'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.22 MUNRO ST, HAWTHORN Marg Picken ~87artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.29-31 MUNRO ST, HAW E Marg Picken ~88 WOODARDS -HAWTHORNartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.7 NARVENO CRT HAWTHORN Marg Picken ~88WOODARDS -HAWTHORNartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.7 WISEMAN ST HAW EAST Marg Picken ~88 WOODARDS -C'WELL - 'B'artist - margaret picken 1950-

Benjamin Herbert Densley (1876-1947) was a son of William Densley and Margaret Threlfall and was born in Eaglehawk. After moving to WA he married Elsie Butler (1887-1923) in 1910.Bendigo Advertiser '' the way we were'' from 2002. Outback: Ben Densley riding a camel in Western Australia. Date unknown. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Benjamin Herbert Densley (1876-1947) was a son of William Densley and Margaret Threlfall and was born in Eaglehawk. After moving to WA he married Elsie Butler (1887-1923) in 1910.Bendigo Advertiser '' The way we were'' from 2002. Camping out: miner Ben Densley in Rome Mine, Western Australia. Date unknown. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Wedding dress made for Margaret Coleman of 135 Belford Road, Kew, who married Murray Turnbull of 21 Molesworth Street, Kew, at St Andrew’s, Gardiner in October 1952.White silk satin wedding dress made by Buckley & Nunn of Collins Street Melbourne. The dress has long sleeves and a v-neck bordered by wide lapels. The bodice is buttoned to the waist with buttons covered in the same fabric as the gown. The skirt drops from the waist with gentle pleating at the front. The skirt features a very long and wide train."Fabric exclusive to Buckley & Nunn"fashion and design -- 1950s, wedding dresses

A group of children in Geelong who's fathers had served during the first World War. The RSSILA (precursor to the RSL) had held an event for them and took this photo which was then distributed to the families at Christmas 1919. Margaret Burn is possibly one in the front row and her family donated the photo. Margaret later attended girls classes with Geelong Legacy in the 1930s and Legacy helped her find employment when she left school. Her family donated two photos and a Laurel Badge to Legacy.A very early photo shows that Geelong RSSILA were looking after the children of soldiers.Sepia photo in a brown cardboard frame of many children taken at a RSSILA Geelong event in 1919.geelong legacy, margaret burn

A film of the 1959 rehearsal for Junior Legatee Demonstration at Melbourne Olympic Swimming Stadium. The commentary notes how the fitness programmes avoided bad posture which would 'lead to a loss of confidence in a sensitive child' and helped them to avoid 'falling into bad company and delinquency.' It also noted the 'wise counsel' given to their mothers by Legatees and details the assistance available from Legacy to 9,000 fatherless families in Victoria alone. There are synchronised exercises, judo demonstrations, mass marching, girls creative dancing and a final tableau in readiness for two night's public performances. It is in black and white and last 14 mins, 16mm B/W, Sound. This film has been digitised to preserve its content. Melbourne Legacy gratefully acknowledges the support of the Victorian Government and Public Record Office Victoria for making this possible.A visual record of the numbers of children cared for by Melbourne Legacy and the activities organised for them.Large circular case with semi fitted reel inside. Film is approx. 550 feet, 16mm. Note loose inside case. Two stickers on the lid. Tape scattered around the edge of the lid.Front stickers: CINE SERVICE PTY. LTD. / 368 Post Office Place Melbourne / TITLE DEMO (1959) COPY / No 1 / LENGTH 1000' REEL 1ofl. / It is stressed that the film should be used in a Class project using a 1,000 Watt lamp with a trained Operator handling the machine. Handwritten note: Demo Rehearsal. Film Damaged Other side printed: MELBOURNE LEGACY "Lest We Forget"annual demonstration, junior legatee

Photo captions on page: 1. Eltham Methodist Church 2. Eltham Methodist Church 3. St Katherine's Church, St Helena 4. St Margaret's Anglican Church, Elthamst margaret's anglican church, eltham, st katherine's church, st helena, eltham methodist church, peter stirling collection

Isabella, fifth child of Robert and Margaret Anderson, seated in canvas deck chair, book in lap. Isabella dressed in white shirt and black skirt, broach at neck, large wrist watch.Isabella Andersonlocal history, photography, photographs, slides, film, isabella anderson, black & white photograph, mrs emma anderson jacobs

Copied from print made for Margaret Bride, great grandaughter of Benjamin Bellion,by her son who holds the original. (See also 665) Display assembled for Then and Now exhibitions by the Society.Bellion's Grocery at 175 Stokes Street c1881, with staff, horse and cart - colour laserprint from black and white copy photowilliam j bellion, benjamin bellion, business and traders - grocers and supermarkets, built environment - commercial

The Dormans are pictured in an article entitled "Today's missionaries: they face culture shock at home and dangers abroad". Other people mentioned in the article are Margaret Reeson, Beth Davies, the Rev. Ross Mackay.The photo shows Geoff and Jenny Dorman holding their son Matthew, all facing the camera.C&N identification.dorman family, missionaries

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for baby shawls and cot covers.Patons / KNITTING BOOK / NO. 216 / "ROCK-A-BYE" / See page 5 / 6d. / Requested Reprints of / SHAWLS AND COT COVERSknitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens gloves/mittens and hats.Patons / KNITTING BOOK / NO. 232 / "ERICA" / See page 6 / 6d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens hats, scarves and gloves.Patons / KNITTING BOOK / NO. 266 / "VALLI" / See page 12 / 7d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains photos and patterns for knitted womens and babies clothes.Patons KNITTING BOOK NO. 271 / "FAERY LIGHT" - See page 8. / P&B / WOOLS / Re-Introducing Beehive Silversheen / 8d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Coats Patons and contains knitting and crochet patterns for hats, scarves and gloves.WINTER / WARMERS / PATONS / Book 483 / 40 Designs for Hats, / Caps, Scarves, Gloves / and Mittens. / PRICE / CODE / Eknitting handicrafts - history crochet, coats patons (australia) limited, knitting, handicrafts - history, crochet

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by the Alexandria Mills in Sydney and contains knitting patterns for womens jumpers and tops.7 1/2d / Sun-glo / Knitting Book / Series 115 / DESIGN No. 3666 / Instructions on Page 6knitting handicrafts - history, alexandria spinning mills pty ltd f.w. hughes pty ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens garments.Villawool / KNITTING BOOK / No. 69 / 1'9 / "NEWS FLASH" See p. 6knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It contains 110 patterns for crocheted edgings and was written and produced in Australia, c.1945.110 / Tralin / Crocheted / Edgings / Price 1'- / Copyright Reg. / 14th Editioncrochet handicrafts - history, bamford, miss walker, miss, crochet, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by American Vogue and contains knitting patterns for womens garments and mens jumpers.VOGUE / KNITTING / FALL-WINTER 1961 / 50c / 50 FASHIONS / FOR YOU / TO KNIT / new shapes / new textures / new colours / THE LITHE LOOK / IN KNITTED DRESSES / BOUTIQUE / OF SWEATERS / FOR MENknitting fashion, vogue - america, knitting, fashion

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by English Vogue in 1959 and contains knitting patterns for mens and womens garments.Vogue Knitting Book / For all / occasions / .. jackets / .. ski sweaters / .. bedjackets / Sizes 30-44 / Instructions inside / No. 55 Price 2'6knitting fashion, vogue - english, knitting, fashion

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was published by English Vogue and contains knitting patterns for men, women and childrens garments.Vogue / knitting / BOOK No. 61 / For you .. / For men .. / For children .. / All you need / to knit now / Instructions inside / 2'6knitting fashion, vogue - english, knitting, fashion

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by English Vogue and contains knitting patterns for mens, womens and childrens garments.VOGUE / Easy / Knits / No 2 / Quick / knitting / for the / family / 2'6knitting fashion, vogue - english, knitting, fashion

Turner Collection. Wedding dress of Margaret Jane Morrissey who married James Cahill 31 May 1868 at St. Patricks Church, Kilmore KHS holds original Marriage Certificate. Both early Kilmore families.Brown silk damask dress with cotton lining. Front button fastening. Jacquard striped, bustle back. Tearing at armhole, breakage at hem, frayed binding, frayed black braid trim detached in places, staining on collar, accretion on back, pest webbing. Very fragile.wedding, morrissey, cahill

An old teapot covered 'mosaic like' with pieces of broken china. A memento of familiar objects 'lost', a popular idea during the 1930's. From the home of an Aunt of Miss Margaret Mitchell. Round large teapot with coloured ceramic pieces attached all over the pot, rough texture, with a smooth base.teapots, mosaics

This image was sent by Mandy Dickson in 2019. Image is of Tom McLachlan, who was killed in France in WWI, and his family. Tom was a brother of Mandy's great-grandmother, Margaret Kerr (nee McLachlan).Image which has been modified/coloured. Image shows a man in military uniform, his wife and four children.thomas mclachlan