Of Maryanne Coutts' exhibition at the Ballarat Fine Art Gallery Maryanne Coutts wrote: 'The same old story' is a curious phrase. As usual I can't tell you exactly in words what the story is,simply that I hope that this body of work evokes characters and implies the actions and interactions that engender a story. For me the story if seeking itself, trying to understand what about itself is repeatable yet malleable, rememberable yet changeable. The Triumph of Gutenberg' celebrates the seemingly ordinary by manifold ways that information is transferred and transformed. It arises from a fascination with the way a thought evolves from one idea to the next, often repeating itself, but sometime making leaps and in the dark mutating. Famed for introducing movable type and the printing press to Europe in 1450, Gutenberg enabled the mass production of books. He has consequently become a symbol for the power of the dissemination of knowledge. Vehicles for repeatability, like printing, are myriad and range from specific codes, such as DNA, to more ephemeral language systems like visual and narrative. Stories are my favourite vessels of memory, of recording. It seems that a story can have certain characteristics that allow it to be recognised as a particular story, indeed, that allow it to be repeated withing different narrations, different readings. As a visual storyteller, I have been curious about how much can change while the story remains the same, Within this visual exploration of what I consider to be a consistent story, conveyed through different media, scales, shapes, and styles, I have allowed mutations, which I hope will illuminate the repetition. In some ways this work is a direct response to Poussin's 'The Triumph of Pan', whose arrangement of figures approaches a kind of formal abstraction. As I worked through the drawing, painting and print that are in this exhibition, I have looked increasingly to more recent interpreters of that tradition like Beckmann, Layered, then, withing this story are other stories, other histories. In a metaphoric sense repeatability and mutability characterize both how the work came into being and how, being something more than paper, canvas and pigment, it can travel audiences' neural pathways as both memories of sights seen, as new thoughts ans/or as old thoughts and memories now mutated. Maryanne Coutts, January 2003.Maryanne COUTTS (1960- ) Born Australia Maryanne Coutts studied at the Victorian College of the Arts (VCA), The University of Melbourne, 1979 -1981, the University of NSW (UNSW),1984 and achieved a PhD at Federation University Australia in 1999. She has exhibited extensively throughout Australia and internationally including UK, Spain and Thailand and is currently Head of Drawing at the National Art School, Sydney. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work is presented on four linen canvases. It is a very large work showing a person working in an office. Donated under the Australian Government's Philanthropic Programme, 2005art, artwork, maryanne coutts, coutts, work, alumni, office, gutenberg

Baptist Manse beside the church in Scallan Street Stawell. The handwritten sign out the front is hard to decipher. Black & white photo of a brick single story building beside the church with wood and wire fence. The sign out the front is difficult to read from the photo, but words we can work out are ".... Designed & Erected by The Stawell ...... Plaster .... Inspection Invited Estimates Submitted for plastering cement work". "... Designed & Erected by The Stawell ...... Plaster... Inspection Invited Estimates Submitted for plastering cement work".stawell, religion

One of fifty one photographs originally in a photo album found in the National Wool Museum’s office. The album was water damaged and the images were removed for conservation. The images follow the process of wool. Beginning in a sheep paddock and finishing as a folded fabric. It includes all the steps in between in this process, including shearing, transporting, selling, washing and the many different steps in the process of turning a single thread of wool into fabric.Black and white image showing shearers at work at Boonoke Station.AUSTRALIAN NATIONAL PUBLICITY / ASSOCIATION / FLINDERS STREET RAILWAY BUILDING, / MELBOURNE AUSTRALIA / W56 / W56. Shearers at work, / Boonooke Station.wool industry, working life, women, boonoke station, farming, sheep farming, agriculture, sheep stations, transport, wool processing, shearing, textile industry, wool

Framed cream coloured sampler on blue background presented in sections: Section 1: Blue coloured birds Section 2: Alphabet in upper case - Green Section 3: Alphabet in lower case - Blue|Section 4: Numbers 1-0 - Yellow Section 5: Flowers - Yellow, Pink, Blue Section 6: Name of worker and year: Worked by Lorna Vague 1989Worked by Lorna Vague 1989handcrafts, embroidery

This apron is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes - adding her own handmade embroidered or crocheted decorative trim. In March 1915 Eliza travelled to San Francisco to visit her son, James. She went by train to Melbourne ("a pleasant journey on the up express') and the next day caught the express train to Sydney. She noted in her letters home that a " number of young men were going to Sydney to enlist but they had to stop in the corridors most of the way as there was no room for them to sit down". She spent the night on the train and arrived in Sydney the next morning and on the following day she boarded the R.M.S. "Moana" (a steamer which took about twenty-four days to reach San Francisco). She returned from Vancouver about five months later on board the "Manuka". It is very likely Eliza took this "Travelling Apron" with her on her travels. Eliza was travelling by herself and had no one to help her with her dress or her hair. "Travelling Aprons" (also known as Toilet Aprons or Tourist Aprons) were designed with different sized pockets for holding a lady's toiletries - hairbrush, hair pins, comb and sometimes even soap and a powder puff. This allowed the owner, when travelling and getting dressed in small places such as an overnight train compartment or a ship's cabin, to have all her requirements at hand without needing to search for them or have them roll onto the floor. Some of the pockets are finished with buttoned flaps to keep the items in place and when not in use, the apron could be hung up or rolled up and put away. Articles about the "Traveller's Apron" appeared in numerous Women's columns in Australian newspapers in the early 20th century - often with instructions and sometimes a pattern. In the "Age" on Sat 5th October 1907 in a column titled "Feminine Facts and Fancies" the author wrote "No man can appreciate the difficulties of dressing in a "wobbly" train or trying to do one's hair while a ship is weathering a storm". A year earlier (Saturday 24th March 1906) in the same column, the author wrote "... you have to spend nights in a train... forever struggling to dress yourself in a wretched little lavatory. You know how your hairpins and combs jump all over the place ... a train is always at its liveliest when you're trying to do your hair. My travelling apron saved me many a rage."This item is an example of the needlework skills of women in the early 20th century - combining machine stitching with hand embroidery to personalise and embellish a practical domestic object. It is also an excellent (and rare) example of an early 20th century innovation that helped solve the difficulties of privacy and convenience that many women experienced at a time when travel was becoming more accessible to them. A half apron, made of ivory linen with two waist ties and seven pockets. Along the top are two smaller pockets with triangular, buttoned flaps labelled "Hairpins" and "Nailbrush" and one larger unlabelled pocket. Underneath are two larger pockets labelled "Brush & Comb" and "Work" and two unlabelled narrow pockets. The seams are machine stitched and the pockets are outlined with hand embroidered feather stitch. The labels on the pockets are embroidered in stem stitch."Hairpins" / "Nailbrush" / "Brush and Comb" / "Work"flagstaff hill maritime museum and village, nhill, eliza towns, apron, travelling apron, tourist apron, textiles, toilet apron, sewing, embroidery, travel, warrnambool, great ocean road, trains, ships, moana, manuka, feather stitch, stem stitch, fashion, handmade, clothing, charles towns, needlework

This is a typical exercise book used by students throughout the 20th century. Students often had a book for each subject . This one has samples. The work is written in fountain pen and contains examples of handwriting , arithmetic, spelling and English. Jack French was from the Panmure district.This exercise book is a good example of school work from the 1930's. It provides an insight into the type of work undertaken on a daily basis by students.Dark brown and navy blue marbled pattern exercise book with cream label inset on the front cover and lightly stained pink above the label . Back cover is patterned all over.The pages contain school exercises in various subjects. Jack French Work Book.The Latrobe Exercise Book. Some of the work is dated 1931. 1930's school book,, jack french, history of warrnambool, panmure

The ''Junior Red Cross Work Trophy'' cup. A silver, two handled cup on a dark wood base, with annual winners'' shields. In memory of Jane Alcock who esteemed Truth, Honour and Order above riches. Awarded for Junior Red Cross work

CEMA Art Collection Winner of 1962 Portland Art Society Art Prize for the category Drawing or Print.The print is an abstract depiction of a waterfall in shades of brown, black, blue, green and cream. The brown, blue and cream are used to create the background while the black and green provide the work with texture through the use of line. The work has a simple wooden frame with white mount and glass.Front: Robert Grieve Grampians Waterfall 9/18 61 (bottom of work, lead pencil) Back: 1962 (top left, lead pencil)cema, portland artists society, local history, portland, grampians

Ballarat Grammar’s 23 acre site facing Forest and Howitt Streets, Wendouree was chosen carefully by the Committee set up by the Church Assembly (Synod) in November 1908. Classes began for the 38 boys enrolled on 14 February 1911. The first building accommodated 90 day boys and 25 boarders. It comprised the Headmaster’s residence, three classrooms, one large dormitory, a small bathroom, two cubicles for assistant masters and the matron’s room. During the first year the property was fenced, trees and cypress hedges were planted, a carriage drive was constructed and work commenced for the School Cricket Oval. Three Noopsi Badges celebrating 100 years of Anglican education at Ballarat & Queens Anglican Grammar School. These are beaded badges in blue, yellow and brown with "100" in yellow, mounted on a safety pin. "100" in worked in yellow beadsballarat, badge, queens, 100, cegs, 2011, bgs, noopsi, century-celebration, grammar-school, qceggs

Ballarat Grammar’s 23 acre site facing Forest and Howitt Streets, Wendouree was chosen carefully by the Committee set up by the Church Assembly (Synod) in November 1908. Classes began for the 38 boys enrolled on 14 February 1911. The first building accommodated 90 day boys and 25 boarders. It comprised the Headmaster’s residence, three classrooms, one large dormitory, a small bathroom, two cubicles for assistant masters and the matron’s room. During the first year the property was fenced, trees and cypress hedges were planted, a carriage drive was constructed and work commenced for the School Cricket Oval. Three Noopsi Badges celebrating 100 years of Anglican education at Ballarat & Queens Anglican Grammar School. These are beaded badges in blue, yellow and brown with "100" in yellow, mounted on a safety pin. "100" in worked in yellow beadsballarat, badge, queens, 100, cegs, 2011, bgs, noopsi, century-celebration, grammar-school, qceggs

Ballarat Grammar’s 23 acre site facing Forest and Howitt Streets, Wendouree was chosen carefully by the Committee set up by the Church Assembly (Synod) in November 1908. Classes began for the 38 boys enrolled on 14 February 1911. The first building accommodated 90 day boys and 25 boarders. It comprised the Headmaster’s residence, three classrooms, one large dormitory, a small bathroom, two cubicles for assistant masters and the matron’s room. During the first year the property was fenced, trees and cypress hedges were planted, a carriage drive was constructed and work commenced for the School Cricket Oval. Three Noopsi Badges celebrating 100 years of Anglican education at Ballarat & Queens Anglican Grammar School. These are beaded badges in blue, yellow and brown with "100" in yellow, mounted on a safety pin. "100" in worked in yellow beadsballarat, badge, queens, 100, cegs, 2011, bgs, noopsi, century-celebration, grammar-school, qceggs

EIG School - Ralph Birrell Collection. - Construction of Latrobe Uni. C1966. Bendigo Institute of Technology, Engineering School, Applied Science. View of the ground floor under early construction, work huts in back ground.Perutzeducation, tertiary, latrobe university bendigo, eig school - ralph birrell collection. - construction of latrobe uni. c1966. bendigo institute of technology, engineering school, applied science. ground floor early construction, work

This work was first commissioned by the Melbourne city council as part of a celebration of the opening of the Birrarung Marr park. 25 victorian sculptors were given $2,500.00 to create a work which would be part of the park for about 6 months. Date of manufacture and installation: 2002 'Silent/Listen' was gifted by the artist, Petrus Spronk, to the people of Hepburn Springs in July 2001.Two smooth rectangular engraved granite slabs placed directly on the ground. Each granite stone is engraved on its uppermost surface. The left hand work is engraved with the text - 'silent' and the right hand work is engraved with 'listen'. Unsigned. Dated July 2001 petrus spronk, public art, sculpture, environmental art, hepburn shire public art collection, hepburn shire, listen, silent, hepburn springs mineral reserve, granite

Albert E. WILLIAMS (1899-1986) Victoria, Australia Albert Edward Williams was among the first to undertake the five-year, Technical Art Teacher’s Certificate (TATC) at the Ballarat Technical Art School in 1915, with work placement at the Ballarat Lithographic company. Williams taught for several years before he was selected to undertake further teacher training at the Working Men’s College, Melbourne, in 1926. He returned to teach at Ballarat in 1928, facilitating many student activities, while pursuing the arduous Art Teacher’s Certificate. This work was undertaken for the Art Teacher's Certificate, Part I at the Ballarat Technical Art School, School of Mines, Ballarat. From its inception in 1914, it was 30 years before the first candidate achieved the Art Teacher’s Certificate's exhaustive requirements. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Pencil figure drawing of a man in underwear.Verso "Certified as Student Work. H.H. Smith"art, artwork, albert e. williams, life drawing, ballarat technical art school, art teacher's certificate, drawing figure from life

Worked and used by Mrs Jean AshcroftWhite linen butterfly shaped cloth, folded to form tea cosy cover. Cover is embroidered with eyelet and cut work. Edge is finished with scalloped buttonhole work.nilmanchester, table linen

The women of the pioneer families were very skilled at dressmaking , needlework and lace making. The early settlers had to be self reliant and made and repaired their own clothes, haberdashery and furnishings These tools were used to make crochet work doilies, antimacassars, and add decorative work to lingerie, collars, cuffs, baby clothes, bonnets and bibs.5 assorted steel crochet work hookscraftwork, crochetwork, needlework, early settlers, pioneers, moorabbin, bentleigh, cheltenham, steel manufacture

This crocheted sauce bottle cover was made by either Sarah Lees or her daughter Ann Dale (nee Lees.) In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” It was a tradition for brides to have a 'glory box' containing linen and embroidered articles to take to their new home. Many of the items were made by Daisy, a skilled dressmaker. Daisy began her apprenticeship at two shillings and sixpence per week at Miss A. E. Emery's dressmaking establishment at 150-152 Liebig Street, Warrnambool. Considered to be the leading house of fashion in Warrnambool, Miss Emery employed about eight young women who worked long hours to sew elaborate gowns for clients, including wives of graziers who would attend the race carnivals and social functions in Warrnambool. (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework and handmade domestic items.Sauce bottle cover; white crocheted tube shape, drawn together at the top. The letters "SAUCE" have been crocheted into the pattern. Part of the Chamberlain Dale Lees Collection.Worked within the pattern "SAUCE"flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, handmade, craft, manchester, linen, haberdashery, needlework, crochet, miss a.e. emery dressmaker, sauce cover, bottle cover, sauce bottle cover, sarah lees, ann dale (nee lees)

McNamara collection - sampler of drawn thread work. - various patterns.- Sampler of drawn thread work. - Cotton, machine edged.Nilsampler, drawn thresd

This artwork was the first computer generated work submitted for a fnal painting folio at the University of Ballarat (now Federation University). It was purchased from the University of Ballarat End Of Year Exhibition, 2000. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed digital work.art, artwork, digital, computer generation, aaron olington

Excavation work to remove the grasslands and trees on the railway land on the west side of the Sunbury Station to make way for commercial development on that side of the line.A coloured photograph of excavation work in operation on land which has cyclone fencing around its perimeter. There are buildings in the middle distance beyond the work site.sunbury railway station

A document regarding El Kanah in Marysville that outlines it's purposes. This paper was compiled for The Hon. Fran Bailey as a short outline of El Kanah's work when she opened the restored Tennis and Volley Ball Courts which was a work for the Dole program nominated for a John Howard Award.A document regarding El Kanah in Marysville that outlines it's purposes.This paper was compiled for The Hon. Fran Bailey as a short outline of El Kanah's work when she opened the restored/ Tennis and Volley Ball Courts which was a work for the Dole program nominated for a John Howard Award.marysville, victoria, australia, el kanah, accommodation, christian community, 2009 black saturday bushfires

Sheet of plain paper with two extracts from a newspaper calling tenders for seat cushions, Laminex sheets and tram stop and bus stop signs - dated Jan / Feb. 1979 - signed by R. W. Brown as Acting Secretary for the MMTB stapled to the paper. Has notes "Private Industry Preference", "Exhibit A" and "Exhibit B" and "Preston W'shop to miss out on work?"Has notes "Private Industry Preference", "Exhibit A" and "Exhibit B" and "Preston W'shop to miss out on work?"trams, tramways, workshops, employment, tenders, signs

Tape has not been viewed. From the label it appears to be a tape about the work that Legacy do and could be used to promote Legacy. The date is not known.A record that Legacy produced recordings for promotional purposes.A VHS recording about the work of Legacy for promotion purposes.Cover, adhesive label, 'Legacy caring since 1923', Legacy symbol. Adhesive label Red&yellow patern with blue Legacy symbol. 'Legacy caring since 1923'. Adhesive label, 'The Story of Legacy' legacy promotion, legacy appeal

This work covers the history of the building that houses the Navarre Museum. From its construction as the Presbyterian Church through to the present day.Clear Palstic cover over white page with black print and colour photgraph of a buildingNavarre Museum An Historical Sketch A Work In Progress of the Navarre & District Historical Society Inc.stawell