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Churchill Island Heritage Farm
Photograph - Photograph of woman and chickens
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph was taken in January 1940 and shows Ted Jenkins' carer, Sister Margaret Campbell.Sepia photograph white narrow white border of a woman feeding a flock of white chickens in front of a white picket fence. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, margaret campbell -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Tramways man gave 25 years service", 14-9-1966
Newspaper report of the retirement of Stan Reynolds after 25 years of service as conductor/motorman with the SEC in Ballarat. Reports on the wallet of notes presented by Mr D McGregor, President of the Ballarat branch of the union, Mr F K White of the SEC and Mr Denmead Tramway Superintendent. Mr Reynolds retired on his 65th birthday.Yields information about the retirement of Motorman Stan Reynolds.Digital image of a Newspaper clipping from The Courier, Ballarat 14-9-1966 of the retirement of Motorman Stan Reynolds.tramways, trams, sec, retirements, stan reynolds, d mcgregor, unions -
Vision Australia
Photograph - Image, RVIB Orchestra picture taken from 1930 Annual Report
Scanned image of the RVIB orchestra, dressed in tuxedos and playing on a stage, from the 1930 annual report. In contrast to a similar advertisement in 1923, where the orchestra was seated outside and in day clothes, this line up consists of males in black tuxedos and bowties with white shirts, to emphasis the professionalism of the musicians and their ability to play in more formal settings.Scanned page from annual report of blind orchestrarvib orchestra, fundraising -
Melbourne Legacy
Photograph - Photo, Legacy Tram, 1998
Photo of a white tram painted to celebrate 75 years of Legacy work. As well as the 75 Legacy logo, it says "Legacy - Helps the families of our departed Veterans" and "75 years on ... Legacy still caring. 1923-1998" The tram is parked near a marquee, other photos show there were speeches and refreshments held there for the launch.A record of a way to promote Legacy during the anniversary in 1998.Colour photo of the launch of a tram painted to promote to Legacy's 75th Anniversary.legacy promotion, tram, 75th anniversary -
Melbourne Tram Museum
Postcard, Rose Stereograph Co, "Swanston Street Melbourne", early 1940s
Rose Series postcard No. P 1633, titled "Swanston Street Melbourne", looking north from about Flinders Lane. There are a number of W2's in the street with white painted panels under the driver's windows, and one car with a gas producer back. A set of traffic lights can be seen on both sides of Flinders Lane.Yields information about Flinders St station early 1940s.Postcard - printed real photograph with Rose Stereograph Co. name on the rear.tramways, trams, w2 class, swanston st, world war ii -
Flagstaff Hill Maritime Museum and Village
Photograph - Shipwreck rescue, Royal Australian Navy (RAN), HMAS Warrnambool J202, 13-09-1947
This photograph was taken at the scene of the wreck of the HMAS Warrnambool J202 on September 13th 1947. The photographer has captured the ship as it sinks at sea. The HMAS Warrnambool J202 was commissioned by the Royal Australian Navy for use as a minesweeper during World War II. The Bathurst Class Corvette, fitted out with a range of armaments, was launched in Sydney in 1941. The ship began service in Bass Strait in 1941. At the end of the year it called into its namesake city, Warrnambool, where the crew paraded for the public marching eastwards along Timor Street. A gift of books for the ship’s personnel and a plaque bearing the City of Warrnambool’s Coat of Arms were presented to the ship. The ship was involved in evacuating a family of nine from the Dutch East Indies that was later successful in its challenge of Australia’s Immigration Restriction Act (White Australia Polity). The ship had many other appointments around Australia. On 13th September 1947 HMAS Warrnambool was leading a flotilla of minesweepers in northern Queensland’s coastal waters, clearing mines previously laid to defend Australia. The ship hit a mine, which exploded and very quickly sunk the ship. Boats from the nearby ships rescued most of the seamen although one was killed at the time. The survivors were taken by the HMAS Swan II to Darwin, and they went from there to hospitals in Brisbane and Sydney. Three of these men later died from their injuries. A number of items were recovered by Navy divers in 1948 including the ship’s bell and a plaque with Warrnambool’s Coat of Arms. In 1972-75 the wreck was sold and other items were salvaged. In 1995 a memorial plaque was erected in Warrnambool near the RSL. NOTE: The RAN built a second HMAS Warrnambool FCPB204, launched in 1981 and decommissioned in 2005. There was also a steam ship SS Warrnambool built in London 1892 and broken up in 1926. [A more detailed history can be found in our Collection Record 3477.] This photograph is significant for its association with the lifesaving rescue of the crew and the sinking Royal Australian Navy vessel, HMAS Warrnambool (J202). The HMAS Warrnambool played a nationally significant role in overturning Australia’s Immigration Restriction Act 1901 (colloquially known as the White Australia policy). The ship rescued, and brought to Australia, Samuel and Annie Jacob and their family after they evacuated Dutch East India. The family was threatened with deportation and made the first successful appeal to High Court regarding that Act. The HMAS Warrnambool has - Local significance for being the namesake of the City of Warrnambool - Local significance, having docked in Warrnambool Harbour - Local significance, the crew having paraded in Timor Street, Warrnambool - State significance for its first patrol being in Bass Strait. - National significance, being present in Timor at the Japanese surrender - National significance, shown by the significance of the ship’s bell being curated as Military Heritage and Technology at the Australian War Memorial. - National significance as part of Australia’s defence force history, being one of only four Bathurst class corvettes lost while in Australian service, the only Bathurst class corvette lost after World War II, the only RAN vessel to be sunk by a mine, and associated with the last four Navy deaths of WWII Photograph of the starboard side of the sinking ship HMAS Warrnambool, sunk on 13-09-1947. This black and white photograph is one of a series of photographs taken at the time.flagstaff hill, maritime village, maritime museum, warrnambool, shipwreck coast, mort's dock & engineering co ltd, h.m.a.s. warrnambool, hmas warrnambool, hmas warrnambool i, hmas warrnambool j202, hmas swan ii, j202, world war ii, bathurst class corvette, royal australian navy, ran, sydney built ship, bass strait patrol, sea mine patrol, mine sweeper, mine clearance, navy divers, great barrier reef, cockburn reef, southern cross diving and salvage, warrnambool city council, cr j r astbury, mayor j r astbury, warrnambool patriotic fund, seal, coat of arms, dedicatory plaque, hmas warrnambool 1941, shipwreck by sea mine 1947, sinking ship, sunk ship, sea rescue, life saving, lifesaving, minesweeper -
Eltham District Historical Society Inc
Photograph (Item) - Print, Karen Hynes, The House With Half A Red Roof, 1988
Original West family home, Fabbro's farm, Bell Street, Eltham Karen Hynes 1988 Entrant No. 10 No negative SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Front: Entrant No. and name on printed label Rear: Entrant No., name and address on printed label; also 'Series 34' and the 'Item No.' in pencilshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, eltham photographic survey exhibition, series 34, series 35, scan - 35mm negative, fabbro's farm, karen hynes, west house -
Eltham District Historical Society Inc
Photograph (Item) - Print, W. Burton, Attic Of The Great Hall At Montsalvat, 1988
W. Burton 1988 Entrant No. 153 No negative SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Front: Entrant No. and name on printed label Rear: Entrant No., name and address on printed label; also 'Series 34' and the 'Item No.' in pencilshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, eltham photographic survey exhibition, series 34, great hall, montsalvat, w. burton -
Eltham District Historical Society Inc
Photograph (Item) - Print, W. Burton, Untitled (Montsalvat - Violin Maker), 1988
W. Burton 1988 Entrant No. 153 No negative SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Front: Entrant No. and name on printed label Rear: Entrant No., name and address on printed label; also 'Series 34' and the 'Item No.' in pencilshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, eltham photographic survey exhibition, series 34, montsalvat, violin makers shop, w. burton -
The Beechworth Burke Museum
Animal specimen - Grey-headed Woodpecker, Trustees of the Australian Museum, 1860-1880
The Grey-headed Woodpecker is a medium-sized woodpecker of the Picidae family, that is sometimes mistaken for the similar-looking Green Woodpecker. The species is known to have a grey face, neck, and underparts, with green wings and back, and underwing feathers that are a dark brown to dark grey-black with white dots. Although this can vary depending on location, with European and Northeast Asian birds having overall paler colours, to mainland Asian birds being darker overall. The species has a distinctive black mustache-like stripe on both sides of the face and the mature males have a red patch on the top of the head. These tree-clinging woodpeckers usually feast on ants, insects, and berries. This specimen differs in appearance from the common Grey-headed Woodpecker as its back feathers appear a dark grey, where in the wild these birds have sometimes quite vibrant green feathers. The eyes of the grey-headed woodpecker are also usually red with black iris, not white with black iris as in this specimen. The beak is also a pale yellowish colour on this bird, whereas commonly the species has a grey upper beak and pale yellow lower beak. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Grey-headed Woodpecker has a bright red head patch and distinctive black mustache-like stripes on both sides of the face, with additional black stripes running from the pale yellowish beak to the inner corner of the eye. The underbelly is a light grey and the back is a slightly darker grey. The underwing feathers are a light rufous-brown with white dots. The specimen is mounted on a sloping vertical wooden cylindrical stick attached to a mount. There are also two paper swing tags, one of which is torn in half.149a. / Unnamed / Catalogue page 60 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, woodpecker, grey-headed woodpecker, gray-headed woodpecker -
Glenelg Shire Council Cultural Collection
Souvenir - Cloth Badge - Great South West Walk, n.d
Cloth badge, triangular, white background, black lettering; black emu in triangle bordered in black; white embroidered border on badge; white backing.Front: 'GREAT SOUTH WEST WALK'souvenir, great south west walk, recreation, sport, walking, coastal -
Churchill Island Heritage Farm
Photograph - Photograph of gate on Churchill Island
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. This series of photos comes from an album entitled 'Aspects of Churchill Island'.Black and white photograph with white border showing a closed white wooden gate flanked by large pine trees and a line of smaller trees in the background.Catalogue number written on reverse in pen/pencilchurchill island, landscape -
Bendigo Historical Society Inc.
Leisure object - HOSKING AND HUNKIN COLLECTION: TOY MOUSE, 1932
Object. Black and white plastic toy mouse. White face, black ears. Open mouth. White shoes. Black body. Black tail.toys, dolls, toy mouse. -
National Wool Museum
Plan - Machinery Layouts, J Dyson & Sons Pty Ltd
Two machinery plan layouts for Mimosa Wool & Textiles Pty Ltd in Hobson's Road, Kensington.1617.1 Rectangular blue paper with white lined plan drawing and white text 1617.2 Rectangular blue paper with white lined plan drawing1617.1 Front: Final Plan / PLAN OF MACHINERY LAYOUT / MIMOSA WOOL & TEXTILES PTY LTD / HOBSON'S ROAD KENSINGTON / BY MESSRS J DYSON & SONS / SOUTH GEELONG / Scale 3/32" - 1.0"factory, machinery, wool, textiles, mill, kensington, south geelong, plans, drawings, blueprint, layout, mimosa, j. dyson and sons pty ltd -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Education kit - Army Nurse 1910 Miniature Doll, Nursing Through the Ages
30cm Miniature Doll dressed in long blue dress with long white apron. Red cape and white veil on head. White cuffs on sleevesName Tagminiature doll, nursing uniform, nursing history -
Unions Ballarat
Blainey: Eye on Australia, Blainey, Geoffrey, 1991
Commentary and speeches from Geoffrey Blainey about Australian national politics and life. Many of these pieces were originally published in the Herald Sun and The Australian.Politics. Aligns with right-wing political views. Book; 272 pages. Cover: white background; black and white photograph of Geoffrey Blainey; red, white and blue lettering; author's name and title.btlc, ballarat trades hall, ballarat trades and labour council, blainey, geoffrey, politics and government, social customs, social commentary -
Unions Ballarat
Paul Keating Prime Minister, Carew, Edna, 1988
A biography. Paul Keating was Treasurer in the Hawke ALP government. He succeeded Bob Hawke as Prime Minister of Australia following a successful leadership challenge. Keating was defeated by John Howard in the 1996 election.Relevant to Australian federal politics in the 1980s and 1990s. Biographical interest - Paul Keating.Paper; book. Front cover: white background; various head shots of Paul Keating in colour and black and white; gold, brown and white lettering. Front cover: author's name and title.btlc, ballarat trades hall, ballarat trades and labour council, keating, paul, hawke, bob, prime minister, alp, australian labor party, politics, government, biography -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Shulz, Reg, 1938
Black and white photograph copied from single black and white photograph of shipping (unidentified) at Bairnsdale Wharf, boat with white funnel. Bairnsdale Victoriajetties, ships and shipping, waterfront -
Kew Historical Society Inc
Clothing - White Muslin Lingerie Dress, 1900s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This lingerie dress is one of a number of items donated to the Fashion Collection by Rosemary-Vaughan Smith.While lingerie dresses were produced for and worn by women between 1900 and 1920, the main period in which they were worn was between 1900 and 1910. This elaborately detailed example is believed to date from the first years of the 20th century.Long white cotton muslin lingerie dress with inserted panels of white lace and additional white and black embroidery applied to the shoulders, waist and hem. australian fashion - 1900s, women's clothing, white muslin dresses, embroidery, tea dresses, lingerie dresses, rosemary vaughan-smith -
Flagstaff Hill Maritime Museum and Village
Print - Religious Print, Reinthal & Newman, Jesus Chrisus, after 1874
Picture is a print of an original drawing that appears to have been created in 1874 (these numbers are in the top left corner) by artist Gabriel Max ("Gab Max" is in top right corner). The print was part of the original furnishings of St Nicholas Seamen's Church, Williamstown, Victoria. The church was operated by the Missions to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. The picture is significant because of its association with the Mission to Seamen in Williamstown, Victoria. This organisation had strong connections to the colonisation of Victoria by people travelling and arriving by sea. The picture is also significant as a representation of 19th century religious art by Gabriel Max.Picture; print of a drawing. Representation of Jesus Christ, closed eyes, tear on cheek, with a crown of thorns, titled “Jesus Christus”, drawn in 1874 by 19th century artist Gab. Max (Gabriel Max). Print on paper; black and grey drawing on beige canvas-look background with image of fixing pins in each corner, edges look like torn fabric. Published by Reinthal & Newman, New York. Print is behind glass, mounted in heavy wooden frame that is painted dark brown. Reverse has numbers on small white label. Base of reverse has 2 small holes, each with indentations from something round. Backing board has indentations from nails no longer there. There are remnants of original hanging wire but this has been replaced. Part of the St Nicholas Seamen's Church CollectionFRONT: Top left :1874” Top rignt “GAB MAX” Hand written script under picture “Jesus Christus”. Printed bottom left on front “A33 © REINTHAL & NEWMAN PUBS. N.Y.” REVERSE: “162” written in black felt pen on white label. Pencilled on reverse "11 3/8 x 9 1/4" and "Kodak" and other indecipherable markings.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, christian art, picture of jesus christ, jesus christus, photographic print of jesus christ, missions to seamen victoria, mission to seafarers, flying angel’s club, religious worship, reinthal & newman new york, jesus christ with crown of thorns, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, harbor lights guild, joy club for fighters, ladies lightkeepers’ auxiliary, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown -
Bendigo Military Museum
Memorabilia - PHOTOGRAPH, FRAMED, Post 1918
Benjamin Francis Esposito No 368 enlisted on 23.1.1915 in the 21st Bn age 25 years, embarked for Eygpt 10.5.1915 then to Gallipoli, embarked for France 19.3.1916, awarded the “MM” at Moquet Farm 26.8.1916, WIA 11.2. 1917 GSW to Face & L/Hand, promoted to 2nd Lt 1.1.1919, Lt 1.4.1919, discharged from the AIF 6.10.1919. Francis Stacey Esposito No 535 enlisted on 14.7.1915 age 22 years in B Coy 29th Bn, embarked for Eygpt 10.11.1915, embark for France 16.6.1916, WIA 26.11.1916 GSW to Neck, rejoin unit 18.3.1917, transfer to the 32nd Bn 12.10.1918, discharged from the AIF 25.7.1919. Mervyn Harold No 781 enlisted on 18.8.1914 age 20 years in C Coy 7th Bn, embark for Eygpt 19.10.1914, embark for Gallipoli 5.4.1915, admitted to Hospital Ship 2.7.1915 with Influenza, later classified as Enteric serious, Died of Disease 8.8.1915.Portrait photos, head & shoulders, of 3 soldiers in uniform, 2 with peaked caps. Oval photos mounted on cream backing with 3 battalion patches in the centre. On LHS is a drawing of a soldier with rifle surrounded by green leaf edging. Photos have brown wooden frames with gold inner edge, glass front & wooden ply backing.Across the top in white: 1914 THE WORLD WAR 1918 In centre in red: THREE MEN WENT FORTH FROM THIS HOME In centre in black: Ben Esposito, 1915 Frank Esposito, 1915 Mervyn Esposito, 1915 To fight for the preservation of .... Australia's nationhoodmemorabilia, framed, brothers -
Federation University Historical Collection
Book, Wurtz, Dr Adolphe C, An introduction to chemical philosophy according to the modern theories, 1867
Fabric hard covered with gold lettering on spine. Pages numbered to 192non-fictionchemistry, philosophy, wurtz, theories -
Women's Art Register
Book - Monograph, Alison Carroll, Barbara Hanrahan. Printmaker, 1986
Traces three periods of Hanrahan's practice: early development; first major period of printmaking 1963 to 1967 and her second since 1967. Focuses on major themes and motifs and contains a small proportion of images made since 1960, many exploring her family and womens' lives. These themes and the tactile quality of her practice are woven into her 9 published novels, and text often appears in the prints. Includes list of solo exhibitions, a bibliography and biographical details.non-fictionTraces three periods of Hanrahan's practice: early development; first major period of printmaking 1963 to 1967 and her second since 1967. Focuses on major themes and motifs and contains a small proportion of images made since 1960, many exploring her family and womens' lives. These themes and the tactile quality of her practice are woven into her 9 published novels, and text often appears in the prints. Includes list of solo exhibitions, a bibliography and biographical details.printmaking, lithography, etching, linocut, screenprinting, wood engraving, writing, sexuality, family, identity, drypoint, popular culture, body, motherhood, ageing, gender -
Orbost & District Historical Society
program, 1971
This program was made for the Orbost Apex Club to be used on the "change over night" of August 6th 1971. Apex Clubs were begun in March 1931 when three young architects, looking to make a contribution to their local community of Geelong Victoria, decided to create Apex. Apex is a volunteer community service organisation whose members work in local clubs across urban, regional and rural Australia to raise awareness about social justice issues, assist the needy in a practical way and contribute resources to worthwhile causes. (ref Apex website)The Apex Club of Orbost was a volunteer service club which contributed to the Orbost community. A declining population has led to the demise of many social groups in the area.A white triple fold cardboard program. It has blue print on the white background.APEX CLUB OF ORBOST 13th Change Over Nightprogram apex service-club -
Federation University Historical Collection
Book, Alice Mills, Studies on Themes and Motifs in Literature - Utter Silence - Voicing the Unspeakable Edited by Alice Mills and Jeremey Smith, 2001
The contributors probe taboos in literature to do with such topics as Holocaust, Marx Legacy giving voice to its fear, horror and joy.White cover with blue stripe with blue, black and white writing. 264 Pagesnon-fictionThe contributors probe taboos in literature to do with such topics as Holocaust, Marx Legacy giving voice to its fear, horror and joy.utter silence, voicing the unspeakable, alice mills, jeremy smith, university of ballarat, alumni, lecturer, staff author, federation university staff author -
Federation University Historical Collection
Book, Alice Mills, Studies on Themes and Motifs in Literature - Seriously Weird - Papers on the Grotesque Edited by Alice Mills, 2001
Seriously Weird pushes the boundaries of current understanding of the grotesque.White cover with blue stripe with blue, black and white writing. 281 Pagesnon-fictionSeriously Weird pushes the boundaries of current understanding of the grotesque.alice mills, university of ballarat, alumni, lecturer, staff author, seriously weird, papers on the grotesque, studies on themes and motifs of literature, federation university staff author -
Lara RSL Sub Branch
Australian Army Catering Handbook, Australian Army Catering Handbook - Pamphlet No 3 - STEWARDS - 1975, 1975
The Army Catering Handbook - Pamphlet No. 3 - Stewards 1975Australian Catering Corp Booklet Pamphlet No. 3 - Stewards 1975Off White cardboard front and rear. Interior pages white but slight ageing.Official Use only. DSN 7619-66-093-1204 australian army handbook, catering corp - stewards -
Bendigo Military Museum
Photograph - PHOTOGRAPH, LANCASTER, c.WWII
Lancaster bomber preparing to take-off on a night mission. Part of Frederick Gardner Davey DFC No.410533 RAAF collection. See Cat. No. 3536P for his service record.Photo, black & white, white border, of an aircraft preparing to take-off at night.On back, handwritten in pencil: "Lancaster by night".lancasters, ww2 -
Phillip Island and District Historical Society Inc.
Photograph, 04/01/1932
One of a collection of 13 photographs donated by Ralph Correy.Black & White photograph of seven members of the White family standing in line at The Nobbies. the nobbies phillip island, the white family, lighthouses, lighthouse at the nobbies, phillip island, ralph correy -
Greensborough Historical Society
Business card, The Original Watsonia Fish & Chips, 2018
Business card for a local fish and chip shop, The Original Watsonia Fish & Chips at 9 Watsonia Road Watsonia.Business card, white card with white text on blue background and colour image.the original watsonia fish & chips, watsonia road watsonia, fish and chip shops