"Fundraising" handwritten on back

"Betty" and "Glenys" handwritten in blue pen on the front

Wayman & Kay Foundry Wimmera Street from P.C. News Supplement 1888. Wimmera StreetLarge wooden foundry with boiler Steam traction engine, water tanks road roller and machinery in foreground. stawell businesses

Two colour photographs of Track into Quarry Road Grampians. Once Rail Line used in construction of dam wall, later used as rifle range. The rifle range was once the last part of the railway track that ran to the quarry which was used to cart stone to Lake Fyans when it was being constructed. (1912-1918). The rifle butts are near to or part of the quarry. The Rifle range can still be seen. Two colour photographs of bush setting with track and dirt mound (rifle butts)stawell

An Australian history text that details a social history of Australia from 1938 to 1988. Published to celebrate the bi-centenary in 1988Shows the development of the Australian culture over 200 years. Soft cover, 255 pages. Black and white illus and maps. Cover has Percy Trompf's painting "Bondi Beach"australia history, australia social conditions, libby tudball

Black and white photographWritten on back of photograph, "Ramp replacing steps Ringwood Railway Station, 1963".

Booklet with light cardboard covers and spiral binding. Colour photograph on each page of a flowering plant or conifer its name and a numberflowers, plants, conifewrs

One sepia and one black and white photograph "Attached to photograph" Back Row - L to R: David Young, ?, ?, ?, ?, ?, 2nd Row - L to R: ?, Margaret Blood, ?, ?, ?, Margaret Burnside, ?, Lois Crouch, Rosamund Pellow, Lynette Mathews. 3rd Row - L to R: ?, Margery Anderson, Janice Yobb, Beth Williams, Joyce Marshall, Agnes Young, Leah Kelly, ?, ?, ?. 4th Row, Kneeling - L to R: No names. Front Row - L to R: Neville Burns, ?, ?, Tom Hancy, Derek Duke, ?, ?, Bruce Caughey. Teacher:

A quarter century after its end, the Vietnam War still divides Americans. Some, mostly of the left, claim that Indochina was of no strategic value to the United States and was not worth An American war.vietnamese conflict, 1961-1975 - united states, united states - foreign relations - 1963-1969, indochina

On 30th April 1795, the tanks of tge People's Army of North Vietnam burst through the gates of Independence Palace in Saigon. The long war was over.vietnam war (1961-1975), vietnam, 1940-1975, vietnam war, 1961-1975 -- australia, hanoi, people's army of north vietnam, independence palace

In 1968, in the western jungle of Vietnam near Loas, a Special Forces Company under the command of an Australian Army Captain, supported by a Marine artillery detachment, occupied an old French Fort on a hill know as Ngok Tavak. vietnam, aattv, military participation -- american, battle of ngok tavak, australian army training team vietnam (aattv), laos, special forces company

Drawing on a wealth of new evidence from all sides, Triumph Forsaken overturns most of the historical orthodoxy on the Vietnam War.vietnamese conflict , 1961-1975., vietnam - history - 1945-1975., south vietnamese president ngo dinh diem, president diem, president lyndon johnson, us troops

A green plastic cover with gold information on the front. Top right hand corner reads 7610-66-027-7622. Under the Australian Army insigia reads Technical Manual with the rest of the details under this. The manual is held together by a metal slide.australia - armed forces - service manuals, technical manual, user handbook, radio set an/prc-77

This album is a history of the Probus Club of Greenwood in 1996. Compiled by photographer Jean Watt and the Club's historian Inge Car, this volume includes lists of members, photographs of tours and leaflets collected on these tours, Club newsletters and annual reports. The Club is now known as Greenwood Community Social Club.Volume 2 of 17, depicting the history of this local club.Large photo album containing photographs with captions, itineraries, newsletters and leaflets. Housed in blue cotton bag, embroidered with title of album.Captions throughout.probus club of greenwood inc, greenwood probus club, watsonia, greenwood community social club

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of 1st Australian Task Force Commander, Brig C.M "Sandy" Pearson, accompanied by the New Zealand Padre Varcoe of 4 RAR/NZ (ANZAC) Battalion, is given the traditional Maori Challenge before being allowed to enter the Battalion's area attend the farewell concert organized by the Officers and other ranks within the Battalion.photograph, 1st australian task force, brig sandy pearson, padre vercoe (new zealand), 4 rar nz, new zealand maori, gibbons collection catalogue, 4 rar/nz (anzac), maori challenge, denis gibbons

A brown coloured cardboard cover with an orange section with the details in black ink. Top right hand corner there is a label with Property of National Vietnam Veterans Museum on it. The manual is bound with a brown material binding. The manual is held together iwth two metal clips.military weapons, ordnance bl 5.5in mark 3, carriage 5.5in or 4.5in gun mark 2, accessories/ancillaries, manual

In Wealth for Toil #2, Raquel Ormella continues her ongoing exploration of Australian identity and our relationship to winning and money. It is one in a series of banners which explores gold as both a precious metal and as a metaphor. The artwork’s title references the Australian National Anthem. Raquel critiques some of the less desirable aspects of Australian patriotism – specifically the national public outcry when the Australian swimming team did not come back with gold at the 2012 London Olympics, despite thousands of dollars being poured into the Australian Institute of Sport. Australian currency incorporated into the workaustralian identity

screenprint

modified found object

Land is mother, we live with the land – not off the land. This artwork comes from Millar-Baker’s Toongkateeyt (Tomorrow) series, which sees the mashing of Countries to create imagined landscapes that embody both birth country (Wathaurong) and ancestral country (Gunditjmara). Toongkateeyt takes an introspective exploration of contemporary Indigenous connection to land and identity post-colonisation. Using images she took herself and those taken by her grandfather, Millar-Baker focuses on places that have played an important part in her family’s intergenerational experiences. Each work in this series is built from hundreds of individual layers and photographs. Each rock, tree, animal etc. was photographed individually and cut out to create a new landscape depicting the ‘mashing’ of ‘countries’ and a personalised experience existing today as an Aboriginal person. photograph