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National Wool Museum
Textile - Three Bears Porridge Rolled Oats Bag
These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with graphic image on front showing three bears holding porridge bowls with yellow background and white and black text.Front: THREE BEARS \ PORRIDGE \ ROLLED \ OATS \ SOMEBODYS BEEN TASTIN' MY PORRIDGE / AN' THEY'VE EATEN IT ALL UPwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen -
National Wool Museum
Textile - Parsons Rolled Oats Bag
These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with colour image and black text. Image shows a full length brown horse with bridle.Front: PARSONS FARM ANIMAL SERIES No.3 \ SUFFOLK \ The Suffolk, often known as the Suffolk Punch, originated in the County of Suffolk, England \ and is noted for its hardiness. From 15 to 16 hands in height. The Suffolk in general is smaller than \ the Clydesdale. The head is rather coarse, with the neck short. The body long deep and wide with \ a round full appearance. The croup is straight and legs short and free from leather. The invariable \ colour is chestnut, varying from light to dark.wagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen -
National Wool Museum
Textile - Harpers Star Avena Brand Rolled Oats Bag
These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with graphic blue and yellow image and text on front. Image shows head and shoulders of person resting on forearms surrounded by flora. Back of bag shows blue and white image of a cube with text and star graphics.Front: HARPER'S \ STAR \ AVENA \ BRAND \ ROLLED OATS \ ??INCORPOR?? ??STORIA?? \ ????? \ AUSTRALIA Back: THE \ SILVER STAR \ RICE \ STARCH \ ROBERT HARPERS AND CO LIMITED \ AUSTRALIA \ THE \ BEST \ IN \ THE \ WORLD \ WONT \ STICK \ TO THE \ IRON \wagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen -
National Wool Museum
Textile - O*So*Lite Self-Raising Flour Bag
These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico flour bag with red, blue, white and yellow graphic image and text. Image shows head and shoulders of a woman wearing a bakers hat. Reverse side shows same image with slightly different text.Front: O*SO*LITE \ SELF-RAISING \ FLOUR \ 25lb \ NET \ THE \ FINEST \ FLOUR \ O-SO-LITE \ PRODUCTS PTY. LTD. \ LENNON STREET, SOUTH KENSINGTON \ VICTORIA 13 0261 \ SELF RAISING \ SELF RAISING \ SELF RAISING Back: O*SO*LITE \ SELF-RAISING \ FLOUR \ PREPARED WITH PROSPHATE AERATOR \ 25lb \ NET \ THE \ FINEST \ FLOUR \ O-SO-LITE \ PRODUCTS PTY. LTD. \ LENNON STREET, SOUTH KENSINGTON \ VICTORIA 13 0261wagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen -
Port Melbourne Historical & Preservation Society
Photograph - Aerial view of J Kitchen & Sons site, Port Melbourne, C D Pratt Airview, 21 Mar 1939
COPYRIGHT C D PRATT Black and white photograph of J Kitchen & Sons Pty Ltd. On back "Aerial view looking North East, 21st March 1939". Signs on three middle buildings 'J Kitchen & Sons Pty Ltd'; 'Pure Velvet Soap'; 'Electrine Candles'. Sign 'Australian Box Mills' on building to left "E L Pinkus' on building to Nort east and behind it 'Petersen & La...'"This photo is copyright" and information on owner - C D Pratt 86 McCracken St, Essendonindustry - manufacturing, j kitchen & sons pty ltd, australian box mills, e l pinkus, petersen -
Bendigo Historical Society Inc.
Book - LYDIA CHANCELLOR COLLECTION: 'CHRISTMAS COMES TO THE KITCHEN CLUB.'
A small paperback titled, 'Christmas Comes to the Kitchen Club. A fantasy by Clifford Norman Button.' Presbyterian Bookroom Melbourne. Spectator Publishing Co. Printers Melbourne. 1943. 23 ps.Clifford Norman Buttonbooks, novels, christmas, lydia chancellor collection, collection, book, books, fiction, fantasy, literature, reading, christmas -
Port Melbourne Historical & Preservation Society
Document - History, J Kitchen & Sons at Port Melbourne, Ronald McKie, 1952
Ten (10) foolscap typed pages stapled on the left side . The article gives a detailed account of the origins and development of J Kitchen & Sons from the mid 1800s in Port Melbourneindustry, manufacturing, business and traders - soaps/candles, families, j kitchen & sons pty ltd, apollo candle co, velvet soap, lever brothers, lord leverhulme, solvol soap, unilever australia (holdings) ltd, john kitchen, john ambrose kitchen, john hambleton kitchen, frederick william kitchen -
Port Melbourne Historical & Preservation Society
Letter - Governor of NSW to A J Kitchen offering congratulations for King's SIlver Hubilee Medal, May 1935
Photocopy of a letter to Mr Kitchen (A.J) from Sir Alexander Hore-Ruthven, Governor of NSW, offering congratulations for the award of the "King's Silver Jubilee Medal " 3rd May 1935industry - manufacturing, business and traders - soaps/candles, memorials and presentations, kitchen a j, j kitchen & sons pty ltd, sir alexander hore-ruthven -
Port Melbourne Historical & Preservation Society
Photograph - Kitchen interior, 231 Princes Street, Port Melbourne, Pat Grainger, 1989 - 1990s
These taken by neighbour Pat Grainger during the old seaman's lifetime (.01 and .02) and after his death, as the old (c 1900) shop was replaced by a 1990s house.From a series of colour photos of the changing property at 231 Princes Street. .04 - Kitchen interior showing stove hood labelled Gladie's Gallery, for his deceased wife GladysVarious numbers on back re some former use.built environment, victor cann, gladys cann, princes street -
Port Melbourne Historical & Preservation Society
Photograph - Unichema offices, Ingles Street, Port Melbourne, David Thompson, May 1996
Photos taken prior to moving offices from 1920s building to renovated factory around the cornerColour photo Unichema offices 164 Ingles Street (formerly J Kitchen & Sons) taken May 1996: View of interior: office partitioning from balcony, looking southwestbuilt environment - commercial, business and traders - soaps/candles, david thompson -
Port Melbourne Historical & Preservation Society
Photograph - Installion of spiral condenser, J Kitchen & Sons, Port Melbourne, Arthur Jones, 1983
Sixteen colour photographs taken at J Kitchen's Port Melbourne site . "Installation of new spiral condenser on Lurgi still during Xmas shutdown 1983, photography by Arthur Jones"industry - manufacturing, j kitchen & sons pty ltd, unichema australia pty ltd -
Port Melbourne Historical & Preservation Society
Photograph - J Kitchen & Sons site, Port Melbourne, Arthur Jones, 1987 - 1988
89 colour photopgraphs taken at J Kitchen's (Unichema) Port Melbourne site 1987/88. Lurgi still, equipment and buildings. Labels on back and label on front give details.industry - manufacturing, workers, j kitchen & sons pty ltd, unichema australia pty ltd -
Wangaratta Art Gallery
Painting, Judith Garde, Pumpkins and Copper, 1994
Rural City of Wangaratta Collection, Wangaratta Art Prize Grand Winner1994.A still life of pumpkins, a copper pot, a cleaver, and other vegetables sitting on top of a kitchen bench painting in oil using tonal shades of orange, brown, red, green, and blue.Obverse: Grand Winner 1994/ 'Pumpkins & Copper'/ By JUDITH GARDE/ Judge - EDWARD BERRY/ (plaque mounted on frame)wangaratta art gallery, judith garde, still life, painting -
Whitehorse Historical Society Inc.
Article, Men, the intrepid explorers, 2005
Men, the intrepid explorers, set foot in their final terra incognito - the domestic kitchen.Men, the intrepid explorers, set foot in their final terra incognito - the domestic kitchen. Dave O'Neil is taking part in the Melbourne International Comedy Festival in a show called 'House Proud'Men, the intrepid explorers, set foot in their final terra incognito - the domestic kitchen. actors, o'neil, dave -
Whitehorse Historical Society Inc.
Photograph, Coles Supermarket, Forest Hill, 1994
Black and white photograph of the kitchen staff in the bakery section of Coles, Forest Hill Chase. Three staff on left are showing products. Wooden box containing cinnamon donuts in centrecoles supermarkets, forest hill chase, bakeries -
Ballarat Tramway Museum
Photograph - Digital image, Chris Phillips, c1970
Yields information about the tram operations in Lydiard St North and the type of trams used.Digital image, black and white, of No. 37 at the Lydiard St North, waiting to return to Sebastopol. Has an SEC roof advert - all under control in my all electric kitchen.trams, tramways, lydiard st north, tram 37 -
Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION: 'TRAXO' CLEANING LABEL
A plastic bag containing 'Traxo' cleaning labels'. 'Traxo' cleaning labels. 'The Great Cleanser.' 'Kitchen Laundry Lavatory.' 'The Tarax Brewing Co. Depot: 4 City Market, Bendigo.'domestic equipment, cleaning, cleanser, lydia chancellor, collection, house cleaning, domestication, cleaning, house work, cleaning agents, 'taraxale brewing, ' bendigo, pethard family, mr. george pethard, industry, industries, domestic equipment -
Mont De Lancey
Functional object - Bedroom Jug, Unknown
From the 1860's - 1930's various companies called their enamelware products by their own unique names, e.g. graniteware and agateware. The enamel coating put an end to metallic tasting food and prevented rust from contaminating food. It did scratch and chip easily.A large white enamel water jug or pitcher with a dark blue handle and dark blue trim around the rim. It may have been used in the bedroom for washing oneself or in the kitchen.enamel, metal, water pitcher, jugs -
Whitehorse Historical Society Inc.
Domestic object - Rolling pin
Essential item for kitchen of 1950'sRound, smooth, wooden central section with wooden handles each end. Painted greendomestic items, cooking -
Blacksmith's Cottage and Forge
Bowl, mixing
Mixing bowls of this design were a common item in Austrailan kitchens in the late 19th and early 20th centuries. Women worked largely in the kitchen producing three meals daily for their families and, on farms, for the workers or casual labourers.Local significance for the history of women's work, especially the domestic duties of baking and cooking. Round, cream-coloured, ceramic mixing bowl with pouring lip, fluted design.baking, cakes, mixing bowl, kitchenware, women s work, domestic utensils, home cooked meals -
Vision Australia
Sign - Image, Wash Your Hands
These signs were printed and placed on to chip board for display in the kitchen area (as shown by the screw marks in the top corners). Brown marks and heat damage were most likely caused by their location in the kitchen at Ormond Hall.2 digital images of Department of Health Regulation 85 around cleanlinesssignage, ormond hall, royal victorian institute for the blind -
Kiewa Valley Historical Society
Bowl Enamel, unknown, circa mid to late 1900's
This "mixing" bowl was used in a period before electric food processors and mixers were readily available(1940's). Basic food ingrediences requiring mixing such as cakes scones and bread had to be hand blended.This mixing bowl is very significant to the Kiewa Valley andrural regions because it details not only what kitchens, be they commercial, domestic or rural camp, required to be stocked with but also a period in time when electrical goods such as blenders were not on in production and electricity was not available.This bowl is made from steel and has a green enamel covering. The rim of the bowl has a black border to highlight its edge.nilmixing bowl, kitchen -
Anglesea and District Historical Society
Toast Rack, Ceramic Toast Rack, Estimated 1930s
Green ceramic with four rings on base, therefore it holds 3 pieces of toastEnglandkitchen, toast -
International House, The University of Melbourne
Photograph (Item), Woman working in the servery at International House, c. 1958
staff, kitchen -
Mordialloc & District Historical Society Inc
Bread Tin, Unknown
Used in commercial bakery, probably in the bakery built in the 1920s that now houses the Mordialloc & District Historical Society.Folded metal tins, two units braced together by metal straps and rivets. Tins are rectangular and bake 1 pound loaves. Black coating on outside of tins.Pressed into long sides: "608" Pressed into ends: "7 74" [very faintly]bakery, kitchen -
Southern Sherbrooke Historical Society Inc.
Grater, 1940's
Metallic cylinder that is wide at the bottom and narrow at the top. Has various sized holes cut/drilled into it to allow food to be grated. Hollow in the centre to contain grated food.Willow', 'registered design' and 'made in Australia' all featured on cylinder.cooking, kitchen -
Southern Sherbrooke Historical Society Inc.
Mixing Bowl
Belonged to Cheryl Kellett and donated to Susan Heywood-Downard for the Southern Sherbrooke Historical Society. Unknown history prior to that time.Ceramic Bowl originally belonging to Cheryl Kellett. Size 12 with a small "lip" at one edge for easy pouring of contents."12" at the bottom.baking, kitchen -
Southern Sherbrooke Historical Society Inc.
Milk Saucepan
Unknown. Bought from an opportunity shop in Victoria.2 pint/litre coloured enamel milk saucepan with handle. Volume marked on inside of saucepan. Grey inside, cream outside with green handle.Volume markings on the inside.kitchen, cooking -
Halls Gap & Grampians Historical Society
Photograph - B/W
This was the Camp Kitchen in the Halls Gap Camping ReserveThe photo shows a stone building with glassless windows and an iron roof standing in a clearing with bush behind.structures, camp kitchens -
Dutch Australian Heritage Centre Victoria
Sieve with apple sauce making attachment (applemoeszeef)
Brought by Dutch migrants as part of kitchen apparatus.Sieve with green plastic handle and two hooks to hold sieve over bowl. Detachable Y-shaped steel frame apple sauce roller inside sieve, designed to fit over the handle and hook onto rim on opposite side, has turning handle with green wooden knob, a wooden egg-shaped roller, to force apple sauce through sieve, and metal paddle to scrape sauce from sieve. Cooked apple sauce was placed in sieve and pushed through mesh by turning handle to produce the fine apple sauce beloved by the Dutch.household item