Iron and steel fireplace fender for preventing (to fender off) potential embers or burning logs from falling from fire and landing on a floor. Removed from kitchen with the removal of the wood stove in the 1980s when a gas stove was introduced and placed in former bedroom now used as a study/library room.fender, fire, ballarat, ember, kitchen

Sculture in bronze of Alan Marshall by Marcus Skipper, 1995 Alan Marshall, AM., O.B.E., Hon.LL,D. (1902-1984) was born at Noorat, Victoria and became one of Australia's most famous authors. His association with the Eltham area began in 1920 when he started his first job as a junior clerk at the Eltham Shire Offices, Kangaroo Ground. In the 1940's he spent some time living at Research. From 1955 he lived in Eltham for nearly 20 years. Disabilities resulting from polio as a young child did not prevent a wide range of experiences. Alan's occupations have been listed as clerk, night watchman, fortune teller, freelance journalist and author. He has been patron of many disadvantaged Children's Societies. Alan's books are numerous and include novels, short stories, children's books, history and travel. Among the best known are his autobiographies "I Can Jump Puddles" and "This is the Grass". Others include "These are My People", "Ourselves Writ Strange", "People of the Dreamtime"; "The Gay Provider" and "Wild Red Horses". In 1971 he wrote the Centenary History of the Shire of Eltham, "Pioneers and Painters". Covered under National Trust of Australia (Victoria), State significance. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p159 Outside the Eltham Library a bronze figure of a short one-legged man with a crutch invites people to the world of literature. The bronze statue, by Marcus Skipper, is of author Alan Marshall, who is famed for his autobiography I Can Jump Puddles, about growing up and overcoming the effects of polio. That plucky little boy later lived in the Nillumbik district for more than 50 years, and on his death in 1984, was buried in the Nillumbik Cemetery at Diamond Creek. Although a hugely successful author, his grave is modest with only a tiny boulder and simple bronze plaque on a grassed plot. From 1955 to 1972 Marshall lived in a tiny fibro-cement bungalow at the rear of a house at Park West Road, Eltham, owned by his older sister, Elsie McConnell. It was there that he wrote most of his autobiographical trilogy and his history of the former Eltham Shire, Pioneers and Painters. His long association with Eltham Shire began in 1918 when his family moved to Diamond Creek. Then in 1920 he began work as a junior clerk at the Eltham Shire Offices on Main Road, Kangaroo Ground near the Yarra Glen Road, while boarding at the hotel next door. Marshall later bought a block of land in Research, which had three bark huts. In one of these he wrote his first book These Are My People. He later sold the land but lived in a caravan there and in 1955 wrote I Can Jump Puddles.1 Proud of its citizen, the Eltham Shire named a park after Marshall at the corner of Main Road and Leanne Drive, Eltham. In 1985 the Shire initiated the Alan Marshall Short Story Award. It was Marshall’s early life in the country that taught him to live courageously in spite of his crippling polio, and he inspired many. This informed his writing – full of courage, championing the battler and love of the bush. Alan Marshall was born in 1902 at Noorat in Western Victoria, as the only son of Billy a drover, horse breaker, hawker and then general store owner. At the age of six, Marshall contracted infantile paralysis and was later hospitalised in Colac for 18 months. With his father’s encouragement, Marshall learnt to swim, wrestle and box, ride a bicycle (downhill), ride a horse and drive a car. Marshall won a scholarship to Stott’s Correspondence College to study accountancy. To help him continue his studies and find employment, his family bought 12 acres (4.8ha), in Ryans Road, Diamond Creek, opposite Windmill Court. There they ran cows, some poultry and an orchard. But life with a disability and during the Depression was hard for Marshall, who for 20 years, endured long periods of unemployment and loneliness and was often exploited at work.2 However, life improved in the 1930s, when he published short stories and articles in newspapers and magazines, including a column of advice to the lovelorn, which he wrote for nearly 20 years. At age 42 Marshall published his first book and in the next 30 years he published more than 20. His most successful book was I Can Jump Puddles, which sold more than three million copies internationally. It was made into a film, released in 1971, by Czechoslovakian director Karel Kachyna. Marshall was one of the first Australians to write about Aborigines who called him Gurrawilla - teller of tales - when he lived with them in Arnhem Land for eight months.3 In 1941 Marshall married Olive Dixon, with whom he had two daughters, Catherine and Jennifer. Marshall and Olive divorced in 1957. In 1972 Marshall was awarded an OBE for his work with the handicapped. He was also awarded an Honorary Doctor of Laws by Melbourne University, an Order of Australia for services to literature and the Soviet Order of Friendship of Peoples.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alan marshall, art in public places, eltham, eltham library, marcus skipper, panther place, public art, sculpture

Names and meanings came mostly from NSW and to a lesser extent from Western Australia, Victoria and Queensland. They throw light on the customs and life of the aborigines.Paperback book with a front cover of an aboriginal man seated under a rock formation with a sloping roof.

A collection of photographs taken during the Vietnam War.australian war memorial - guidebooks, battle of long tan, australian task force, phuoc tuy, australian army training team vietnam (aattv)

A collection of photographs taken during the Vietnam War.australian war memorial - guidebooks, batle of long tan, australian task force, phuoc tuy, australian army training team vietnam (aattv)

Relates the story of Australian women in politics, the women’s movement and the role played by women from inside and outside of politics from the 1920’s to the 1980’s This book provides an account of the influence women have had on the political agenda in the period 1920 to 1980. White paperback with green text and purple figure a a woman standing at a microphone on front cover. Text in purple on the back cover. 235 pages Lesley Scholes written in black pen inside front cover.australian women's movement 1920-1980, warrnambool, marian sawer, marian simms, a woman's place

Author Martin Galvin reflects on life in Greensborough in the 1950s and the changes that have occurred since then.News clipping, black text and colour imagegreensborough

Black and white photographWritten on back of photograph: "Ice cream shop, Main Street. 1986.

Second Prize for the Burnley Government of Victoria Egg Laying Competition, 1957-58. See 98.1025 for accompanying Certificate.Red material sash with gold fringes at each end and gold lettering with "Crown logo" atop the inscription 'Government of Victoria Burnley Egg Laying Competition, 1957-58 SECOND 6 Bird Team (White Leghorns) (48 Weeks) 1401 First Grade Eggs S. Hudson, Coburg'. Government of Victoria Burnley Egg Laying Competition, 1957-58 SECOND 6 Bird Team (White Leghorns) (48 Weeks) 1401 First Grade Eggs S. Hudson, Coburgegg laying, competitions, awards, agricultural competitions

Sepia photograph"Written on back of photograph" Samuel & Elizabeth Cutts Additional Note - Samual Cutts was the owner of Burnt Bridge Hotel.

Newspaper article: Seats at new library a win for Bob; Fiona Kaegi, Diamond Valley News, May 24, 1995, p6 - article on the provision of seats between carpark and library entrance which Bob Bruce had lobbied the former Eltham Shire Council to install supported by former Eltham Shire Councillor Jim Connor and the former Eltham Shire Council Disability Advisory Committeeeltham, businesses, bob bruce, disability advisory committee, eltham library, eltham shire council, jim connor, panther place

Black and white photographImage shows the Mayor speaking at the book launch in front of a combined Eastern Historical Societies group at Ringwood Civic Centre 22-10-1974.

Black and white photographImage shows the Mayor speaking at the book launch in front of a combined Eastern Historical Societies group at the Ringwood Civic Centre, 22-10-1974.

Black and white photographImage shows Ken Horne at the rostrum speaking in front of a combined Eastern Historical Societies group at Ringwood Civic Centre, 22-10-1974.

Black and white photograph (2 copies)Image shows Ken Horne at rostrum in front of a combined Eastern Historical Societies group at Ringwood Civic Centre, 22-10-1974.

Black and white photographImage shows the Mayor speaking at the book launch in front of the combined Eastern Historical Societies group at the Ringwood Civic Centre 22-10-1974.

Black and white photograph Image shows Hugh Anderson at rostrum speaking to a combined Eastern Regional Historical Societies at his book launch.

painting

Half horse, half human bronze sculpture, the work has a circular formation of rocks as a base and incorporates a water feature. Water slowly cascades from a bowl held by the human and offered to the horse. The work has a circular formation of rocks as a base.Half horse, half human bronze sculpture. The work incorporates a water feature, and water slowly cascades from a bowl held by the human and offered to the horse. The work has a circular formation of rocks as a base. The “bowl” part of the base for this work was relined with concrete pavers in 2004 in an attempt to minimise maintenance.

Wooden poles made from treated pine with painted designs in acrylic paint. The work also includes 12 Redgum “stepping stones” set into the ground in concrete pads.

Your Place is Empty is an expression used in Iran as a way of saying ‘you were missed’. The works in this show are like spaces left behind when someone or something is gone, temporarily or permanently. They are disjointed, fading memories of a long time ago. They have become unreliable fragments, manifesting like floor plans of a childhood home drawn from memory. But the lines are disjointed, no longer connecting enough to make any discernible maps. They are fading trails. Artist Bio Exploring notions of home and memory, Hootan Heydari (Born 1970 in Tehran) melds personal and political histories that often centre on the moment of 1979 when his family fled Iran following the Islamic revolution. Working predominately in sculpture and photography, his work distils echoes of the past into the now with richness and ache. Biographically loaded objects with poetic potencies, such as family photographs and cassette tapes, are at times repetitively stacked and frozen in stillness in custom-made cabinets. Plaster is frequently used as a strong yet fragile material to both coat and cast, associated with building homes and healing broken bones. Farsi text often features – an Iranian refrain that breaks down linear time. Threading through Hootan’s practice is futility, compulsion and repetition: hallmarks of the act of making and the act of remembering.

Ron Brons photographic study of Ringwood

Ron Brons photographic study of Ringwood

Illustrated book, front and back cover have coloured illustrations of Crimean War conflicts on a pale grey background. The front cover also has a coloured illustration of a woman in quasi military dress. This last illustration also appears at the top of the spine. The book's title is printed in dark and light brown ink at the top of the front cover and the author's name is printed in light brown ink at the bottom of the front cover. The spine has a light brown background, with title printed in white and light blue, author's name printed in black, and publishers name printed in white. The back cover also has a summary of the booknon-fictionThe pioneering work of Florence Nightingale has become legendary, but in this book the author also champions the contribution of the women whose stories have largely gone untold-the nurses, cantinieres and army wives who played a vital, but often overlooked role in the theatre of war. Mary Seacole's establishment of "The British Hotel' near Balaclava supplied fatigued soldiers with much needed comfort and medical attention, earning her the respect of many men, but no official recognitioncrimean war, mary seacole, nurses, nursing, women in war, florence nightingale

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