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Lara RSL Sub Branch
Memento, Photo/Greeting card Album, World War One
Collection of World War One PhotosCollection of Post/Greeting cards collected by a Lara family from World War OneDark Blue Photo album A3 (20 Pages) containing greeting cards/photos taken during the the First World War. Some cards are coloured. Cards show various scenes from England, Belgium, Malta, Sudan, Egypt and AthensNo inscriptions or marking on the covergreeting post cards album brussels athens egypt sudan cartoon -
Bendigo Military Museum
Postcard - CARTOON POSTCARDS, 1939-45
Cards collected by Alan Telford VX146055 2nd AIF. Refer 357.3 also 332.2, 358.3, 359.3, 360.4P..1) in colour, soldier peeling peas. .2) in colour, soldier blowing trumpet in bed. .3) in colour, group of seven soldiers playing two up. .4) in colour, soldier leaning, officer walking. .5) in colour, soldier, airman & sailor in bar .6) in colour, Japanese women & two children with flag. .7) in colour, scene with Japanese soldiers & civilians. .8) in colour, before and after Christmas dinner. .6, .7) Japanese writing on front and rear. .8) "This is dad after his xmas dinner"cartoon postcards, military, japanese -
Glenelg Shire Council Cultural Collection
Drawing - Cartoon, Portland Coat of Arms Tapestry Cartoon, 1996
Made by the Portland Fibre Group. This is a drawing in preparation for the tapestry.Four-piece photocopy with hand-colouring of Portland Coat of Arms.Front: 249.1 : 26 (pencil, upper left) Back: (no inscriptions)tapestry, study, preparation, cartoon, drawing, portland fibre group -
Greensborough Historical Society
Newspaper Clipping, Songs of joy; and, Cartoon duo hit a chord, 21/09/2016
Two Montmorency Primary School teachers Sarah and Manny Kechayas have created a collection of songs and videos to help students understand concepts such as "It's OK to make mistakes".News clipping, black text and colour image.montmorency primary school, kechayas family -
Eltham District Historical Society Inc
Photograph, Percy Leason, Cartoon by Eltham resident, Percy Leason, 1928
"Jones purchased a quiet little weekend retreat in the hill', published in 1928. Black and white drawing from a Bird’s eye perspective showing a house with veranda surrounded by shrubbery and a large gum tree. It features numerous people in the garden with a road full of various automobiles at the top of the picture. The image is reminiscent of the artists “Wiregrass” series of a mythical country town which were published in the Weekly “Table Talk” magazine from 1926 to 1937. Percy Leason (1889 - 1959) was a painter and cartoonist renowned for his depictions of Australian society in the 1920s and 1930s. He lived in Eltham from about 1924 to 1938 when he moved to the USA. Published by Thomas Nelson, Carlton date unknown. Published in "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall" (1971) Chapter 16 Eltham in Modern Times, page 97.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, eltham, percy leason, drawing, illustration -
Eltham District Historical Society Inc
Book, Wiregrass: A Mythical Australian Town, drawings by Percy Leason, text by Garrie Hurchinson, 1986
Back Cover: At a time when black and white art was flourishing in Australia- with artists like Norman Lindsay, Will Dyson and Stan Cross at work - Percy Leason's creation of Wiregrass ranked him as an illustrator of surpassing genius. His early successes as a book illustrator and as a cartoonist for the Bulletin and Melbourne Punch, presaged a full flowering of his work with his creation of the mythical town and his endowment of it with a host of characters and comic situations. His inspiration came from his childhood town in Kaniva, Western Victoria but Wiregrass was every country town, with its general store, pub and church hall, its swimming hole, football ground and racecourse, its leading citizens, its battlers and mischievous children. Wiregrass flourished in Table Talk Magazine from 1926 to 1937 when Leason, seeking to escape his comic reputation and pursue "serious" art, went to live in America." Percy Leason lived in Eltham Softcover, 80 p. : ill., 1 port. ; 30 cm.ISBN 0850912490australian wit and humour, drawing, caricatures and cartoons, country life -
Eltham District Historical Society Inc
Folder, Bradbury family, 1925
1. Councillor Joseph Bradbury 2. Memories of a Bradbury family member - probably Dorothy Ethel Bradbury A Fatal Accident (1933, September 22). Advertiser (Hurstbridge, Vic. : 1922 - 1939), p. 1. Retrieved July 30, 2024, from http://nla.gov.au/nla.news-article56742159 Dr Ronald Walter Bradbury b. 1904 was married to Una Isabelle Young. Siblings were Dorothy Ethel 1907, Geoffrey Gordon 1909 and Stanley George Peter Bradbury 1912 Parents were Joseph Walter Henry Bradbury (1874-1934) and Lydia Jane Barnett (1876-1967)Folder of information on Councillor Joseph Bradbury, Eltham 1925joseph bradbury, brougham steet, cartoon, dorothy ethel bradbury, dr r. bradbury, dr ronald, electric train, ellen sweeney, eltham, eltham obelisk, eltham shire councillors, eltham tennis club, franco and co, geoffrey gordon bradbury, hudson automobile, jock ryan, joseph walter henry bradbury, kangaroo ground hall, kookaburra, kydia jane bradbury (nee barnett), lavender park road, lydia jane bradbury, main raod, model t ford, mount pleasant road, mr sprott, new street, o'brien, percy leason, rev. tregear, ronald walter bradbury, school committee, schoolmaster dudfield, shire president, sir william irvine, sprott, stanley bradbury, stanley george bradbury, table talk, tilley, tilley's road, una isabelle, wingrove park -
Australian Queer Archives
Cartoon, Wicked Women : There's no stopping us now!, 1990
Wicked Women (1988-1996) was a sex-positive lesbian erotica magazine established, published and edited in Sydney by Francine (Jasper) Laybutt and Lisa Salmon. Later edited by Kimberly O'Sullivan.Pen an ink drawing on laid paper.Signed and dated by the artist lower right. -
Orbost & District Historical Society
book, The Ways of Many Waters, 1899
This book of poetry by E. J. Brady was originally published by the Bulletin Newspaper Company (Sydney) in 1899,Later it was reprinted by Thomas C. Lothian (Melbourne) in 1909, and by the Standard Publishing Company (Melbourne) in 1913.] E. J. Brady was an Australian poet. He was born at Carcoar, New South Wales, and was educated both in the United States and Sydney. He worked as a wharf clerk, a farmer, and journalist, and edited both rural and city newspapers This book is culturally important as Edwin James Brady represented the Bulletin school of the 1890s. The Bulletin was very popular with rural bush workers and selectors and became known as ‘the bushman’s bible’. It encouraged contributions of poetry, short stories and cartoons from its readerswho included miners, shearers and timber-workers from all over Australia. Some of this content was high quality and many of Australia’s important writers had their start with The Bulletin which became know as the ‘Bulletin School’ of literature.A small 155 pp fabric covered brown book with a very faded picture of a boat sailing toward a sunset on the front cover.poetry literature brady-edwin-james the-ways-of-the-waters -
Flagstaff Hill Maritime Museum and Village
Postcard - Picture Postcard, 1880s to 1930s
The picture postcard is illustrated in a simple, child-like manner. It has a personal message on the back, perhaps sent by an adult called Lily to a young relative or friend. Its rough edges indicate that it may have been torn out of a book or from a sheet of cards. It is one of the hundreds of illustrations by artist Louis Wain, quoted as being "one of the most popular commercial illustrators in the history of England" (IllustrationChronicles.com). English artist Louis Wain (1860-1939) was famous for his illustrations of cats, many of which he gave human characteristics and personalities. Wain married Emily. They owned a cat called Peter who was a great comfort to Emily through her cancer illness and consequent death after only a few years of marriage. At 22 years old Wain gave up his job as a teacher to work full time as an illustrator. He was able to produce hundreds of drawing a year for journals, books, postcards and advertisements. Later he wrote and illustrated children's books. However he didn't benefit much from copyrighting his work as he sold his work to publishers together with the copyright, so reproductions of his works didn't earn him money. Wain said that he owned his career as a cat artist to Peter. Wain spent over a decade in mental asylums before his death in 1939.This picture postcard is an example of the work of Louis Wain, English artist of the 19th and early 20th century. He is famous for his drawings of cats, which he continued producing throughout his life. He is also known for producing the world's first screen cartoon cat, called "Pussyfoot". In 1972 Wain's work was presented at an exhibition in the Victorian and Albert Museum.Rectangular picture postcard printed on think cream card. Picture on postcard is outlined in black and coloured in roughly painted watercolours. The drawing has two cats dressed in armour standing and fighting in front of a turreted castle. The picture is a black framed outline. The artist's printed signature is in the bottom left corner. The artist is Louis Wain. The reverse has a vertical dividing line and a square outline for a postage stamp's location. It also has printed headings. There is a handwritten Pencil inscription. The postcard's left side and lower edge have rough uneven edges.Signature: "Louis Wain." Printed headings: "POST CARD" "THIS SPACE MAY BE USED FOR COMMUNICATION" "THE ADDRESS TO BE WRITTEN HERE" Handwritten on back: "To Dr R - - - - - - / with love / from Lilly"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, postcard, picture postcard, louis wain, fighting cats, child's postcard, cat artist, animal portraits, national cat club, fencing, illustrator, children's books, children's author, children's illustrator, watercolour, cats dressed as humans, cats dressed as knights, popular art, victorian art -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Cartoon
Bluey and Curliepicture, ww2, general -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Parachute Cartoon
Hess Parachuting into Scotlandpicture, ww2, general -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Cartoon
Royal Australian Corps of Signalspicture, 1970's, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Cartoon
No worries snow - I have a great ideanewspapers, vietnam, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Cartoon
Look on the bright sidenewspapers, vietnam, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Cartoon
Royal Australian Artilleryposter, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Cartoon
Royal Australian Armoured Corpsposter -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Poster Cartoon
Royal Australian Transport Corpsposter, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Cartoon
Royal Australian Medical Corpsnewspapers, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Cartoon
The horses stay behindnewspapers, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Cartoon
Local Viewsnewspapers, somalia, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Cartoon
Hello Sahibnewspapers, somalia, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Cartoon
Helpnewspapers, somalia, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Cartoon Poster
A look at the Bright sideposter -
National Vietnam Veterans Museum (NVVM)
Photograph, Snoopy Cartoon, C1968 - 1973
Two colour photos in a black frame of Snoopy, the dog. Both appear to be chalk artwork onto unknown surface.'A Lifer- A new arrival in the country - 364 Days to go before returning home ' 'Short - Less than Twenty 'Wakies '(sleeps ) to go! " Sentiments of a Departing Gunship Captain"caricatures and cartoons, photograph -
Women's Art Register
Book, Evelyn Healy, Artist of the Left. A Personal Experience 1930s to 1990s, 1993
A history of the authors life as an artist, teacher, and political activist in Australia.non-fictionA history of the authors life as an artist, teacher, and political activist in Australia.trade unions, social realism, communist party of australia, peace art, australia council, community arts, art and working life, international co-operation art award, cpa, political cartoons, cabramatta and districts art society, noel counihan, contemporary art society of victoria -
Monbulk RSL Sub Branch
Book, Robin Youl et al, From desk to dugout : the education of a Victorian ANZAC, 2015
Come see my little dugout - way up on the hill it stands, Where I can get a lovely view of Anzac's golden sands.' The Anzac Book was the finest 'trench publication' produced during the Great War and was an instant bestseller when first released in 1916. Created by soldiers under enemy fire and in extreme hardship, the illustrations, stories, cartoons, and poems were intended as a Christmas and New Year diversion for soldiers facing a harsh winter in the trenches on Gallipoli. The way these young men powerfully captured their felt experiences and struggles in the trenches had a huge emotional effect on readers back home in Australia. From Desk to Dugout explores this particular moment in Australian literary and educational history and its intersections with the war at Gallipoli and the history of ANZAC.Ill, maps, p.127.non-fictionCome see my little dugout - way up on the hill it stands, Where I can get a lovely view of Anzac's golden sands.' The Anzac Book was the finest 'trench publication' produced during the Great War and was an instant bestseller when first released in 1916. Created by soldiers under enemy fire and in extreme hardship, the illustrations, stories, cartoons, and poems were intended as a Christmas and New Year diversion for soldiers facing a harsh winter in the trenches on Gallipoli. The way these young men powerfully captured their felt experiences and struggles in the trenches had a huge emotional effect on readers back home in Australia. From Desk to Dugout explores this particular moment in Australian literary and educational history and its intersections with the war at Gallipoli and the history of ANZAC.world war 1914-1918 - campaigns - gallipoli, gallipoli campaign - personal narratives -
Monbulk RSL Sub Branch
Book, Wayward Pres, Be nice, 1967
More cartoons and capers of GI VietnamIll, p.98.non-fictionMore cartoons and capers of GI Vietnamvietnamese war 1961-1975 - anecdotes -
Monbulk RSL Sub Branch
Book, UNSW Press, The Anzac book / written and illustrated in Gallipoli by the men of Anzac, 2010
Created by soldiers under enemy fire and in extreme hardship, the illustrations, stories, cartoons, and poems were intended as a Christmas and New Year diversion for soldiers facing a harsh winter in the trenches on Gallipoli. This long-awaited third edition is a reproduction of the original book, with a new foreword by acclaimed author Les Carlyon, an introduction from Australian War Memorial historian Ashley Ekins, and added material originally rejected by the editor, official war correspondent C.E.W. Bean.Bibliography, ill, p.203.non-fictionCreated by soldiers under enemy fire and in extreme hardship, the illustrations, stories, cartoons, and poems were intended as a Christmas and New Year diversion for soldiers facing a harsh winter in the trenches on Gallipoli. This long-awaited third edition is a reproduction of the original book, with a new foreword by acclaimed author Les Carlyon, an introduction from Australian War Memorial historian Ashley Ekins, and added material originally rejected by the editor, official war correspondent C.E.W. Bean.world war 1914-1918 - campaigns - gallipoli, world war 1914-1918 - personal correspondence -
Monbulk RSL Sub Branch
Book, Will Dyson : Australia's radical genius, 2006
Will Dyson (1880-1938) was a brilliant and versatile artist, and much more besides. His prodigious talents struggled to find a niche in Australia, but he burst into prominence with cartoons of extraordinary vigour and resource on the London Daily Herald. These whole-page cartoons with wordy, witty captions were revered by workers and intellectuals alike. Dyson was also a talented writer, a scintillating humourist and an arresting speaker. A stunning overnight success, he was described as the most famous Australian in the world. In 1916 Dyson became Australia's first official war artist. His drawings of profound empathy and sympathy remain a unique record of the Western Front experience. Once again he complemented his art with exquisite writing. Returning to Australia in 1925, he took up etching to international acclaim, confirming that whatever he did he did well. Absorbing, illuminating, and lavishly illustrated, this is a fascinating story of the life and times of a remarkable and under-recognised Australian.Index, bib, ill, p.348.non-fictionWill Dyson (1880-1938) was a brilliant and versatile artist, and much more besides. His prodigious talents struggled to find a niche in Australia, but he burst into prominence with cartoons of extraordinary vigour and resource on the London Daily Herald. These whole-page cartoons with wordy, witty captions were revered by workers and intellectuals alike. Dyson was also a talented writer, a scintillating humourist and an arresting speaker. A stunning overnight success, he was described as the most famous Australian in the world. In 1916 Dyson became Australia's first official war artist. His drawings of profound empathy and sympathy remain a unique record of the Western Front experience. Once again he complemented his art with exquisite writing. Returning to Australia in 1925, he took up etching to international acclaim, confirming that whatever he did he did well. Absorbing, illuminating, and lavishly illustrated, this is a fascinating story of the life and times of a remarkable and under-recognised Australian.will dyson 1880-1938, cartoonists - australia