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Bendigo Historical Society Inc.
Photograph - BENDIGO EASTER FAIR COLLECTION: HELEN LORD CHARITY PRINCESS
Poor quality reproduction of photo of Helen Lord. Below, copy of raffle ticket for Bendigo Easter Fair Society 1964, Pall Mall Popular Girl entrant, Miss Helen Lord. On bottom of page , Pall Mall Popular Girl, Miss Helen Lord invites you to attend hair styling demonstration and fashion parade at the Gold Room, City Family Hotel. March 20 1964. Admission 7/6. On back of sheet: poor quality reproduction of photo of 1983 Charity Princess Julie Dempsey.bendigo, bendigo easter fair, charity princess -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Miscellaneous Photographs
trees, garden views, fruit tree pruning, lagoon paddock, orchard, principals residence, pinus canariensis, sequoia sempervirens, pinus radiata, butia capitata, emily gibson bed -
Orbost & District Historical Society
coloured photographs, Snowy River Mail, second half 20th century
3098.28 is associated with Orbost Education Support Centre Country Education Project. It shows Helen Shiel and two men. 3098.29 is of a group working at desks with computers. One lady is standing. 3098.30 is a demonstration of Hi Tech for teachers and parents at the East Gippsland Conference and Expo at Bairnsdale. Joan Mehlert is in the photograph. 3098.31 shows a group of students of the Comm Skills 1 Evening Class. 3098.32 is associated with the Country Education Project Ruskin Street, Orbost.These photographs are associated with Adult Learning in Orbost.Five coloured photographs related to adult education.education-adult-learning-orbost country-education-project -
National Wool Museum
Beret
Knitting by Joyce Hucker. She began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitting by Joyce Hucker.knitting, hucker, mrs joyce -
Melbourne Legacy
Certificate, Junior Legacy, 1957
A Melbourne Junior Legacy certificate that was awarded to Derithe Ames for first place in the 4.30pm Intermediate Class in 1957. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics. Their skills were showcased in the Annual Demonstration. The certificate shows there were prizes and recognition for achievements. The certificate was with a group of items donated by Legatee Derithe Harrison, including several certificates, a silver metal trophy, and a green Junior Legacy patch for a uniform.A record of the recognition Junior Legatees received for achieving excellence in their classes.Printed certificate on white card awarded to Derithe Ames for first place in 4.30pm Intermediate Class. Signed in blue ink by the Class Leader (illegible), the instructor Miss Enez Domec-Carre, and the Chairman of Girls Group (illegible)junior legatee, derithe ames, girls classes -
Melbourne Legacy
Certificate, Junior Legacy, 1959
A Melbourne Junior Legacy certificate that was awarded to Derithe Ames for most improved in the 6pm Senior Girls Class. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics. Their skills were showcased in the Annual Demonstration. The certificate shows there were prizes and recognition for achievements. The certificate was with a group of items donated by Legatee Derithe Harrison, including several certificates, a silver metal trophy, and a green Junior Legacy patch for a uniform.A record of the recognition Junior Legatees received for achieving excellence in their classes.Printed certificate on white card awarded to Derithe Ames for most improved in 6pm Senior Girls Class. Signed in black ink by the Class Leader (illegible), the instructor Miss Enez Domec-Carre, and the Chairman of Girls Group (illegible). junior legatee, derithe ames, girls classes -
National Wool Museum
Bag, Costume
Crochet example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crochet example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Balaclava
Knitting example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitting example by Joyce Hucker.Late J. Hucker 1972 Ski Capknitting, hucker, mrs joyce -
National Wool Museum
Puppet
Knitting example by Joye Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitting example by Joye Hucker.knitting, hucker, mrs joyce -
National Wool Museum
Hat
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Collar
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and crocheting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.N.F.S. samplecrochet, hucker, mrs joyce -
National Wool Museum
Hat
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker."Jaunty Pair" Cap. J. Hucker Lake Bolac Viccrochet, hucker, mrs joyce -
National Wool Museum
Muff
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Collar
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.N.F.S. samplecrochet, hucker, mrs joyce -
National Wool Museum
Scarf
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Dress
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and crocheting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Bonnet
Knitted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitted example by Joyce Hucker.knitting, hucker, mrs joyce -
National Wool Museum
Cape
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitted example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Layette
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted item by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Bag, Costume
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted item by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Dressing Gown
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and crocheting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Dressing gown crocheted by Joyce Hucker. Detail from crocheted dressing gown by Joyce Hucker. Detail from crocheted dressing gown by Joyce Hucker.crochet, hucker, mrs joyce -
Melbourne Legacy
Certificate, Junior Legacy, 1955
A Melbourne Junior Legacy certificate that was awarded to Derithe Ames for first place in the 4.30pm Junior Class in December 1955. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics. Their skills were showcased in the Annual Demonstration. The certificate shows there were prizes and recognition for achievements. The certificate was with a group of items donated by Legatee Derithe Harrison, including several certificates, a silver metal trophy, and a green Junior Legacy patch for a uniform.A record of the recognition Junior Legatees received for achieving excellence in their classes.Printed certificate on white card awarded to Derithe Ames for first place in 4.30pm Junior Class. Signed in blue ink by the Class Leader (illegible), the instructor Miss Enez Domec-Carre, and the Chairman of Girls Group (illegible)junior legatee, derithe ames, girls classes -
Melbourne Legacy
Certificate, Junior Legacy, 1958
A Melbourne Junior Legacy certificate that was awarded to Derithe Ames for first place in the 4.45pm Intermediate Class in December 1958. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics. Their skills were showcased in the Annual Demonstration. The certificate shows there were prizes and recognition for achievements. The certificate was with a group of items donated by Legatee Derithe Harrison, including several certificates, a silver metal trophy, and a green Junior Legacy patch for a uniform.A record of the recognition Junior Legatees received for achieving excellence in their classes.Printed certificate on white card awarded to Derithe Ames for first place in 4.45pm Intermediate Class. Signed in blue ink by the Class Leader (illegible), the instructor Miss Enez Domec-Carre, and the Chairman of Girls Group (illegible). Date 12/12/1958junior legatee, derithe ames, girls classes -
Melbourne Legacy
Magazine - Newsletter, Legacy Newsletter December 1959, 1959
The newsletter from December 1959. The cover featured a Christmas etching of angels and shepherds by Rembrandt. Articles included a critique of the annual demonstration, the judo classes run, and happenings at the residences. A newsletter published by Legacy in a similar format for many years from 1942 though this is a shorter format compared to some years. It may have been the last in this format as from 1960 the Widows Newsletter was produced. Many articles on the work of Legacy. Some very interesting photos.Newsletter outlining news of Junior Legatee activities.Black and white printed newsletter x 4 pages from December 1959. Volume 12 Number 4.boys classes, activities -
Warrnambool and District Historical Society Inc.
Booklet, CFA 40th Championship, 2003
The Warrnambool Fire Brigade was formed in 1863. The first fire engine house was in Liebig Street and carters were required to carry water to fire scenes. In 1889 the Council built a new Fire Station on Liebig Street and Warrnambool hosted its own Annual Demonstration in 1894. In 1891 the volunteer brigade became part of the Country Fire Brigade. The Fire Station relocated to Raglan Parade in 1915 and then to Timor Street in 1961. In 1989 the Brigade moved back to Raglan Parade. This booklet is a memento of the State Championships that were held in Warrnambool to mark 150 years of community service to Warrnambool by the Warrnambool Fire Brigade. (2013)This is a booklet of 63 pages containing printed material, maps, advertisements and photographs. The back cover is red and the front cover has a black background with an image of flames and a badge with the title of the booklet. The pages are stapled.Front Cover: VFBV, CFA, 40th State Urban Junior Championships, February 23rd and 24th 2013, Friendly Societies Park, Hyland Street, Warrnambool, Warrnambool City Council, Powercor Australia Back Cover: Powercor Australia warrnambool fire brigade, state urban junior championships -
Warrnambool and District Historical Society Inc.
Booklet, CFA 130th Championship, 2013
The Warrnambool Fire Brigade was formed in 1863. The first fire engine house was in Liebig Street and carters were required to carry water to fire scenes. In 1889 the Council built a new Fire Station on Liebig Street and Warrnambool hosted its own Annual Demonstration in 1894. In 1891 the volunteer brigade became part of the Country Fire Brigade. The Fire Station relocated to Raglan Parade in 1915 and then to Timor Street in 1961. In 1989 the Brigade moved back to Raglan Parade. This booklet is a memento of the State Championships that were held in Warrnambool to mark 150 years of community service to Warrnambool by the Warrnambool Fire Brigade (2013).This is a booklet of 96 pages containing printed material, maps, advertisements, photographs and tables. The back cover is red with a white, orange and yellow Origin Energy symbol and the front cover has a black background with an image of flames and a badge with the title of the booklet. The pages are stapled.Front Cover: VFBV, CWA, 130th State Urban Championships, March 9th, 10th and 11th 2013, Friendly Societies Park, Hyland Street Warrnambool, Warrnambool City Council logo, Origin Energy logo, Warrnambool Fire Brigade, Celebrating 150 years of Community Service. warrnambool fire brigade, state urban championships (2013), -
Warrnambool and District Historical Society Inc.
Programme - Booklet, CFA 126 Championship, 2009
The Warrnambool Fire Brigade was formed in 1863. The first fire engine house was in Liebig Street and carters were required to carry water to fire scenes. In 1889 the Council built a new Fire Station on Liebig Street and Warrnambool hosted its own Annual Demonstration in 1894. In 1891 the volunteer brigade became part of the Country Fire Brigade. The Fire Station relocated to Raglan Parade in 1915 and then to Timor Street in 1961. In 1989 the Brigade moved back to Raglan Parade. This booklet is a memento of the State Urban Championships that were held in Warrnambool in 2009 (Volunteer Fire Brigades Victoria and Country Fire Authority)This is a booklet of 96 pages containing printed material, maps, advertisements, photographs and tables. The back cover is white with a Powercor Australia symbol in red and printed material. The front cover is multi-coloured with a photograph of the Fire Station at Flagstaff Hill Maritime Village. The pages are stapled.Front Cover: VFBV, Volunteer Fire Brigades Victoria, CWA, 126th State Urban Championships, 7th, 8th and 9th March 2009, Victorian State Senior Championships, Warrnambool 2009, Warrnambool City Council logowarrnambool fire brigade, state urban championships (2009) -
Port Melbourne Historical & Preservation Society
Mixed media - Placard, Anti-amalgamation protests, 1993
Made by the City of Port Melbourne for the demonstrations before and after the forced amalgamation by the Jeff Kennett State Government of the City of Port Melbourne with the Cities of South Melbourne and St Kilda to form the City of Port Phillip. First demonstation was against the City of Melbourne Act which excised 42% of Port Melbourne's rate base (Fishermens Bend) and so laid the groundwork for amalgamation afterwards because Port Melbourne could not survive on the remaining rates. Refer to Pat Grainger, Liana and David ThompsonWhite cardboard attached to a wooden stick with hand lettered anti-amalgamation slogan in black. "Big is NOT beautiful"public action campaigns, amalgamation, local government - city of port melbourne -
Port Melbourne Historical & Preservation Society
Mixed media - Placard, Anti-amalgamation protests, 1993
Made by the City of Port Melbourne for the demonstrations before and after the forced amalgamation by the Jeff Kennett State Government of the City of Port Melbourne with the Cities of South Melbourne and St Kilda to form the City of Port Phillip. First demonstation was against the City of Melbourne Act which excised 42% of Port Melbourne's rate base (Fishermens Bend) and so laid the groundwork for amalgamation afterwards because Port Melbourne could not survive on the remaining rates. Refer to Pat Grainger, Liana and David ThompsonWhite cardboard attached to a wooden stick with hand lettered anti-amalgamation slogan in black. "Preserve Our Historic Port"public action campaigns, amalgamation, local government - city of port melbourne -
Port Melbourne Historical & Preservation Society
Mixed media - Placard, Anti-amalgamation protests, 1993
Made by the City of Port Melbourne for the demonstrations before and after the forced amalgamation by the Jeff Kennett State Government of the City of Port Melbourne with the Cities of South Melbourne and St Kilda to form the City of Port Phillip. First demonstation was against the City of Melbourne Act which excised 42% of Port Melbourne's rate base (Fishermens Bend) and so laid the groundwork for amalgamation afterwards because Port Melbourne could not survive on the remaining rates. Refer to Pat Grainger, Liana and David ThompsonWhite cardboard attached to a wooden stick with hand lettered anti-amalgamation slogan in black. "Long Live Port"public action campaigns, amalgamation, local government - city of port melbourne