Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Eleven Photos of Bendigo from Glass Plate Negatives, Campaspe River at Axedale, Axe Creek, Lake Weroona, White Hills Botanical Gardens, Conseratory Gardens, Bendigo Fernery. Slides are ex Bartlett Brother Bendigo. history, bendigo, bendigo conservatory gardens, campaspe river axedale, axe creek victoria, lake weroona bendigo, white hills botanical gardens bendigo, bartlett brothers bendigo, rosalind park bendigo

Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Photos from Glass Plate Negatives Slides are ex Bartlett Brother Bendigo. The Slides were used for advertising prior to the shows and during intervals; possibly at one of the three picture theatres, the Lyric, the Plaza, or the Princes Theatre. history, bendigo, bartlett brothers bendigo, bendigo theatre advertising

Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Nine Photos of vehicles from Glass Plate Negatives Slides are ex Bartlett Brother Bendigo. The Slides were used for advertising prior to the shows and during intervals; possibly at either of the three picture theatres, the Lyric, the Plaza, or the Princes Theatre. history, bendigo, bartlett brothers bendigo, bendigo theatre advertising

Valentine & Sons of Dundee were Scotland’s most successful commercial photographers. In the early 1900s, at the height of the postcard craze, they published large numbers of postcards in the U.K., Canada, U.S., Australia and South Africa. Even though enthusiasm for postcards eventually waned, Valentine & Sons continued to produce cards into the 1960s and 1970s. Numerical ranges belonged to Valentine & Sons’ branches in other countries, as follows: USA – 200,000s; Australia – 300,000s; and South Africa – 500,000s. New Zealand cards were produced but these seem generally to have been numbered in the U.K. series, which bore numbers less than 100,000. Thirty-eight photos of postcards of Bendigo, city centre, published by Valentine and Sons Publishing Co.history, bendigo, ted hocking collection, valentine postcards

Frederick de Kock first advertised as a teacher of French situated in Mr N Caire's photographic Studio, View Place. In 1882 he began teaching hand painting on ceramics. In 1883 he advertised as a photographer with his own studio on the corner of Mitchell and King Street, which was later named the Bendigo Portrait rooms. In December 1887 Mrs De Kock sold all her goods prior to a move to Sydney. In 1888 Frederick advertised as a representative of the Enlargement Company who was visiting Bendigo to take orders. This information suggests that this photograph was taken between 1883 and 1887.Sepia family photograph of three girls and one boy, date and family name unknown. Siblings dressed for the photograph, youngest child the son carries a walking stick. Photograph by F. de Kock & Co., photographic artists located at corner of Mitchell and King Streets.siblings, family group

Black and white photograph of the Middleton family having a picnic in Bendigo about 1896. The baby in the photo is Jessie Elderfield (nee Middleton), the second man from right is William Higgs Middleton, born Kyneton 1866, father of Jessie. The woman holding the baby is almost certainly Jessie's mother Alice Mary Middlton (nee Bohn) born Lauriston 1871. No other people in photo are identified. On the back stamp of R. Dermer Smith, photographer, Lauraville, Myers Street, Bendigo. middleton family, 1896, bendigo

A black and white photograph by Alan Doney of a photographer's studio in Williamson Street in Bendigo showing the detail of the wrought iron on the verandah. alan doney, bendigo, wrought iron

Photograph. Of the Shamrock Hotel - third building. Post to the left has light at the top. Bottom right shows two Horse drawn cabs waiting in middle of the road. Signed at bottom right by Photographer, Vincent Kelly, Bendigo.Vincent Kelly

Postgcard. Miss Dolly Castles. Photographer. W, Vincent Kelly Photos Bendigo. Addressed to Miss L. Pethard. Golden Square.

Black and wwhite photograph of five gentlemen at the Stewards box at Bendigi Jockey Club, during race meeting photographer referenced on rear as RobinsonRobinson

LYDIA CHANCELLOR COLLECTION: Group of people in park, two rows. Two women in the front row are holding up a banner with Bendigonian Socity written on it. Ink stamp on rear: B.Seppard Photographer 3 Marcaret Street Canterburybendigo, history

Four paper snapshots, negative holders. Three from Norman J. Oliver, Hargreaves Street, Bendigo. The other from J.W. Jones Hargreaves Street, Bendigobendigo, business, photographers

Photo shows Birney 29 at Charing Cross with the destination of Depot. Tram has a briquette advertisement. Two ladies are alighting. In the background are signs or buildings for the RACV, the Herald newspaper, and the Australian Mutual Provident building. Photo has date of 25 Sep 1961. Photo by Jim Seletto. Note the direction signs on the pole behind the tram.Yields information about Bendigo tram 29 and Charing Cross.Photograph - Bendigo - Birney 29 Charing CrossHas photographer, date stamp and location written on reartramways, tramcars, birney tramcars, tram 29, charing cross, bendigo

Photo shows Bendigo 18, painted in the Bendigo Trust colour scheme at the Mine terminus, late 1980's or early 1990s. It was originally converted by the SEC to a one-man tram but not used as such. Converted by the Bendigo Trust to a enclosed car with entries at either ends. Operated by the Ballarat Tramway Museum during 2001 to 2005 to celebrate 150 years of Gold, where it carried its Melbourne number of 45. Currently operated by the Bendigo Tramways as No. 45.Yields information about Bendigo Tramways tramcar 18 /45.Colour print - digital printed made 12/22Has notes on the rear of the print about the photographer, address and dates.tramways, tramcars, tram 18, bendigo, bendigo tramways, tram 45

Photograph shows Bendigo SEC Birney trams 28 and 30 at Charing Cross in Pall Mall, prior to the closure of the SEC operated system in April 1972. Photograph by Robert Wallace Studios. Has The Behive buildiing in the background. No. 28 has a SEC Briquettes roof advertisement.Yields information about the operation of SEC Birney's in Bendigo prior to closure.Photograph - Black and White mounted onto heavy card.Photographer's studio stamp on rear - Robert Wallace Studiosbendigo, tramways, trams, birney tramcars, tram 28, tram 30, charing cross, pall mall

Photograph of SEC Ballarat of a line up of about 9 trams, lead by No. 41 in Wendouree Parade, Gardens area, early 1960's for a special tour. See item 3341 for a colour photograph of the event. Photographer unknown. Yields information about a large tour group of trams in Wendouree Parade.Black and white photographbendigo, tramcars, wendouree parade, tours, gardens

Album compiled by the photographer containing generally 89 x 124mm of: • Bendigo – 151 black and white prints • Ballarat – 119 black and white prints and some colour • Melbourne – 20 colour and black and white prints - featuring Queensway, the Hump, Royal Park, route 82, Dandenong Road, Glenferrie Road, Barkers Road and Hawthorn Bridge. • Rome, Hong Kong and Toronto – 14 prints See items 8638 to 8642 for negatives of the Ballarat and Bendigo photos and related image files held on the BTM Demonstrates the work of the photographer.Album - heavy plastic covered covers, with 100 sewn and glued paper sheets each side with three plastic sleeves for photographs with a negative pocket page at the rear. See list of btm8637 - Ballarat list.doc for a location listing of the Ballarat photographs.trams, tramways, ballarat, bendigo, melbourne, hong kong, toronto, rome, brian andrews

Contains part of the negatives that the photographer took of Bendigo and its tramway system on a 1968 visit. For the actual prints see the Album 8637 and the digital images held in the Museum's photo collections files. Many of the photographs were used in Brian's book, "By Birney to Golden Square"Demonstrates the work of Brian Andrews.Negative folder - paper folder by R. Gunz (Photographic) Pty Ltd containing 6 strips of 35mm negatives in a plastic clear sleeve.Folder No. 60 - 35mm - SEC Bendigotrams, tramways, brian andrews, negatives, bendigo

Contains part of the negatives that the photographer took of Bendigo and its tramway system on a 1968 visit. For the actual prints see the Album 8637 and the digital images held in the Museum's photo collections files. Many of the photographs were used in Brian's book, "By Birney to Golden Square" Includes as well 12 photographs of track work on the Glenelg Adelaide tram line.Demonstrates the work of Brian Andrews.Negative folder - paper folder by R. Gunz (Photographic) Pty Ltd containing 6 strips of 35mm negatives in a plastic clear sleeve.Folder No. 61 - 35mm - SEC Bendigo and Glenelg - MTT Glenelg line 24-3-68 and 30-3-68trams, tramways, brian andrews, negatives, bendigo, glenelg

Contains part of the negatives that the photographer took of Bendigo and its tramway system on a 1968 visit. For the actual prints see the Album 8637 and the digital images held in the Museum's photo collections files. Many of the photographs were used in Brian's book, "By Birney to Golden Square" Includes as well 172 photographs of J and K class locomotives at the Ararat locomotive depot.Demonstrates the work of Brian Andrews.Negative folder - paper folder by R. Gunz (Photographic) Pty Ltd containing 6 strips of 35mm negatives in a plastic clear sleeve.Folder No. 64 - 35mm - SEC Bendigo 12-5-68 and VR Western line 11-5-1968trams, tramways, brian andrews, negatives, bendigo, ararat, steam locomotives, j class, k class

338.1 - Black & White photograph of No. 28 in McCrae St. Bendigo running out for the last day 'Grand Parade' showing special - front 3/4 view. 338.2 - as above, but after tram has past photographer, has church hall in background. Both on Kodak paper. Taken on 16/4/1972.On rear in black ink on both photos 'Going out for last time, for SEC to partake in Grand Parade'trams, tramways, bendigo, closure, birney, mccrae , tram 28

One of a group of unprovenanced photographs donated to the Society by Betty Morgan.While its provenance is unclear, and it has suffered from fading, the photograph is a useful record of children's clothing in the first decade of the Twentieth Century. It is an example of Massingham's commercial photography at his studio in Bendigo. The clothing worn by the boys can be used to deconstruct social values in the period preceding the First World War.Faded sepia studio photograph of three unidentified boys, the oldest boy dressed in a quasi-military uniform; the two younger in berets and lace collars. The photographer is named as G.L. Massingham ( (George Leake, active 1866-1921) of View Street, Bendigo (and Geelong); active in View Street from 1901-c.1921.G. L. MASSINGHAM / VIEW STREET. BENDIGOaustralian photographers - g. l. massingham - view street - bendigo

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph on boardprinted in ink on support l.c.: VIEW OF STURT STREET, BALLARAT, TAKEN FROM THE TOWN HALL TOWER. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 13. / VIEW OF VICTORIA HILL, BENDIGO, TAKEN FROM OLD CHUM HILL. / This scene represents two of the principal Quartz-reef claims in the district of Bendigo, with their surface / excavations. The one nearest the foreground is the North Old Chum's Company's claim, which is very rich with / gold-bearing quartz. The other claim, on the hill side, is the private property of Mr. George Lansell, and is even / more valuable than the former, giving employment to over 100 men. The building on the right is the quartz-crushing / plant belonging to the new Chum and Victoria Companies. The excavations are several hundred feet in depth. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography, victoria hill - bendigo - victoria

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View of the township of Golden Square’ : Views of Victoria (General Series) No.57 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘This Township is situated in the Bendigo district, on the road to Castlemaine, and although it is of little importance as a business town, is nevertheless of large importance in consequence of the great number of Quartz Reefs it contains. Almost every house is undermined, and large fortunes have been made by the proprietors. The Church in the distance is that of the Wesleyan body. It was in this township that gold was first discovered in the district of Bendigo.’nicholas caire (1837-1918), golden square (vic), bendigo (vic), gold mining, landscape photography - victoria

Prior to the election of female Councillors and Mayors from the 1960’s onwards the Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, international level. They also undertook some Mayoral duties on occasions when the Mayor was unavailable. Mayoress Anderson was born Mary Gittins at Sandhurst in 1872 and was the daughter of William Bromley Gittins and Susan Horwood. She was Mayoress from 1941 - 42.Framed, oval photographic studio portrait of Mrs A.J Anderson. Hand coloured detail.Mrs. A.J. Anderson / Mayoress 1941 - 42 / Vincent Kelly / Bendigomary gittins, mayor a.j. anderson, vincent kelly photographer, mayoress mary anderson, city of greater bendigo portraits, city of bendigo

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, national level. Mayoresses were also required to undertake Mayoral duties on occasions when their husband was unavailable. Mayoress Batchelder was born Elizabeth Helen Wilkinson and is recognised for her work among the poor of the district. Art NouveauFramed, oval photographic portraits with convex glass and print, created using a collodion wet plate process. Hand coloured detail.Mrs E.G. Batchelder / Mayoress 1928 - 1929 / Vincent Kelly / Bendigoelizabeth wilkinson, mayoress batchelder, mayor batchelder, vincent kelly photographer, city of bendigo, city of greater bendigo portraits

Prior to the election of female Councillors and Mayors in the 1960’s, The Lady Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, international level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Mayoress Bolton was born Jemima 'Mina' Vance in White Hills in 1866. She died on 7th December 1946 aged 80 years. Mayoress Bolton was an ardent worker for charitable bodies, particularly Baby Health Centre and Children's Welfare department. Framed, oval photographic portraits with convex glass and print, created using a collodion wet plate process. Hand coloured detail.jemima vance, mayoress bolton, mayor bolton, vincent kelly photographer, city of bendigo, city of greater bendigo portraits

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, international level. They also undertook Mayoral duties on occasions when their husband was unavailable. Mayoress Craig was born Grace Adeline and was a highly respected teacher at Bendigo Girl's School and Bendigo High School. Grace Craig was the first lady to have an official part in the traditional induction of Mayor ceremony. Framed, oval photographic studio portrait. Hand coloured detail.Mrs A.S. Craig / Mayoress 1956 - 57 / 1963 - 64 / Eric (? aslington )grace adeline, mayoress craig, mayor craig, washington photographer, city of bendigo, city of greater bendigo portraits, lansell pendant

Prior to the election of female Councillors and Mayors in the 1960’s, The Lady Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, international level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Mayoress Ewing was born Victoria Keighley in East Melbourne. Her father Edward Keighley was one on the district's earliest mine managers and part owner of the Rose of Denmark Mine. Framed, oval photographic studio portrait. Hand coloured detail.Mrs W Ewing / Mayoress 1925 - 26 / Vincent Kelly / Bendigovictoria keighley, mayoress ewing, mayor ewing, vincent kelly photographer, city of bendigo, mayoress portrait

Elizabeth Enid Granger (nee Webster) born Eaglehawk (1906-1965).Framed, oval photographic studio portrait. Hand coloured detail. Glass domed, photograph is flat. cl; Mrs E F Granger / Mayoress 1948 - 9. lr: Reg Brockelizabeth webster, mayoress granger, mayor granger, reg brock photographer, city of bendigo, city of greater bendigo portraits