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Tatura Irrigation & Wartime Camps Museum
Posters, Wilhelm Fugman
Camp theatre productions. Wilhelm Fugman, producer.1 of 15 colour laminated posters of the Deutsche Theatre, Tatura, of the various productions of Wilhelm Tell, Minna Von Barnhelm Der Kaufmann Von Denedig (Shakespeare), Siegfried's Tod Odenwald scene. On a large display board (L 126 cm x W 120 cm)camp theatre productions, wilhelm tell, shakespear productions in camps -
Tatura Irrigation & Wartime Camps Museum
Posters, Don Carlos
Camp theatre productions. Wilhelm Fugman, producer.1 of 15 colour laminated posters of the Deutsche Theatre, Tatura, of the various productions of Wilhelm Tell, Minna Von Barnhelm Der Kaufmann Von Denedig (Shakespeare), Siegfried's Tod Odenwald scene. On a large display board (L 126 cm x W 120 cm)camp theatre productions, wilhelm tell, shakespear productions in camps -
Tatura Irrigation & Wartime Camps Museum
Posters, Broken Jug
Camp theatre productions. Wilhelm Fugman, producer.1 of 15 colour laminated posters of the Deutsche Theatre, Tatura, of the various productions of Wilhelm Tell, Minna Von Barnhelm Der Kaufmann Von Denedig (Shakespeare), Siegfried's Tod Odenwald scene. On a large display board (L 126 cm x W 120 cm)camp theatre productions, wilhelm tell, shakespear productions in camps -
Tatura Irrigation & Wartime Camps Museum
Posters, Der Zerbrochene Krug
Camp theatre productions. Wilhelm Fugman, producer.1 of 15 colour laminated posters of the Deutsche Theatre, Tatura, of the various productions of Wilhelm Tell, Minna Von Barnhelm Der Kaufmann Von Denedig (Shakespeare), Siegfried's Tod Odenwald scene. On a large display board (L 126 cm x W 120 cm)camp theatre productions, wilhelm tell, shakespear productions in camps -
Tatura Irrigation & Wartime Camps Museum
Magazine, After the Battle, 2009
Periodical featuring, amongst others, an article on Camp 13, at Murchison. Written by David Mitchel-Hill, a POW Camp No 13 at Murchison, pages 28 - 49.Soft cover, rural scene featuring a horse, cactus plant, hills and trees on the front cover. A small picture of an army tank on the front cover and memorial scene on the back cover. Red, black and white text.camp 13 murchison, david mitchellhill-green, after the battle, camp 13, murchison camp, pow camp murchison -
Tatura Irrigation & Wartime Camps Museum
Photographs - Copy, Captain Leslie William Butler, Photographed 26.09.2005
Borrowed material for photographing- Captain Leslie William Butler, Project Officer at Camp 13, with his records from WW1 and photographs of items made for him by German POWs, niz an inlaid box with scenes on each side and lid; a wooden puzzle and wooden bookends in the form of six books, engraved with his name and from AEP, Murchison 1946. -
Tatura Irrigation & Wartime Camps Museum
Article - Model - dog kennel, Toy, 1940's
Made by Internee at Camp 3 tatura & used by children as part of a farm scene.Handmade wooden Toy model of a dog kennel, roof painted dark red, sides and base, greendog kennel, beck k, camp 3, tatura, ww2 camp 3, toys, general -
Tatura Irrigation & Wartime Camps Museum
Article - Model - Toy Dog, 1940's
Made by internee camp 3 Tatura. Used by the children as part of a model farm yard scene.Handmade wooden model of a dog, painted black & white, base painted green.model dog, toys, k beck -
Tatura Irrigation & Wartime Camps Museum
Gramophone Record, Eric Liffman Sings Folk Songs
Eric Liffman was a refugee from Nazi Germany who, as a prisoner, is transported to Australia on the troop ship HMS Dunera. He became the most celebrated tenor in Australia during WW11.Gramophone Record 45 rpm extended play (9 copies in brown sleeve with green hill scene on cover.songs - the happy wanderer, tiritomba, ding dong ding, farewell song when on Sunday evenings, friendship songextended play 45 rpm, vinyl records, eric liffman, australian tenor -
Victorian Aboriginal Corporation for Languages
Book, William B McGregor, Encountering Aboriginal languages : studies in the history of Australian linguistics, 2008
"This edited volume represents the first book-length study of the history of research on Australian Aboriginal languages, and collects together 18 original papers on a wide variety of topics, spanning the period from first settlement to the present day. The introduction sets the scene for the book by presenting an overview of the history of histories of research on the languages of Australia , and identifying some of the major issues in Aboriginal linguistic historiography as well as directions for future investigations. Part 1 presents three detailed investigations of the history of work on particular languages and regions.The eight papers of Part 2 study and re-evaluate the contributions of particular individuals, most of who are somewhat marginal or have been marginalised in Aboriginal linguistics. Part 3 consists of six studies specific linguistic topics: sign language research, language revival, pidgins and creoles, fieldwork, Fr. Schmidt's work on personal pronouns, and the discovery that Australia was a multilingual continent. Overall, the volume presents two major challenges to Australianist orthodoxy. First, the papers challenge the typically anachronistic approaches to the history of Aboriginal linguistics, and reveal the need to examine previous research in the context of their times - and the advantages of doing so to contemporary understanding and language documentation. Second, the widespread presumption that the period 1910-1960 represented the 'dark ages' of Aboriginal linguistics, characterised by virtually no linguistic work, is refuted by a number of studies in the present volume."B&w photographs, maps -
Port Fairy Historical Society Museum and Archives
Postcard, The Rose Series / The Rose Stereographs, The Moyne River and Port Fairy, Victoria
River scene of the wharf and the buildings lining the street behind. Black and white photograph taken from Battery Hill looking across Moyne river at Merrijig Inn, Customs House and Courthouse The Rose Series P.1142 copyright- The Moyne River and Port Fairy Victoriastreet, town, moyne, river, couta boat, courthouse, merrijig -
Port Fairy Historical Society Museum and Archives
Accessory - Powder Flask
Container for gun powder, used with muzzle loading gun. The lid was used as a measure for amount of powder to be use with each shot.Example of early pioneer method of shooting. Copper, pear shaped with lid, embossed with hunting scene dog and pheasants gun, gun powder, powder horn, horn, muzzle loading -
Port Fairy Historical Society Museum and Archives
Painting - painting, Watercolour, Elsbee?, The Barque Sydney Griffiths, c.1850
This painting of the barque Sydney Griffiths and two smaller ships, ‘the brothers’ and Essington’ graced the offices of Powling solicitors for 3 generations. This painting illustrates the scene of the first export of wool from Belfast to England.Depicts a significant moment in time when the first shipment of wool from the port was being loaded for London.A watercolour painting on paper and linen in a gold and Black frame showing the Barque "Sydney Griffiths" sailing before Griffith island, also shown "Essington" and "The Brothers" John Griffiths House and other buildings on shoreThe Barque "Sydney Griffiths" Capt. Cowtan leaving Port Fairy for London, February 8th 1851. "Essington" "Brothers"local history, illustrations, powlings, watercolours, exports, essington, sydney griffiths, shipping, the brothers, wool export, capt cowtan -
Port Fairy Historical Society Museum and Archives
Medal
Medal presented to J Goldie from local farm family at Port Fairy Agricultural Show, formerly named Villiers and Heytesbury Agricultural ShowRepresents medal awarded to entrants in Agricultural Shows c.1900Horse, cow, sheep, goat, pig, rooster in a rural sceneVilliers and Heytesbury Agricultural Association Awarded to J Goldie Jun. for Single Pony - not more than 14 hands 1900j goldie, agricultural, villiers and heytesbury, show -
Port Fairy Historical Society Museum and Archives
Tool - Calendar
This item was bought by Lynda Tieman for the Port Fairy Historical Society. It represents a time in in Port Fairy when there were several butchers in the town and competition for customers was fierce. Norman Collins butchers was situated in Sackville Street where a dress shop now occupies the site.An advertising piece that places Norman Collins as butcher in 47 Sackville Street and a rare example of this type of advertising.Bamboo, advertising,give away calendar with green ribbon hanger for Port Fairy butcher (calendar removed). Printed with rural scene of ducks and hunting dogs. Bamboo slats are joined by thread and the ribbon is attached to the top of the calendar for hanging. Calendar itself has been removed.With Compliments from Norman Collins Your Quality Butcher 47 Sackville Street, Port Fairy, Phone 56 For Friendly Service and Free Deliverybutcher, advertising, business, collins, sackville street, norman collins, calendar -
Port Fairy Historical Society Museum and Archives
Photograph, Hugh Hanley /Port Fairy Gazette, 1975
Causeway 1975 storm and newspaper describing the sceneBlack and white photograph of High tide and storm flooding the causeway near the south west passagePort Fairy Gazette Phone 14 Printers Publishers stationerscauseway, storm, 1975, newpaper article, southwest passage -
Port Fairy Historical Society Museum and Archives
Photograph
The Port Fairy Historical Society Float on New Year's Eve 2009 depicting a court room scene to celebrate the 150th year of the courthouse. Robert Whitehead plays the prisoner and Victor Gillett the JudgeColoured photograph of Robert and Victor on float commemorating 150 years of Court house in New Years Eve paradeevents, social, new year's eve, procession, victor gillett, robert whitehead, moyneyana, courthouse, historical society, judge, prisoner -
Port Fairy Historical Society Museum and Archives
Photograph
Moyne River Scene January 1944 Subjects unknownBlack and white photograph of Two ladies at stern of boat fishingmoyne river, fishing, port fairy, boat -
Victorian Aboriginal Corporation for Languages
Book, Edgar Morrison et al, Frontier life in the Loddon Protectorate : episodes from early days, 1837-1842 /? by Edgar Morrison. The Aborigines of Australia : a lecture delivered ... before the John Knox Young Men's Association, on Wednesday May 10th, 1854 /? by Edward Stone Parker, 1967
The episodes related here occurred between the years 1837 and 1842 and describe what would now be called a period of confrontation between the Aboriginal inhabitants and the white settlers who flocked to the scene so glowlingly described by Sir Thomas Mitchell in 1836.maps, b&w illustrations, b&w photographsloddon, edward stone parker -
Victorian Aboriginal Corporation for Languages
Conference proceedings, Nicholas Ostler, Endangered languages and education : proceedings of the third FEL Conference : proceedings of third FEL Conference, Maynooth, Ireland, 17-19 September 1999, 1999
Setting the Scene; Finding a Policy; Looking at the Learners; Working with Non-Written Languages; Ways and Means; Role of Standard Dialects; Impacts & Future ProspectsTableslanguage endangerment, education, literacy, libraries -
Clunes Museum
Memorabilia - NUMISMATICS, Stokes & Sons
.1 White metal medal with a tricolour ribbon of red, white and blue. Attached to a ring connected to the medal. One side depicts the scene of landing at Portland in 1834 and the other side depicts a pioneer on the south bank of the Yarra river looking across Melbourne. On Reverse: Centenary of Victoria 1934 and Portland 1834 On Obverse: Centenary of Melbourne 1935 (AD)centenary of victoria 1934, centenary of melbourne 1935 -
Clunes Museum
Photograph, 1920
CROWD SCENE BACK TO CLUNES 1920. NOVEMBER 13TH. 1920 NAMES OF PEOPLE IN THE PHOTOGRAPH HAND PRINTED IN INK, PHOTOGRAPH TAKEN ON VACANT BLOCK (COLLINS PLACE) IN FRASER STREET, .1 REPRODUCTION BLACK AND WHITE PHOTOGRAPH OF CROWD TAKEN DURING BACK TO CLUNES 1920. TAKEN ON VACANT BLOCK [ COLLINS PLACE] IN FRASER STREET, CLUNES .2 ORIGINAL BLACK AND WHITE PHOTOGRAPH OF CROWD TAKEN DURING BACK TO CLUNES 1920. TAKEN ON VACANT BLOCK [ COLLINS PLACE] IN FRASER STREET, CLUNES.1 On Front; Handwritten in black ink, Back to Clunes 1920, J F Weickhardt, Phil Rowe, J Strangard, J Flower On Reverse; stamped in faded black in Shire of Talbot & Clunes .2 On Front; 3RD. ROW ELIZABETH NIGHTINGALE 2ND. MIDDLE LAURA VEALE Stamped with Rialto Ballarat On Reverse; Handwritten in black ink "Back to Clunes Nov 13th to 20th 1920photographs, events and celebrations, back to clunes -
Clunes Museum
Photograph
SNOW SCENE IN CLUNES CIRCA 1988local history, photography, photographs, snow -
Geelong Gallery
Painting - Graveyard scene / the beauty and sadness of bones, BENYNON, Kate, 2014-15
Synthetic polymer paint on canvas -
Wangaratta Art Gallery
Painting, Helen A'Beckett Read, Nocturne, 1980
Helen A’Beckett Read is a traditional painter who did not start her career until later in life. Her art style in Nocturne can be described as contemporary impressionism, as the use of a tonal colour palette and the style of brushstrokes are impressionistic while the style of the landscape depiction is contemporary. While Helen A’Beckett Read is an accomplished artist in her own merit, she is also a member of the famous Boyd family being the daughter of Arthur Boyd and Emma Minnie A'Beckett.ContemporaryRural City of Wangaratta Council Collection. Purchased with funds from the Wangaratta Arts Council.A landscape oil painting of a night scene painted in the traditional style using shades of blue, brown, green and yellow.Obverse: Helen Read/ 1980/wangaratta art gallery, helen a'beckett read, the boyd family, landscape, painting -
Wangaratta Art Gallery
Painting, Neville Connor, South of Gapsted, c.1982
Rural City of Wangaratta Collection, Wangaratta Art Prize 1982.A watercolour landscape painting of a pastoral scene in shades of brown, green, and blue.Obverse: NEVILLE CONNOR/ (bottom left corner)wangaratta art gallery, neville connor, landscape, watercolour painting, gapsted, pastoral -
Wangaratta Art Gallery
Painting, Tony Convey, Home In The Valley, 1980
naïve art, outsider artRural City of Wangaratta Collection, Wangaratta Art Prize 1980.A landscape of a valley scene featuring animals and humans painted in oil using vibrant colours.wangaratta art gallery, tony convey, naïve art, landscape, painting, outsider art -
Wangaratta Art Gallery
Work on paper, Gunnar Neeme, Haystacks in Estonia, 1965
Born in Estonia and immigrated to Australia after WW2, Gunnar Neeme is widely known around the world for his artistic abilities winning many awards in Australia, Germany, and Estonia, he is also a well-known writer. Neeme was a prominent figure in the Estonian society of Australia.Rural City of Wangaratta Collection. Gift of Verner Kentmann, Chief Clerk 1951-69.An illustration of a pastoral harvest scene in Estonia painted in watercolour and then overlaid with a black marking pen.Obverse: GNEEME/ 1965/ (bottom left corner) Gunter Neeme/ "RAY STOOKS IN ESTONIA'/ PRESENTED BY/ V. KENTMANN/ CHIEF CLERK 1951-69/ (plaque mounted on frame)wangaratta art gallery, gunner neeme, estonia, illustration, landscape, pastoral, haystacks -
Wangaratta Art Gallery
Painting, Do Noble, Autumn Lovers, c. 2004
Rural City of Wangaratta Collection, Wangaratta Art Show 2004.A landscape scene of an elderly couple walking through a park in Autumn painted in a post-impressionist style.Obverse: DO NOBLE/ (bottom right corner) 2004 Art Show/ - Grand Winner - / 'Autumn Lovers' - By Do Noble/ Judge Ramon Horsfield/ (plaque on mounting board)wangaratta art gallery, do noble, painting, autumn, landscape -
Wangaratta Art Gallery
Painting, Ross Paterson, Morning, near Euroa, 1985
Rural City of Wangaratta Collection. Wangaratta Art Show Grand Winner 1985.A landscape of a pastoral scene, painted in oil using shades o green, brown, blue, and yellow.R Paterson '85/ (bottom right corner) - GRAND WINNER 1985 -/ WANGARATTA ART SHOW/ (plaque mounted on frame)wangaratta art gallery, ross paterson, landscape, painting pastoral