Black & white photo of 46 members of Long Gully Choir. 21 Women - 21 Men. Women in long dresses. Men in Suits. Markings: 30 Bridge street. Ballarat.V.R.Fraser.performing arts, music, long gully choir

Louis Kahan (1905-2002) is best known in Australia for his skill as an artist. As Independent Fashion Curator, Laura Jocic has observed, ‘It is less known though that Kahan had a career in theatre and fashion in Vienna and Paris during the 1920s and 1930s that continued when he came to Australia in 1947. He signed his fashion illustration with the initials 'nac', a phonetic interpretation of his surname spelled backwards. In this illustration on newspaper we can see Kahan playing with the graphic effects of line and text, while communicating the cut and drape of late-1950s fashions.’ Kahn was born in Vienna in 1905 and first travelled to Australia in 1947. He moved to Melbourne in 1950 where he became friends with artist George Bell, writer Alan McCulloch who introduced him to Clem Christensen, editor of the literary journal Meanjin, where many of his portraits of Australian writers were published. His 1962 portrait of the author Patrick White won the Archibald Prize, bringing him national recognition. He also designed sets and costumes for the Elizabeth Theatre Trust (Opera Australia) and the Melbourne Theatre Company. In 1993 his contribution to Australian cultural life was recognised when he was made an Officer in the Order of Australia (AO). He died in Melbourne, at the age of 97 in 2002. Ann Carew 2018Fashion illustration on newsprint. Drawing depicts two women. Women in foreground is wearing a long green coat and hat.Woman at rear is wearing a green and white evening dress with white gloves.Signed lower right in ink, 'nac 1958'.fashion illustration, fashion design

A thousand years of Warrnambool history has been documented in this creative tapestry, woven in 1988. The Tapestry hangs in the Great Circle Gallery at Flagstaff Hill and complements the theme of the display. Three local women with the help of Museum staff researched and designed the tapestry, which was woven in 1988 from wool and cotton. It is 10 meters long and 70 cm deep and took 7 months to create. The tapestry introduces the seafaring theme of the Center and illustrates a timeline of events dating back to the arrival of Europeans in the Warrnambool area. It begins with the settlement of the area by Europeans and travels back in time as you walk further into the gallery, depicting shipwrecks along the coast, whaling of the area, early exploration by Europeans James Grant and Nicholas Baudin, back to the indigenous settlement of the area, represented by middens and indigenous symbols. (Interestingly prior to being hung in the gallery, the tapestry was originally hung with the intention of being framed from right to left). All materials in the cotton and wool tapestry, includinghand-dyed dyed wool, were prepared for a cost of $33,000. (This information is from Flagstaff Hill Maritime Village's Exhibit fact sheet)Tapestry of the early history of Warrnambool area, rectangular in shape. Materials include cotton and wool, some of the wool being hand dyed. Made in 1988 by local women.A plaque accompanies the Tapestry "Flagstaff Hill Maritime Tapestry / 1989 / Tapestry: Woven Cotton and Wool / Mary O'Brien Gerda Shanley / Judith Stewart Beryl Conlan"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, tapestry, warrnambool history, warrnambool textiles, south west victoria history, south west victoria timeline, indigenous people

This small, ruby glass, hand-painted lady's perfume bottle would have been one of a few small items, (such as small scissors, a pencil and note-pad, keys to the pantry) that Victorian women wore hanging from a Chatelaine attached to a belt around their waist..c1800s a small, ruby glass, hand-painted ladies perfume bottle with a brass hinged lid, small glass stopper and a brass chain attached to a Chatelaine ring. This would have been one of a few small items, (such as small scissors, a pencil and note-pad, keys to the pantry) that Victorian women wore hanging from a Chatelaine attached to a belt around their waist..Hand-painted decoration of a bird and flowers.glassware, toiletries, early settlers, chatelaine, pioneers, moorabbin, brighton, bentleigh, perfume, manufactured glass

This exhibition was held in October 1907 and ran for 5 weeks. There were over 15000 contributors in the fields of needlework, cookery, Horticulture, fine and applied arts. There was a wide variety of activities, lectures and social events. There were approximately 250,000 people who attended.An important source of work and information relating to a major event in the State of Victoria and in the work of women.Eight sheets of microfilm enclosed in plastic sheet with title page, white with black text.State Library of Victoria Exhibition os Australian Women’s work 1907 6 microfiche. warrnambool, exhibition australian women’s work, 1907 women’s work exhibition

In the Second World War the Female Relatives badge was issued to the nearest female relative of members of the RAN, the AIF, including members of the Australian Army Nursing Service and the RAAF on active service abroad. Stars displayed on a bar suspended below the badge represented the number of relatives involved in the War effort.The badge on display was issued to Nora Marjorie Fielding, whose husband VX79262 Pte Donald Fielding, served with Army Headquarters Signals Regiment in WW2.A badge with a safety chain and pin attached, long pin on back for wearing. Laurel wreath on outer rim with crown at top. Map of Australia in middle. A bar is suspended by two loops, there is one star fixed to the bar. Front. To the Women of Australia. Back. Issued by the CWlth of Australia A123489 Angus and Coote 1942female relatives badge, ww2, homefront

Lapel badge with pin and clip on back and a safety chain and fine gold pin. Blue and red enamel around edges, with white and blue RSL badge replica in centre. Badge in shape of shield.CENTRAL RSL VICTORIA, blue background. WOMENS AUXILIARY red background. Back: Stokes.

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. Two small round badges. The NSW CWA badge has a light and dark blue design with orange. The Victorian badge has a yellow, green and gold design.On Victorian badge: "VICTORIA/CWA". On NSW Badge: "COUNTRY WOMENS ASSOCIATION N.S.W./CWA".hamilton-smith collection, hamilton-smith, ellwood, charity, volunteer, voluntering, cwa, country women's association, rural, women, women's history, domestic, cooking, food, community

Reunion outing of former Harbour Lights Guild members. Image names this image are from left to right Unidentified lady, Jesse, Betty, Marjorie Duckett, 2nd from right. The Duckett family had a long term involvement in and Marjorie's commitment to the Mission, was reflected in helping run the Altona Op Shop and later with a substantial donation to the Mission (see other entries for Duckett this database); Sheila Richardson at far right. Post WW2 the word ladies seems to have been eventually dropped and the term Harbour Lights Guild used instead. Colour photograph of small group of women in the 1970s on Kodak paper.Written in blue ink on verso: Joan / Marjorie / Betty / Betty/ Jesse/ Sheila Richardson. ( NB not necessarily in correct order) see also item 1982. harbour lights members, marjorie duckett, opportunity shops

Cap badge number 251 belonging to Jeanette Silvester The distinctive badge of the Women's Police Auxiliary Force, Victoria Policepolice women, women's police auxiliary force, silvester, jeanette alyce 9954, police woman, policewomen, policewoman

Four uniformed women standing beside a Ford, circa 1953'1953 Ford. Val Jones'police vehicles, transport branch, wireless patrol, motor police branch, motor traffic section, ford car, police women, police woman, policewomen, policewoman

The Real Story of the Country Women's Association of Victoria 1928 - 2008cwa

Port of Portland Authority archivesFront: (no inscriptions) Back: KS Anderson/ at the launch of A Port of Built/ with Jenny Ward +/ Wendy Murrell (blue pen, centre)port of portland authority archives

Army Khaki Womens Trousers. RAANC belonged to L. Steinberguniform, ww2, army

Women's medium brown (used on nurse model) Langworthy VF387930uniform, ww2, army

30 page printed Bulletin with articles about women and art.joy hester, juliette peers, janda gooding, kathleen o'connor, m.e.mcguire, kirsty gorter, experimenta, barbie, the women's gallery, april-kaye ikinci, jane whelan, pat hillcoat, judith brooks, patricia piccinni

A Photograph of the women's 15km motor race Victorian Championship event.recreations, sports, awards, cycling, awards.

Clothing. Women's navy blue above the wrist leather gloves.costume accessories, female, women's navy blue leather gloves

Born: Addlestone, Surrey, England 1851; Arrived: Melbourne, Victoria, Australia 1878; Died: Bondi, New South Wales, Australia 1942NeoclassicismGift of Mr Philip Bacon, 2002Two naked women listening to a Faun play twin pipes.painting, figures, faun, allegorical, flute, tambourine, flowers, nude, mountains, sky, mythical

Photograph showing the opening of the first Post Office in Lake Bolac in 1887. Pictured at the opening are G Veale, Marion Ward, Mrs Tom Ward, Robert McMillan and Blanche Ward.Photograph depicting a group of 5 men and women in front of a building. post office, lake bolac, g. veale, mrs tom ward, robert mcmillan, blanche ward, marion ward

Glen Iris Presbyterian Church on the corner of High Street and Allison Avenue. Interior of church hall with women and children sitting on wooden benches. "7"glen iris presbyterian church

A sepia coloured photograph of a group of women and children with a horse and cart.women, children, transport, horses, horse drawn vehicles, clothing and dress, george evans collection

Kaolin Mining (a fine white clay used for crockery) Stone Street Stawell 1914Group of men and women inspecting horse driven puddling machine.stawell