Photograph and Document of WO1 Birnie with South Vietnamese soldier. Copy of General Order Awarding Bronze Star to WO1 Birnie. Copy of CitationSeal of Secretary of US Army.photograph, framed document, wo1 birnie

WWII Historical significanceWWII British Armed Forces special voucher bank note valued at sixpence.Issued by command of the Army Council.

Framed coloured photograph of Cessna 180 parked nose into a canvas hanger fuel with drums and jerry cans to the right of the hangar.Army Rondell, A98-043hanger, vung tau, cessna 180

Official Certificate of Discharge from the Australian Military ForcesTyped in details related to Gunner Anthony James Pratt Discharge

Black and white photograph of A. D. Gilchrist in military uniform.a.d. gilchrist, ballarat school of mines

U.S Military Sript five cent series 661documents, vietnam, general

Non military White. long sleeve (part of UC003)uniform, wran

Military Drving Licence In namepf Peter Gerald Sampsondocuments, army

Military Assosiation Badges (10 badges so far)

Open secateurs, taped handles, non-military issuesecateurs, sas

John Richards Harris was born in 1868 of Cornish miner parents in Chiltern. He attended Rutherglen State School No. 522 (Rutherglen Common School), probably starting there in it's 1st or 2nd year of opening. He practiced medicine in Rutherglen, and was the doctor who examined many of the local men for enlistment in World War 1. In 1917, he enlisted himself, and served as Medical Officer in the Australian Flying Corps in Egypt. In 1920 he was elected to the Legislative Council of Victoria, where he served for much of the period from then until 1946. He received his knighthood in 1937. After retiring from politics, he returned to Rutherglen as a medical practitioner and vigneron. As a vigneron he made the sweet fortified wines that were common in the district, but in the 1920s he experimented with a dry sherry style, made in the Spanish manner. His 'Doctor John' sherry won many show awards. He died in 1946, and is buried in Carlyle Cemetery, Rutherglen.Black and white portrait photograph of a man in military uniform.Typed on back of photo: "Sir John Harris"john richards harris, legislative council, victorian politics, wine industry, medical practitioners, doctors, common school, australian flying corps, world war i, world war 1, ww1, wwi

Bluish-toned photograph of Sydney Till in military uniformtill, family, sydney

Japanese Military script 1 cent X 2ephemera, ww2, general

Japanese Military script 10 cent X 5ephemera, ww2, general

Belonged to Thomas Henry ISER V24933 and VX102660 2nd AIF. Refer Cat No 383.2 for his service history.Headwear, Military issue, Beanie woollen, khaki colourhats woolen, beanie military

Small gold coloured Australian Military Forces button.On front: Map of Australia with a crown on top. On back: Stokes Melbaustralian military forces, button

Black and white photo: group of men in military uniform.person, robert denis kelly, france, world war 1

Professor Creedy donated a collection of books to Federation University. The collection is housed in the Geoffrey Blainey research Centre, E.J Barker Library, Mount Helen campus Professor John King is an Adjunct Professor at La Trobe University, and an Honorary Professor at Federation University Australia Max Corden is Emeritus Professor of International Economics of Johns Hopkins UniversityFour eminent academics photographed in the Geoffrey Blainey Research Centre during the launch of the Creedy Collection. They hold books from the Creedy Collection. Left to right: Geoff Harcourt, John King, Max Corden and Mike Howard. creedy, federation university, geoffrey blainey research centre, library, creedy collection, john king, geoff harcourt, max cordon

Books, Bert Graham Collection, Bendigo East Swimming Club, 5 books containing Names of members and swimming times for years 1958/9 - 1964.photography

This book was part of a series of books published for the Australian Military Forces by the Australian War Memorial in Canberra. Contents for the book came from the Australian military forces in early 1945 and the book was ready for printing at the beginning of August, ready for Christmas release. The title signified the ending of the war to the north of Australia.This book is a significant contemporary record of the participation of Australian soldiers in World war 11.A 208 pp book with a dust jacket which has a picture of a soldier wearing a slouch hat holding a world globe with Australia to the front. a soldier is standing on top of the globe holding a bayonet high. The title, "Stand Easy" is in red print at the bottom right. The hard cover of the book inside the dust jacket is green with the wording 'Stand Easy after the defeat of Japan, 1945' in pale green, along with an image of a soldier waving a gun above his head. It contains prose accounts of the war, cartoons, photographs, verse, illustrations and maps.inside cover - " To John Gilbert Esq..........from Capt Shannon Tallagoota Orbost Victoria"military world-war-11 book-stand-easy

The Universal Stereoscope was used to view overlapping stereo aerial photography in three dimensions (3D). It consists of magnifying lenses, an optical train including glass prisms and mirrors that are protected by sliding metal covers all suspended on a pair of fold out adjustable legs. The stereoscope is coloured military olive drab green. This Universal Stereoscope was produced in Australia in 1940 for Military use. It was originally produced with a timber protecting carry box that is missing. It was used extensively by members of the Australian Survey Corps during WWII in many theatres of War for viewing and annotating aerial photography. Item 6205.6P, photograph 6205.1P shows the Universal Stereoscope in use by the Australian Survey Corps annotating aerial photography.The Universal Stereoscope was used to view overlapping stereo aerial photography in three dimensions (3D). It consists of magnifying lenses, an optical train including glass prisms and mirrors that are protected by sliding metal covers all suspended on a pair of fold out adjustable legs. The stereoscope is coloured military olive drab green."DC-1940 Serial No 550", "D V D", "Made in Australia" Plate on the underside reads " This stereoscope was donated to the Ex Fortuna Survey Association by the Eaglehawk Recycle Shop February 2015"royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Army Stable Belt. Royal Australian Army Medical Corps (RAAMC) Yellow, Navy and Reduniform, c1980, army

Army Battle Jacket Captain, City of Essendon and army reseve Flashes.(Stored with trousers UU087)uniform, post ww2, army

Three incomplete Newspapers. US Army 1969. Pacific Stars & Stripes, the Army Reporter and the Observerunited states army, newspapers

Lance Corporal ARTHUR REGAN POWNALL (15th Field Ambulance A.A.M.C.) "A student from Marist Brothers College Bendigo/during the early 1900's, a highly decorated/soldier being awarded the Military Medal/ with bar, twice in one month". Folder with clear plastic binding comb. Cover - front clear plastic, Back - black coloured cardboard. Title page - paper, brown print on light brown background, with coloured small illustration of the "Military medal" top left. 36 pages, white, plain, facsimile collection containing printed items, documents and photographs. folder, war diaries, ww1

Trousers - green colour cotton twill fabric, plastic buttons. Five button fly, two side pockets, two back pockets with button closer, two front of leg pockets with two button down flaps. Button down belt loops. Waist lining - cotton twill. Pocket lining - polyester fabric. Army work dress trousers, commonly called "GREENS". Green cotton manufacturers label inside back waist band.Cotton label information - black ink print. "A.G.C.F./ VICTORIA/ 1984/ ^ / WAIST AND SIZE/ 4 - 84r/ 8405.66.029.660b/ ARMY NO/ NAME" "BARTLENT" uniform, army, work dress trousers

The Wreck of Hope (Long-nosed Common Dolphin skeleton, Delphinus delphis) featured as part of the exhibition Anatomy Lessons, shown at the National Wool Museum in 2024. The exhibition featured meticulously-sculpted, life size skeletons, making visitors question their place in this web of the living and the dead. From a towering giraffe stretching 4.4 metres in height, to an army of over 50 delicately rendered frogs, this exhibition was enthralling in scale. Each sculpture is an accurate portrayal of a real animal and is carefully measured, drawn, and moulded from steel, wire, and foam. The frame is then intricately knitted over to create these thought-provoking pieces. Each sculpture tells a story, one of the collection of animals by museums and collectors, of Western safari hunters, of human encroachment, and of the often-sad role of the animals in our lives. These underlying concepts are explored and reflected by the materials used. Wool, that speaks of warmth, of comfort, of care, meets the size, grace, and sheer breathtaking beauty of the pieces, clashing with the hard and complex stories beneath. This knitted dolphin skeleton was the start of Beevor's interest in comparative anatomy. Beevors recalls viewing a dolphin, one of many skeletons alongside a mouse and a lion in the Australian Museum's collection during a school visit in the 1970s. At the time, school children watched TV reruns of 'Flipper', which portrayed dolphins as intelligent and noble animals. Elsewhere, the conservation movement was growing, and appeals to protect marine mammals were gaining momentum through the 'Save the Whales' campaign. The fascination with live dolphin shows had grown throughout the 1960s and 1970s and the ethics began to be questioned. Some believe they played an important role in raising public awareness of cetaceans and their welfare. Others argued the performances glorified the dominance of heroic trainers over the subordinate dolphin, and offered little education about the dolphins' natural characteristics nor prioritised their welfare. Many of these facilities are now closed and all dolphin species are protected by international accords aimed at conserving wild populations. Despite this dolphins are still at risk of swallowing plastic waste, mercury toxicity, toxoplasmosis, boat impacts and being bycatch in commercial fishing operations. Originally from Australia, Michele Beevors has been practicing in New Zealand for the last 20 years. She is Head of Sculpture at Dunedin School of Art, Otago Polytechnic, New Zealand’s oldest, and one of its most prestigious, art schools. Beevors has exhibited in galleries, museums, and exhibition spaces in across New Zealand, Australia and Vienna with art that is defiant, unconventional, and moving.Life sized knitted skeleton of a dolphin, with white wool and internal steel, foam and wire frame. The dolphin is mounted on a wooden base, made from a desk, with books placed under the desk lid. The books and desk are painted black.knitting, art, dolphin, conservation, sculpture, skeletons, anatomy lessons, michele beevors