The Yarrowee Lodge is in Ballarat, VictoriaBlack and white certificate with a brown rectangle at the lower left. The certificate had been printed and handwritten. It relates to tjhe Supreme Grand and Royal Chapter of Royal Arch Masons of Victoria and was made out to Frank Joseph Henry Wright on 13 August 1933. 7894 Signed "Frank Wright" Signed "Chas. K. Cahn"frank wright, freemason, mason, lodge, royal arch chapter, charles k. cahn

Around 1941 this family left the farm at Crossley and moved to Melbourne, Victoria. Black and white photograph of members of the Carroll family of 'Hillside", McCartney's Lane, Crossley, Victoria. Left to right: Mary Carroll (Fitzgerald), Rosemary Carroll, Kathleen Carroll, Ronald Carroll, Patrick Edmund Carroll.kathleen carroll, mary carroll, mary fitzgerald, ron carroll, rosemary carroll, patrick edmund carroll, ronald carroll

The black border recognised the death of Queen Victoria.Handwritten letter on letterhead Public Library, Museums, and National Gallery of Victoria which was bordered in black. The paper has been embossed with the crest of the library. The letter requests copies of the Ballarat School of Mines Annual Reports for the library.ballarat school of mines, melbourne public library, national gallery of victoria, letterhead, armstrong, state library of victoria, copyright act, legal deposit, crest, emboss

No. 38 decorated for the Royal Visit along with tram 39 at the Victoria St terminus.Yields information about the Ballarat's bogie trams, in particular No. 38 that was decorated for the Royal visit in 1954.Digital image from the Wal Jack Ballarat Album of Ballarat 38 and 39 at the Victoria St terminus. No. 38 decorated for the Royal Visit. Has the destination of "City". See N1124, Prints taken at the same time, with minor variations in the background eg cars. 5297.1 - an almost identical image, though with a motor bike in the view - see image i5 and N897 5297.2 - a very similar image, see image i6 and N1135 See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negative N1124 See image i5 for hi res scan of negative N897 See image i6 for the hi res scan of negative N1135 - print also held of this image.On rear in ink "SEC Ballarat No. 38 and 39 Victoria St terminus, Ballarat East 8-3-54. No. 38 decorated for Queen's visit" In top right hand corner is Wal Jack stamp with negative number "T66PC" written in.trams, tramways, royal visit, decorated trams, victoria st, tram 38, tram 39

This letter was sent by The State Savings Bank of Victoria to General Secretary for the Association for the Advancement of the Blind, dated 9th March, 1943. It reads "Dear Sir, re: Mortgage: The Trustees of Recreation Ground for the Blind to this Bank. With reference to your letter of 1st instant, we herewith return agreement - the Trustees to the Association - which has been duly noted. Yours faithfully, G. Cartwright, Acting Secretary. 1 typed bank with State Savings Bank of Victoria letterheadassociation for the advancement of the blind, kooyong club house

Entree card issued to Miss Hewitt of the National Council of Women, Victoria to attend a morning tea at St Kilda Town Hall on 3 March 1958 during the 1958 visit by Queen Elizabeth, The Queen Mother. The Queen Mother was in Australia over the period 14 February – 7 March 1958 to attend the British Empire Service League Conference in Canberra and visit Brisbane, Sydney, Melbourne, Tasmania, Adelaide and Perth, and various provincial and country areas.White coloured circular card, discoloured with age, printed in blue on both sides and with blue ribbon attached. The reverse side has been annotated in handwriting, in blue ink, with the name of the invitee.Miss HEWITT National Council of Women, Victoriaroyal visits, queen elizabeth the queen mother, queen mother, national council of women of victoria

Historic Places Special Investigation South Western Victoria descriptive report Jan 1996Card cover with photo of a water metal water race with moutains in the background Historic places Special Investigation South-Western Victoria Descriptive report Land Conservation Councilstawell heritage

A colour photograph of the Cumberland Guest House in Murchison Street in Marysville in Victoria.A colour photograph of the Cumberland Guest House in Murchison Street in Marysville in Victoria. This guest house, along with all of the guest houses in Marysville, was destroyed in the 2009 Black Saturday bushfires.cumberland guest house, murchison street, marysville, victoria, photograph, 2009 black saturday bushfires

A colour photograph of the Log Cabin that was situated on Pack Road in Marysville in Victoria.A colour photograph of the Log Cabin that was situated on Pack Road in Marysville in Victoria. This was a well known business in Marysville that sold tourist related items until it was destroyed in the 2009 Black Saturday bushfires.log cabin, marysville, pack road, victoria, 2009 black saturday bushfires, photograph

A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Murchison Street in Marysville in Victoria. Photograph shows a view of The Corner Cupboard Cafe which, along with most of the buildings along Murchison Street, was destroyed in the 2009 Black Saturday bushfires.murchison street, the corner cupboard cafe, marysville, victoria, photograph, 2009 black saturday bushfires

A colour photograph of the Steavenson River in Marysville in Victoria.A colour photograph of the Steavenson River in Marysville in Victoria. The Steavenson River is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860s.steavenson river, marysville, victoria, photograph, john steavenson

Victoria Cross for Australia was introduced in 1991 for actions in Afghanistan. Corporal Cameron Baird was the 100th Australian to receive the award This coin is one of a series "Legends of ANZACS", uncirculated, with a value of 25 cents.Bronze coin featuring an Australian Victoria Cross, laminated, mounted on card printed in colour both sidesLogos of Westpac, 100 years of ANZAC, and Legacy, with photographs of Albert Jacka and Cameron Baird, VC recipients.victoria cross, coins, commemorative coins

Shows picture of Mactier Gardens and Victoria Hotel, Hogan Street, Tatura,.Colour photograph showing Mactier Gardens (on left) and Victoria Hotel (on right) Hogan Street, Tatura. Photograph stuck onto piece of white cardboard. hogan street tatura, mactier gardens tatura, victoria hotel tatura

Extract of Victoria As I Found It. "Brown on Pleasant Creek" By Henry Brown. Photocopied at the Public Library MelbourneLight Blue Plastic Cover with clear cutout and white paper insert with Black Print"Brown on Pleasant Creek" from "Victoria as I Found It" By Henry Brown Published London 1862stawell gold

Reports of cases argued and determined in the Supreme Court of Victoria. From the former Kilmore Court House library.Black water-mark patterned cloth cover with leather spine & corners, worn at extremities, slightly faded cloth. Spine has a black band with gilt writing and a red band with gilt writing. 'Court of Petty Sessions Kilmore' at base of spine.Slight discolouration to edges of cover and front flyleaves, back & front. Good condition.Title page, stamp, 'Law Department Victoria' Judges list page, 'Court House/Kilmore'.kilmore courthouse library.

State Bank [Victoria] promotional ruler. Wooden ruler.Stamped with State Bank [Victoria] logo.state savings bank of victoria, state bank

We hold 2 copies of this post card, the image of which which had been hand-tinted. The tree guards along the street prevented horses from browsing on their bark and leaves. The street on the right is probably Beatrice Avenue. SLV collection dates the post card as c1906.A coloured stamped postcard identified as Albany Crescent, Surrey Hills, Victoria showing the tree plantings on the naturestrips, gutters and houses with picket fences.SHP2213a Postcard front "Albany Crescent, Surrey Hills, Victoria". On the back is a message addressed to Mr N Smith at Phillip Island from "Ada". SHP2213b Received 2001 See our postcard print also/ From Julie Jones Heritage Officer Whitehorse/ after Heritage Trails published/ Have an original card already.albany crescent, surrey hills, ada, mr n smith, phillip island, post cards, 1901-1910

Green cardboard string binder containing Victorian School Papers for Grades 3 and 4 issued by the Education Department of Victoria from February to December in 1968. Name: J. Paine, Grade: 1vb, School: Norwood (Ringwood, Victoria).

Built in 1923-1927, the school is the gift from the children of the state of Victoria, Australia, to the children of Villers-Bretonneux as proof of their love and good-will towards France. Twelve hundred Australian soldiers, fathers and brothers of these children, gave their lives for the heroic recapture of the town on April 24th and 25th, 1918. On the front of the building there are two plaques (one in French and one in English) referring to this. In the School Yard, as well as an Aboriginal style mural created by the students of the school and inaugurated on ANZAC Day 2009, is an inscription over the porch on a green background in yellow writing saying : DO NOT FORGET AUSTRALIA Due to the strong bond of friendship between the Australian population and the inhabitants of Villers-Bretonneux. This message expresses the need to remember and show gratitude. Also situated in the school is the Victoria Hall, with its wooden paneling, co-ordinated by the Ballarat Technical Art School with most of the carving being undertaken by Australian sculptor John Grant of Daylesford Technical College in Victoria. The carvings represent fauna and flora from Australia. (http://www.museeaustralien.com/en/?Victoria_school, accessed 04/02/2014)Photographs of each of the Pilister at Victoria School, Villers Bretonneux. Each pilister is carved with an Australian Animal.villers-bretonneux, ballarat technical art school, victoria school, victoria hall, world war, world war 1, australian animals, possum, cockatoo, kookaburra, platypus, lyrebird, koala

Newspaper Clipping from "The Mail", 12-9-1995, P 17, "Footy girls the best in Victoria"Norwood Secondary College junior girls football team proved beyond doubt last week that it was the best in Victoria. The team blitzed Benalla Secondary College 12.11-83 to -0.1-1 in the state final of the Victorian Secondary State Schools Sports Association football competition.

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: ERNEST MARCUSE / BANK OF VICTORIA / YACKANDANDAH Reverse: Y 2 / 013 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: BANK OF VICTORIA / YACKANDANDAH / ERNEST MARCUSE / Reverse: Y 4 / 015 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Fish Creek., Victoria : Mary Ellis : c2003 172 p. : ill.(some col.)., ports. : 30 cm. non-fictiongardening - victoria - history, mary ellis, gardens -- victoria -- history., gardeners -- victoria -- biography.

A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Murchison Street in Marysville in Victoria.murchison street, marysville, victoria, photograph

A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Murchison Street in Marysville in Victoria. Shows the sign at the entrance to Gallipoli Park. The sign and buildings that can be seen in the photograph were all destroyed in the 2009 Black Saturday bushfires.murchison street, gallipoli park, marysville, victoria, photograph, 2009 black saturday bushfires

A colour photograph of the Steavenson River in Marysville in Victoria.A colour photograph of the Steavenson River in Marysville in Victoria. The Steavenson River is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860s.steavenson river, marysville, victoria, photograph, john steavenson

A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Murchison Street in Marysville in Victoria. Photograph shows the Marysville Real Estate building which, along with most of the buildings along Murchison Street, was destroyed in the 2009 Black Saturday bushfires.murchison street, marysville, victoria, marysville real estate, photograph, 2009 black saturday bushfires