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Kew Historical Society Inc
Postcard, Elizabeth Street, Melbourne, Looking North, 1920-1940
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Elizabeth Street, Melbourne, looking north. Coloured postcard. Weir collection."Kew Historical Society Inc"postcards, george and edith weir, elizabeth street - melbourne, weir collection -
Kew Historical Society Inc
Postcard, Botanical Gardens and Alexandra Avenue, Melbourne, c.1906
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Botanical Gardens and Alexandra Avenue, Melbourne. Coloured postcard. Weir collection."Botanical Gardens and Alexandra Avenue, Melbourne"postcards, george and edith weir, botanical gardens - melbourne, alexandra avenue - melbourne, weir collection -
Kew Historical Society Inc
Postcard, Port Melbourne Pier, c.1908
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Port Melbourne Pier. Coloured postcard. Weir collection."Port Melbourne Pier"postcards, george and edith weir, port melbourne pier, weir collection, postcards -- melbourne (vic.) -
Kew Historical Society Inc
Postcard, Queen's Bridge, Melbourne, c.1920
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Queen's Bridge, Melbourne. Coloured postcard. Weir collection."Queen's Bridge, Melbourne"postcards, george and edith weir, queens bridge - melbourne , yarra river - melbourne, weir collection, postcards -- melbourne (vic.) -
Kew Historical Society Inc
Postcard, St Patrick's Cathedral, Melbourne, c.1920
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.St Patrick's Cathedral, Melbourne. Coloured postcard. Weir collection."St Patrick's Cathedral, Melbourne"postcards, george and edith weir, st patrick's cathedral - melbourne, weir collection, postcards -- melbourne (vic.) -
Kew Historical Society Inc
Postcard, Princes Bridge, Melbourne, 1910-1930
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Princes Bridge, Melbourne. Coloured postcard. Weir collection."Princes Bridge, Melbourne"postcards, george and edith weir, princes bridge - melbourne, weir collection -
Kew Historical Society Inc
Postcard, Princes Bridge, Melbourne, 1910-1930
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Princes Bridge, Melbourne. Coloured postcard. Weir collection."Princes Bridge, Melbourne"postcards, george and edith weir, princes bridge - melbourne, weir collection -
Kew Historical Society Inc
Postcard, St Paul's Cathedral, Melbourne, c.1920
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.St Paul's Cathedral, Melbourne. Coloured postcard. Weir collection.postcards, george and edith weir, st paul's cathedral - melbourne, churches - melbourne, weir collection, postcards -- melbourne (vic.) -
Kew Historical Society Inc
Postcard, J Salmon, We Have Just Arrived Here : Isle of Wight, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Novelty View Card, part of a series, representing different locations in the United Kingdom. The front of the card opens to reveal ten postcards, joined concertina-like. The postcard was purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."22.5.1928"postcards, george and edith weir, isle of wight, weir collection, postcards - isle of wight -
Kew Historical Society Inc
Postcard, Portabello From Joppa, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Portabello From Joppa. Joppa is an eastern suburb of Edinburgh. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928. Portabello From Joppa / 8400 J.V.postcards, george and edith weir, portobello, joppa, edinburgh, postcards -- scotland (uk), weir collection -
Kew Historical Society Inc
Postcard, Shanklin: The Village, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Shanklin is a popular seaside resort and civil parish on the Isle of Wight, England , located on Sandown Bay. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."31640 / Shanklin: The Village"postcards, george and edith weir, shanklin - isle of wight, postcards -- uk, weir collection -
Kew Historical Society Inc
Postcard, Shanklin: The Village, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Shanklin is a popular seaside resort and civil parish on the Isle of Wight, England , located on Sandown Bay. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."31640 / Shanklin: The Village"postcards, george and edith weir, shanklin - isle of wight, postcards -- uk, weir collection -
Kew Historical Society Inc
Postcard, Shanklin: The Village, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Shanklin is a popular seaside resort and civil parish on the Isle of Wight, England , located on Sandown Bay. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."Shanklin: The Village"postcards, george and edith weir, shanklin - isle of wight, postcards -- isle of wight, weir collection -
Vision Australia
Photograph - Image, Sir Hubert Opperman and Malvern Star bicycle, 1960's
Four photographs of Sir Hubert Opperman and a Malvern Star Moulton bicycle. Bruce Small took over Malvern Star bicycles in 1920 and hired a young Hubert Opperman, meeting him after 'Oppy' won a race and the prize of a Malvern Star bike. The pair became life long friends and after Bruce joined the Association for the Blind as a board member and President, he encouraged his friend to join as well. These photographs were most likely taken for Sir Hubert joining the board. Possible location for photos is near the Princess Bridge.B/W photographs of Sir Hubert Opperman with Malvern Star Moulton bicycleassociation for the blind, hubert opperman -
Kew Historical Society Inc
Postcard, A Newhaven Fishwife, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Newhaven is in Edinburgh, Scotland. Portraits of fishwives were popular subjects for postcards due to the colourful, layered, striped outfits that they wore. The fishwife sits on rocks beside a basket of fish. The postcard would appear to be a studio portrait. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."A Newhaven Fishwife"postcards, george and edith weir, newhaven - east sussex, fishwife series, weir collection, postcards — england — uk -
Kew Historical Society Inc
Postcard, Newhaven Fishwife, c.1928
Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Newhaven is in Edinburgh, Scotland. Portraits of fishwives were popular subjects for postcards due to the colourful, layered, striped outfits that they wore. The elderly fishwife stands beside a cane basket of fish. The postcard would appear to be a studio portrait. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928.NEWHAVEN FISHWIFEpostcards, george and edith weir, newhaven - east sussex, fishwife series -
Kew Historical Society Inc
Map, MMBW, MMBW Plan No.39 Kew & Heidelberg, 1900-1910
The Melbourne and Metropolitan Board of Works (MMBW) was established by an act of the Victorian Parliament in 1890 to prepare for and to implement a sewerage and water reticulation system across what was then inner Melbourne, its surrounding and middle distance suburbs, including Kew. The MMBW was disbanded in 1991.The map collection of the Kew Historical Society has at its core the historic maps assembled and originally stored in the City Engineer's Department of the City of Kew. These include maps in a number of scales. The vast majority of maps were produced by the MMBW in the first two decades of the twentieth century, and are solid working maps, backed by linen for durability. These maps are historically significant to Kew, the City of Boroondara and to the history of the development of state utilities in Victoria. A number of the Kew maps have additional details added by former municipal officers, including the levels reached by various floods. As these were working documents, information was added to them long after the period of their initial production and distribution.Early map of part of the Borough of Kew, created in the first decade of the twentieth century, at a scale 160 ft to 1 inch. The map covers what was then the north western section of Kew, bordered on its north by Wills Street and the Kew Lunatic Asylum, in the west by the River Yarra [and the later added Yarra Boulevard] , by Princess Street in the East and Holroyd Street in the south. The map shows the extent of urban development by that time, prominent institutions and the outlines of built structures in the municipality. Contour lines were added in ink to the map at a later stage.MELBOURNE AND METROPOLITAN BOARD OF WORKS / PLAN NO. 39 / KEW & HEIDELBERGmelbourne & metropolitan board of works, mmbw maps, mmbw plans, borough of kew, cartography -
Kew Historical Society Inc
Map, MMBW, MMBW Plan No.67 Kew, 1900-1910
The Melbourne and Metropolitan Board of Works (MMBW) was established by an act of the Victorian Parliament in 1890 to prepare for and to implement a sewerage and water reticulation system across what was then inner Melbourne, its surrounding and middle distance suburbs, including Kew. The MMBW was disbanded in 1991.The map collection of the Kew Historical Society has at its core the historic maps assembled and originally stored in the City Engineer's Department of the City of Kew. These include maps in a number of scales. The vast majority of maps were produced by the MMBW in the first two decades of the twentieth century, and are solid working maps, backed by linen for durability. These maps are historically significant to Kew, the City of Boroondara and to the history of the development of state utilities in Victoria. A number of the Kew maps have additional details added by former municipal officers, including the levels reached by various floods. As these were working documents, information was added to them long after the period of their initial production and distribution.Early map of part of the Borough of Kew, created in the first decade of the twentieth century, at a scale 160 ft to 1 inch. The map covers what was then the north central part of Kew, bordered on its north by the Outer Circle Railway Spruzen and Beresford Avenues, in the west by Princess Street, in the south by High Street, and in the east by (about) Belford Road. The map shows the extent of urban development by that time, prominent institutions and the outlines of built structures in the municipality. Contour lines were added in ink to the map at a later stage.MELBOURNE AND METROPOLITAN BOARD OF WORKS / PLAN NO. 67 / KEW melbourne & metropolitan board of works, mmbw maps, mmbw plans, borough of kew, cartography -
Bendigo Historical Society Inc.
Photograph - BENDIGO EASTER FAIR COLLECTION: HELEN LORD CHARITY PRINCESS
Poor quality reproduction of photo of Helen Lord. Below, copy of raffle ticket for Bendigo Easter Fair Society 1964, Pall Mall Popular Girl entrant, Miss Helen Lord. On bottom of page , Pall Mall Popular Girl, Miss Helen Lord invites you to attend hair styling demonstration and fashion parade at the Gold Room, City Family Hotel. March 20 1964. Admission 7/6. On back of sheet: poor quality reproduction of photo of 1983 Charity Princess Julie Dempsey.bendigo, bendigo easter fair, charity princess -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS THEATRE COLLECTION: KUBELIK PROGRAMME, 2 June, 1908
Royal Princess Theatre-Kubelik Programme. Tuesday, June 2nd, 1908, under the sole management of Frank Buckingham. Programme: Prelude: Marche des Mains, Waltz G Flat, Allegro Molto Appassionato, Andante, Allegro Molto Vivace, Convais tu le pags, Ave Maria, Praeludium, Polonaise, Legende. Etude de Concert G Major, Thy Beaming Eyes, The Shepard's Song, A June Morning. Artists, Singers: Kebelik, Miss emily Dyson, Miss Erna Mueller. Black Print.SYD, DAY, Print.program, theatre, royal princess theatre, royal princess theatre-kubelik programme. june 2nd, 1908, management of frank buckingham. programme: prelude: marche des mains, waltz g flat, allegro molto appassionato, andante, allegro molto vivace, convais tu le pags, ave maria, praeludium, polonaise, legende. etude de concert g major, thy beaming eyes, the shepard's song, a june morning. artists, singers: kebelik, miss emily dyson, miss erna mueller. -
Bendigo Historical Society Inc.
Clothing - JOAN FILBY COLLECTION: CREPE AND GUIPURE LACE WEDDING DRESS, 29 July 1972
WEDDING DRESS. Made by brides mother, the empire line dress of crepe fabric, with guipure lace trim, in 1972. Long slim fitting sleeves, with a 3 cm wide band of lace in a flower and leaf design, around the wrist. The lace also edges the high round neckline, and defines the curve of the panels in the high empire line bodice, and the centre panel of the long princess-line skirt. The long sleeves have three darts at the elbow. A long zip fastener in the centre back seams. Cream in colour. WITH 11400.1106 AND 11400.1107costume, female, crepe and guipure lace wedding dress -
Bendigo Historical Society Inc.
Document - MINING REPORTS - DEVONSHIRE MINES PRODUCTION
Handwritten notes naming the mines, their depth, years and yield. Mines mentioned are: Surprise, Victorian St Mungo, Mystery Co, Duke of Edinburgh, Gt Ext'd Sth Devonshire (Site of New St Mungo Shaft), New St Mungo & Tributors, Ext'd S'th Devonshire, Sth Devonshire Co, Duchess of Edinburgh (Same ground as Albert & Coy), West United Devonshire, United Devonshire Co, (same ground as Princess Alexandria Saxon & Celt & Hopewell). Ref: Bendigo G'D'fields - History & Production Page 126.document, gold, mining reports, mining reports, devonshire mines production, surprise, victorian st mungo, mystery co, duke of edinburgh, gt ext'd sth devonshire (site of new st mungo shaft), new st mungo & tributors, ext'd s'th devonshire, sth devonshire co, duchess of edinburgh (same ground as albert & coy), west united devonshire, united devonshire co, (same ground as princess alexandria saxon & celt & hopewell, bendigo g'd'fileds - history & production page 126 -
Kew Historical Society Inc
Postcard - High Street, East Kew, c.1927
High Street, Kew is the main Road in Kew. It was once also known as Bulleen Road, or Main Street. This section of the road is in Kew, although the narrow section on the right hand side of the photo is now Kew East. High Street progresses through a number of significant road junctions: beginning at Barkers Road; progressing through the intersection of Studley Park Road, Denmark Street and Princess Street at Kew Junction; branching left at the junction with Cotham Road; before reaching the junction with Valerie Street and Harp Road. It reaches its end at the junction of Burke Road, Kilby Road, Bulleen Road and High Street itself. An early photograph of this iconic Memorial that locates it in its context. Small, colorised real photo postcard of High Street, East Kew. Electric light poles line the road. Victoria Park is on the left and further on the horizon is the Boroondara General Cemetery.high street -- kew (vic.), victoria park, tram lines -- kew (vic.) -
Kew Historical Society Inc
Photograph - Filling in the Outer Circle Railway cutting at East Kew, 1939
W.D. Vaughan (Kew's Civic Century, 1960, pp.195-6) quotes Council Minutes of 1938 and 1939 to record that: "After protracted negotiations between the Council, the Railways Department and the Tramways Board agreement was reached in June, 1938, for the filling of the railway cutting at the Harp Junction and shifting tram tracks to the High Street alignment ... The Outer Circle railway land from Princess Street to Park Crescent was purchased by the Kew Council in October, 1939, for 2,750 [pounds]. The land from Park Crescent to High Street was leased for 1 [pound] per annum. Considerable work was done in levelling the embankments to the original surface level."Important and rare photograph of the period, showing major works by Kew Council in Kew East working on a significant piece of urban infrastructure.Small, original black and white positive (photograph) showing workers and vehicles filling in the tracks of the former Outer Circle railway at East Kew. In the background is the metal bridge with brick piers, adjacent to the Harp Junction. The bridge crossed the cutting, linking the two parts of High Street. Behind the tip truck, painted on the side with the name 'Fowler Quarries' [located Keilor Road, North Essendon], one can see shops [including T.G. Garroway, Cash Grocer] in High Street. What appears to be the City of Kew Steamroller is immediately in front of the bridge. A group of passers-by watch from the bridge and from the road. Annotation in pencil on verso: "Filling in Outer Circle line at High St East Kew prior to straightening High St. (c. Feb 1930?)outer circle railway, railway cuttings, harp junction, high street -- kew east -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - Tent-pegging
Trooper C. Ellison, a member of the 8/13 Victorian Mounted Rifles Heritage Troop participating in a display of tent-pegging at a local show. The Heritage Troop of 8/13 Victorian Mounted Rifles was a very public face of the regiment during the 1980s and early 1990s. It conducted one royal escort, several vice-regal escorts and numerous VIP escorts in the border, north-east and wider Victorian locations. The royal duty was at the opening of Hopkins Barracks, Puckapunyal by HRH Prince Charles accompanied by HRH Princess Diana, 31 October 1985. The troop was an extra curriculum activity of serving members of 8/13 VMR. Framed black and white photograph of light horseman engaged in tent-pegging. military, light horse, tent-pegging, cavalry, ellison -
City of Ballarat Libraries
35mm Slide, Miss Carol Penrose, Queen of Begonias (back) Ballarat Begonia Festival, circa 1956
This slide shows the 1956 "Queen of Begonias" in Ballarat, on her float during the Begonia Festival street parade. Miss Carol Penrose, who was crowned by the Prime Minister Robert Menzies, is shown in the background. The runners up that year were Janet Saunders and Hillary Richards, otherwise known as "Princesses", one being pictured here, in front of the Begonia Queen. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library.begonia festival, festival, queen of begonias, ballarat, parade -
Federation University Historical Collection
Newspaper - Newspaper supplement, Eyre & Spottiswoode Ltd, His Majesty's Printers, The Warrior's Pilgrimage Armistice Day - 1920, 11/1920
This newspaper supplement has a series of pictures specially drawn by 'Sphere" artists to show a pictorial record of the journey of the Unknown Warrior from a lonely grave on the battlefield to a tomb in Westminster Abbey on 11th November 1920. 11 November 1920 On 11 November 1920, the second anniversary of the Armistice, the commemoration became a funeral when the remains of an unknown soldier were returned from the battlefields of the Western Front. The remains were interred with full military honours in Westminster Abbey in London. In attendance were King George V, Queen Mary, The Queen Mother, The Queen of Spain and Princess Mary. The service was conducted by the Dean of Westminster.Eight page newspaper supplement of "The Sphere" which gives a series of pictures specially drawn by "Sphere" artists of Armistice Day celebrations 1920. A pictorial record of the journey of the Unknown Warrior from a lonely grave on the battlefield to a tomb in Wesminster Abbey.armistice day 1920, the warrior's pilgrimage 11/1/1920, the unknown warrior, "verdun", bluejackets, king george v, westminster abbey, the cenotaph london -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Infant feeding bottle, 'The Victoria Feeding Bottle', 1900 (approximate)
This design was modelled on Queen Victoria's nursery bottles and would have been in use during mid 1880s to the early 1900s. This item is very similar to the Alexandra Feeding Bottle featured in the Maws catalogue of 1868. It was named after the then Princess Alexandra of Wales, later Queen Alexandra. This model had a glass stopper and a long rubber tube which connected at one end to a teat and to a glass tube at the other. The fittings were very difficult to clean and would hold milk particles, making them a breeding ground for the formation of bacteria. Sterilisation of feeding bottles by boiling, and boiling of milk and water, were not practiced effectively at this time.Globular shaped feeding bottle embossed with a crown on the upper surface. Next of bottle fitted with a glass thread. Writing imprinted on front of bottle, inside a ring, reads "THE VICTORIA FEEDING BOTTLE". The bottle has a flat shaped bottom to allow it to balance on a surface while being used."THE VICTORIA FEEDING BOTTLE"infant feeding, infant care -
Kew Historical Society Inc
Map, MMBW, MMBW Plan No.40 Collingwood & Kew, 1900-1910
The Melbourne and Metropolitan Board of Works (MMBW) was established by an act of the Victorian Parliament in 1890 to prepare for and to implement a sewerage and water reticulation system across what was then inner Melbourne, its surrounding and middle distance suburbs, including Kew. The MMBW was disbanded in 1991.The map collection of the Kew Historical Society has at its core the historic maps assembled and originally stored in the City Engineer's Department of the City of Kew. These include maps in a number of scales. The vast majority of maps were produced by the MMBW in the first two decades of the twentieth century, and are solid working maps, backed by linen for durability. These maps are historically significant to Kew, the City of Boroondara and to the history of the development of state utilities in Victoria. A number of the Kew maps have additional details added by former municipal officers, including the levels reached by various floods. As these were working documents, information was added to them long after the period of their initial production and distribution.Early map of part of the Borough of Kew, created in the first decade of the twentieth century, at a scale 160 ft to 1 inch. The map covers what was then the south western section of Kew, bordered on its north by Studley Park Road, in the west by Walmer Street and the River Yarra, by High Street South and Princess Street in the East and Barkers Road in the south. The map shows the extent of urban development by that time, prominent institutions and the outlines of built structures in the municipality. Contour lines and historic flood levels were added in ink to the map at a later stage.MELBOURNE AND METROPOLITAN BOARD OF WORKS / PLAN NO. 40 / COLLINGWOOD & KEWmelbourne & metropolitan board of works, mmbw maps, mmbw plans, borough of kew, cartography -
Brighton Historical Society
Clothing - Dress, Wedding dress, 1881
The donor's husband's grandmother was Bertha Michaelis who lived at 'Linden', St Kilda. She married David Jacob Baruch (known as Dalbert) in Hamburg on 9 November 1881. Bertha was born in Melbourne. The couple lived in Germany. Bertha returned to Melbourne with their two children, Ernest and May, after Dalbert died in 1893. May married Rabbi Jacob Danglow in 1909 and they had one son, Frank, who was the donor's husband.Cream satin princess line wedding dress with dark cream lace trim. Fastens centre front with 17 satin covered buttons. Nine extant bones are placed on the interior seams and darts. Three-quarter length fitted sleeves. Bodice backed with cream cotton. The back trained panels of the skirt have been cut to extend into a pleated swathe of satin that wraps around the hips to the centre front. A square padded bustle pad is attached to the interior back of the skirt. The hem of the skirt is decorated with kilted and swathed satin and lace. Label, interior waist tape, woven silk stamped in dark green: H. L. HEYNEMANN / Hannover / Seilwinderstr. 6a., Bose; In monogrammed ("HLH") circles either side: (Left) BAARZAHLUNGS SYSTEM; (Right) ERSTE PREISE. Stitched in thick cotton thread on interior waist tape: *9097wedding dress, germany, hannover, linden, st kilda, bertha michaelis, david jacob baruch