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Stawell Historical Society Inc
Equipment - Realia - Glassware, Aunde/ Norwellan
North Western Woolen Mills became Norwellan Textiles then AUNDELarge Glass Filter Funnel -
Stawell Historical Society Inc
Equipment - Realia - Glassware, Aunde / Norwellan
North Western Woolen Mills became Norwellan Textiles then AUNDEGlass Stirrer Rodmanufacture -
Stawell Historical Society Inc
Equipment - Realia - Glassware, Aunde / Norwellan
North Western Woolen Mills became Norwellan Textiles then AUNDEGlass graduated Pipette1/001 Silberbrand eternal I m I 0 to 0.9 markings in brown yellow band -
Stawell Historical Society Inc
Equipment - Realia - Glassware, Aunde / Norwellan
North Western Woolen Mills became Norwellan Textiles then AUNDEGlass Graduated Pipiette2// 0.01. Hirschmann F.M. Techcolour Germany 2/0.01.AS. EX+ 15s 20 C + /- 0.01ml 0 to 1.8 -
Stawell Historical Society Inc
Banner, Aunde
North Western Woolen Mills became Norwellan Textiles then AUNDEWhite Material Blue Printed Aunde LogoAunde whith logo - Bluestawell business industry -
Stawell Historical Society Inc
Clothing - Woollen Dressing Gown c1950's
North Western Woollen Mills became Norwellan Textiles then AUNDEMans Tartan Woollen dressing gown. Fabric designed and woven at Stawell Woollen Mills Colour Blue Violet. Brand New - Norwellan Norwellan label on insidemanufacture -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/03/2001 12:00:00 AM
Utas textile exhibition was showing in the Art Space at the Information CentreColour photograph of Uta Wohl with local MP Craig Ingram outside LE Visitors Information Centre Lakes Entrance Victoriaarts, businesses -
Stawell Historical Society Inc
Archive, Woollen Mills Appraisal c1980’s
North Western Woollen Mills became Norwellan Textiles then AUNDESilver Front Cover Black Plastic BinderNorwellan Ltdstawell -
Stawell Historical Society Inc
Archive, Woollen Mills Safety Health and Welfare Handbook for Employees
North Western Woollen Mills became Norwellan Textiles then AUNDECover Silver GreyNorwellan Safety Health & Welfare Handbookstawell -
Stawell Historical Society Inc
Archive, Stawell Woollen Mills . Norwellan Tartans
North Western Woollen Mills became Norwellan Textiles then AUNDE3 Books of Tartan Samples. Beige Coverstawell, industry -
Stawell Historical Society Inc
Book, H. J. (Jim) Melbourne, North Western Woollen Mills And Norwellan Textiles, Stawel's Great Asset, 2007
North Western Woollen Mills became Norwellan Textiles then AUNDE -
Stawell Historical Society Inc
Archive, North Western Woollen Mills Certificates Premiers Award. Hon J.E. Kirner M.P. Premier of Victoria 1991, 1991
North Western Woollen Mills became Norwellan Textiles then AUNDENorwellanstawell, manufacturing -
Stawell Historical Society Inc
Memorabilia - Realia
North Western Woollen Mills became Norwellan Textiles then AUNDENorwellan Annual Ball Tickets Folderstawell -
Stawell Historical Society Inc
Memorabilia - Realia, 2000
North Western Woollen Mills became Norwellan Textiles then AUNDEAdvertising Poster. The Genuine Australian Bluey. Norwellan Woollen Millsstawell, manufacture -
National Wool Museum
Book, Wool Technologies - present and future
"Wool Technologies - present and future" - D.S. Taylor, CSIRO Division of Textile Technology, 1985. Paper presented at the 7th Quinquennial Wool Textile Research Conference, Tokyo. Looks at all stages of current (1985) wool processing activities and anticipates possible future directions.textile production wool processing, csiro division of textile technology, textile production, wool processing -
Whitehorse Historical Society Inc.
Photograph, Dick Best
Richard Best was an Australian Textile industry agent and Businessman. While travelling in Belgium he contacted the de Stoop family, textile manufacturers, whose business had been closed down by German occupation after the 2nd World War. They took up Dick Best's offer to relocate and join with him to set up a textile factory in Australia. Land was purchased in Blackburn North and when the de Stoop and Best Aust P/L traded, Dick best was in charge of marketing their products.2 Black and white photograph of the head and shoulders of Richard Best. He has a pair of glasses in his right hand(on smaller photocopy) Mr Dick Bestbest, richard, weaving mills, de stoop and best aust, p/l -
RMIT Design Archives
Photograph - Photographs
This photograph commemorates a visit by American Fashion Models to Prestige Textile Studio in July 1950. Melbourne’s Myer Emporium in conjunction with Neiman Marcus, Dallas, Texas presented the first American Fashion Parades in Australia in July 1950. Ruth Hancock, the leading model and buyer for Neiman Marcus, directed the Parades, and the eighteen year old modelling prodigy, Carmen dell’ Orefice, described by Cecil Beaton as ‘the world’s most beautiful woman’ was one of the stars of the runway. In a bid to encourage a market for Australian textiles in the United States, the models visited textile manufacturers and design studios in Melbourne, such as Yarra Falls Mills and Prestige Studios, one of Melbourne’s premier textile design studio. Ann Carew, 2020This photograph is historically significant for its association with Prestige Textile Studio, and it's association with the Australian Textile Industry. It highlights the role that Myer Melbourne played in promoting the Textile Design Industry and Australian Fashion to the United States of America.Black and white photograph of 8 models from the US, laying on the floor of the Prestige Studios. Names of the various models have been drawn on the floor from the foreground to the background of the photo, with eagles and stars in between each name.Models pictured include Ruth Hancock, Carmen Dell'Orefice, and Margaret Edwards.USA MODELS / VISITING AUSTRALIA carmen dell' orefice, prestige textile studio, ruth hancock, margaret edwards, fashion, rmit design archives, models, usa -
Kew Historical Society Inc
Decorative object - Embroidered Commemorative Doily, 1954
The Fashion & Design collections of Kew Historical Society include a number of art or household textiles manufactured or created in the United Kingdom as well as in Australia. As other cultures opened to Australian travellers in the 20th century, members began collecting and donating textiles produced in a number of other countries.Embroidered doily in the shape of Australia commemorating the ‘Royal Visit 1954’. The multicoloured embroidered images used on the include koalas and eucalyptus flowers on a cream fringed ground. doilies - patriotic, doilies - symbolic, soft furnishings, royal visits -
National Wool Museum
Photograph
One of three photographs of delagates to the 1955 Wool Textile Conference in Australia.DEPT OF THE INTERIOR - NEWS AND INFORMATION BUREAUwool - research, gordon institute of technology, lang, dr w. roy -
National Wool Museum
Book, The Dyeing of Textiles - Our Colours, Their Properties and Application
Part of collection of books concerning the textile industry from the 1930s to the 1950s.Hardie Trading Pty. Ltd. Melbourne Sole Agents in Australial.b. holliday and co. ltd, dyeing, melbourne, victoria -
National Wool Museum
Book, Dyestuffs for Wool
Part of collection of books concerning the textile industry from the 1930s to the 1950s.dyeing -
Stawell Historical Society Inc
Book, Graeme Bennett, The Stawell Woollen Mills, 2013
The history of the Stawell Woollen MIllsOff white card cover with hatching, colour photograph of a Water colour painted by Will Rees 1922.Back shows Mill Garden ets c 1990The Stawell Woolen Mills Graeme Bennet Evolution of the Bennett Textile Business Page iii: For my Parents John and Jessie Bennett, my family and the people of Stawell Best Wishes thanks Graemestawell industry -
Wodonga & District Historical Society Inc
Textile - Haeusler Collection Handmade Broderie Anglaise Doily c.1920s
The Wodonga Historical Society collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). This doily is one of several domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. It was made using the broderie anglaise needlework technique that incorporates embroidery, cutwork and needle lace. This technique originated in sixteenth century Europe and became popular in England in the nineteenth century. In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women. The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.A handmade white broderie anglaise doily c.1920sneedlework, textiles, sewing, handiwork, women's history, domestic, craft, family -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: EMBROIDERED LACE EDGED PAIR OF PILLOWCASES, Early 1900's
Textiles. Very fine linen fabric, white in colour, now a soft cream colour. A spoke-stitched hem joins a curved embroidered and lace trim decorative feature to the set. This panel forms two deep curves, where the initials CF are embroidered, and decorated with small daisy-like flowers and leaves. A 10 cm deep crochet frill is gathered and machine stitched along the curved edge. The initials CF may be the initials of Caterina Lamaro, who married Giovanni Favaloro or those of Caterina Lopes, who married Salvatore Favaloro.textiles, domestic, embroidered lace edged pr of pillowcases -
Bendigo Historical Society Inc.
Textile - FAVALORO COLLECTION: VERY LARGE LINEN PILLOW COVER-LACE TRIMMED, Late 1800-1950's
Textiles. Very large cover, with an envelope to enclose the pillow, stitched on the underside, with cotton tape ties to enclose the pillow. Beautiful fine cotton broderie fabric (possibly Swiss cotton broderie anglaise) edges the pillow. Corners of the embroidered cotton have been mitred in an unusual way, with the excess fabric still evident, in a 'kite-shaped' manner, in each corner. The embroidered cotton edging features a scalloped edge, with circular, and floral design. A 6 cm deep hem outlines the linen fabric edge, showing the embroidery fabric to advantage.textiles, domestic, very large linen pillow cover -
Bendigo Historical Society Inc.
Textile - SMALL CUSHION
Textiles. Small cushion of silk fabric - pink on one side, blue on the other side. Pink crocheted cord stitched onto side seams on all sides forming three cm loops on two corners with loops at centre of short sides - 0ne X 12 cm, one X 9cm. Pink ribbon placed diagonally across one end (2.3cm). Stitched to side seams and ending with a bow. Decorated in two places (pink side) with fabric paint - 1. House scene, 2. Black swan and pink flowers.textiles, domestic, small cushion -
Bendigo Historical Society Inc.
Textile - ACCESSORIES COLLECTION: LADIES BROWN LEATHER HANDBAG, 1930's
Textiles. Brown leather handbag with silver coloured metal frame with push clasp. Leather tab to open on front. Three vertical pin stripes on one side front and back. Leather loop on back (2cm x3 cm). Inside lined with brown fabric with swinging hinged coin purse and two gathered inside pockets. Matching brown leather coin purse with press-stud fastener. Stored inside handbag containing a 1938 fold out calendar -"It's Christmas" printed on front of calendar with candlestick and holly leaves.textiles, domestic, ladies brown leather handbag -
Bendigo Historical Society Inc.
Textile - FLOUR BAG COLLECTION: PARSONS BROS OATMEAL, 1900-1950
Textiles. Calico bag printed on both sides with red, white and yellow, ''PARSONS The Original FLAKED Oatmeal 7 LBS NET.Delious Porridge with only ten minutes boiling''. Parsons Bros & Co, Pty., Ltd., Melbourne, Sydney, Brisbane and Fremantle. Centre picture within a red circle of an upright Lion holding a yellow wheat sheaf beside a set of scales. Brothers Leonard and George Parsons left England for Australia following the discovery of gold. In 1861 the Uncle Tobys Company was born, originally under the name of Parsons Bros.textiles, domestic, parson bros calico flour bag -
Bendigo Historical Society Inc.
Textile - LADIES BROWN SUEDE HANDBAG, 1938
Textiles. Brown suede ladies handbag with silver fittings and clasp. Trapezium shape. Inside coin purse is lined with leather. The handbag is lined with dark brown taffeta. There are two inner pockets of pleated fabric. Single suede strap attached to metal loops. Contents:- 1. Two sided bevelled edge mirror (8.9 cms X 6.4 cms).2. Pocket diary and calendar (1938). 3. Yellow painted grey lead pencil with removable silver cap. Printed in silver on side of pencil ''R430 Silver Fern, Made in Germany''.Label inside frame, ''Guarenteed First Quality''. ''A CB Bag''.textiles, domestic, ladies brown suede handbag -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Textile - Framed Textile, 6th Battalion Flag
This flag is a large representation of the colourpatch worn by members of the 6th Battalion and later the 2/6th Battalion.This flag is a large representation of the colourpatch worn by members of the 6th Battalion and later the 2/6th Battalion.Large rectangular textile flag in wooden frame. The flag is made up of two rectangles stacte on top of each other. The top rectangle is purple, whilst the lower rectangle is a dark red. Centrally an additional panel has been stiched in, which closely matches the colours of the larger rectangles in the background. This central panel also bears a large yellow number 6.There are three small tears in the top right hand corner of the flag Located in the bottom left of the frame is a yellowed piece of paper which describes the flag and its colouring ( incorrectly)