Showing 6751 items
matching 1980-90
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Heidelberg Golf Club
Booklet - Program, Heidelberg Golf Club, Heidelberg Golf Club: Programme of events 1980-1981, 1980
Contains Club information, members' contact details and a calendar of events. 84 p., stapled, buff cover with black writing and sketch of clubhouse. heidelberg golf club, members handbooks, program of events -
National Vietnam Veterans Museum (NVVM)
Booklet, Australian Army, Australian Army: Training Command Army Training System, Pamphlet 6, Instructor's Booklet,1980, 1980
A khaki green coloured cover with black information on the front. There are two punch holes down the left hand side.There is a stamp at the bottom of the booklet wich reads Supersededaustralia - armed forces - service manuals, training command, army training system -
National Vietnam Veterans Museum (NVVM)
Booklet, Australian Army, Australian Army: Training Command Army Training System, Pamphlet 4: The Development of Training 1980, 1980
A green coloured cardboard cover with black information. Top of the booket written in red texta os E.J. Sungalis. Under this reads 7610-66-107-6867. There are two punch holes down the left hand side.australia - armed forces - service manuals, training command, army training system -
Federation University Historical Collection
Poster, Arts Festival 23rd. Sept. - 5th. Oct. 1980, 1980
Printed poster Ballarat College of Advanced Education arts students arts festival, new ground gallery, ballarat college of advanced education, bcae, visual art -
Ballarat Heritage Services
Photograph, St Anne's East Kew Jibilee Sticker, 1980, 1980
St Anne's East Kew opened in 1930.Blue and white sticker of St Anne's Primary School in East Kew. sticker, st anne's east kew, education -
National Vietnam Veterans Museum (NVVM)
Booklet, Australian Army, Australian Army:Training Command, Army Training System Pamphlet 3: The Design Of Individual Training, 1980, 1980
A khaki green coloured cardboard cover with black information on the front. At the top firght hand corner reads 7610-66-093-7728. the booklet is covered in plastic and there are two metal srews down the left hand side.At the top of the booklet written in red texta is the name WO Noble.australia - armed forces - service manuals, training, training command, individual training -
National Vietnam Veterans Museum (NVVM)
Booklet, Australian Army, Australian Army:Training Command, Army Ttraining System Pamphlet 1 Introduction to the Army Training System, 1980, 1980
A khaki green coloured cardboard cover with black information on the front. The booklet is covered in plastic and there are two punch holes down the left hand side.At the top of the page written in both red texta and ink is the name WO Nobleaustralia - armed forces - service manuals, training command, army training system -
National Vietnam Veterans Museum (NVVM)
Booklet, Australian Army, Australian Army: Training Command Army Training System, Pamphlet 6: Instructor's Handbook 1980, 1980
A khako green coloured cover with black information. . There are two punch holes down the left hand sodeTop of the booklet writeen in red texta (twice) reads WO Nobleaustralia - armed forces - service manuals, army training system, instructors handbook, wo noble -
Federation University Historical Collection
Document - Document - External Lecturers, VIOSH: External Lecturers Session 4, 1980; Renumeration
Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Letter from Derek Woolley to Derek Viner in May 1980. It was asking him to write letters of appointment to E Wigglesworth, G McDonald and P Fotiades re lecturing in Current Concepts in Safety, Safety Engineering and Social Organisation of Industry respectively. It was also providing renumeration information for each.A4 page - typedviosh, victorian institute of occupational safety and health, derek woolley, derek viner, eric wigglesworth, g mcdonald, current concepts in safety, safety engineering, social organisation in industry, renumeration, external lecturers, p fotiades -
Federation University Historical Collection
Document - Document - Report, VIOSH: BCAE;, Special Inspection Report prepared for The Sovereign Hill Park Association; 1980
Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. This special report was prepared by Neville Betts, Occupational Hazard Management student at Ballarat College of Advanced Education in 1980. It was to provide comment and recommendations aimed towards improving the standards of both occupational health and safety and general public safety at Sovereign Hill, Ballarat. Interviews with those at Sovereign Hill and external public officials - fire brigade, police, ambulance contributed to the report.Twenty-eight A4 pages - typed document. Photographs included showing various safety concerns. Small holes down left side from binding which has been removed.viosh, victorian institute of occupational safety and health, ballarat college of advanced education, bcae, occupational hazard management, sovereign hill, general public safety, fire brigade, police, ambulance, inspection report, neville betts, student -
Whitehorse Historical Society Inc.
Domestic object - Pennant, 1980
See Ref No. 4362Triangular blue felt school pennant. Gold printing NDPSSA. Drawing of sprinter with laurel wreath around it in gold. '2nd Place' in blue on gold background '1980' printing in gold 'DIV..2' in gold on blue background. Gold edging on left hand side with two loops.NDPSSA, 2nd Place, 1980, DIV..2trophies & awards, sports, trophies & awards, education, school, equipment -
National Wool Museum
Dennys, Lascelles 1980 Calendar, 1980
The calendar was own by the donors father, John Arthur Ganly, who worked at Denny Lascelles most of his working life as an accountant. He started working at Denny's circa 1935 and stayed until he retired.Denny Lascelles 1980 calendar. The calendar has gold, white and red accents. Auction Sale in Sturt Street, Wagga Wagga, N.S.W., during the 1914-18 War is used as the header image.Dennys Strachan Mercantile Woolbrokers, Stock, Land and Insurance Agents 1980denny lascelles, denny lascelles wool warehouse -
Glenelg Shire Council Cultural Collection
Document - Portland High School - Annual Report 1980, 12/12/1980
Cream foolscap sized folder, 7 foolscap typed pages stapled inside. Principal's report, Speech Day, Portland High School 12 December 1980Front: 'apple 11 Portland High School annual report 1980' - black printportland high school -
NMIT (Northern Melbourne Institute of TAFE)
Handbook - PTC, A TAFE College in action [, 1979
At a time of change in TAFE education, this draft updates information at Preston Technial College. Contains enrolment statistics. Alternate title is "A TAFE college enters the 80s"A 'work in progress' with the proposed amendments handwritten throughout.Four copies of A5 size of Preston Technical College prospectus, estimated to be 1979 and 1980, Two different covers. Also one is a draft copy for 1980. 20 pages with bronze cover.The draft 1980 is based on a previous prospectus, this volume has notations for updating information throughout.preston technical college, ptc, handbooks, draft, nmit -
Port Melbourne Historical & Preservation Society
Photograph - Gary BRICE and Vic AANENSEN, PMFC, in dressing rooms prior to 1980 VFA Grand Final, 21 Sep 1980
Tony CANNATELLI had access to the Port Melbourne rooms prior to the 1980 VFA Grand Final and took photos of the players prior to the match. Port Melbourne defeated Coburg 11.15.81 to 10.10.70 at the Junction Oval in St Kilda on Sunday 21 Sep 1980.Gary BRICE and Vic AANENSEN of Port Melbourne Football Club in the dressing rooms prior to the 1980 VFA Grand Final against Coburg Football Club at the Junction Oval, 21 Sep 1980. Photograph by Tony CANNATELLI.gary brice, vic aanensen, sport - australian rules football, port melbourne football club, pmfc -
St Patrick's College
HSC Badge 1980, c1980
This badge was given to students undertaking their Higher School Certificate at St Patrick's College in 1980. It would be pinned to the students' jumper or blazer.College crest suspended from bar which has the clasp on the back.H.S.C. 1980hsc badge, 1980 -
Federation University Historical Collection
Document - Document - Year Book, VIOSH: Ballarat College of Advanced Education; Graduate Diploma in Occupational Hazard Management, Class 1979 -1980
Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Year Book produced by the students of the first Intake for Graduate Diploma in Occupational Hazard Management. This was at the Ballarat College of Advanced Education, Mount Helen Campus in 1979-1980. It includes an article printed in The Courier, 29 June 1979 about the visit of American Professor David Klein of Michigan State University. He comments on the quality of the course and high standards of the students. stated there was nothing like this in America. Students were Noel Arnold, Peter Bailey, Neville Betts, Robert Blunt, Ronald Cordingley, William Davis, Bill Embling, John Florence, Gwyn Griffiths, Roslyn Mancy, Laurie Mason, John Moroney, Allen Pang, Graham Suckling, Ross Wyatt, Peter Wilson.Forty-one A4 sheets with yellow cover front and back. Printed and stapledviosh, victorian institute of occupational safety and health, ballarat college of advanced education, graduate diploma in occupational hazard management, intake 1, professor david klein, michigan state university, the courier, derek viner, max brooke, year book, 1979-1980, noel arnold, peter bailey, neville betts, robert blunt, ronald cordingley, william davis, bill embling, john florence, gwyn griffiths, roslyn mancy, laurie mason, john moroney, allen pang, graham suckling, ross wyatt, peter wilson -
Coal Creek Community Park & Museum
Phonograph Record, Viennese Nights
Phonograph record, black shellac, with black Columbia "Magic Notes" label. A&B sides: Viennese Nights - Waltzes Selection parts 1&2. Artist: Regal Cinema Orchestra.Reference Number DOX - 167. Has a white and blue semi circular label attached to the record label. G.J. Grice Ltd House of Music Supplies. -
Coal Creek Community Park & Museum
Phonograph Record Cover
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Nillumbik Shire Council
Mixed media: Liz NETTLETON, Liz Nettleton, Respite and Repose, 2010
Nettleton creates an image of peace and tranquility after the violence felt from the 2009 Black Saturday bush fires / At the Arthurs Creek cemetery Nettleton found the grave of Reg Evans and Angela Brunton, friends who had perished in the fires / Nettleton sat on the edge of their joint grave and photographed their view / It was only after examining the photos more closely that she realized Mount Sugarloaf had burnt almost to the valley / Sugarloaf is always in an indigo haze. This work is by a local contemporary artist and encompasses themes dealing with the 2009 Black Saturday bushfires. Mixed media (acrylic paint, acrylic ink and indian ink) on board / Landscape painting of Mount Sugarloaf and green pastures after the 2009 Black Saturday bushfires / Mount Sugarloaf is depicted in an indigo haze in the background / A line of trees bathed in light border the mountain's edge / Lines of trees parallel to each other jut out diagonally in the foreground / Framing this view of the landscape is a pattern (topographical maps of the Nillumbik area), which suggest the vast extent of the devastated area of landscape. In black marker 'LIZ NETTLETON' + artist signature '2011' on back - middle right side nettleton, respite and repose, landscape, painting, mixed media, black saturday, mount sugarloaf -
Nillumbik Shire Council
Prints (solar etchings): Christine JOHNSON (b. 1959 AUS), Voyages Botanical, 2014
Johnson undertook this project with a State Library of Victoria 'Creative Fellowship' in 2012, drawing on early botanical illustrations by Sydney Parkinson, Pierre-Joseph Redoute, Ferdinand Bauer and others from the Library's 'Rare Books' Collection. Johnson printed this series in 2013 while working as artist in residence at Baldessin Press, St. Andrews. 'Voyages Botanical' celebrates the untamed treasures of Australia’s (Nillumbik) vast native flower garden. The work speaks to Nillumbik's natural environment and colonial heritage in the context of our national story. Charcoal solander box with artwork title, artist name and flower motif in silver lettering bottom centre (edition 4/5). Catalogue: 52 colour pages. Solar plate engravings x 30; ink on paper. Series A: Ten multi-layered solar plate engravings (edition of 12); Series B: Ten flower images drawn from living specimens (edition of 12); Series C: Ten details from early botanical art engravings (open edition) Charcoal solander box with artwork title, artist name and flower motif in silver lettering bottom centre. Solar plate engravings x 30: Series A, B: all prints have edition number '4/12' to bottom left of image, artwork title () centre and artist signature 'Christine Johnson 2014' to bottom right of image. Series C: all prints have artist initials signed 'CJ' bottom right of images. All inscriptions in pencil. johnson, solar plate, engravings, creative fellowship, baldessin press, state library of victoria, botanical, flora, native, european explorers, cartography, wildflowers -
Nillumbik Shire Council
Print (drypoint): Rick AMOR (b.1948 Melbourne, AUS), Rick Amor, 'The Ruin' from 'The Baldessin & Friends' commemorative folio, 2016
Painter, printmaker and sculptor Rick Amor is one of Australia's most distinguished senior artists. He was a good friend of the late George Baldessin and three times Archibald Prize winner Clifton Pugh, having lived and worked at Pugh's property, Dunmoochin in Cottles Bridge, Nillumbik during the 1980s and 90s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'The Ruin' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. Rick Amor has been an ardent supporter of the Baldessin Press & Studio and a great patron of living artists. In 2014 the Press partnered with Amor and the State Library of Victoria to create The Amor Residency at The Baldessin Press & Studio, which is part of the Library's annual fellowship program. 'The Ruin' was based on a plein air painting done by Rick Amor on a trip to Broken Hill in 2001 and reflects on death and the passing of time so eloquently portrayed by the industrial ruins of NSW. In the tradition of a Piranesi, the work emphasises the transience of life and the triumph of time. Black and white drypoint etching in which a small figure, a traveller; located bottom left, points to a large crumbling edifice (building), a stage like space in the background. Ed.14/25baldessin, print, drypoint, amor, 2018 ekphrasis, ruin, etching, ekphrasis2018 -
Nillumbik Shire Council
Print (etching & acquatint): George BALDESSIN (b.1939 ITA – d.1978 AUS), George Baldessin, ‘Portrait II’ from 'The Baldessin & Friends' commemorative folio, 1966 (printed 2017)
George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. This work chosen for the folio is from an incomplete edition from 1966. It has been printed on Baldessin's original 1974 cast aluminium Enjay press (designed and made in collaboration with Neil Jeffreys) and restored specifically for this project by Dan Jones. In addition Deanna Hitti has used Baldessin's original Japanese Torinoko paper, stored safely in his studio for over forty years. ‘Portrait II’ is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print is a fine example of Baldessin's primary interest of the figure, which displays great sensitivity to and observation of the human condition. Distortion, exaggeration and fragmentation were employed by Baldessin as tools to animate and scrutinize the displaced, dispossessed and alienated figure, flattened against the picture plane. Black and white distorted and exaggerated figure (head and shoulders), with hands raised to the face and the figure's right eye. acquatint, etching, baldessin, ekphrasis2018, figure -
Nillumbik Shire Council
Print (etching): Michael LEUNIG (b.1945 Vic, AUS), Michael Leunig, ‘Pilgrim’ from 'The Baldessin & Friends' commemorative folio, 2016
Michael Leunig is an Australian cartoonist, poet and cultural commentator. His best known works include The Adventures of Vasco Pyjama and the Curly Flats series. Leunig was declared one of Australian Living Treasures by the National Trust of Australia in 1999. George Baldessin (1939-1978) was a printmaker and sculptor who built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.one colour (yellow) etching on Somerset paper. Thick lines weave in and out to produce a figure reminiscent of his 'curly flat' characters holding a long stem flower/vine. ekphrasis2018, pilgrim, baldessin, leunig -
Nillumbik Shire Council
Print (etching and photo polymer): Imants TILLERS (b.1967 Syd., AUS) in posthumous collaboration with George BALDESSIN (b.1939 Treviso ITA – d.1978 Melb., AUS), Imants Tillers, 'Unsaid + Nameless' from the 'Baldessin & Friends' commemorative folio, 1976; completed 2016
Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio -
Kiewa Valley Historical Society
Transfers - Tawonga School Centenary, 1980
The Tawonga Primary School celebrated its centenary on 25 - 26th Oct. 1980 with a program including a fete selling clothing with the option of buying iron-on transfers of the school building.Tawonga School was one of the earliest schools in the Upper Kiewa Valley supplying an education for the children of the farming community. Iron - on transfers were popular at the time.Brown fancy print and sketch of Tawonga School building done back to front on stiff iron-on paper."Tawonga School Centenary at top." '1880 - 1980' at bottom'tawonga primary school; iron-on transfer -
Chiltern Athenaeum Trust
WW1 Veterans Travel Pass Badge, post WW1 1918 on
Associated with WW1 veterans and issued to them for free travel due to them being a WW1 veteran. Associated with WW1 veterans and a badge that entitles them to free travel in appreciation of services rendered. Round dark blue enamel badge with inscribed wording : WW1 Veterans Travel Pass (issue no) 1980, (member number) 1521. The badge is on a gold coloured bar and pin. WW1 Veterans Travel Pass 1980, 1521ww1 veterans travel pass, ww1 1914-1915 travel pass for veterans -
Geelong Cycling Club
Race Events, 1980-89
Cycling racing programs in western Victoria 1980-1989Provides a broad overview of cycling racing programs in western Victoria 1980-1989Flat file of GCC Race Events and events held by neighbouring Victorian Cycling Clubs during 1980-1989melbourne to colac cycling classic; geelong amateur cycling club; camperdown amateur cycling club; maryborough amateur cycling club; -
Tennis Australia
Poster, Advertisement, Circa 1980
A poster promoting the new Yamaha 90 Gold, 90 Silver, and 90 Bronze ceramic/graphite composite tennis racquets. Materials: Paper, Inktennis -
8th/13th Victorian Mounted Rifles Regimental Collection
Print - Framed gift from 8QRIH, Visiting the Outposts
The 8 Kings/Queens Royal Irish Hussars was affiliated with 8th Light Horse and later 8/13 Victorian Mounted Rifles. Gifts and visits were exchanged between the regiments. The artist, Henry Martens (b. 1790, London; d. 1868, London) was an English military illustrator and artist. He created works for the firm of Rudolf Ackermann who ran the Eclipse Sporting Gallery at 191 Regent Street. The majority of these depicted military uniforms and battle scenes, particularly images of the Sikh Wars and the Kaffir Wars. He worked mainly in water-colour although a few oil paintings do exist.Framed print of "Visiting the Outposts" by Henry Martens. This was a gift to 8/13 Victorian Mounted Rifles from its affiliated regiment 8 Queens Royal Irish Hussars in 1980.Presented by Queens Royal Irish Hussars 1980military, light horse, hussars, irish, martens, girt, affiliation