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Robin Boyd Foundation
Slide, Robin Boyd, 1967
Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. College House 1964, Ilam, Christchurch, New Zealand. (Architects: Warren & Mahoney.)Made in Australia / 5 / APR 67M7slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1967
Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. Freyberg Place and the Pioneer Women’s Memorial Hall (now called Ellen Melville Centre), Auckland, New ZealandMade in Australia / 37 / APR 67M7slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1967
Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. Unknown location, probably New Zealand or CanadaMade in Australia / 18 / APR 67M7slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1966
Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. College House, Ilam, Christchurch, New Zealand, 1964. (Architects: Warren & Mahoney.)Made in Australia / 4 / APR 67M7slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1967
Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. Mountains, unknown location, probably New ZealandMade in Australia / 25 / APR 67M7slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1967
Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. College House, Ilam, Christchurch, New Zealand, 1964. (Architects: Warren & Mahoney.)Made in Australia / 3 / APR 67M7slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1967
Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. College House, Ilam, Christchurch, New Zealand, 1964. (Architects: Warren & Mahoney .)Made in Australia / 6 / APR 67M7 / Encircled 19 (Handwritten)slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1967
Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. Hydroelectic power station in New ZealandMade in Australia / 15 / APR 67M7slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1967
Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. Unknown streetscene, probably New ZealandMade in Australia / 36 / APR 67M7slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1967
Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. Student Union, University of Canterbury, Ilam Campus, New Zealand, 1967. (Architects: Warren & Mahoney.)Made in Australia / 10 / APR 67M7 / Encircled 7 (Handwritten)new zealand, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1967
Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. Student Union, University of Canterbury, Ilam Campus, New Zealand, 1967. (Architects: Warren & Mahoney.)Made in Australia / 11 / APR 67M7 / Encircled 6 (Handwritten)new zealand, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1967
Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67.Colour slide in a mount. Maclaurin Chapel (1964) at the University of Auckland, Auckland, New Zealand (Architect: Gummer Ford and Partners.)Made in Australia / 1 / MAY 67M6slide, robin boyd -
Eltham District Historical Society Inc
Photograph, George Coop, Steam locomotive N-430 and the Victorian Centenary Jubilee train at Spencer Street Railway Station, Feb. 1951
The Centenary-Jubilee Train. The Centenary-Jubilee train was one of the outstanding successes of the Centenary and Jubilee celebrations in Victoria. The train, attractively painted green and gold, consisted of eleven cars, and toured Victoria to take to people in the country exhibits of interest associated with the celebrations. National Art Gallery paintings, rare manuscripts and pictures were displayed, as well as models showing the history of gold production, and models and illustrations of national projects controlled by the various departments of this State. The Commonwealth section included displays by the Army, Navy, Air Force and Post Office; a war materials exhibit from the Supply Department; and diagrams and maps of the Snowy Mountains Hydro-Electric scheme. The Railways exhibit portrayed the century's growth and development of railways in Victoria and their influence on the prosperity of the State. During its 6,000 miles tour, from 1st February to 30th June, the train visited 168 stations and was inspected by 547,978 people. An entertainment unit accompanied the train and gave 100 performances which were attended by 96,400 people. Source: Report of The Victorian Railways Commissioners for the Year Ended 30th June 1951Digital TIFF file Scan of Kopdak 620 black and white negative transparencygeorge coop collection, n-430, n-class steam locomotive, victorian centenary jubilee 1951 -
Eltham District Historical Society Inc
Photograph, George Coop, Steam locomotive N-430 and the Victorian Centenary Jubilee train at Spencer Street Railway Station, Feb. 1951
The Centenary-Jubilee Train. The Centenary-Jubilee train was one of the outstanding successes of the Centenary and Jubilee celebrations in Victoria. The train, attractively painted green and gold, consisted of eleven cars, and toured Victoria to take to people in the country exhibits of interest associated with the celebrations. National Art Gallery paintings, rare manuscripts and pictures were displayed, as well as models showing the history of gold production, and models and illustrations of national projects controlled by the various departments of this State. The Commonwealth section included displays by the Army, Navy, Air Force and Post Office; a war materials exhibit from the Supply Department; and diagrams and maps of the Snowy Mountains Hydro-Electric scheme. The Railways exhibit portrayed the century's growth and development of railways in Victoria and their influence on the prosperity of the State. During its 6,000 miles tour, from 1st February to 30th June, the train visited 168 stations and was inspected by 547,978 people. An entertainment unit accompanied the train and gave 100 performances which were attended by 96,400 people. Source: Report of The Victorian Railways Commissioners for the Year Ended 30th June 1951Digital TIFF file Scan of Kopdak 620 black and white negative transparencygeorge coop collection, n-430, n-class steam locomotive, victorian centenary jubilee 1951 -
Bendigo Historical Society Inc.
Memorabilia - Victorian Gold Jubilee Glass
The Victorian Gold Jubilee Exhibition, held at Bendigo from 13 November 1901 to 14 May 1902. The courts were numbered from one, or had titles like “Machinery”, “Agricultural”, “Naval & Military Court” and “Art”. The female visitors to the Exhibition were able to view exhibits deemed suitable for the fairer sex and located within their own “Women’s Court”. There were exhibits such as “Parasols & Umbrellas”, cotton and haberdashery from Manchester and Staffordshire, “Corsets & Embroideries” from Paris. The most valuable exhibits were mining machinery such as Taylor Horsfield’s £850 “Air Compressor & Rock Borer”. “Bohemian Glassware” brought down from Sydney was valued at £600. The profits from this Exhibition were used to fund the sculpture known as the Gold Monument, which still gazes along Pall Mall (from the McCrae Street end). The Exhibition’s Cash Book shows payments, which totalled £1160, were made to then up and coming sculptor C.D.Richardson. Recently a City of Greater Bendigo staff member used both these volumes to write a detailed report about this monument, for Heritage Victoria.Etched Drinking Glass to commemorate Victorian Gold Jubilee Exhibition Bendigo 1901-2 Decorated with a scene of Bendigo and fern fronds.Victorian Gold Jubilee Exhibition Bendigo 1901-2 Jack Gordonvictorian gold jubilee exhibition bendigo, 1901-2, jack gordon, bendigo -
Bendigo Historical Society Inc.
Memorabilia - Bendigo Exhibition Glass
The Victorian Gold Jubilee Exhibition, held at Bendigo from 13 November 1901 to 14 May 1902. The courts were numbered from one, or had titles like “Machinery”, “Agricultural”, “Naval & Military Court” and “Art”. The female visitors to the Exhibition were able to view exhibits deemed suitable for the fairer sex and located within their own “Women’s Court”. There were exhibits such as “Parasols & Umbrellas”, cotton and haberdashery from Manchester and Staffordshire, “Corsets & Embroideries” from Paris. The most valuable exhibits were mining machinery such as Taylor Horsfield’s £850 “Air Compressor & Rock Borer”. “Bohemian Glassware” brought down from Sydney was valued at £600. The profits from this Exhibition were used to fund the sculpture known as the Gold Monument, which still gazes along Pall Mall (from the McCrae Street end). The Exhibition’s Cash Book shows payments, which totalled £1160, were made to then up and coming sculptor C.D.Richardson. Recently a City of Greater Bendigo staff member used both these volumes to write a detailed report about this monument, for Heritage Victoria.Etched drinking glass. Bendigo Exhibition 1902 - Mother - Etched on front - Fern frond etched on back.Mother 1902, etched glass, bendigo exhibition 1902 -
Federation University Historical Collection
Book, Mason, Firth and McCutcheon, London International Exhibition of 1873 (Melbourne 1872-3) Official Record, 1873
.1) London International Exhibition of 1873 (Melbourne 1872-3) Official Record containing introductions, catalogue of exhibits, index of exhibitors, reports and recommendations of experts, official awards of commissioners and essays and statistics on the social and economic resources of the Colony of Victoria, mining and mineral statistics .2) International Exhibition Essays, 1872-3: * Progress of Victoria by William Henry Archer. This includes birth places for the People of Victoria (1871), Education. * The climate of Victoria by Robert L.J. Ellery * Wines * Preserved Meats * The climate of Victoria in reference to vegetable production. * Agriculturenon-fictionballarat distillery company, ballarat meat preserving company, william bardwell, joseph bosisto, j. brache, clunes gold mining company, hubert de castella, gutheil, butner & co., lambert & co., fabrizzio crippa, robert brough smyth, william henry archer, robert ellery, g.l. graham, wines, john bleasdale, preserved meat, james harrison, agriculture, vienna universal exhibition, mining and mineral statistics, matilda lang -
Bendigo Historical Society Inc.
Book - ARTISTS OF THE BENDIGO GOLDFIELDS 1852 - 1864, 1989
Artists Of The Bendigo Goldfields 1852 - 1864. Short notes on the paintings and their artists. This Collections was exhibited at the Bendigo Art Gallery, 9 March - 9 April,1989. The Artists were: Ludwig Becker, Edward Thomas Barnard, Nicholas Chevalier, William Dexter, Alexander Fox, S. T. Gill, Thomas Ham, Theodore King, George Lacy, Frederick Nixon, J. A. Panton, C. Rudston Read, George Rowe, G. J. W. Russell, Edwin Stocqueler, A. J. Stopps, W. E. D. Sturat, Thomas Wright. With Index. 32 pages.David Thomasbook, bendigo, paintings, books, catalogues, and newspapers. -
Bendigo Historical Society Inc.
Document - JAMES MARSHALL COLLECTION: BRAVERY CERTIFICATE FROM DEPARTMENT OF MINES 1886, 1886
Certificate cream with brown embellishment and writing. Across top are sketches of mining implements, a mining cage, poppet head and windlass. Certificate reads: "Awarded to James Marshall 'in recognition of his bravery and presence of mind exhibited by him on the seventh day of December 1886 at the mine of the Pearl Company when a fellow miner was gallantly rescued from a fearful death." "D. Gillies, Minister of Mines Entered on roll No. 4" Written on back in pen: 'Kate Marshall/Mildren - Doug Mildren's mother. James Marshall - Kate's brother. Births, Marriages, and Deaths.bendigo, mining, james marshall rescue -
Federation University Historical Collection
Print - Artwork - Portrait, Sir Redmond Barry KCMG, 1881
The original of this portrait is held by Melbourne University Art Collection. Redmond Barry was the first President of the Ballarat School of Mines. Until 2020 this was exhibited at the Ballarat School of Mines Administratin building, outside Founders Room. Artist George Folingsby died in 1891.Framed reproduction of a painting of edmond Barry by George Folingsby.His HOnour Sir Redmond Barry K.C.M.G., M.A., LL.D 1813-1880 Foundation Presidet of the S.M.B., 1870-1876 Trustee of the S.M.B., 1870-1880 Chancellor of the University of Melbourne, 1853-1880redmond barry, george folingsby, available -
Tatura Irrigation & Wartime Camps Museum
Book, Die Deutsche Spiel Sehgi Australien, 1940's
Made in camp 13, the book is a manuscript of the play "Es Tut Sich Was Um Mitternacht" (it does that at midnight) character sketches and lighting plans. Book was sent to Germany to be exhibited at a Red Cross exhibition of POW activities. Play written by Adolf Wilke.Hard cloth covered loose leaf book secured at spine with brown leather ties. Title and crest, circular garland around swastika on front cover done in ink. Text in book is in German.adolf wilke, es tut sich was um mitternacht, camp 13 theatre group, it does that at midnight -
Tatura Irrigation & Wartime Camps Museum
Photograph, Sketches by Leonhard Adam
Photographs taken of original photos exhibited at Tatura Museum c.1996. Sketches by Leonhard Adam, ex Dunera, Camp 2. Sketch 3- Ipse Fici, August 1941. Two photos of Leonhard Adam scanned from private collection.. photograph, people, leonhard adam -
Federation University Art Collection
Ceramic, Salt Glazed Bottle by Stephen Cuthill, 1982
Stephen CUTHILL Stephen Cuthill was a diploma graduate from the Gippsland Centre of Art and Design (GCAD), and was later a tutor. He exhibited works at the Churchill Switchback Gallery iduring the 1980s. His mark is an impressed 'Cuthill' or an impressed stamp 'Stephen Cuthill"A salt glazed bottle with titanium slip glaze.jan feder memorial ceramics collection, salt glaze, alumni, stephen cuthill -
Federation University Art Collection
Painting, Lewis Miller, 'Untitled' by Lewis Miller, 2005
'Untitled' by Lewis Miller was exhibited in a travelling exhibition called 'Imaging the Apple' which toured from 2004 to 2005. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of half an apple.art, artwork, lewis miller, miller, apple, fruit, imaging the apple -
Clunes Museum
Container - ENGRAVING & BOX
INFORMATION ON BOX LID-THE ENCLOSED IMPRESSION EXHIBITS A LIKENESS OF THE REV. JOHN WESLEY, ENGRAVED ON A FOSSIL ECHINUS, OR SEA-EGG, IN THE POSSESSION OF MR. JOHN HEY OF LONDON. THE CLEVER ARTIST WHOSE WORK IT IS, PRONOUNCED THE STONE TO BE HARDEST HE HAD EVER ENGRAVED.A LIKENESS OF THE REV. JOHN WESLEY, ENGRAVED ON A FOSSIL ECHINUS, OR SEA-EGG. IN A SMALL BOX"THE WORLD IS MY PARISH"engraving, wesley, rev john wesley -
Cheese World Museum
Certificate, Nantwich International Show 1995
Warrnambool Cheese and Butter Factory Company Ltd commenced operation in 1888 and remained locally owned until 2014 when it was acquired by Canadian company Saputo. Subsidiary Warrnambool Milk Products exhibited items at various dairy exhibitions as a means of promoting and improving their product.Product award, red oblong certificate with black print from Nantwich Agricultural Society. Nantwich Agricultural Society Ltd/ Nantwich International Show 1995/ Cheese and Dairy Produce/ Cheese First Prize/ Class No DP 15 Exhibitor Warrnambool Milk Products (4) Karen L Wright Competitive Entries Secretary/ George Lawrence Society Secretaryallansford, dairy awards, product awards, warrnambool cheese and butter factory, warrnambool milk products, nantwich agricultural society, nantwich international show, cheeses, dairy industry -
Wodonga & District Historical Society Inc
Decorative object - Ruby Glass and crystal jug, 1907
The First Australian Exhibition of Women's Work was held at the Exhibition Building, Melbourne, from 23 October to 30 November 1907. It was opened by Lady Northcote (the wife of Australia’s Governor General) and Pattie Deakin (wife of the Prime Minister), who also ran a model creche during the exhibition. The five week exhibition showcased the work of women musicians, artists and craftswomen with over 16,000 exhibits in all fields of artistic endeavour. It was attended by approximately 250,000 people. Exhibits were divided into Classes, including Fine Arts; Applied Arts; Photography; Plain Needlework; Cookery, Preserves and Laundry Work; Horticulture; and Medical and Nursing. This item was owned by Mrs. Mary Burrowes, aunt of Mrs. Jean Raper.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A small ruby glass and crystal jug which was produced as a souvenir of the Australian Exhibition of Women's Work held at the Exhibition Building in Melbourne in 1907. It has been inscribed in gold coloured paint. "Mary Women's Exhibition 1907"vase, glassware, decorative items -
Federation University Art Collection
Artworks - Printmaking, Limited edition prints by Andrew Sibley
Andrew SIBLEY ( 9 July 1933-2015) Born London Since the 1960s Andrew Sibley consistently exhibited throughout Australia and Internationally. He was senior lecturer of painting at RMIT from 1967-1987 and senior lecturer of painting at Monash University from 1990-1999. Six framed limited edition prints by Andrew Sibley using the Sugar-lift etching technique and hand colouring. Printed at the Australian Print Workshop, Melbourne and published by The Lytlewode Press, Melbourne in an edition of 125 in 2010. .1) 'Catch a Falling Star' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 17/125 Signed, inscribed and numbered by the artist. Catch a Falling Star written by Paul Vance (born 1929) and Lee Pockriss (1924-2011) 1957 .2) 'It’s only a Paper Moon' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 1/125 Signed, inscribed and numbered by the artist. It's Only a Paper Moon by Harold Arlen (1905-1986) lyrics by E. Y. Harburg (1896-1981) and Billy Rose (1899-1966) 1933 .3) 'Come Fly With Me' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 9/125 Signed, inscribed and numbered by the artist. Come Fly with Me by Jimmy Van Heusen (1913-1990) lyrics by Sammy Cahn (1913-1993) 1957 .4) 'You are the Sunshine of my Life' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 1/125 Signed, inscribed and numbered by the artist. .5) 'Some Enchanted Evening' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition:1/125 Signed, inscribed and numbered by the artist. Some Enchanted Evening Richard Rodgers (1902–1979) and Oscar Hammerstein II (1895–1960) South Pacific 1949 .6) 'Vilya, Oh Vilya' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 1/125 Signed, inscribed and numbered by the artist. Vilya, Oh Vilya Die lustige Witwe (The Merry Widow), operetta Vilya, oh vilya Composed by Franz Lehar (1870-1948) 1905 Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014artwork, artist, sibley, andrew sibley, printmaking, etching, churchill, gippsland campus -
Federation University Art Collection
Artwork - bookplate, Ex Libris Bookplate for Robert Littlewood by Andrew Sibley
Andrew SIBLEY ( 9 July 1933-2015) Born London Since the 1960s Andrew Sibley consistently exhibited throughout Australia and Internationally. He was senior lecturer of painting at RMIT from 1967-1987 and senior lecturer of painting at Monash University from 1990-1999. Black and white Ex Libris Bookplate for Robert Littlewood.bookplate, andrew sibley, keith wingrove memorial trust, available -
Federation University Art Collection
Print, Heather Winter, The Kimberleys, 2003
Heather WINTER (b1961 - ) After completing a Bachelor of Film Rusden college (later Monash University), a Bachelor of Fine Arts from Griffiths University, and a Master if Fine Arts from the Victorian College of the Arts Heather Winter she exhibited nationally and internationally from the 1990s. A digitised type C dura trans light box with digiral outoutavailable