Diggers & Mining. Gold. The Chinese soon became very unpopular with the white diggers on the goldfields. (1) Much of the hostility to them was the result of sheer prejudice directed against people who were alien in race, religion, and language; whose standard of living, by European criteria, was low; and who did not mix with other diggers, but lived - preforce - in separate camps in the diggings. Markings: 22 994.GOL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

A large yellow paperback book titled: The Shire of Lilydale and its Military heritage - Volume Three - The Second World War: The war in Europe & the Middle East. It has English and Australian crossed flags underneath the title at the top, with a black and white photograph of a soldier embracing his mother. Inside are black and white photographs of significant people, advertisements, militia facts and stories as well as a bibliography and index at the back. Pp. 339.non-fictionThis collection of Lilydale's military heritage covers The Second World War: The war in Europe and the Middle East. It has sections on - Between the wars: The Spanish Civil War (1936 - 1939, Local Militia Forces (1918 - 1939), The Coming of the War. It details The Homefront, Patriotic Welfare, Our Service Personnel, V.E. Day, and Locals in Australian Military History.second world war, lilydale history, lilydale military history, military heritage

The Northern Hawk-owl is a nomadic and generally solitary bird, although they can occasionally be seen in pairs. While these birds resemble owls, their behaviour is more similar to that of a hawk, hence their name. Normally active during the day (similar to the hunting habits of a hawk), they prefer to reside in boreal forest, grasslands, shrublands and temperate, cold and polar zones. Located in North America, Europe and Asia, these owls can also occasionally be found during migration, in the northern United States. There are three subspecies in North America, Central Asia and Siberia. At the present time (2021), its numbers are stable and so it is therefore considered of ‘least concern’ on the IUCN Red List, indicating it is not yet endangered. This particular specimen has been correctly mounted and presented as a relatively accurate representation of the actual bird. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Northern hawk-owl's face features white and brown soft feathery plumage and a dark brown border around its face/chin area, with a dark cream curving beak soft yellowy brown coloured eyes. Its front breast feathers are generally off white in colour with some flecks of brown. It has a long brown tail with off white banding, with creamy white claws. The owl has speckled brown and white plumage over the back of its body and wings and some areas of more solid brown are present around the back of its neck and top of wings. This specimen stands upon a wooden platform and two identifying tags hang from its right leg, while a metal numbered tag hangs from its left.Swing-tag: 38 / Rayed Swin Owl –/ See Catalogue, Page 53. Tag with faded script: No 33 Strix[?] / misarea[?] / Sweden[?] Metal tag - digits on metal tag appear to read, either ‘5028’ or ‘6028’taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, surnia ulula, strigidae, northern hawk-owl, hawk-owl, canadian owl, hudsonian hawk-owl, owl, canada, asia, europe, north america

Awarded to Bob Stuart (Ft. Lt.) who flew 37 missions for 466 Heavy Bomber Squadron over EuropeBadge board displaying DFC 39-45 Star France Star and Service medals, Photo Box for DFC and "D Day" commorative medal

Relations between Australian Aborigines and Europeans in the early days of white settlement, with particular reference to the smallpox epidemics of 1789 and 1828.96 p., paperback.aborigines, smallpox

Born: Uxbridge, Middlesex, England 1872; Arrived: Melbourne, Victoria, Australia c.1914; Lived and worked: France 1905-1913, Australia: 1908 and 1913, Europe, Middle East and Asia 1916- c.1936; Died: Melbourne, Victoria, Australia 1952ImpressionismMajor Basil MacNay Bequest, Gift of Arts Victoria, 1998Hand-coloured lithograph depicting colourful buildings, boats and figures along shoreline. UnframedRecto: Signed "Carrick Fox" in black pencil in l.l.c of composition; "1/25" in black pencil in l.r.c of compositon; Not dated; Not titledprint, waterscape, boats, houses, bridge, figures, europe, trees, hill, water

These plates were pressed to commemorate the centenary of the European settlement of Australia. A large number were produced and the were distributed throughout AustraliaThese plates are a good example of souvenirs which were produced to commemorate the celebrations of the centenary of European settlement of Australia. The pressed glass was a common method of manufacturing around that period and of which they are an excellent example.001423.1 Large rounded amber glass dish with scalloped edge and seven fine rings below. Text is stippled glass on the back which appears through to the inside of the dish.An early version of Australian Coat of Arms is in the centre with the centenary years inside shields, either side. 001423.2 A smaller version of 001423.1 001423.3 Small clear glass saucer shaped dish with same design as the larger dishes. 001423.4 Small amber coloured shallow dish with small glass handle on each side. Pattern matching the larger plates is embossed on underside of the dish. The surface is scored acroos the centre bottom of the dish.Australia's Centenary in stippled glass around the edge of each dish. Advance Australia below the the Coat of Arms. 1788 1888. R*No 88120 behind one scallop on edge on each platewarrnambool, centenary of australia, centenary plates, 1788-1888

Contains documents relating to patterns of migration, impact of European colonisation, social and political institutions and historical interpretation of the Port Phillip District128 p., black and white print and illustrationsvictoria history, melbourne

The Jinker tracks were vitally important during the early years of European settlement The first routes were known as bridle pathsPhoto shows track through bush track better formed than othersBridle track written on backaccess routes, jinker track

Used in European Theatre on WW I by German soldiers - collected by Charles Honybun during his WW I service in France.Rectangular, brass-coloured belt buckles with central medallion of crown surrounded by inscription and leaves. (.2 with portion of leather belt attached).1. GOTT MIT UNS (NA4962.2) 2. IN TREUE FEST (NA4962.1)honybon charles, world war i, mitcham rsl

Built by Water Browne c.1903 Greenhills was one of the first pastoral runs, and centres of European settlement, established in the Shire of Melton. Estate in Diggers Rest Coimadai Road, Toolern Valelocal architecture, pioneer families

The HMS Lady Nelson was commissioned in 1799 to survey the coast of Australia. The initial exploration of the Bass Strait by Commander James Grant has long been believed to be the marker of the discovery of Churchill Island by Europeans and there have been tales that Commander Grant was the first European to set foot on the Island. While there is little proof of this, the photograph still serves to contextualise this event and show what the Lady Nelson looked like.Black and white photograph showing a ship with pennants and no sails. Ship is on the land, displayed by the side of the road. There is a series of low slung buildings in the background. Through preliminary research, it appears this is a replica model of the HMS Lady Nelson built in 1986 that is located at the Lady Nelson Visitor and Discovery Centre in Mt Gambier.Catalogue number in pencil on reverse. 'HMS Nelson' written on reverse in penchurchill island, lady nelson, ship, photograph

Bendigo Advertiser from Monday, October 25, 1976. On the front page: an article on the Bendigo agricultural show, a photo of Stanhope Apex club members Ron Luker and Kerryn Patten putting the last two European carps into a drum and article - 4 tonnes of fish, Stanhope stabs carp and law. Another article on a total eclipse of the sun and one on a Lady Godiva doing her thing in Echuca. It is the full paper (10 pages).newspaper, bendigo advertiser, stanhope

Newspaper clipping from the Melbourne Herald, 12/5/1972, letter to the editor from David Menzies of Wattletree Road, Malvern about the lack of information in this country about the development of modern trams in Europe. Notes closure of Bendigo, modernisation of Ghent (Belgium), some US systems, 110 tramway system in USSR, and the long suffering commuter in Melbourne who has to put with cattle truck conditions on one of the largest tramway systems in the world.In red ink top right hand corner '12/5/72'trams, tramways, david menzies, tramways, bendigo, melbourne

Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.The most significant decorative aspects of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the ballroom is believed to depict one of the ‘boldly drawn four great geographical divisions of the Earth’. The crowned woman, believed to represent Europe, stands aloft in a chariot drawn by cherubs holding garlands of flowers.david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic)

The hat box relates to the theme of travel and transport, centred around the arrival of European migrants and subsequent settlement of the Port of Echuca in the late 1800s.Round leather hat box with a metal carrying handle and a lock with a clip and a key hole. There is a metal clip on either side of the box .hat box, travel, settlement, 1800s

McDonald Smith is famous for paining in the tradition of tonal impressionism, with most of his works painted in oil. This influence of the European Impressionist art style is clearly seen in his artwork Flower Study. The notion of light, an impressionist theme, is depicted by the use of a tonal colour palette and varied brushstrokes. The depiction of a Japanese dragon vase hints at the art aesthetic of Japonisme in the European Impressionist movement, a possible nod of respect to the movement by McDonald Smith.Rural City of Wangaratta Collection, Wangaratta Art Prize 1997.A rectangular still life painting of a bunch of flowers in a vase painted in oil using shades of white, red, green, blue, and yellow.Obverse: P McDONALD SMITH (bottom right corner)wangaratta art gallery, painting, still life, paul mcdonald smith

This item predates the change of Imperial measure (England -1824) to decimal measure (Europe) in Australia (1970 to 1988). This item was manufactured in England as, was the majority of measuring tool and equipment. It was not until the late 1950s that other countries e.g. United States and Europe provided the same type of manufactured tools for the Australian market. World War II, when Australia had to defend its own boarders that the political push for self sufficiency of manufactured goods started local production. Workers in the Kiewa Valley had always relied on the high quality of tools and manufactured goods coming from England. From the middle to late 1950s migration by skilled workers from a war torn Europe provided the source of manpower for the expansion of the manufacturing industries in Australia.The requirement of an accurate measuring tool has always been critical. This item was used at the time when Australia was using the British Imperial measurements. Accurate measurements by carpenters and other trades people for both town and rural needs was just as critical as for the larger cities. The transition period from Imperial to metric was a period of over four years but it still presented those who had used the Imperial measurements for a longer period in their trades with a dual system of measurement for a longer time(usually up to their retirement) Other nations still using Imperial measurements kept the transition from Imperial to metric alive (the UK and USA still uses Imperial measurements in 2012)Retractable metallic wired tape measure within a leather casing. Length of tape is 66 feet. Brass fittings on casing(winder and back plate)Tape on one side marked in inches and feet and on the other in links. Winder lever marked "66ft No 401" on front and arrow with"wind this way". Leather cover marked "John R A Bone & Sons Birmingham England" on reverse side "Metallic wired tape R A Bone & Sons"wired tape measure, tool, mobile tool, construction tool

Pince-nez were a style of spectacles that held on to a person's nose by a spring mechanism and was popular in the late 19th and early 20th centuries in European cultures.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A pair of brass pince-nez styled spectacles with a loose brass chain earpieceA01156.2glasses, eyewear, fashion

Pince-nez were a style of spectacles that held on to a person's nose by a spring mechanism and was popular in the late 19th and early 20th centuries in European cultures.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A pair of brass pince-nez styled spectacles.glasses, eyewear, fashion

Discovered in the Chapel of St Peter when packing up for renovations. Probably a gift from an Eastern European crew member visiting the Mission TBC.Print of Eastern Orthodox style painting of Madonna and child on gold ground printed inscription lower edge of imageorthodox church, nativity, mary, jesus, crown, angel, artwork-paintings

A timeline of Australian history from the first Australians, European exploration and discovery to 1980. Prepared by Ila Brown for The Age. Includes timeline, maps and photographsSet of 4 laminated posters, printed in colour on one side.australia history, australia exploration

Booknon-fictionAn examination of the relationship between representations of ancient and contemporary goddesses, and how they are used by contemporary artists.pre-history, spirituality, frida kahlo, judy chicago, religion, mythology, anna mendieta, ritual, sacred at, women's movement

Typed on back of photograph P121(a), "Sue Bennett, Victoria's "Girl of the Year" pictured boarding an Alitalia aircraft at Sydney Airport on the first stage of her trip around the world. Sue, 19, of Warrandyte Road, North Ringwood, will visit twenty countries in the course of the next few weeks and will be interviewed on radio and television in Europe and the United States. She will spend ten days in Rome and will also visit Naples, Venice, and Milan, and other parts of Europe before going to London and the United States." Stamp also on back of photograph reads, "John A. Mulligan, Photographer, 108 Albion St. City". No inscription on the back of P121(b) but stamp states photographer as, "Stuart Goldsworthy, ... Melbourne".