Showing 9170 items
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Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Photo King GeorgeV size 5
Photo King GeorgeV in RAF uniform Frame damaged at bottom and topphoto, ww2, raf -
Moorabbin Air Museum
Book - Aircraft maintenance devices & systems, Aircraft Maintenance Text 4 Basic Functioal Devices and Systems
Non fiction. Description of basic functional devices & systems used in aircraft, from levers to computers , to assist maintenance engineers through licensing exams.Blue and red cover with Dept. of Aviation in bottom left hand cornerNon fiction. Description of basic functional devices & systems used in aircraft, from levers to computers , to assist maintenance engineers through licensing exams.\ -
RMIT GSBL Justice Smith Collection
Painting 02 - Bottom
02 Bottom North West corner large narrow print with angels -
Queen Victoria Women's Centre
Newspaper clipping, A matter of trust, 13 October 1997
Newspaper clipping cut in half. Black and white photograph on the bottom of page. people in political roles, political activities, cultural events and activities, cultural structures and establishments -
Clunes Museum
Badge - LAPEL BADGE, circa 1939
In celebration of Clunes, Victoria, Australia 100 years settlementLapel Badge with blue banner at top and royal blue boomerang at bottomBlue banner "1839-1939" "Centenary of Clunes" Picture on centre of man with swag and countryside sceneryclunes centenary 1939, lapel badge -
Stawell Historical Society Inc
Book, Stawell Technical School, Stawell Technical School Annual Speech Night and Presentation Awards 1963, 1963
Stawell Technical School Speech Night ProgramPale bule card Cover with top and bottom border blue printStawell Technical School Logo: Stawell Technical School Virtute Et Labore. Stawell Technical School Annual Speech Night and Presentation of Awards. Town Hall Stawell December 12, 1963 at 8 p.m.stawell education -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Award - 6th BN COMP Trophy
A silver trophy on a trophy cup with gothic handles, with the bottom of the handles protruding6thBN. COMP. TROPHY Nov 19406th bn, ww2 -
Wodonga & District Historical Society Inc
Domestic object - Silver Filigree Thimble, c1900s
This item is from a collection donated by descendants of John Francis Turner of Wodonga. Thimbles were used for both practical and decorative purposes and were created in a range of styles. Popular history also suggests that roots of the modern-day wedding ring in America had an interesting tie to a thimble. Puritans that colonized in early America did not believe in adornment. A common practice among these early Americans was for a man to present a thimble to his fiancée which was symbolic of his wish to marry her. These brides began to cut off the rim on these thimbles and making a simple band they would wear on their finger. Thus, the practice of wedding rings for women started.This item comes from a collection used by a prominent citizen of Wodonga. It is also representative of a domestic item common in the 1930s.A silver thimble decorated with filigree work above a solid bottom section.domestic items, filigree thimble, womens social history, women's work -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Clothing - Race colours, Raiarmagh Pool
Raiarmagh Pool Gordon RothackerRace colours blue with yellow spots, button front and tie at bottombendigo harness racing club, raiarmagh pool, bendigo cup, g rothacker, gw rothacker, gordon rothacker -
Yarrawonga and Mulwala Pioneer Museum
Fruit Pickers Bag
Made from meal with carry strap, and a canvas bottom. Metal elliptical shape top has a hook each side which takes leather knitted strap attached to the bottom of the canvas bag. The bottom of the bag is open so that when unhooked the fruit will fall through. A woven carry strap threads through buckles at the top of the bag.None visible -
Bendigo Historical Society Inc.
Document - MARKS COLLECTION: SIDE ELEVATION AND GROUND PLAN OF STAIRWAY
Plan drawn on waxed paper. On top 'Side elevation' written in black ink, shows bottom treads of staircase, ornate bottom post of balustrade. On bottom of plan 'Ground Plan' written in black pen, 'Scale 1 Inch to a Foot' Plan contained in Fortuna Villa, George Lansell documents, although Fortuna Villa not written on plan.bendigo, house, fortuna villa -
Nillumbik Shire Council
Public Art: Wayne ALFRED (b.1958 Alert Bay, British Columbia), Wayne Alfred C/- High Commision of Canada, Commonwealth Games Totem Pole, Location: Eltham Library Foyer, Panther Place, Eltham, 2006
Wayne Alfred is a member of the Namgis Tribe of the Kwakwaka'wakw people. As a master carver he has an extremely high level of carving skill and knowledge about his peoples cultural objects, customs, tribal stories and legends. The Totem Poles of the North Pacific Coast in British Columbia and Alaska are traditionally carved out of red or yellow cedar, which has a spiritual and practical purpose. The wood was known for its durability, its resistance to rotting and the inner bark was utilised in ropemaking, clothing, hats, baskets and so forth. The Kwakitul People consider the cedar tree to be among the most sacred of all things provided by the Creator. They believed the Cedar tree to be the axis of the world and a pathway to the upper world. The wood is shaped using implements such as adzes, axes, chisels, carving knives, and chainsaws. Misinterpreted as Gods and idols to be worshipped, totems usually serve six purposes, such as a house pillar for support, a memorial or mortuary pole to commemorate (and house) the deceased, a potlatch pole (used for important traditional indigenous celebrations), a ridicule pole used to shame and a heraldic or family crest pole. Characters and symbols on these totem poles usually display family crests, history, wealth, social rank, inheritance, and privilege, as well as animalistic imagery derived from native animals and mythological creatures. Their sequence are indicative of past family events, ancestors, myths, and heraldic crests, with the bottom figure usually being the most prominent. In this work the 'thunderbird' is symbolic of power, strength and of ancestory. The Commonwealth Games Totem Pole was presented to the people of Nillumbik on behalf of the Canadian Government in recognition of Melbourne as the hosts of the Melbourne Commonwealth Games Team in 2006. Carved in cedar wood, this totem pole incorporates bold cuts and colours (such as red and green) offset by strong black. A relative degree of realism is used to depict the alligator located on the bottom of the pole, a man and a 'thunderbird'/eagle located on the top. With protuding element. No inscriptions. Bold cuts used to outline the characters and symbols as well as decorative and stylised features all over the pole. public art, kwakwaka'wakw, namgis, alfred, north pacific coast, british columbia, canada, totem pole, carved, commonwealth games, melbourne festival, cedar -
Glen Eira Historical Society
Album - Album page, Regent Street, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. At least 2 of these houses (17 and 84) are contributory properties to HO72 Elsternwick Estate and environs.Page 172 of Photograph Album with four photographs of differerent properties on Regent Street.Handwritten: Regent Street [top right] / 17 [under bottom left photo] / 84 [under bottom right photo] / 172 [bottom right]trevor hart, regent street, elsternwick, houses, mansions, cast iron work, verandahs -
Rutherglen Historical Society
Photograph - Image, 1910-1960 (Approximate)
Photographic postcard showing view of town of Bright with mountains in backgroundAt bottom of photo: "Victorian Alpine Scenery. - Birds-eye View of Bright" At bottom left: "H. Manning, Copyright" At bottom right: "F. Foxcraft"bright-victoria, victorian alps -
Kiewa Valley Historical Society
Papers - Mount Beauty Clubs, 1. Mount Beauty Schools' Band; 2) Souvenir of Mt Beauty Senior Citizens Club; 3) Gra-Y and Hi-Y Induction Ceremony
Community clubs in Mt Beauty have always been important due to the remoteness of Mt Beauty situated at the end of the Kiewa Valley and at the bottom of the surrounding mountains.Community clubs in Mt Beauty were and still are important for the well being of members of the community of all ages. Mt Beauty began as a construction town, built by the SECV for their workers on the Kiewa Hydro Electric Scheme. Situated at the end of the Kiewa Valley and at the bottom of the surrounding mountains it has become a tourist town with a strong community spirit and many clubs.1. Mount Beauty Schools' Band End of Year Concert 2002 - 2 A4 pages folded in half with black & white photos on outside cover 2.Souvenir of Mt Beauty Senior Citizens Club - 6 pages printed on 1 side only. Enclosed: Agenda for the official opening - Dec. 1972 3. Procedure for the 'Hi-Y' Induction Ceremony (no date) - 3 foolscap pages printed in blue ink on 1 side only.mt beauty school band, mt beauty senior citizens club, mt beauty gra-y and hi-y clubs, music, athletics -
National Vietnam Veterans Museum (NVVM)
Photograph, Destroyer Escort HMAS Derwent
A coloured photograph in a black frame is the HMAS Derwent with the crew aboard. bottom left hand side of the photograph reads Voyages To Vietnam Collection. Bottom right side of the photograph reads Copyright Graham Glover.hmas derwent, photograph, voyages to vietnam collection, cerberus collection -
National Vietnam Veterans Museum (NVVM)
Photograph, Casualities Of War - Another Job For Clearance Diving Team 3
A coloured photograph in a black frame of children playing around a rusty shipwreck/ Bottom left of the photograph reads Voyages to Vietnam Collection. Bottom right hand side of photograph reads Copyright Tony Eyphotograph, voyages to vietnam collection, cerberus collection -
Tatura Irrigation & Wartime Camps Museum
Book - Book - Biography, The Tiger Has Many Lives
Book telling the Story of Rod Wells and his survival as a POW in WW2. Written by his wife Pamela Wells.Blue front cover with photograph of Rod Wells, title in green print at top and in the middle, a building at the bottom, authors name bottom right. Back page has description of book over a backdrop of a tiger.Book telling the Story of Rod Wells and his survival as a POW in WW2. Written by his wife Pamela Wells. -
Uniting Church Archives - Synod of Victoria
Photograph, C. 1940s
N. J. Jenkin lived in Elizabeth St. Malvern. He was Lay Secretary & Treasurer for Methodist Overseas Missions from 1920 - 1942.Matte sepia toned studio portrait of Nicholas J. Jenkin tipped on to buff card with handwritten script at the bottom front. The cardboard has a deckle edge at the bottom. The picture appears to be an enlargement as the focus is not sharp."N. J. Jenkin Lay Secretary & Treasurer OVERSEAS MISSIONS 1920 - 1942"nicholas j jenkin, methodist overseas missions, methodism -
Great Stupa of Universal Compassion
Artwork, other - Thangka
Thangkas are cloth scrolls unique to Tibetan Buddhism, depicting deities, venerated spiritual figures, or common religious symbols. Intended for personal meditation or instruction of monastic students, they are invested with the spirit of a deity to whom they are consecrated. A thangka is a composite three-dimensional object consisting of: a picture panel which is painted or embroidered; a brocade mounting; and one or more of the following: a silk cover, leather corners, wooden dowels at the top and bottom and metal or wooden decorative knobs on the bottom dowel. A Tibetan thangka depicting Shakyamuni Buddha.buddhist art, tibetan buddhism, holy objects -
Warrnambool RSL Sub Branch
Artwork, other - Night at Mersa Matruh. Sketch, Night at Mersa Matruh
Framed behind Glass. Pen, ink, watercolour original drawingNight at Mersa Mutrah written bottom Right. T Meagher signature bottom Left. -
Flagstaff Hill Maritime Museum and Village
Painting - Religious Portrait, P Butcher, artist, The Infant Samuel, ca. 1943
This painting was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The Church was operated by the Mission to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen was an Anglican charity that served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This painting is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The painting is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this painting to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Painting, oil on board, behind glass framed with wood. Portrait of a child dressed in white, kneeling in prayer, within a dark room. The artist, P Butcher, titled the picture "The Infant Samuel". This object is part of the St Nicholas Seamen's Church Collection. Painted at centre bottom edge "THE INFANT SAMUEL.", and right bottom edge "B. BUTCHER"flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, painting, oil painting, religious painting, infant samuel, p butcher -
Kyneton RSL Sub Branch
Framed oil painting, Out of the Sun
Print of an oil painting depicting an aircraft flying with sun behind it. Red- orange colours.Out of the Sun, bottom left corner. (Signed) Ray Ellis, bottom right corner. -
Beechworth RSL Sub-Branch
Photograph - Photograph LAC J Kelly 159309
Part of the Kelly family collectionJack Kelly is the son of Willian Clyde Kelly DCM who served in both WWI and WWIIFrame hand coloured photograph of 159390 LAC J. Kelly, black wooden frame with glass 320 x 420 mm; photograph measures 197 x 243 mm mounted on a white cardboard backing board and framed in black mounting board. The reverse backing is cardboard is secured by packing tape, picture hooked on each side of the frame and picture wire. At bottom left hand corner is one WWII identity disc stamped with his service detailsAdhesives label on bottom left of frame inscribed with; 159390 LAC J Kelly / R.A.A.F W.W. 2; On the reverse side in blue marking pen JACK KELLYphotograph hand coloured, identity disc -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Functional object - Gold Mining, prospector's "rocker", c1870
Gold was discovered in Victoria c1850 and people came from all over the world to seek their fortune at Ballarat and Bendigo and surrounding gold fields. This large wooden rocking- box or cradle was used by gold prospectors. A handle on the rocker is pushed back and forth, as the miner put gravel into the top part and finer and heavier particles dropped through a screen, helped along by buckets of water. The bottom part of the device had slats, that caught the heavier metals. After many shovel loads of gravel were pushed through the rocker, the miner would then use his gold pan to sort out the heavy minerals to find gold. Most of the pioneer settlers in Moorabbin Shire left the area to try their luck at gold mining and there was a desperate shortage of workers to maintain the market gardens and supply food to the ever increasing population of Melbourne.This gold prospector's 'cradle' is hand made and typical of those used by many hopeful Moorabbin Shire pioneers as they abandoned their market gardens to try their luck at finding gold in the Ballarat and Bendigo minefields c1850This gold miner's rocker is very old, and very well-used. It is a large wooden rocking- box or cradle used by gold prospectors. A handle on the rocker is pushed back and forth, as gravel is put in the top part of the box so that finer and heavier particles drop through a screen.. The bottom part of the device had slats, that caught the heavier metals. i.e gold particles. The water passed through the shute at the base back into the creek or river.moorabbin, brighton, market gardens, pioneers, early settlers, fruit, vegetable, ballarat, bendigo, gold mining, gold prospedtors, gold rush, were j. b., irish immigrants, chinese immigrants, gold panning, gold digger -
Greensborough Historical Society
Photographs, Mitchell family, 1882-1883
Studio portraits of John Mitchell [child] Mrs Mary Mitchell, Mrs Mary Mitchell [Top Right] and Henry Mitchell [Bottom Right] and of Hailes Street Greensborough.4 studio portraits, sepia.Names written on back.mitchell family, henry mitchell, john mitchell, mary mitchell -
Emerald Museum & Nobelius Heritage Park
Photograph, J. Wells, Nightingale/Thompson Collection, c 1890 to 1918
Group outing to Mt. Hope in Northern Victoria, context not known. Photograph was important to owner as it has pin marks both top and bottom suggesting that it was on constant displaySepia photograph on cream board in modern folderInscription: Group taken At Mount Hope at the turn of the centurythompson collection, nightingale -
Stawell Historical Society Inc
Photograph, Mrs Jane D’Alton nee Galbraith 1890 -- Studio Portrait
Portrait of Jane D’Alton (nee Galbraith) taken in Studio standing beside chair. Dressed in long frock bodice buttoned with bottom of frock quite elaborate. 1890stawell clothing halls gap -
Clunes Museum
Print, WILLIAM THOMAS SMEDLEY, MELBOURNE CUP RACECOURSE FROM MEMBERS STAND
PAPER PRINT OF AN ENGRAVING AFFIXED TO CHIPBOARD PAINTED BLACK. VIEWED FROM BEHIND A CROWDED FINISH LINE AT MELBOURNE CUP 1887.W.T. SMEDLEY SIGNED IN LEFT HAND BOTTOM CORNER F.H. WELLINGTON SIGNED IN RIGHT HAND BOTTOM CORNER TITLE PRINTED ACROSS BOTTOM OF PAGElithograph, melbourne cup, 1887 -
Glenelg Shire Council Cultural Collection
Functional object - Fishing Float, n.d
Wooden handmade fishing float, painted red at top, blue centre, white bottom section. Metal coiled ring at junction of red and blue. Fine wire wrapped around white section, ring at bottom.