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Kew Historical Society Inc
Clothing - White Muslin Directoire Knickers
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Crutchless Directoire knickers. Hand sewn muslin pant with a front central openingwomen's clothing, underwear, undergarments, directoire knickers -
Kew Historical Society Inc
Clothing - Pair of Lace and Net Sleeve Cuffs, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Two white engageantes with lace duffs. The stitching suggests that they were hand madelace, women's clothing, sleeve cuffs, engageantes -
Friends of Westgarthtown
Functional object - Hearth Brush
Wooden handled brush, hand crafted from sundry miscellaneous wooden parts.No visible markingsdomestic items, cleaning, brush, bristle, craft -
Bendigo Tramways (managed by the Bendigo Heritage Attractions)
Service Record, 1914-1969
Photocopy of a 20-page, ruled, A4 document, hand-written in black ink. -
Stawell Historical Society Inc
Memorabilia - Realia, c1900
Hand Operated Cake Mixer with table attachment. Used by Mrs Ethel Fieldingstawell -
Stawell Historical Society Inc
Memorabilia - Realia
3 Metal Stamps, hand punch and seal (Used in Town & Shire Offices)stawell -
Stawell Historical Society Inc
Book, John Monaghan, Our Irish Ancestry and a History of their Descendants. Family History of the Monaghan, Mills, Hodgetts, Ryan, Byron, Clarke, Dalton, Griffin, McGee, Moran Families
Family History of the Monaghan Family - Still Residents in our District.Light Blue Card with Dark Blue Tape, with Black Hand written titleOur Irish Ancestors and a History of their Descendants. Family History (Underlined) Monaghan Mills Hodgetts, etc Ryanstawell -
Stawell Historical Society Inc
Memorabilia - Realia, 1920's
Round Cream Celluloid Hand Mirror, Bevelled edged glass & Associated Traystawell -
Stawell Historical Society Inc
Banner, et al, Womens Christian Temperance Union Banner, c1930's
Made by Miss Lydia Parry (1880 - 1968)Cloth Banner – Women's Christian Temperance Movement, Stawell Branch. Hand Paintedstawell -
Surrey Hills Historical Society Collection
Business card
Laurie started work in an office but moved to establish her own gardening business. She eventually returned to office work but during the time that her business operated she worked in many gardens in Doncaster, North Balwyn, Toorak, Malvern, as well as Surrey Hills and Mont Albert. A pink card with black hand-written printing advertising Laurie's Lawn Cutting.On top of card on rear "I had "GREEN THUMBS" like Pop" in Laurie Young's handwriting.laurie young, laurie newton, gardening -
National Wool Museum
Instrument - Pressure Gauge, Dane Taylor & Co. Pty. Ltd
Used in the Albion Mill to determine the pressure in the departments requiring steam such as the boiler and dyeing rooms. Circular brass object with black hand painted text and numbers, and a central dial. Printed: PRESSURE / GAUGE / LBS. PER INCH. DANE TAYLOR & Co. Pty. Ltd. / MELBOURNE [on base]: 277828instruments, pressure gauge, albion mill, dane taylor & co pty ltd, south melbourne, geelong, wool industry -
Vision Australia
Functional object - Object, Metamec, White Braille clock
White plastic clock with attached power cord. On the face of the clock the numbers 3, 6, 9 and 12 are raised and braille dots mark the numbers in between. There are three clock handles with braille on two of the handles. On the back of the clock the alarm and time functions have raised diagrams to assist the user.White plastic clock with 2 black plastic and 1 white plastic handsMetamecassistive devices, metamec -
Federation University Art Collection
Ceramic, 'Back in Black' by Claire Blake, 2006
Claire BLAKE (1977- ) Born Ballarat Claire Blake is a ceramicist who lives and works in Ballarat. She commenced studies at the University of Ballarat in 1996, completing an Honours year in 2002. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A group of various sized hand thrown bottles, with one large bottle in orange. art, artwork, ceramics, claire blake, available, available ceramics, alumni -
Vision Australia
Photograph - Image, John Puttick and unidentified male outside stock exchange, 1996?
John Puttick stands in front of the Queensland Stock Exchange with another male.1 x B/W photograph of two men standing with hands claspedN96727 (11.11A)vision qld, john puttick -
Port Fairy Historical Society Museum and Archives
Photograph - Postcard, Beach, Port Fairy
Hand tinted Photograph of the South beach with the bathing boxes with a crowd of people on the rocksBeach Port Fairybeach, south, bathing boxes, people, crowd, family -
Port Fairy Historical Society Museum and Archives
Postcard - Post Card, The Gardens, Port Fairy
The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. hand tinted photograph of two men working in the Botanical Gardens at the fork in the pathThe Gardens, Port Fairygardens, botanical, gardener -
Port Fairy Historical Society Museum and Archives
Mixed media - Model, Albion House, early 1970`s
This model was part of a panorama of 11 pieces designed from drawings in an 1892 almanac Printed by Port Fairy Gazette. The panorama was used in the History Society rooms in Bank St Port Fairy on an extended mantel piece, before the Museum and Archives were relocated to Gipps Street Port FairyThis model was made as a part of an eleven piece panorama of the streetscape of Port Fairy in 1892. By a local resident of the town.Small hand made 3D model of a shop front from the 1892 AlmanacAlbion House 1854 Hutton Bros.sackville street, model, mewkill, almanac, albion house, bank street -
University of Melbourne, Burnley Campus Archives
Sketch, Perennial Border
Design by Geoff Olive for annual display of perennial border c. 2002 - not fully implementedgeoff olive, andrew smith, burnley gardens, perennial border -
Federation University Art Collection
Photograph, Clayton Keefe, 'Uncanny Valley #2' buy Clayton Keefe, 2023
Human Archetypes, The Uncanny Valley, and Inorganic Human Forms The work interrogates the recurring concept of humankind’s fascination with replicating herself in her own image. Just as the Judeo-Christian God is said to have created humans in his own image, we replicate ourselves in art and then science. We seek to make an artificial intelligence that may well be fraught with our own survival as a species, and we refine these creations until we can no longer tell if they are human or facsimilie. Even when this is impractical; when a non-human robotic form may well be better suited to the task, we persist in making our new companions in human form. So much so that when our creations develop their own ability to create human forms, they inherently seek perfection of human characteristic when no such thing exists, and all humans are flawed. My work takes the human and reverses this process, seeking to see how dehumanising one can make the subject of portraiture before it becomes ‘the other’. In doing so, I look for what makes us human, and how we portray or present various aspects of humanity and human endeavour as stereotypical archetypes. I have used, as a paying subscriber, the artificial intelligence presented in the Adobe Creative Suite, which is ethically sourced from Adobe’s own stock collection which itself has been purchased from artists, as a launchpad for this exploration, thus invoking concepts of meta - where the AI works on a project that attempts to dissect the very reasons and underlying foundations of humankind’s desire to create AI in the first place. Some of the work touches on the idea of a human/AI connection, extending to the concepts of an interspecies symbiosis, and whether a human could experience a genuine love of a non-organic human form, and vice versa. Clayton KEEFE Completed a Bachelor of Visual Art at Federation University Arts Academy in 2023.Colour photograph of metal arm and hand holding a wine glass, in front of a window.clayton keefe, available, photography, ai, alumni -
University of Melbourne, Burnley Campus Archives
Student assignment, Actinidea chinensis
actinidea chinensis, chinese gooseberry, h. peter forstner, kiwi fruit -
Mont De Lancey
Bean Shredder, Circa 1910
Cast iron, hand-cranked bean shredder, with a wooden handle, on a wooden base.bean slicers -
Mont De Lancey
Apple Parer, Goodell Co, Circa 1884
An identical device but with four prongs, was made by Goodell Co. for paring peaches.'Lightning' Arc apple parer with hand-cranked wooden handle, on a wooden base."Manuf'd by Goodell Co. Antrim. N.M. Pat. March 18 1884"apple corers, apple peelers -
Mont De Lancey
Apple Parer, Goodell Co, Circa 1885
Lathe apple parer, on a wooden base. Hand-cranked with a wooden knob on the handle."Improved Bay State...."apple peelers, apple corers -
Mont De Lancey
Domestic object - Apple parer, corer and slicer, Whittemore, Harrington Co, Circa 1860
Lathe type apple parer corer and slicer, hand-cranked, on a wooden base.apple peelers, apple corers -
Mont De Lancey
Nutmeg Grater, Caldwell Mnfg. Co, Circa 1890 - 1905
'Gem' nutmeg grater, hand-cranked with three wheels and a wooden knob on the handle.nutmeg graters -
Mont De Lancey
Hand Beaters/Whisks
6 x assorted metal hand beaters/whisks, all with wooden handles.1. Skyline beater made in England. 2. Made in USA (cast iron) whisks, egg-beaters -
Trafalgar Holden Museum
Functional object - Horse Clippers
Used for the grooming of horse hair C1900we believe these were sold by Holden and Frost C1900Two pivoted steel arms with wooden hand grips with steel cutting combClark on one arm, patent on other arm. Impressed on each wooden handle 628 Oxford Streetequine, clippers -
Kilmore Historical Society
Arithmetic, Standard 5, Pre-1902
Southern Cross Series. Specially written to meet the requirements of the New Zealand Code. Sold by William P. Linehan, 309 Lit. Collins Street, Melbourne.Softcover book with hand-stitched brown cover. 128 pp. Good condition.Title page top, 'Henry. Carey. J.P./Bald Hills/Kilmore East/March 29 - 3 - 1902'. Inside front cover, various arithmetical calculations.arithmetic text, henry carey -
Victorian Bands' League
Postcard, Malvern Tramways Band, 1921, c. 1921
The Malvern Tramways Band (Stonnington City Brass) was one of the leading brass bands in Victoria and Australia for many years. The conductor, Mr Harry Shugg, arrived to conduct the band in 1915 having previously been conductor of the Geelong Harbour Trust Band. Harry Shugg went on to conduct the band for an amazing 31 years where they won numerous competitions. On the back of the postcard is a handwritten message dated 16/12/1921 from Harry Shugg to a M. W. BoinaThis postcard is significant as it presents an photo of a very famous band and their conductor. It is also significant as it has a message on the back written by Mr Harry Shugg with no address which means that the postcard was handed to the recipient. It is part of a series of four postcards which show the different groups that Harry Shugg conducted over his lifetime.Rectangular black and white photograph printed on a postcard. On the back is a hand written message.Back: Printed: "Postcard", "Kodak Australia" "Correspondence | Address Only" Vertical print: " Muntz Studio, Malvern" Message: "To M. W. Boina, Wishing the Compliments of the Season Harry Shugg (Winners South St 1921)"malvern tramways band, stonnington city brass, brass band, victorian bands' association, victorian bands' league, harry shugg -
Mont De Lancey
Domestic object - Table runner
White, linen table runner with hand embroidery with floral patterns in various styles.table linen, table ware, table runners, embroidery