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Glenelg Shire Council Cultural Collection
Print, Ermes De Zan, Swiming Pool, 1973
Print Council of Australia Members' Print Commission, 1973Four figures swimming in a swimming pool. In the upper image there are reflected objects in the pool. The top of the image does not include the reflected object, being instead framed with a theatrical stage awning motif. These objects include a canopied shelter, rails, trees and part of a building. Four naked male figures (different views of the same figure) are swimming, jumping or standing. Foreground shows edge of pool with two deckchairs. Printed n pale blue and black inks. Mounted in cream matt with a timber frame, with glass glazing.Front: 2/15 (lower right) Swimming Pool (centre) Ermes De Zans '73 (lower left) (pencil) Back: Ermes De Zan "Swimming Pool" Etching (1973) (typed lable, upper left) 1973 (yellow sticker, upper left) -
Glenelg Shire Council Cultural Collection
Drawing, Low Tide/Cape Grant Area, 1990
Depiction of a beach with large boulders. The boulders are covered in lichen and algae, and beach sweeps up towards centre right of image. The central third of painting shows the sea (continuing behind the boulders), depicted in blue with white highlights and dark blue shadows. It is edged in the background by a cliff face (painted in brown and grey). Sky is darker blue at top and lighter blue where it meets the horizon. Mounted in double matt (pale tan on faun) with decorative cut-out border, framed under glass in wooden frame.Front: Rankin '90 (lower right) (white paint) Back: 333 (upper left) (sticker) 1990- (upper left) (pencil). Low tide Cape Grant area September 1990 $350 Pastel Ian Rankin. 46 Hurd St Portland Vic 3305 Phone Portland 231465. Phone 055/231465. -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Pultenaea Scabra (Rough Bush-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawings of a flowering plant stem with flower details. On left is a flowering stem, with a woody central stem, small heart-shaped leaves and yellow and orange pea flowers. To right are studies of leaves and flowers: (t-b) top view of flower (yellow); flower detail; side view of flower; top and underside views of leaves; side view of bud. Each view is labelled in pencil and in typed letters affixed to paper. Mounted in double matt (white on faun) in glazed wooden frame with gold detail.Front: Pultenaea scabra (lower left) (pencil) Back: 30 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Mouth is sealed, and has remnants of tape on outside. Tooled cork-top finish with ring below. Slightly bulged neck. Shoulder has some diagonal creases and a distinct line where shoulder meets body. Body tapers inwards to base. It has a bubble and diagonal crease lines. Base is uneven. Pushed up base has pontil mark. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: OLD LEAGUE
Bendigo Advertiser "The way we were" from Friday, September 24, 2004. Old league: Centrals Football Team - Premiers 1938. Back row: Peter McDonald, Charlie Brown, Len Mengler, Bill Kean, Ted Preston, Tom Kinnersley, Gordon Hendy, Alf Effrett and Matt Ryan. Middle row: Len Mithen, Fred Effrell, Bill Megaw, Jack Holdsworth, Jack Southwell, Bill Effrett and Keith Hayler. Front row: Vin Ryan, Gerry Crisp, Kevin Crisp and Ivan Southwell.newspaper, bendigo advertiser, the way we were -
Hume City Civic Collection
Photograph, Rupertswood Hotel, 1878
The Rupertswood Hotel used to occupy the intersection of Evans and Brook Streets on the SE corner. It was demolished in the 1970s to make way for a modern retail complex. A photo of the Ruperstwood Hotel, on the corner of Evans Street and Brook Street, with a group of people and a horse and carriage outside it. The group is comprised of 5 men, 1 youth, 5 girls and a woman in the carriage. There is a sign on the fence stating " Horses and buggies always for hire. Good stabling" and on the building "Superior Wines and Spirits"; "Rupertswood Hotel" and "G. Millett. Licensed Victualler"The photo is mounted on a light brown cardboard matt, which is extremely brittle. The lower LH corner is cracked. The upper RH corner is missing and there are a number of pin holes in the corners.Handwritten on face: "McAlpine Bros - Rupertswood Hotel, Sunbury. E. Richd. Melb.April 16 1895" Handwritten on back: "Hazeldines"rupertswood hotel, hotels, buildings, evans street, brook street, sunbury, wines, transport, millett, victuallers, mcalpine brothers, hazeldines, george evans collection -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Ron Hann, Jan. 1963
Yields information about the Charing Cross Bendigo tram terminal, and nature of the traffic arrangements.Black and white print on heavy matt photographic paper of a view of Bendigo Charing Cross tram terminal area from western side. Has two single truckers in Pall Mall and a bogie tram. Shows the tram crossover in High St and a number of motor vehicles. Has the Ezywalkin building on the north east corner. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "Charing Cross 1963" 2nd copy has label "Reference 6/214/25" Photo by Ron Hann" and another label "Charing Cross Bendigo 01.63"tramways, trams, bendigo, charing cross -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Ron Hann, Jan. 1963
Yields information about the Golden Square terminus, shops and roof advertisements on the tramcar.Black and white print on heavy matt photographic paper of Bendigo 19 at the Quarry Hill terminus with the conductor attending to the trolley pole. No. 19 has roof advertisements for "You'll cook better Electrically" and "Jeffrey's Bread, a treat to eat" and the destination Nth Bendigo. In the background is Symons Diary, Milk Bar, a Peters Ice cream van and sign. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "19 Golden Square 1963" 2nd copy has label "Reference 6/214/29" Photo by Ron Hann" and another label "Bendigo Golden Square 01.63"tramways, trams, bendigo, golden square, tram 19 -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Glycine clandestina (Twining glycine), 1970-1990
Part of "Woolcock Gallery Collection" Exhibition 1989, CEMAFlower study with detailed views. View on left is of a stem of two entwined pale green tin stalks, with three-leafed stems coming from it, flower buds, flowers and a seed pod. Views on right are details of (top-bottom): a blue flower (top view), two leaves, a seed, and three views of flower emerging from purple sepals. View labled in pencil and with typed letters on paper glued to surface of image. Mounted in a double matt (grey on pale blue) in wooden frame with gold and blue paint.Front: Glycine clandestina (lower left) (pencil) Back: 75 (upper left) (pen)cema, botanical, collin woolcock, botanical drawings, woolcock collection -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Dillwynia Sericea (Showy Parrot-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.View of flowering plant with stem and flower details. On left is a view of stem with three smaller stems bearing long, thin green leaves and ending in clusters of pea flowers (apricot in colour). On right (t-b): stem detail with leaves; end view of leaf depicting curve; top view of flower; side view; rear view. All views are numbered in pencil and typed numbers on paper affixed to surface of paper. Mounted in double matt (white on apricot), framed under glass in wooden frame with gold detail.Front: CEW (signature, lower left in image) (maroon pencil). Dillwynia sericea (lower right) (pencil). Back: 39 (upper let) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Bossiaea heterophylla (Variable Bossiaea), 1976
Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Pencil study of a flowering plant, with details of flowers, leaves and seeds. Study on lower left is of a leaf and stem. Above this is a seed. To the right is a stem with leaves and seven red and orange flowers. On the top right is a study of a flower with yellow petals and red-orange centre. Below this is another flower detail with red-orange petals with yellow edges. Below this is a side view of a flower. Below these are seed studies, and a seed pod study, Mounted in a double matt (tan on olive) in glazed timber frame. Each view is numbered in pencil (partially erased).Front: CEWoolcock (signature, lower left of image) (purple pencil) Back: 76 (upper left) (pen) -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Leptorhynchos Squamatus (Scaly Buttons), Leptorhynchos Tenuifolius (Wiry Buttons), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Two drawings of two different plants. On left is a stem with woody central stem, densly foliaged elongated leaves with dark green top and pale underside. Three long-stemmed flowers are at top of plant, with yellow petals on grey multiple sepals. At centre of image is a flower detail of this plant. Drawing at right is a plant with fine, long leves and small, button-like yellow flowers with grey multiple sepals. To the far right are two details of these flowers. Mounted in double matt (grey on peach), framed in gold wooden frame under glass.Front: Leptorhynchos squamatus (Scaly Buttons), Leptorhynchos tenuifolius (Wiry Buttons) (lower left) (pencil). CE Woolcock (lower right, signature) (pencil). Back: 18 (upper left) (pen)cema, botanical, collin woolcock -
Glenelg Shire Council Cultural Collection
Painting, Noel Jones, Stone Quarry, 1974
NoneView of a quarry. In the centre of the image a conveyor belt runs up from a pile of rubble to a small hut on tall stilts. A conveyor belt runs down from this hut to an orange truck. Below and to either side of the stilted building are two wooden buildings with tin rooves. A stilted tower is depicted in maroon to the left, and another in the distance to the right. Mounds, painting in brown, yeloow, grey and shades of blue run across the centre of the image, below a sky washed with blue and highlighted with orange. Mounted in a decorative matt, in wooden frame with glass.Front: N. W. Jones 74 (lower left, blue paint) Back: 1974 (upper left, pencil) -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Olearia Grandiflora (Mt. Lofty Daisy-Bush). Olearia Tomentosa (Toothed Daisy-Bush), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Two pen and ink drawings of two daisy plants. On left is stem with fine hairs, large serrated leaves with dark upper side and pale under side, clustered at base of stem, with single flat topped daisy flower at top of stem. To the right is stem view with hairy stem, rippled leaves with dark upper side and pale under side, and three stems at top with 2 daisy flowers in full bloom and one bud. Mounted in a double matt (white on grey), framed under glass in wooden frame with silver detail.Front: O. grandiflora (Mt. Loty Daisy-bush) S.A. O. tomentosa (Toothed Daisy-bush) S.A. (lower left) (pencil). CE Woolcock (signature, lower right) (pencil). Back: 31 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema -
Glenelg Shire Council Cultural Collection
Drawing, Blue Wren. Golden Whistler. Eastern Spine-Bill, n.d
Drawing of three birds perched on twigs, with two twigs at top right and bottom of image. Bird at top left is blue, black and white, with long blue tail feathers. Bird at centre has yellow front with black head and white under beak and on neck. Tail feathers and wings are grey. Lower bird has red belly, white feathers under chin with red markings, black head and tail feathers, red patch on back and blue-black wings. Mounted in grey matt under glass in wooden frame.Front: (no inscriptions) Back: 1. Blue Wren. 2. Golden Whistler. 3. Eastern Spinebill (ink and coloured pencil). Collin E. Woolcock (upper left) (sticker, black pen). -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Microseris Scapigera (Yam Daisy), Millotia Myosotidifolia (Broad Leaf Millotia), Gnephosis Skirrophora (Woolly Gnephosis), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Multiple views of multiple plant details. From left-right: flower detail with long petals; a whole plant view with fine roots, bulb, long leaves (grass-like), tall central stem and flower with long petals; but and flower details; (top-bottom) a plant details with root, fine leaves and many flowers (small and round); a detail of above plant. To far right (t-b) flower details and seed details. Mounted in a double matt (white on slate grey), framed under glass in silver detailed wooden frame.Front: L. Microseris sapigera. Upper R. Millotia myosotidifolia. Lower R. Gnephosis skirrophora (lower left) (pencil). Back: 27 (upper left) (pen)cema, botanical, collin woolcock -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Ron Hann, Jan. 1963
Yields information about the City Loop and Sturt St buildings terminus, passengers and the tram liveries in 1963.Black and white print on heavy matt photographic paper of a view looking from Lydiard St, down Sturt St towards Grenville St with many motor cars in the street and trams parked in City Loop, c1963. Has cars parked on the median strip and given the number, a working day. At least four trams in the loop. In the background is the Neptune sign and the Dickins Food store. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "Sturt St 1963", 2nd copy has label "Reference 6/113/11 Photo by Ron Hann" and another label "Ballarat 01.63"tramways, trams, sturt st, city loop, grenville st -
Ballarat Tramway Museum
Ephemera - Seasons Greetings Card, Nu-color-vue or Nucolorvue Productions, mid 1970's?
White card with folded, matt card featuring SPER Postcard (Reg. Item 544 ) pasted onto the front cover. The card has gold printing with the words "Seasons Greetings" on the front, an embossed Kookaburra and Kangaroo on the side of the inside with the words "West best wishes for Christmas and the new year. Blank produced by Nu-Colour-vue and has been cut out behind the post card caption to give details of No. 14. Has manufacturers name on rear and "29 LS" on bottom right hand corner. Card contained within envelope.trams, tramways, greetings cards, st alipius, victoria st, sper -
Bendigo Historical Society Inc.
Photograph - JOHN JONES COLLECTION: KERR'S MANDURANG HOTEL
Photo mounted on dark grey matt board with some decorative embossing around the photo. Pictured is a group of men and women seated and standing at the side of Kerr's Mandurang Hotel. The building is weatherboard. In the background is a large stack of wood and a buggy. All the men are wearing hats and the young man on the left is wearing a white apron. Written on the back in pen is Kerr and written in pencil is Kerr's Mandurang Hotel. Seated centre is William Kerr's son John Kerr and perhaps his brother William ? Behind. Lady in front row right holding a bird.bendigo, hotel, mandurang hotel, john jones collection - kerr's mandurang hotel, william kerr, john kerr, william kerr -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: YEAR 4-5 L 2000
Colour photograph of students: Back row Mrs. Jenny Levett ( teacher ) Joshua Parsons, Kate Hewett, Kyla Melville, Matt McKenzie, Teika Larkins, Garon Freeman, Brooke Lynch, Mrs. Jenny Mann ( teacher) Middle row: Claire Hudson, Dylan Holliday, Christopher Tout,Corey lane, Ashlee Ludbrook, Christie Harty, Ryley Flint, Janelle Roberts, Emma Allen Front row: Jessika Ruschmeyer, Hannah Apps, Jessie Higgins, Paora Anderson, Sarah Harper, Rhiannon Brown, Jake Pollock, James Logan, Karra Bourke.bendigo, education, golden square primary school -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Epacris Impressa (Common Heath), 1972
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawings of a stem with leaf, flower and seed pod details. Leaves are soft and long, dark green and grow from the central stem. Flowers are bell-shaped and pink-red. From top-bottom is a pale pink flower in full bloom; a leaf top view; a stem detail with pod with whithered petal; top view of flower; side view of white flower; side view of red flower; internal view of flower (splayed open). Work is mounted in a double matt (grey on pink) and framed under glass in gold painted wooden frame.Front: CEW/72 (signature, lower right) (green pencil). Common Heath - Epacris impressa (lower left) (pencil). Common Heath - Epacris impressa (erased, lower centre) CEW (sign, pencil, erased) Back: 5 (upper left) (pen)cema, botanical, collin woolcock, woolcock collection, woolcock, botanical drawings -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Monotoca Scoparia (Prickly Broom-Heath), 1982
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawings of stem, leaf and flower details. At left is stem with small, long dark green leaves with small white flowers. At top centre is detail of a white flower from a top view and to right is flower view from bottom view. Below this (l-r), t-b) are: side flower view, leaf top view, stem detail with leaves and buds, bottom leaf view. At bottom left is detail of two buds. Mounted in double matt (white on sage), frammed under glass in gold detailed wooden frame.Front: Monotoca scoparia (lower left) (pencil). CEW/82 (centre left in image) (brown pencil). Back: 1 (upper left) (pen)collin woolcock, woolcock, woolcock collection, botanical drawings -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Daviesia Latifolia (Hop Bitter-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawing of stem and flower detaisl. At far left is back view detail of an orange flower with paler, yellow edges to petals. At centre is a stem detail, depicting a long stem with a large leaf and flowering stem partnered and situated at staggered intervals up the central stem. Flowers are yellow with red centres. On right are three details of a flower (t-b): top view of flower; side view of flower; and side view of emergent bud. Mounted in double matt (white on faun), framed under glass in wooden frame with gold details.Front: Daviesia latifolia (lower left) (pencil). CEW (lower left in image, signature) (maroon pencil). Back: 19 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1870s
This small green bottle has been handmade by a glassblower and is the typical shape of a carbonated soda or mineral water bottle. It was made from 1840s-1870s. The bottle was found in the coastal waters of Victoria about 100 years from when it was made. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe and into molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the cylindrical dip mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another ponty tool to push up and form the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be wrapped around the top of the neck and shaped to finish the lip of the bottle. The seal was usually a cork, held in place with a ball-wire fitting attached between the upper and lower parts of the neck finish. This style of handmade bottles usually had thick glass so that it could be heat-sterilised, then re-filled. The bottles would often have horizontal bubbles in the applied finish, caused by twisting the glass, and vertical bubbles and diagonal lines in the body from it being blown, and a pontil mark in the base where the ponty tool had been attached. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; green glass, soda or mineral water style, handmade. Applied finish, blob double ring collar; upper is wide and rounded, lower is a narrow ring. Diagonal lines in glass on neck and shoulder. Low shoulder mould seam. Body is matt with ripples in glass, tapers inward towards base. Shoulder and neck are shiny. Push-up base with pontil mark, visible through glass. Marks on heel. Uneven base. Bubble on side and top of lip. Sediment on inside surfaces. Two score lines, one half way down body, one near base. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, dip mould, mouth blown, pontil mark, 19th century bottle, collectable, soda bottle, mineral water bottle, green glass, blob finish, push-up base -
Ballarat Tramway Museum
Ephemera - BTM Greetings Card, Alikan Graphics, c1998
White card with glossy exterior surface, matt inside, featuring tram 33 line drawing printed onto one quarter in glossy green ink. Other half on the outside has a stuck on label with details about the Ballarat Vintage Tramway and the makers logo - Alikan Graphics and their phone number. On inside is Christmas Greetings for 1991 from Peter Winspur to Warren Doubleday. The PS concerns the 1991 Christmas card of the Metropolitan Fire Brigades Board which had a Mark III pumper parked across the tram lines in Melbourne at the top end of Collins St.In blue ink on inside of card is "To Warren / Christmas Greetings / All the Best for 1992 / from / Peter." see brief description for information regarding the PS.tramways, trams, greetings cards, ballarat vintage tramway, btm logo -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Craspedia glauca (uniflora) (Common Billy-button). Craspedia pleiocephala (Soft Billy-button), 1985
Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of cuttings and flower details of two plants with green stem, yellow flower and long green leaves. Nine drawings including (left-right) one brown and green detail, one yellow and pencil flower detail, a cutting of plant with a tall yellow flower and green foliage at base of stem, two flower details in pencil (one with yellow), a cutting with yellow flower and green foliage at base, two flower details in yellow and one detail in green and yellow. The work is mounted in a double matt (pale grey on apricaot) and framed under glass in a gold and grey-green frame.Front: CEW/85 (vertical next to stem) Craspedia glauca (uniflora) (Common Billy-button) " pleiocephala (Soft " ") (lower left) (pencil) Back: 23 (upper left) (pen)cema, botanical, collin woolcock -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Burtonia scabra (Painted Lady), n.d
Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Studies of stem and details of a plant. On left is a study of a stem with short, narrow leaves (in clusters of 2 or 3) and pink flowers, with large pale pink petals and a darker centre. On the right are detailed studies with typed letters affixed to the paper surface. "b1" is a front view of a flower. "b2" is a side view of a flower. "c" is a leaf and stalk detail. "d" is a seed detail. "b3" is a back of flower view. On far right are erased letters in pencil, and one also on the left next to a typed "a". Mounted in a double matt (pale grey on mauve) in glazed timber frame with gold paint.Front: Burtonia scabra (lower right) (pencil) CEW (signature, lower left of image) (mauve pencil) Back: (no inscriptions)cema, botanical, collin woolcock, botanical drawings, woolcock, woolcock collection -
Melbourne Tram Museum
Newspaper, The Age, Commonwealth Games opening ceremony - The flying tram, 16/03/2006 12:00:00 AM
Newspaper cutting from The Age featuring a photo of the flying tram that was used at the opening of the Commonwealth Games in Melbourne 15/3/2006. See https://en.wikipedia.org/wiki/2006_Commonwealth_Games_opening_ceremony - accessed 7/8/2019. Set of two cartoons featuring a Petty cartoon over the Sydney Opera House and Golding cartoon and ticket inspectors.trams, tramways, commonwealth games, cartoons, events, museum, ticket inspectors, w class -
Melbourne Tram Museum
Ephemera - Calendar, Yarra Trams, "Yarra trams calendar 2005", 2004
Desk Calendar - 2005 - wire spiral bound along top edge, gloss paper, with cover and each month featuring various Yarra Trams employees and with photographs by employees. Names listed in key Associations. Concept by Darren Gladstone. Celebrates the diverse family of Yarra Trams employees.trams, tramways, yarra trams, calendar, employees, drivers -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Olearia asterotricha (Rough Daisy-bush). Olearia ramulosa (Twiggy Daisy-bush), 1984
Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cuttings and flower details of two plant species. Six drawings include single cutting of Olearia asteroticha with brown stems, bright green long leaves and blue (daisy-like) flowers with purple and yellow centre, a single cutting of O. ramulosa with green-brown stem, dark green long leaves and white (daisy-like) flowers with pink and yellow centres, one small flower detail (left), one white flower detail (centre) and two leaf details (right). The work is mounted in a double matt (off-white on pale blue), framed under glass in a gold and grey-green frame.Front: Olearia asterotricha (Rough Daisy-bush) " ramulosa (Twiggy " " ) (lower left) (pencil) CEW/84 (lower left in image, next to stem) (maroon pencil) Back: 42 (upper left) (pen)