth. This strip appears to be around 22 inches in length and would be suitable to use as a belt for a tiny waisted lady or girl or it could have been used as a collar.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess womenA narrow strip of brown seal fur with grey backingjane, amess, janet, frances, seal, fur, churchill island -
Port Melbourne Historical & Preservation Society
Photograph - Miss Congue's Costumier Shop, Bay Street, Port Melbourne, c. 1900
This laser print is a copy of a photo which has been in the Congues/McKenzie family collection since early this century. Mrs Marie Vernon of Doncaster showed the photo to her cousin, Elva Mason, also of Doncaster but formerly of 35 Cruikshank Street. Elva had the copy done and passed it on to Barbara Gardiner. Mrs Vernon was unable to give us much information but could tell us that her mother, Mrs Mary Jane Congues (known as Ruby) was a tailoress who started her apprecticeship at age 13 and later established the shop which was next to Earl's hardware shop. We think that she was born in the 1880s. The Congues family lived at 36 Cruikshank Street, and their landlord in later years was Mr Sullivan, who supplied horse and drays for rubbish collection for the Council. Simon McKenzie was the loca policeman who patrolled up and down Bay Street and became interested in Ruby. She later visited a fortune teller who told her she would marry a man with numbers on his hat. They married and lived in Brunswick East, Carrum Downs and later Calligee (near Traralgon). LIfe was tough but Mrs Vernon remembers that her talented mother was able to teransform garments and hats so that her daughters always felt that they had a new dress for each special occasion. Mrs Vernon also remembers when a member of the famly needed dental care, they wee put on the train to stay with Grandma at Port Melbourne, who took them to Frost the Dentist (on the corner of Graham and Bay Strees), who pulled teeth for one shilling each. Miss Gongues is the lady in skirt and blouse on the right; other people unknown.Laserprint of four women in entrance to Miss Congue's Costumier shop in Bay Streetbusiness and traders - tailors and clothing, mary jane (ruby) congues, mary jane (ruby) mckenzie, simon mckenzie, mr sullivan, frost the dentist -
Churchill Island Heritage Farm
Photograph - Colour photograph of seated group
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This photograph shows the extensive involvement and assistance of volunteers at Churchill Island throughout the decades.Colour photograph of group of two women in period costume seated opposite a man in contemporary clothing. The group is gathered in front of a fireplace in Rogers Cottage [catalogue number on reverse in pencil]churchill island, photograph -
Bendigo Historical Society Inc.
Photograph - LA TROBE UNIVERSITY BENDIGO COLLECTION: BENDIGO TEACHERS' COLLEGE PHOTOGRAPH
A black and white photograph of staff and students at Bendigo Teachers' College located at Long Gully Primary School. Names unknown. 1926. The formal clothing of the day is evident here. The men all wear suits with white collar and tie. Many wear a waistcoat. The women all wear frocks or skirts with stockings. One lady wears a hat. Long Gully Primary School is in the background. See 3320.100bendigo, education, bendigo teachers' college, la trobe university bendigo collection, collection, bendigo, education, long gully primary school, state schools, primary schools, bendigo teachers' college, students, tertiary education, teacher training, photo, photograph, photographs, photography, clothing, attire, fashion, costume, miss j.c. burnett, mr. geoff. pryor -
Bendigo Historical Society Inc.
Photograph - LA TROBE UNIVERSITY BENDIGO COLLECTION: BENDIGO TEACHERS' COLLEGE RURAL SCHOOL SPORTS
A small black and white photograph of four Bendigo Teachers' College students at the Rural School Sports in November 1945. The four women are all dressed in pleated skirts or dresses with black shoes or white sports shoes. They are Lola Rowe, Rosina Crimmins, Lois Adams and Elaine Emmerson. See 3320.100bendigo, education, bendigo teachers' college students, la trobe university bendigo collection, collection, bendigo, education, bendigo teachers' college, rural school sports, sports, costume, attire, fashion, clothing, students, tertiary education, teacher training, ms. j.c. burnett, mr. geoff pryor, photo, photos, photograph, photographs, photography, lola rowe, rosina crimmins, lois adams, elaine emmerson -
Bendigo Historical Society Inc.
Photograph - LA TROBE UNIVERSITY BENDIGO COLLECTION: BENDIGO TEACHERS' COLLEGE STUDENTS 1946
A black and white photograph of unnamed Bendigo Teachers' College students in 1946. The men are dressed in suits with ties and the women are in suits, skirts with twin sets or dresses with jackets. The women are all wearing stockings or socks. See 3320.100bendigo, education, bendigo teachers' college students, la trobe university bendigo collection, collection, bendigo, education, tertiary education, teacher training, students, bendigo teachers' college, costume, fashion, attire, clothing, photo, photographs, photograph, photography, ms. j.c. burnett, mr. geoff pryor -
Bendigo Historical Society Inc.
Clothing - FAVALORO COLLECTION: WHITE NYLON WOMAN'S PANTIES, 1950's
... Clothing. White nylon women's panties with gussett... COSTUME Female underwear woman's white nylon panties Clothing ...Clothing. White nylon women's panties with gussett and straight legs, Centre and back of legs trimmed with 2.3 cm lace. Centre front full length panel (20cm wide) with two full length side panels. Lower section of side panels have 14 cm frilled inserts of pleated nylon fabric, with lace trim at top. Elasticized waistband.costume, female underwear, woman's white nylon panties -
Bendigo Historical Society Inc.
Clothing - FAVALORO COLLECTION: PINK WOMAN'S NYLON PANTIES, 1950's
... Clothing. Pink nylon women's panties with gusset... seam, ''SW ''. Clothing. Pink nylon women's panties with gusset ...Clothing. Pink nylon women's panties with gusset and elasticized legs trimmed with 3.5 cm coffee coloured lace with brown frilled edge. Elasticized waistband.Tag on inside seam, ''SW ''.costume, female underwear, woman's pink nylon panties -
Bendigo Historical Society Inc.
Clothing - FINE WHITE COTTON, SPLIT DRAWERS, 1850's-1900's
Fine white cotton, with a drawstring in a 1.5xcm deep casing around the waistline. Completely opened at centre front, through crotch, and up the centre back to within 14cm of the waistline. One dart on either side of front, and two darts on either side of back. Machine stitched. A 2.5cm wide cotton lace is inset into a zig zag pattern around each leg. In each V shape a 1.5cm lace insert in a fan,under the V shapes are inserted needle woven bows, shape is inserted. Seven extremely fine pin tucks border the edge of the legs, which have a three cm wide lace edging. Split drawers were worn in the era when women wore corsets. The split front and back allowed women to go to the toilet, as the corsets could not be removed to allow for an act of nature.Accompanying note - No date. The bloomers belonged to Miss Antoinette Catling of Bendigo and were part of her trousseaux. They would be 80+ years old. The linen bed jacket (11400.930) would be about the same age.costume, female, fine white cotton split drawers -
Bendigo Historical Society Inc.
Photograph - HARRY BIGGS COLLECTION: SERPENTINE
2 copies. Photo of a very large tree laying on the ground. There is a gentleman sitting on the base of the tree, beside him are four seated young women, between them there is a man standing on the trunk with hands on hips. At the other end of the trunk there are two men leaning on the trunk, one with a walking stick. The men are all wearing Bowler hats, the women are all in dark clothing and also hats. Written at the base of the photo is ' 200 posts Ellmswood, Serpentineplace, land, timber, serpentine, ellmswood -
Bendigo Historical Society Inc.
Painting - NORMAN PENROSE COLLECTION: WOMEN'S FASHION, Autumn 1940
Artwork. Norman Penrose collection: various colour and black and white pictures of women's fashion taken from magazines, etc and pasted onto cardboard. Some blue and white illustrations of methods of drawing figures and clothing.artwork, norman penrose collection, artwork, women's fashion -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: STOCKROOM
... of shelves holding various clothing items and 3 women, markings... Stockroom, a number of shelves holding various clothing items and 3 ...Black and white photo of the Hanro Stockroom, a number of shelves holding various clothing items and 3 women, markings on rear of photo read 'Hanro-Stockroom', 'Win Perrin'organization, business, hanro, hanro -
Daylesford & District Historical Society
Photograph Daylesford Panorama, J. J. Crawford, Western Avenue to Wombat Hill woman and two girls c1900, Circa 1900
Early panorama of Daylesford circa 1900 with views of Wombat Hill from Western Avenue. Taken by J. J. Crawford of Mitiamo late resident of Daylesford.A unique early view of Daylesford showing large areas of vacant land pre modern development.2 B&W photos forming panorama of Daylesford township, looking South East to Wombat Hill & beyond with many buildings clearly visible. 3 women/girls in foreground. Circa 1900. Mounted on 2 pieces of cardboard, stuck together by sewing red fabrick onto mounting boards. Taken at western Avenue by J. J. Crawford of Mitiamo Victoria photographic studio a late resident of Daylesford. J.J. Crawford Mitiamo (Stamp) Donated to Daylesford & District Historical Society by (J.J. Crawford Mitiamo) (late of Daylesford) D13wombat hill, town views, clothing -
Bendigo Historical Society Inc.
Postcard - CARWARDINE COLLECTION: POST OFFICE AND LAW COURTS BENDIGO, 1800/1900
Sepia colour postcard, portrait style Written on bottom 'Post Office, and Law Courts, Bendigo'. Image shows many people walking down Pall Mall on footpath outside Law Courts and Post Office. Women wearing ankle length dresses, large 'picture' hats. Men suits, straw boaters. Clothing appears to date to 1800's to early 1900's. Receipt number 355/16Printed in Saxony, on back of cardbendigo, business, carwardine soap and candle -
Dutch Australian Heritage Centre Victoria
Book, Fea Lamers-Nieuwenhuis (Publishers), '...gereet en gekleet naar hun staat' (Dressed according to their standing), 1991
... clothing for men, women and children in the Bunschoten area from ...Historical Study of the development of regional clothing for men, women and children in the Bunschoten area from the 18th century onwards. With the many illustrations it forms a valuable record of a slowly dying local custom.A hard cover well-illustrated book containing details of the regional dress of three villages on the one-time IJsselmeer.Historie en ontwikkeling van de klederdracht van Bunschoten, Spakenburg en Eemdijk. -
Wangaratta RSL Sub Branch
Poster, Women of Queensland!: Send a man today to fight for you, c1914-1918
An excellent example of Australian First World War recruiting posters aimed at women, rather than potential soldiers. The poster suggests that in helping defeat Germany, women were really defending themselves.During the First World War, governments needed to convince their citizens to contribute to the war effort. In the absence of radio and film, the poster was the most effective method of mass communicationDepicts a woman with arms raised, her clothing torn and right breast exposed. Two children lie dead on the round at her feet, while the town behind her burns. Full poster text: 'Women of Queensland! Remember how women and children of France and Belgium were treated. Do you realise that your treatment would be worse? Send a man today to fight for you'poster, ww1, women of queensland