Showing 3605 items
matching background history
-
Glenelg Shire Council Cultural Collection
Painting, Isabel Huntington, Poppies in Flanders Field, 1968
CEMA Art Collection Winner of 1968 Portland Art Society Prize for the category of other media.The painting is an abstract depiction of a field which is predominantly yellow with patches of red. The largest red patches are in the lower right corner and centre left side. Another focus point of the work is a large yellow mound slightly off centre which may represent a haystack. The background is a light blue sky. The work has a painted wooden frame with material mount and glass covering only the paint surface.Front: Huntington (signature, lower left) Back: ISABEL HUNTINGTON "POPPIES IN FLANDERS FIELD" (1968) (typed label) Yellow Sticker: 1968-cema, portland artists society, wwi -
Glenelg Shire Council Cultural Collection
Print, Angela Gee, Old Lady, 1983-1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of standing female figure dressed in black and holding a red umbrella. The figure is wearing a red glove and a pink item in her hair. The background is a floral wallpaper print in blues and greens.Front: 8/ 37 A Gee Back: 19 -
Glenelg Shire Council Cultural Collection
Print, Nancy Malseed, Bird Trip, 1973
UnknownThree separate images of birds. Top image is six large abstract birds with 12 birds in background (upper centre). Centre panel contains 3 birds in flight, brown against a grey background. Lower panel contains 3 walking birds, black and white against a brown background. Mounted in a dark green matt, in a black wooden frame with glass glazing.Front: 3/20 Etching and roll-up (lower left) "Bird Trip (centre) N. M. Malseed (lower right) (pencil) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Print, Lesbia Thorpe, Tropical Fish No.2, 1966
CEMA Art collection Winner of 1966 Portland Artists Society Art Prize for the category of Any other mediumThis print depicts a large fish completed in black and brown on a pink background. The fish is portrayed from a side view and has a large body, small tail and blue eye. Predominately pink, the background features smaller areas of black, purple and brown. The work has a natural wood frame with grey mount and glass.Front: TROPICAL FISH (2) 4/10 LT (orange paint, lower left) LESBIA THORPE__________________.(along bottom, pencil) Back: TROPICAL FISH No 2 ) LESBIA THORPE ) FLAT 5 10 FORDHAM AVE )Handwritten, black ink CAMBERWELL VIC ) $23 unframed ) Typed: LESBIA THORPE "TROPICAL FISH No.2" (1966) Yellow sticker: 1966 Red sticker: 10cema, portland artists society -
Glenelg Shire Council Cultural Collection
Drawing, Burnt Mountain, 1964
CEMA Art Collection Winner of 1965 Portland Art Society Art Prize for category Any other medium.The drawing depicts the burnt remains of a mountain top. In the foreground are two mountain edges which are black with a patch of blue and patch of orange/brown. In the background are remains of several burnt tree stumps on a purple/brown ground. The work has a thin wooden frame, white painted hessian and glass.Front: M Macqueen 64 (signature, lower right, black chalk) Back: MARY MACQUEEN "BURNT MOUNTAIN" (1964) (lower left, typed label) 1964 (upper right, yellow sticker and also pencil) -
Glenelg Shire Council Cultural Collection
Painting, Frank Werther, Dead Wattles, 1962
CEMA Art Collection Winner of 1962 Portland Artists' Society Prize for the category Painting. Included in the 1999 "Salvage" Exhibition at CEMA Arts Centre.The painting depicts several trees on a multi-coloured ground with mountains in the background. The trees in the foreground are linear and completed in shades of browns and pinks. The work has a white, gold and blue hand-painted frame with exposed canvas.Front: Werther '62 (bottom right, brown paint) Back: PORTLAND "DEAD WATTLES" 40 GNS FRANK WERTHER COTTLES BRIDGE VIC per MAYNE NICKLESS (white chalk) Red sticker: 32 Yellow sticker: 1962cema, portland artists society -
Glenelg Shire Council Cultural Collection
Painting, Nancy Malseed, Environment III, 1969
Art CollectionThe picture depicts trees with emus hiding amongst them. The trees are a cluster in the middle of a white background that gradually gets darker around the bottom and top edges. Mounted on a wooden backing which extends further then the picture, giving it a natural frame. No glass.Front: Malseed (brown paint, lower left.) Back: 1969- (Yellow circle sticker, top) 114 (small white sticker, top) Portland Art Gallery Trust (just short of top, white chalk) Nancy Malseed Environment 111 (1969) (strip of white paper, printed, top right) Malseed Environment 3 N.F.Scema, portland artists society -
Glenelg Shire Council Cultural Collection
Painting, Enid Denton, Rain Forest, 1972
UnknownAbstract scene of a rainforest. Foreground depicts a stand of trees. There are several mountains in the background, set against a blue sky with rays of sun falling on a central mountain. Predominant colours for trees are green, yellow, brown and black. Mounted on cream matt in pale green frame, with glass glazing.Front: Enid Denton (lower right) (brown paint) Back: Rain Forest $600.00 Enid Denton, Smith Avenue, Croydon 3136cema, portland artists society -
Glenelg Shire Council Cultural Collection
Painting, Irene Hill, Beach at Dutton Way, 1967
CEMA Art CollectionThe painting depicts the shoreline of a beach with green foliage in the background. Various shades of sand make up the foreground, with a black object in the centre edge of the foreground. To the right of the sand is the blue ocean with the white wash of a broken wave seperating the sand from the water. The background features foliage in various shades of green which meets a blue/purple sky. The work has a painted white wooden frame with material mount and exposed canvas.Front: I.G. HILL 1967 (black painted, lower right corner) Back: White chalk:- ARTIST (underlined) MISS I.G.HILL 42 BOWEN ST. CAMBERWELL(underlined) Price $63 IRENE HILL "BEACH AT DUTTON WAY" (1967) (typed label) Yellow Sticker: 1967 -cema, portland artists society -
Glenelg Shire Council Cultural Collection
Print, Sentinel, 1968
Art CollectionThe picture depicts a black background featuring two white squares on top of one another. The white squares have rust-coloured lines and circles in them, as well as blue circles and lines. These blue lines are much thicker. The frame is wooden and has a white mount and glass.Front: 8/10 (lead pencil, lower left) Sentinel (lead pencil, centre) Stephen Spurrier 68 (lead pencil, lower right) Back: Stephen Spurrier "Sentinel" (1969) Silk Screen and Etching (printed on white strip, clear plastic cover) -
Glenelg Shire Council Cultural Collection
Print, 1834-Portland-1984, 1983
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency, 1983 and 1984.A laminated screenprint of a portrait montage in black on coloured background. The foreground consists of over one hundred small portraits which cover the majority of the work. On the left and top right sides are black outlines of various flora. At the top of the work is black text which reads "1834 Portland 1984".Front: Angela Gee '83 (lower right) (pencil) Back: 20portland, angela gee residency -
Glenelg Shire Council Cultural Collection
Painting, Enid Denton, Flinders Ranges, 1963
CEMA Art Collection Winner of 1963 Portland Art Society Art Prize for category Watercolour. Included in the 1999 "Salvage" exhibition at CEMA Arts Centre.The painting depicts mountain ranges from an elevated position looking down across the mountains. The mountains in the foreground are predominantly shades of green, yellow and brown. The mountains in the background are various shades of blue and extend into a pale blue sky. The work has a grey painted frame with a white cardboard mount and glass.Front: E Denton (lower right, black paint) Back: ENID DENTON "FLINDERS RANGES" (1963) Watercolour (typed label) 1963 (yellow sticker) -
Glenelg Shire Council Cultural Collection
Painting, Elma Amor Herbst, Girl, 1963
CEMA Art Collection Winner of Portland Artists' Society Prize for category Oil.The painting portrays a standing female figure. She has straight black hair and wears a blue/green dress. She is depicted as looking at the observer and holds something in her right hand which is held across her body. The background is a mixture of purple, green and blue. The work has a thick wooden frame and exposed canvas.Front: - 63 AMOR (lower right, black paint) Back: ELMA AMOR HERBST "GIRL" (1963) (lower left, typed label)cema, portland artists society -
Glenelg Shire Council Cultural Collection
Photograph, Blacknose Point, n.d
Black and white photo. Blacknose Point, from top of cliff, looking south, Lawrence Rocks in backgroundBack: 'Blacknose Point, Portland' - handwritten in black ink. '2' -pencilblacknose point, photography -
Glenelg Shire Council Cultural Collection
Functional object - Portland Free Library Museum and Literary Institute Embossing Press, "Portland Free Library Museum and Literary Institute Embossing Press", 1900
Portland Free Library and Museum and Literary Institute.Heavy metal. Decorative motif of flowers and leaves in gold on black background. Green felted woven fabric on base. Wooden handle. Metal embossing stamp (brass or bronze). -
Greensborough Historical Society
Article, Ian Bryant, Attention Soldier Green, 2023_11
... . Background history of the man after whom Greensborough was named ...A research paper on the military history of Edward Bernard Green, produced by Ian Bryant. The article is supported by copies of Green's military records.Background history of the man after whom Greensborough was named.20 p., typescript and copies of documents, in plastic folder.edward bernard green, edward bernard drury green, greensborough -
Greensborough Historical Society
Pamphlet - Leaflet, St Katherine's Anglican Church St Helena 1858, 1990s
Contains a history of St Katherine's Church St Helena, Major Anthony Beale and his wife Katherine Rose after whom the church and chapel are named. Includes current parish information and contacts. [Rev Stephen Hale become vicar of St John's parish in Diamond Creek in the 1990s]Background to this well known pioneer church.One A4 page, folded in 2. Printed on blue coloured paper.st katherines church, st helena, anthony beale, rose chapel -
Greensborough Historical Society
Article - Newspaper Clipping (copy), Diamond Valley News, History written in a churchyard, 1986_11
Contains a history of St Katherine's Church St Helena, Major Anthony Beale and his wife Katherine Rose after whom the church and chapel are named. Beale descendant Isla Heddle and church warden Beverley Ward are shown in this article.Background to this well known pioneer church.One A4 page, black and white text and image.Source written across top of pagest katherines church, st helena, anthony beale, rose chapel -
Montmorency/Eltham RSL Sub Branch
AMF Rising Sun Hat Badge Collection
History of the seven versions of the Rising Sun hat badge.Two sided hinged timber look box set containing replicas of the seven versions of the Australian Military Forces (Army) Rising Sun hat badge from 1902 to the current version from 1991. The badges are mounted on a foam and black cloth background. The Rising Sun badges are able to be removed from the cloth background. Printed in black ink on the inside cover of the box is a history guide to the badges from 1902 to the current deisign. An early version of the Rising Sun badge containing bayonet and swords mounted over a crown with a rising sun background is also printed on the inside cover. Mounted on the outside of the front of the box is a gold coloured larger version of the current version of the Rising Sun badge. First Hat Badge - 1902 Second Hat Badge -1902 Third Hat Badge - 1904 Fourth Hat Badge - 1949 Fifth Hat Badge - 1954 Sixth Hat Badge - 1969 Seventh Hat Badge - 1991 Printed on the inside is a history guide to the badges from 1902 to the current design. The Australian Army is printed on the Rising Sun Badge mounted on the front cover. Brandnet Pty Ltd 02 6123 2990 is printed on the back cover. australian military forces, rising sun, hat, badge, collection -
Phillip Island and District Historical Society Inc.
Photograph, Robb's store, Cowes, 1920
Inside of General Store. Probably Robb's as the photo was donated by Mary Robb. In background shelves stacked with groceries. Behind wooden counter, the Grocer standing and man in glasses, cap and seated along side Grocer. Standing in front of counter to one side, six waistcoated gentlemen and a lady. A wooden chair is located before the lady. An advertisement for Invicta Jelly Crystals is imprinted on the counter.Black and white photo of the inside of a general store, Thompson Avenue, Coweslocal history, photographs, buildings--historic, black & white photograph, mary robb -
Phillip Island and District Historical Society Inc.
Photograph, Cowes Phillip Island, 1920
A stretch of the main Street of Cowes, looking towards Westernport Bay. A narrow strip of the Peninsula in the background. Left side of road depicts a group of buildings and Post Office. A Norfolk Pine in the background. On right side of road on footpath are three women and a child. The women are attired in long black dresses and large smart hats. Along side them is a picket fence, shrubby garden and a house. A small child and male figure popping out the gate.Thompson Avenue, CowesMain Street Coweslocal history, photographs, streetscape, cowes, black & white photograph, mary robb -
Phillip Island and District Historical Society Inc.
Photograph, Bakery, Thompson Ave, Cowes Phillip Island, 1920
In front of Bakehouse, a wooden building with two closed windows, is harnessed horse and buggy. Seated on the two-wheeled buggy is probably one of the West brothers. A tree in background is partially obscured.Horse an Baker's Buggy outside Bakery in Thompson Avenue, Cowes.On side of Buggy - H E West. Bakery (another word undecipherable)local history, photographs, thompson avenue, cowes, horse & buggy, sepia photograph, mary robb -
Phillip Island and District Historical Society Inc.
Photograph, Seal Rocks, Phillip Island
View showing seals on rocks lying about and in the background swimming in the sea.Close up of Seal RocksSeal Rocks, Cowes, Phillip Island, Vic. Murray Views No. 26. Seal Rocks, Cowes, Phillip Island, Vic.local history, photographs, seal rocks, phillip island, coastline, black & white photograph, mona condrick -
Phillip Island and District Historical Society Inc.
Photograph, Cowes Beach, Phillip Island
Three skirted ladies in hats and coats on beach looking sideways to figures in the water in a practice rescue operation. A suited man with hat and hands on hips is to the right of photo. Also watching two young children who are playing in the sand in foreground. To left and background is Cowes Jetty and a three-masted schooner moored alongside.The ladies photographing a rescue practice, Cowes front beach.local history, photographs, cowes beach, rescue practice, black & white photograph, mary karney -
Phillip Island and District Historical Society Inc.
Photograph, Hay carting, The Nobbies Road, Phillip Island, c 1913
Unmade road through bush and trees. One white horse and one black horse pulling cart loaded with hay. Two hatted men seated on top of hay. A rider on horseback with stock in background. Very rural scene.Carting hay on Nobbies RoadThe Nobbies Roadlocal history, photographs, the nobbies road, sepia photograph, betty kus collection, rural scene, phillip island, bruce bennett -
Phillip Island and District Historical Society Inc.
Photograph, Boarding House Picnic, 1913
... and gums in background. local history photographs horse & wagon ...Off to Boarding House Picnic 1913 in five horse drawn covered wagons. A group of women in hats and long dresses still waiting to board. A man in long white apron to right of photograph in front of vehicles. Large fir trees and gums in background.Boarding House picnic 1913Boarding House Picnic 1913local history, photographs, horse & wagon, picnics, sepia photograph, betty kus collection, horse drawn wagons, phillip island, bruce bennett -
Phillip Island and District Historical Society Inc.
Photograph, Cowes Beach, Phillip Island, 1900's
Beautiful beach very suitable for bathing on Cowes foreshore to left of the Pier.Mother and daughter in neck to knee bathing suits and caps, standing amongst rocks. The pier in the background.local history, photographs, bathers near the pier, phillip island, black & white photograph, betty kus collection, cowes foreshore, jetty, bruce bennett -
Phillip Island and District Historical Society Inc.
Photograph, Cowes Pier, Phillip Island, approx 1926
Cowes Jetty built in 1870 to enable ships to berth with supplies and to carry produce to the Melbourne Market. Under tree at left of pier, George Cox's shack where he livedCowes Jetty/Pier. In background first Isle of Wight HotelThe Rose Series P657. Cowes, from the Pier, Phillip Is., Victorialocal history, postcards, jetties, cowes, phillip island, sepia photograph, ian reiher, george cox hut -
Phillip Island and District Historical Society Inc.
Photograph, Cowes Beach, Phillip Island, c 1926
The beach east of Erehwon Point, Cowes, Phillip Island, Victoria, showing remains of Jetty with Mornington Peninsula in the background. The Rose Series P 3402The Rose Series P.3402 The Beach, Cowes, Phillip Is. Viclocal history, postcards, the beach, cowes, phillip island, sepia photograph, ian reiher, beach -
Phillip Island and District Historical Society Inc.
Photograph, Newhaven Jetty
Part of collection of Rose & Valentine Postcards copied by John Jansson 1984Black & White Postcard. View of Newhaven Jetty with San Remo in background. over printed "Greetings from Cowes" - CopyPhillip Island. Newhaven, San Remo in distance.local history, photography, photographs, views newhaven, phillip island, jetties, newhaven, san remo